University of Bologna

Conservation Science in Cultural Heritage
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    416 research outputs found

    Setting up of a protocol of environmental research for the preservation and right exploitation of the cultural heritage

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    The research aims at collecting information on the state of preservation of the cultural heritage in Palermo, and deals more precisely with Vittorio Emanuele avenue, itself bounded by two city gates called Porta Felice (northern gate facing the Mediterranean sea) and Porta Nuova (southern gate) that both give access to the historic centre of the city. Another important purpose is the assessment of livability level, be it for workers, residents, cultural operators, or else visitors, with a particular interest in traffic noise. The research has been conducted by means of miscellaneous scientific duties; however we shall only refer here to two types of practice : the monitoring of environmental noise and the monitoring of the level of air aggressiveness through the study of thermo-hygrometric and chemical aspects. Whereas the Corrosion Classification Coupon was useful for the measurement of corrosive agents in outdoor locations, outdoor HOBO Pro sensors were used to report temperature and relative humidity. Hence it was possible to define the acoustic climate on the avenue surveying both geometrical data as well as traffic flow and characteristics

    Political theology in Byzantium as seen by 20th century historians

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    Longiano’s Cross: notes and considerations for the history of conservation

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    The restoration of the antique worshiped Longiano’s Crucifix was the opportunity to examine in detail a board and a painting that has undergone in time numerous maintenance interventions. Describing the executive technique, it was possible to highlight a work methodology which definitely respected the secular traditions as we can see it in the very quality and universality of workshop techniques that did not change in time, at least in some specific geographic areas. The restoration has also allowed to delete severe judgments often expressed, emphasizing a masterpiece of high interest realized around the sixth or seventh decade of the thirteenth century

    From the history of the recognitions of the remains to the reconstruction of the face of Dante Alighieri by means of techniques of virtual reality and forensic anthropology

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    The work consists of the reconstruction of the face of the great poet called Dante Alighieri through a multidisciplinary approach that matches traditional techniques (manual ones), usually used in forensic anthropology, with digital methodologies that take advantage of technologies born in manufacturer-military fields but that are more and more often applied to the field of the cultural heritage. Unable to get the original skull of Dante, the work started from the data and the elements collected by Fabio Frassetto and Giuseppe Sergi, two important anthropologists, respectively at the University of Bologna and Rome, in an investigation carried out in 1921, sixth century anniversary of his death, on the remains of the poet collected in Ravenna. Thanks to this, we have a very accurate description of Dante’s bones, including 297 metric data inherent to the whole skeleton, some photographs in the scale of the skull, the various norms and many other bones, as well as a model of the skull subsequently realized by Frassetto. According to these information, a geometric reconstruction of Dante Alighieri skull including the jaw was carried out through the employment and integration of the instruments and technologies of the virtual reality, and from this the relative physical model through fast prototype was realized. An important aspect of the work regards in a particular manner the methodology of 3D modelling proposed for the new reconstruction of the jaw (not found in the course of the 1921 recognition), starting from a reference model. The model of the skull prototype is then useful as the basis for the successive stage of facial reconstruction through the traditional techniques of forensic art

    3D visualization and virtual reality for cultural heritage diagnostic

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    In the past years, many different new technologies for Cultural Heritage Diagnostic have been developed. In particular laser scanner surveys with digital photogrammetry and also multi-spectral surveys are becoming very useful and inalienable tools for non invasive diagnosis. In the SIDART Project (Integrated System for Cultural Heritage diagnosis), we develop a software able to visualize and elaborate triangulated surfaces coming from high resolution laser scanner survey. In this paper, we want to present the most innovative aspect of our study, that is the possibility to visualize and work in default mode or in immersive Stereoscopy (3D mode). This lets the operator perceive the third dimension and the “virtual investigation” of the object becomes more realistic. This lets us take into consideration in a more simple, natural and correct way and also reduce the possibility to make wrong evaluation due to the false prospective of the classic visualization

    Fondazione Flaminia

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    Diagnostic and analytical study of Punic terracotta pieces excavated from the archaelogical site of Mozia (Sicily)

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    The study on Punic terracotta elements excavated from the archaeological site of Mozia refers to some diagnostic and analytical examinations of ceramics, with a particular interest in the clay typology. It also draws our attention on the technique involved in the production of such products, from the making to the cooking

    Assessment of the conservation state of stone materials in relation to the level environmental pollution in the conservation place

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    The patina represents a superficial natural alteration of the constituting matter of the work of art. It emerges from the natural and usual stabilization process that the materials of the surface undergo because of the interaction with outdoor agents characterizing the surrounding environment. Besides, it is not linked to an obvious phenomenon of degradation that can be noticed through the change in the original colour of the matter. This is what we intend when we talk about biological patina usually generated by macro and/or micro-organic colonization (fungi, bacteria, alga) which contributes to surface bio-deterioration and thus lead to the formation of orange, red or even brown and dark pigmented areas. The presence of chromatic alterations (rose-coloured areas), as a consequence of bacterial colonization, was most particularly pointed out in different sites, such as in the marble slabs on the facades of both the Cathedral of Siena (Duomo di Siena) and the Certosa of Pavia. The present study shows an example of chromatic alteration of the surface of marble works due to bacterial colonization

    Archives, libraries and museums: containers often sick, sometimes seriously sick

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    As far as the feeling of quietness and peace that they often convey, archives, museums and libraries also hide dangers that you may not imagine, either for visitors or especially for the members of the staff. Indeed the poor microclimatic conditions – often the consequences of materials and construction or building technologies that appear definitely obsolete – often arouse suspicion and worry among the staff. Wrong Thermo hygrometric parameters, the presence of volatile organic elements, mineral fibers, biocides, radon gas, aerial dispersive molecules, are among others some of the chemical physical polluters of major influence that may contribute to giving life to the so-called Sick Building Syndrome. But such spaces also bear biological polluters that can provoke pathologies of various types and importance, among which the feared Illness of Legionnaire. The presence of electromagnetic fields, but above all wrong lighting and wrong ergonomic working positions represent some risk factors for members of staff and visitors

    Ergonomics and cultural heritage: the Palatina chapel in Palermo, Italy

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    The present article presents results of a study that aims at the assessment of ergonomic safety conditions inside the Palatina chapel of Palermo. To reach this object, an informative questionnaire was established so as to collect visitors’ subjective judgments regarding overall ergonomic conditions in terms of accessibility, availability, safety or else environmental conditions (thermo-hygrometry; air, sound and visual quality); this stage was carried out, bearing in mind the Museum Visitors’ Rights Card that is currently under creation by the “Legambiente” group. An automatic instrument was bought to daily count the numbers of visitors; the latter element shall then be related to indoor environmental data registered thanks to a monitoring system of thermohygrometry, illuminating engineering and environmental aggressiveness

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