Institut Seni Indonesia Denpasar

ISI Denpasar | Institutional Repository
Not a member yet
    5337 research outputs found

    BIBLIOGRAFI Nyoman Darsane

    Get PDF

    PEER Review Devedan Show Di Amphi Theatre Nusa Dua Bali

    Get PDF

    PEER Review Kapita Selelcta Citraleka Desain

    Get PDF

    PEER Review Rekontekstualisasi Estetika Hindu 'Rasa' Dalam Desain Arsitektural

    Get PDF

    SURAT PENCATATAN CIPTAAN Tari (Sendra Tari): Tari Kresna Wakya

    Get PDF

    TOYA CAMPUHAN : AIR DAN PERADABAN MANUSIA DALAM PENCIPTAAN SENI LUKIS

    Get PDF
    Tujuan utama dari penelitian dan penciptaan seni ini adalah mencipta dan menyajikan karya seni lukis dengan sumber inspirasi “Toya Campuhan : Air dan Peradaban Manusia. Muncul dan berkembangnya peradaban dunia khusunya Bali Kuno tidak dapat dikesampingkan dengan air sebagai sumber kehidupan. Subersumber air seperti campuhan (tempuran sungai) menjadi nadi, menyokong sendisendi yang berkontribusi nyata pada berbagai sektor kehidupan fisik dan spiritual sehingga harus tetap dijaga agar selalu memberikan manfaat bagi perjalan hidup manusia. Namun, kondisi tempuran sungai-sungai di Bali saat ini sungguh memprihatinkan, bermacam polutan mengotorinya. Pelan tapi pasti, kondisinya akan semakin buruk jika terus kita biarkan. Hal tersebut menggugah empati, emosi, dan harapan tentang campuhan yang sehat sebagai misi yang ingin disampaikan lewat penciptaan seni lukis. Model penciptaan seni lukis menjadi ekspresi budaya yang mampu memainkan peran kritis sebagai media peningkatan apresiasi masyarakat untuk membangkitkan semangat ketahanan ekologi atas permasalahan kerusakan sumber-sember air khususnya tempuran sungai saat ini. Penciptaan ini berbasis riset dengan demikian metodenya terdiri dari dua bagian yakni metode penelitian dan metode penciptaan. Metode penelitian menggunakan pendekatan antropologi, khususnya terkait etnografi untuk mengumpulkan data empiris tentang prilaku dan budaya masyarakat di seputaran tempuran sungai-sungai di Bali. Pengumpulan data dilakukan melalui pengamatan dan wawancara. Sedangkan metode penciptaan melewati tiga tahap yakni: eksplorasi, improvisasi, dan perwujudan karya yang didahului dengan telaah karya seni sejenis dan kajian literatur. Target khusus dari penelitian dan penciptaan seni ini: (1) tersajikannya karya yang unik dan imaginatif sehingga masyarakat mendapat tuntunan nilai luhur dan tontonan seni yang inspiratif untuk menumbuhkembangkan watak kesadaran ekologis; (2) terbitnya artikel ilmiah pada jurnal nasional; dan (3) terdaftarnya HKI. Kata-kata kunci: Toya campuhan, seni lingkungan, dan kesadaran ekologis

    GELISAH

    Get PDF

    NASKAH SENI PAKELIRAN: Lord Śiva Saves the Universe

    Get PDF
    The Supreme Personality of Godhead, appearing in His incarnation as a tortoise, dove deep into the ocean to carry Mandara Mountain on His back. At first the churning of the ocean produced kālakūṭa poison. Everyone feared this poison, but Lord Śiva satisfied them by drinking it. With the understanding that when the nectar was generated from the churning they would share it equally, the demigods and the demons brought Vāsuki to be used as the rope for the churning rod. By the expert arrangement of the Supreme Personality of Godhead, the demons held the snake near the mouth, whereas the demigods held the tail of the great snake. Then, with great endeavor, they began pulling the snake in both directions. Because the churning rod, Mandara Mountain, was very heavy and was not held by any support in the water, it sank into the ocean, and in this way the prowess of both the demons and the demigods was vanquished. The Supreme Personality of Godhead then appeared in the form of a tortoise and supported Mandara Mountain on His back. Then the churning resumed with great force. As a result of the churning, a huge amount of poison was produced. The prajāpatis, seeing no one else to save them, approached Lord Śiva and offered him prayers full of truth. Lord Śiva is called Āśutoṣa because he is very pleased if one is a devotee. Therefore he easily agreed to drink all the poison generated by the churning. The goddess Durgā, Bhavānī, the wife of Lord Śiva, was not at all disturbed when Lord Śiva agreed to drink the poison, for she knew Lord Śiva’s prowess. Indeed, she expressed her pleasure at this agreement. Then Lord Śiva gathered the devastating poison, which was everywhere. He took it in his hand and drank it. After he drank the poison, his neck became bluish. A small quantity of the poison dropped from his hands to the ground, and it is because of this poison that there are poisonous snakes, scorpions, toxic plants and other poisonous things in this world

    4,402

    full texts

    5,337

    metadata records
    Updated in last 30 days.
    ISI Denpasar | Institutional Repository
    Access Repository Dashboard
    Do you manage Open Research Online? Become a CORE Member to access insider analytics, issue reports and manage access to outputs from your repository in the CORE Repository Dashboard! 👇