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The Non-Metaphysical Philosopher. The Philosophy and Metaphilosophy of Stefan Sarnowski
No full textThe article is an attempt at presenting the main ideas of Polish contemporary philosopher Stefan Sarnowski (1939–2014). In his works Sarnowski labelled his conception as metaphilosophy, the philosophy of philosophy, and also non-metaphysical philosophy. all these terms, as much as they are treated as the same in this theory, emphasise its different aspects. According to the author of this article, a key idea of Sarnowski’s philosophy is presented by the term non-metaphysical philosophy. In his conception of philosophy, Sarnowski refers to the philosophy of Descartes, Husserl, and Plato. In this conception the idea of philosophical doubting plays an important part. By philosophical doubting we have to understand doubting in everything, i.e. doubting in every thought. Thanks to this philosophical method the ideas of freedom and human entity become reality
Architektura miasta w "Faraonie" Bolesława Prusa
Get PDFProjekt Operacyjny Polska Cyfrowa POPC.02.03.01-00-0039/1
Selekcje szkolne w toku kształcenia czy spontaniczne? Kilka pytań o merytokrację w świetle dorobku Profesora Ryszarda Borowicza
Get PDFProcesses of selection of schools have already constituted the object of the Doctoral Dissertation of Professor Ryszard Borowicz, prepared under a scientific supervision of Professor Zbigniew Kwieciński, and also of his numerous books and papers published throughout his whole scientific career. One of the leading concepts applied in the projects carried out by Professor Ryszard Borowicz was the meritocratic concept. Application of that theory in the explanation of phenomena taking place in the contemporary education system has been subject of critical analysis. Besides, the possible directions of studies have been proposed concerning the selection of schools, including the university-level of education. A number of questions have been raised worth answering, especially in face of dynamic transformations taking place in the Polish society that are somehow a consequence of belief in education that was supposed to create stratification mechanisms enabling promotion of positively selected individuals, according to the relation “merit-award”. With consideration for the Professor’s achievements, and for current indicators, some phenomena have been presented that currently exist in the system and are directly related with the problem of selection of schools.Projekt Operacyjny Polska Cyfrowa POPC.02.03.01-00-0039/1
Determinants and dimensions of intellectual activity of the elderly in the context of problems in adjustment to old age
Get PDFFeatures of Legal Consciousness in the Post-Soviet Period: the Experience of the Modern Ukrainian Constitutionalism
No full textThe author analyses the role of legal consciousness in the formation of civil society and a democratic
state. The author focuses on peculiarities of legal consciousness characteristic of the post-Soviet
citizens. In his view the ideology of paternalism, legal nihilism and the sense of the deficit of legal
responsibility still prevail both in political practice and in minds of ordinary citizens. The mentioned
phenomena constitute thus the distinctive features of the legal consciousness in modern Ukraine. They
are common both to the representatives of the public authority and to members of the civil society.Autor analizuje rolę świadomości prawnej w kształtowaniu obywatelskiego społeczeństwa
i demokratycznego państwa prawnego. Przedmiotem badania są właściwości świadomości prawnej
obywateli doby postsowieckiej. Zdaniem autora do cech charakterystycznych dla świadomości prawnej
w warunkach współczesnej Ukrainy, występujących zarówno u przedstawicieli władz publicznych
jak i u członków obywatelskiego społeczeństwa, należy dominacja ideologii paternalizmu, nihilizm
prawny, poczucie deficytu prawnej odpowiedzialności zarówno w świadomości obywateli, jak
i w praktyce polityczne
Przemiany obywatelstwa we współczesnych demokracjach - wyzwania dla edukacji
Get PDFKultura polityczna danego społeczeństwa przejawia się przede wszystkim w powszechnym uczestnictwie obywateli w procesach demokratycznych. Koncepcja tzw. kontrdemokracji na nowo definiuje partycypację, bardziej w kategoriach krytycznego recenzowania poczynań władz niż bezpośredniego zaangażowania politycznego. Przemiany pojmowania istoty obywatelstwa mają różne przyczyny, m.in. nieusuwalność konfliktu w sferze publicznej oraz wszechobecność manipulacji. Konflikty mają przede wszystkim podłoże ekonomiczne, ale również – wobec narastającej wielokulturowości – etniczne i religijne. Efektem manipulacji jest obecność w przestrzeni publicznej stereotypów i myślenia mitycznego. Kompetencje obywatelskie powinny w sobie zawierać m.in.: refleksyjność, krytycyzm, tolerancję, umiejętność komunikowania, odporność na manipulację, umiejętność współpracy. Nowe trendy w pojmowaniu obywatelstwa nakazują na nowo stawiać pytania o znaczenie edukacji w kształtowaniu pożądanych kompetencji obywatelskich
Kazimierz Serocki - creative transformations and their contexts
No full textKazimierz Serocki is one of the leading figures of Polish music in the 20th century. An outstanding and interesting artist, an activist and organizer of music life. Thirty years after his death his accomplishments are clearly seen in historical context. This historical recognition should be seen in two contexts: personal and general, covering social, political, historical and cultural transformations. First, the article presents the ups and downs of composer’s life -school and later university years, scholarship in Paris, and the very rich and diverse activities of Serocki when he returned to the country – among others a Group of 49 and his active role in organizing the Warsaw Autumn Festival. Historical events create context for Serocki’s works which evolve accordingly to changes in polish music in second half of XX century. We can observe movements such as: folk, dodekafonic, serialism of material, aleatorism and open form experiments, even with electronic music. The style of Serocki’s music is versatile, rich and diverse
A glimpse of classic 20th century Baroque form of the concert on the basis of the Concerto for oboe and harp by Witold Lutosławski
No full textThe object of research paper is an attempt to read the Classic looks of the 20th century - Witold Lutosławski on the Baroque form. The author indicates the characteristics of the term classicism in art, which becomes the basis for finding them in Concert for oboe and harp. Shows the elements of the composition, which interacted with the classic trend is characterized by moderation, balancing, peace and respect for tradition. Considering the extent to which the personality of the creator of new standards and standards-setting moves to creative materials. Shows how the Baroque form of the concert could inspire the composer of the 20th century. Genesis and circumstances of the concert is the starting point for the analysis of the work, which is looking for an answer to the question what makes a Concert represents a synthesis of modern musical language, style and compositional techniques with the traditional form of the concerto grosso of the independence of the material between the parties in the concertino and concerto. Characterized by a musical language indicating elements anchored in the past in relation to the characteristics of the thoroughly modern. Responding to the question of whether to base work on the series always assigns a category theme of modernity. Describes the role of the departing design layer architectural form works shape designating the mitral cell by the composer earned and wonders what purpose has back to the classic three-pieces schema. Correlation characteristics of the late composer, among others: back to the melody and structure of motive-themed shows at the same time its belonging to music second mid-20th century. Looking for an answer to the question what a load of expression carry with themselves and why rhythm and quality-metric. Another step is recognizing the direction of narrative story and the elements of music works which have an impact on the formation way. At the end of the reflection appears what is the ability to call their own, modern musical language with the traditional form of the concerto grosso, and also how does the Baroque master in the context of a formal expression of the contemporary far from lavish, moving into the realm of intellectual experience rather than a sensual experience. the author he argues with thesis, that concert is saddled with “lesser species weight”