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Conflit Israël-Hamas : « L’Arabie saoudite et la France doivent jouer un rôle moteur dans une “coalition pour la paix
No full textL'impasse politique semble totale en Palestine? Une action politique internationale serait utile
L'Iran de 1979 à 2025.
No full textInternational audienceCartes de l'Iran, guerre Irak-Iran, guerre Israel-Iran, économie, géopolitiqu
Compte-rendu de Marc-Henri Deroche, Une quête tibétaine de la sagesse. Prajñāraśmi(1518-1584) et l’attitude impartiale (ris med): Turnhout, Brepols / EPHE-PSL (Bibliothèque de l’École des Hautes Études, Sciences religieuses, 196),2023, 724 pages – ISBN 978-2-503-60337-7
No full textInternational audienc
Quem são as agricultoras na agroecologia e quem somos nós ? : construindo a pesquisação feminista
No full textសំណេរអំពីអំពើប្រល័យពូជសាសន៍ដោយខ្មែរក្រហម ដែលកើតឡើងពីឆ្នាំ ១៩៧៥ ដល់ឆ្នាំ ១៩៧៩ និងរបៀបបង្ហាញអំពើទាំងនេះ ក្នុងអក្សរសិល្ប៍ និងភាពយន្តខ្មែរ
No full textFrom April 17, 1975 to January 7, 1979, the Khmer Rouge perpetrated a genocide in Cambodia that left an indelible mark on the Cambodian people. Literature and cinema came to an abrupt halt during this period. This thesis examines this “gap” in the history of these arts. The first part deals with the literary and cinematographic reconstitution of the history and memory of the genocide, not in terms of official and collective representation, but in terms of individual stories. What sense does this reconstitution have for the witness-writer or filmmaker? Does the plurality of their voices, which inscribes variation in filiation, influence the liberation of memory locked up in suffering, fear and censorship? Can literature and cinema take charge of a memory that history has not inscribed, and fill the “gap”? The second and third parts are devoted to the specificity of testimonial writing as a literary and cinematographic genre. I analyze the structure of literary and filmic narratives, and the literary and cinematographic processes at work. I show how literary and cinematic writings are modified by genocidal violence and its perception. I examine the notions of witness and testimony. In a final part, I identify the readers and viewers of these creations and analyze their reception, and consequently their perception of genocide.Du 17 avril 1975 au 7 janvier 1979, les Khmers rouges ont perpétré un génocide au Cambodge qui a marqué à jamais les Cambodgiens. La littérature et le cinéma ont connu un arrêt brutal durant cette période. La thèse questionne ce « trou » dans l’histoire de ces arts. La première partie porte sur la reconstitution littéraire et cinématographique de l’histoire et de la mémoire du génocide ne relevant pas d’une représentation officielle et collective mais de celle s’attachant aux histoires individuelles. Quel sens a cette reconstitution pour le témoin-écrivain et le réalisateur ? La pluralité de leurs voix, qui inscrit la variation dans la filiation, influe-t-elle sur la libération de la mémoire enfermée dans la souffrance, la peur et la censure ? La littérature et le cinéma peuvent-ils prendre en charge une mémoire que l’histoire n’a pas inscrite et combler le « trou » ? Les deuxième et troisième parties sont consacrées à la spécificité des écritures testimoniales comme genre littéraire et cinématographique. Sont analysés la structure des narrations littéraire et filmique, les procédés littéraires et cinématographiques en oeuvre. Nous montrons comment les écritures littéraire et cinématographique sont modifiées par la violence génocidaire et sa perception. Nous interrogeons les notions de témoin et témoignage. Dans une dernière partie, nous identifions les lecteurs et les spectateurs de ces créations et analysons leur réception, et conséquemment leur perception du génocide.នៅចន្លោះពីថៃ្ងទី ១៧ ខែមេសា ឆ្នាំ ១៩៧៥ ដល់ថៃ្ងទី ៧ ខែមករា ឆ្នាំ ១៩៧៩ ពួកខ្មែរក្រហម បានប្រព្រឹត្តអំពើប្រល័យពូជសាសន៍នៅប្រទេសកម្ពុជា ដែលដក់ជាប់ក្នុងអារម្មណ៍ប្រជាជនកម្ពុជាដែលរួចពីស្លាប់ ជាដរាប មិនមានថៃ្ងរលប់ឡើយ ។ អក្សរសិស្ប៍ និងភាពយន្ត ត្រូវបានបញ្ឈប់មួយរំពេចទាំងកំរោល ក្នុងអំឡុងពេលនោះ ។ និក្ខេបបទនេះ ចោទជាសំណួរអំពី “ចន្លោះប្រហោង” នេះ នៅក្នុងអក្សរសិស្ប៍ និងភាពយន្ត ។ ផ្នែកទី ១ ផ្តោតលើការផ្គុំឡើងវិញ តាមរយៈអក្សរសិស្ប៍និងភាពយន្ត នូវប្រវត្តិ និងការចងចាំ នៃអំពើប្រល័យពូជសាសន៍ ដែលមិនពាក់ព័ន្ធនឹងរបៀបបង្ហាញជាលក្ខណៈផ្លូវការ និងជាទម្រង់រួមគ្នាទេ ប៉ុន្តែ ដែលបែរជាទាក់ទងនឹងរឿងរ៉ាវបុគ្គលដោយឡែកទៅវិញ ។ តើការផ្គុំឡើងវិញនេះ មានអត្ថន័យយ៉ាងដូចម្តេច ចំពោះអ្នកនិពន្ធ និងអ្នកដឹកនាំរឿងភាពយន្ដ ដែលជាសាក្សីផុតពីស្លាប់ ? តើការតភ្ជាប់ពីសំឡេងមួយទៅសំឡេងមួយរបស់ពួកអ្នកនិពន្ធនិងអ្នកដឹកនាំរឿងកុន ជាសាក្សីនោះ អាចមានឥទ្ធិពល ដើម្បីដោះលែងសេចកក្តីចងចាំ ដែលជាប់គាំង ដោយសារការរងទុក្ខវេទនា , ការភ័យខ្លាច និងការត្រូវបានចាប់ពិរុទ្ធ បានដែរឬទេ ? តើអក្សរសិល្ប៍ និងភាពយន្ត អាចទទួលបន្ទុកក្នុងការរៀបរាប់ពីការចងចាំ ដែលប្រវត្តិសាស្ត្រមិនបានកត់ត្រា ព្រមទាំងបំពេញ “ចន្លោះ” ខ្វះខាតនេះ បានដែរឬទេ ? ផ្នែកទី ២ និងទី ៣ គឺបង្ហាញពីលក្ខណៈដោយឡែកនៃសំណេរសក្ខីកម្ម ក្នុងទម្រង់ជាអក្សរសិល្ប៍ និងសិល្បៈភាពយន្ត ។ នៅក្នុងផ្នែកទាំងពីរនេះ នាងខ្ញុំសិក្សាវិភាគអំពីរចនាសម្ព័ន្ធនិទានរឿង និងវិធីបែបបទខាងអក្សរសិល្ប៍និងភាពយន្តក្នុងរឿងទាំងនេះ ។ នាងខ្ញុំក៏ពន្យល់បង្ហាញថា អំពើហិង្សាប្រល័យពូជសាសន៍ និងការយល់ឃើញអំពើហិង្សាទាំងនេះ បានកែប្រែរបៀបតែងវណ្ណកម្មនិងរឿងភាពយន្ត ។ នាងខ្ញុំសិក្សាវិភាគអំពីសញ្ញាណនៃអ្វីជាសាក្សី និងអ្វីជាសក្ខីកម្ម ។ នៅក្នុងផ្នែកចុងក្រោយ ពោលគឺ ផ្នែកទី ៤ នាងខ្ញុំកំណត់អត្តសញ្ញាណអ្នកអានអ្នកមើល ហើយវិភាគអំពីចំណាប់អារម្មណ៍ ព្រមទំាងទស្សនៈយល់ឃើញរបស់ពួកគាត់ ចំពោះអំពើប្រល័យពូជសាសន៍
Prédicats complexes verbaux en ginyanga (kwa)
No full textThis thesis offers a description of verbal complex predicates in Ginyanga, a Kwa language spoken in Togo. It contains first-hand data collected in the field from 2019 to 2025. The description of verbal complex predicates is complemented by a grammar sketch and a cross-linguistic study based on the languages of the ComPLETE database. Besides a description of the semantic and structural properties of verbal complex predicates following the methodology of the ComPLETE project, the thesis offers a corpus-based analysis of verbal complex predicates that gives insights about their use in natural discourse and their structural status.Cette thèse propose une description des prédicats complexes verbaux en ginyanga, langue kwa parlée au Togo. Elle contient des données de première main recueillies par moi-même et mes collègues au Togo de 2019 à 2025. La description des prédicats complexes verbaux est complétée par une esquisse grammaticale et une étude typologique en utilisant la base de données ComPLETE. Outre une description des propriétés sémantiques et structurelles des prédicats complexes verbaux suivant la méthodologie du projet ComPLETE, la thèse propose une analyse des prédicats complexes verbaux basée sur un corpus qui donne un aperçu de leur utilisation dans le discours naturel et de leur statut structurel
The Routledge Handbook of Eurolinguistics: Commonalities of (Post-)Colonial Varieties of European Languages: A consideration of Dutch, English, French, Portuguese and Spanish
No full textInternational audienceSeveral European national languages were spread beyond Europe due to the imperialist expansion of European states since the 14th century. The spread of Dutch, English, French, Portuguese, and Spanish and their development outside of Europe share interesting similarities and differences that have not yet received much systemic attention. In large part this is due to differences in research agendas. This contribution compares the nature, conditioning factors, and social and linguistic outcomes of these five expansionist histories and the research on them. The discussion outlines commonalities and important differences to set the stage for future investigations of this relatively neglected topic which has been much dominated by research and models based on the spread of English
Twentieth-Century Dayak Visitors to New Guinea: Cultural Interchange, Memories and Souvenirs, and Discordant Museum Artefacts
No full textInternational audienceLarge numbers of young Dayak men hailing from remote interior Borneo communities traveled to New Guinea throughout the twentieth century, under various circumstances mostly consistent with their own cultural traditions. Recent research among these men's home communities has brought to light memories and stories about New Guinea and its Papuan residents, as well as photographs and memorabilia, feeding by their evocative power the construction of alternative indigenous Dayak narratives contrasting with those available in Western written sources. In their New Guinea social encounters, Dayak travelers "traded culture", both material and immaterial, with Papuans. Scores of Papuan artefacts must have reached Dayak villages, from where they circulated across Borneo as trade goods, amulets, or souvenirs, some to be found today as "discordant" artefacts in museums' Borneo collections, subject to inquiries about their "biographies" (i.e., their origins and travel histories). The article finally Twentieth-Century Dayak Visitors to New Guinea Annali, Sezione orientale 85 (2025) 156-196 suggests the great interest of a "mirror" research focusing on Dayak cultural heritage, material or not, still dimly traceable among Papuan tribal communities.</div