Dane Badawcze UW University of Warsaw
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Control of the moral content of the press, publications, and performances under the Polish communist state’s laws
No full textThe research dataset includes quotations of selected laws – all proclaimed by the communist authorities ruling Poland in 1944–1989. The role of the quotations is to confirm Poland’s ratification of international laws, as well as to show the main issues and/or terms included in the particular laws in the context of control of the moral content of the press, publications, and performances. During my search, I used the Online Legal Database (ISAP), which stores scans of laws issued during the communist period.</p
Sentinel-2 satellite database for the Tatra Transboundary Biosphere Reserve
No full textDatabase including cloud-free Sentinel-2 optical imagery cropped for the Tatra Transboundary Biosphere Reserve area. The data was obtained from the Copernicus Data Space Ecosystem - CDSE service, which provides data for the Earth observation programme Copernicus managed by the European Commission and the European Space Agency. Data acquired by the MSI optical multispectral instrument. Data were preprocessed at the L2A processing level, i.e. including atmospheric and geometric correction.The area included two Sentinel-2 scenes (granules): 34UCV and 34UDV, located on orbits 079, 036. Spectral channels (12 bands) were resampled to a common resolution of 10m and the scenes mosaicked with each other. The raster data were then cropped to the extent of the Tatra Transboundary Biosphere Reserve. For each year, one image from the September-October period was selected to allow spectral coherence of the images for analysis. The open-source library GDAL, rasterio and the Python language were used for data processing.Raster data characteristics:Compression: LZW EPSG code: 32634Number of channels: 12Channels order:'B01' - Coastal aerosol (443 nm, 60m resolution) 'B02' - Blue (490 nm, 10m resolution) 'B03' - Green (560 nm, 10m resolution) 'B04' - Red (665 nm, 10m resolution) 'B05' - Vegetation red edge (705 nm, 20m resolution) 'B06' - Vegetation red edge (740 nm, 20m resolution) 'B07' - Vegetation red edge (783 nm, 20m resolution) 'B08' - Near-infrared (NIR) (842 nm, 10m resolution) 'B8A' - Narrow NIR (865 nm, 20m resolution) 'B09' - Water vapor (945 nm, 60m resolution) 'B11' - Shortwave infrared (SWIR) (1610 nm, 20m resolution) 'B12' - Shortwave infrared (SWIR) (2190 nm, 20m resolution) Research funded by the National Science Centre (NCN), under the project Preludium 22, grant no. 2023/49/N/ST10/00517, entitled: ‘Spruce Forest Damage Assessment Using Machine Learning on Sentinel-2 Time Series in the Tatra Mountains’.</p
Drangsong 220: Dam can gnad bskul bzhugs pa’i dbu’i[dbu] phyogs legs+ho/
No full textDrangsong 220: Dam can gnad bskul bzhugs pa’i dbu’i[dbu] phyogs legs+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 220 contains calling upon the protector deities, encouraging them to destroy all enemies and demons, and granting protection so that enlightenment is attained and the doctrine is long-lasting in the world. It is composed of 8 folios. File naming convention within Drangsong_220.zip archive: Drangsong_220_001r.jpgDrangsong_220 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_220.zip (master scans of the manuscript pages with color checker),• Drangsong_220.pdf (containing presentation images of the manuscript pages),• Drangsong_220_001v.png (manuscript page sample),• Drangsong_220_backlites.zip (backlit samples),• Drangsong_220_macros.zip (in close-up samples),• Drangsong_220_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Migration to the metaverse and its predictors: Attachment to virtual places and metaverse-related threat
No full textDatasets for Studies 1 and 2, presented in the paper:Oleksy, T., Wnuk, A., & Piskorska, M. (2023). Migration to the metaverse and its predictors: Attachment to virtual places and metaverse-related threat. Computers in Human Behavior, 141, 107642.The dataset STUDY1 - open-world games players consists of data used in Study 1, which examines the relationship between relative place attachment, metaverse-related threat and willigness to migrate to metaverse among sample of open-world games players.The dataset STUDY 2 - general population consists of data used in Study 2, which examines the relationship between relative place attachment, metaverse-related threat and willigness to migrate to metaverse among representative Polish sample. It also includes covariates such as: general attitudes towards technology and technology use.</p
The promoted moral attitude of soldiers in the light of the Polish communist state’s laws
No full textThe research dataset includes quotations of selected laws – all proclaimed by the communist authorities ruling Poland in 1944–1989. The role of the quotations is to show the main issues and/or terms included in the particular laws in the context of the promoted moral attitude of Polish soldiers. During my query, I used the Online Legal Database (ISAP), which stores scans of laws issued during the communist period.</p
Figurations of Interspecies Harmony. Discordant Harmonies: Interspecies Relations in the United States
No full textTABLE with list of bibliographical sources for the article, extended through a listing of types of materials analyzed by the sources and explanations of how the sources connect to the main argument of the article:Columns A-D present publications relevant to studying figurations of interspecies harmony in an American context. Columns E-F present how the publications are relevant.</p
Drangsong 121: mKha’ ’gro dkar mo mdang[mdngs] ldan gyi tshe bsgrub bzhugs pa lags so//
No full textDrangsong 121: mKha’ ’gro dkar mo mdang[mdngs] ldan gyi tshe bsgrub bzhugs pa lags so//This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 121 contains a mind-treasure tantric ritual for obtaining health and longevity.It is composed of 9 folios. File naming convention within Drangsong_121.zip archive: Drangsong_121_001r.jpgDrangsong_121 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_121.zip (master scans of the manuscript pages with color checker),• Drangsong_121.pdf (containing presentation images of the manuscript pages),• Drangsong_121_001r.png (manuscript page sample),• Drangsong_121_backlites.zip (backlit samples),• Drangsong_121_fibres.zip (microscopic images),• Drangsong_121_macros.zip (in close-up samples),• Drangsong_121_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 209: dBal khyung dmar po’i sgrub pa bzhugs+ho/
No full textDrangsong 209: dBal khyung dmar po’i sgrub pa bzhugs+ho/ This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 209 contains meditation on the Red Garuda as a representation of the nature of the dharma; prayers for the accomplishment of various endeavours, that they may destroy one's own ignorance; making offerings, and seeking liberation.. It is composed of 17 folios. File naming convention within Drangsong_209.zip archive: Drangsong_209_001r.jpgDrangsong_209 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_209.zip (master scans of the manuscript pages with color checker),• Drangsong_209.pdf (containing presentation images of the manuscript pages),• Drangsong_209_001v.png (manuscript page sample),• Drangsong_209_backlites.zip (backlit samples),• Drangsong_209_macros.zip (in close-up samples),• Drangsong_209_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 216: sTag la’i skyabs sems gsol ’debs bzhugs s+ho/; dBang rgyud gyis[kyi] gsal ba gdab pa ni/; Lung rgyud gyis[kyi] gsol ’debs bzhugs+ho/
No full textDrangsong 216: sTag la’i skyabs sems gsol ’debs bzhugs s+ho/; dBang rgyud gyis[kyi] gsal ba gdab pa ni/; Lung rgyud gyis[kyi] gsol ’debs bzhugs+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 216 contains the prayer of the meditation deity of sTag la me 'bar for taking refuge and generating bodhicitta; the recollection of the initiation lineage; the prayer of the oral transmission lineage . It is composed of 5 folios. File naming convention within Drangsong_216.zip archive: Drangsong_216_001r.jpgDrangsong_216 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_216.zip (master scans of the manuscript pages with color checker),• Drangsong_216.pdf (containing presentation images of the manuscript pages),• Drangsong_216_001v.png (manuscript page sample),• Drangsong_216_backlites.zip (backlit samples),• Drangsong_216_macros.zip (in close-up samples),• Drangsong_216_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 187: Untitled
No full textDrangsong 187: UntitledThis dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 187 contains a long-life ritual in which mantras are recited and the associated meditational deities are praised in order to obtain the blessing of longevity.It is composed of 4 folios.File naming convention within Drangsong_187.zip archive: Drangsong_187_002r.jpgDrangsong_187 → collection name and number 002 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_187.zip (master scans of the manuscript pages with color checker),• Drangsong_187.pdf (containing presentation images of the manuscript pages),• Drangsong_187_002r.png (manuscript page sample),• Drangsong_187_backlites.zip (backlit samples),• Drangsong_187_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p