Dane Badawcze UW University of Warsaw
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Drangsong 125: Ma mo yi dgu mdos bzhus so hā/
No full textDrangsong 125: Ma mo yi dgu mdos bzhus so hā/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 125 contains The origin of all the female demons in the world and how they are subdued by the doctrine, as well as the means of preventing their intrusion.It is composed of 6 folios. File naming convention within Drangsong_125.zip archive: Drangsong_125_001r.jpgDrangsong_125 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_125.zip (master scans of the manuscript pages with color checker),• Drangsong_125.pdf (containing presentation images of the manuscript pages),• Drangsong_125_001v.png (manuscript page sample),• Drangsong_125_backlites.zip (backlit samples),• Drangsong_125_macros.zip (in close-up samples),• Drangsong_125_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 113: Sha bo ru rgyas bzhugs so//
No full textDrangsong 113: Sha bo ru rgyas bzhugs so//This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 113 contains a mdos ritual text about the use of the supernatural deer to acquire good fortunes. It is composed of 12 folios. File naming convention within Drangsong_113.zip archive: Drangsong_113_001r.jpgDrangsong_113 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_113.zip (master scans of the manuscript pages with color checker),• Drangsong_113.pdf (containing presentation images of the manuscript pages),• Drangsong_113_transliteration.pdf (PDF file containing transliteration of the text),• Drangsong_113_ornamentation.pdf (PDF file containing description of ornamentation),• Drangsong_113_001r.png (manuscript page sample),• Drangsong_113_backlites.zip (backlit samples),• Drangsong_113_fibres.zip (microscopic images),• Drangsong_113_macros.zip (in close-up samples),• Drangsong_113_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Cmentarze żydowskie w województwie świętokrzyskim – rys historyczny, stan zachowania i badań
No full textZamieszczone dokumenty to materiały źródłowe do artykułu K. Bielawski, Cmentarze żydowskie w województwie świętokrzyskim – rys historyczny, stan zachowania i badań, złożonego do publikacji w Scripta Judaica Cracoviensia (publikacja przewidywana na przełomie 2024 i 2025 roku). Artykuł powstał w związku z konferencją „Żydowscy obywatele polskich miast i ich żydowskie dziedzictwo. Rok pamięci Żydów kieleckich”, która odbyła 5-6 grudnia 2022 roku w Kielcach.Dane zostały zebrane w trakcie realizacji projektu projektu „Żydowskie życie religijne w Polsce (1944–1989)” w ramach grantu Narodowego Centrum Nauki (numer projektu 2021/43/B/HS3/02925).Zbiór zawiera 289 plików w formatach jpg i pdf. Dokumenty pochodzą z zasobu Archiwum Akt Nowych, Archiwum Państwowego w Kielcach i jego oddziału w Sandomierzu, Archiwum Państwowego w Siedlcach, Archiwum Żydowskiego Instytutu Historycznego. Dołączono również kopie artykułów Aliny Skibińskiej i Joanny Tokarskiej-Bakir „Barabasz” i Żydzi. Z historii oddziału AK „Wybranieccy” oraz A. Penkalli, Cmentarze żydowskie – postulat najpilniejszy, „Fołks Sztyme” z 1979; Survey of Historic Jewish Monuments in Poland i kopię karty ewidencyjnej cmentarza żydowskiego w Kielcach.Struktura danych:Archiwum Akt Nowych, Ministerstwo Gospodarki Komunalnej, sygn. 9/32, Decyzje o zamknięciu cmentarzy i przeznaczeniu ich na inny cel w województwie kieleckim.Archiwum Akt Nowych, Ministerstwo Gospodarki Komunalnej, sygn. 9/33, Decyzje o zamknięciu cmentarzy i przeznaczeniu ich na inny cel w województwie kieleckim.Archiwum Akt Nowych, Urząd do Spraw Wyznań, sygn. 131/519, Informacja dotycząca cmentarzy wyznania mojżeszowego w Polsce.Archiwum Państwowe w Kielcach, Urząd Wojewódzki w Kielcach, sygn. 1080/1067, Kielce – cmentarz żydowski na Pakoszu.Archiwum Państwowe w Kielcach, Urząd Wojewódzki Kielecki II, sygn. 305/1/30, Usunięcie z chodników miast kamieni pochodzących z cmentarzy żydowskich.Archiwum Państwowe w Kielcach, Oddział w Sandomierzu, Starostwo Powiatowe Sandomierskie, sygn. 108/12, Akcje społeczne kierowane i popierane przez Starostę, dotyczy zniszczeń cmentarzy żydowskich dokonanych przez okupanta.Archiwum Państwowe w Siedlcach, Urząd Wojewódzki w Siedlcach, sygn. 1336, Cmentarz żydowski w Siedlcach.Archiwum Żydowskiego Instytutu Historycznego, Wydział Prawny Centralnego Komitetu Żydów w Polsce, sygn. 303/XVI/130, Korespondencja dot. cmentarza w Chmielniku.Artykuł A. Skibińska, J. Tokarska-Bakir, „Barabasz” i Żydzi: z historii oddziału AK „Wybranieccy”, „Zagłada Żydów. Studia i Materiały” 2011, nr 7.Artykuł A. Penkalla, Cmentarze żydowskie – postulat najpilniejszy, „Fołks Sztyme”, 03.11.1979.Opracowanie S. D. Gruber, P. Myers, Survey of Historic Jewish Monuments in Poland, revised edition, [brak miejsca wydania] 1995.Celem podjętego badania było pokazanie historii i stanu zachowania cmentarzy żydowskich w województwie świętokrzyskim. Zbiór dokumentów poszerza dotychczasową wiedzę.</p
Drangsong 238: Lam don zhugs+ho[bzhugs+ho]/; bSrid[srid] pa rgyal mo gsang ba’i bka’ sgo smon lam bzhugs pa legs so//
No full textDrangsong 238: Lam don zhugs+ho[bzhugs+ho]/; bSrid[srid] pa rgyal mo gsang ba’i bka’ sgo smon lam bzhugs pa legs so//.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 238 contains praising the goddess Srid pa’i rgyal mo for her various virtues in different ritual contexts, seeking to ward off personal and collective calamities, receive blessings, and aid in enlightenment. It is composed of 7 (3+4) folios. File naming convention within Drangsong_238.zip archive: Drangsong_238_011r.jpgDrangsong_238 → collection name and number 011 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_238.zip (master scans of the manuscript pages with color checker),• Drangsong_238.pdf (containing presentation images of the manuscript pages),• Drangsong_238_011r.png (manuscript page sample),• Drangsong_238_backlites.zip (backlit samples),• Drangsong_238_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 111: Tshe thar btang ba’i bon bzhugs pa lags/
No full textDrangsong 111: Tshe thar btang ba’i bon bzhugs pa lags/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 111 contains a ritual for the repulsion of gossip, personified as a demon, with a mythic narrative about its origins and the harm it causes. It is composed of 9 folios. File naming convention within Drangsong_111.zip archive: Drangsong_111_001r.jpgDrangsong_111 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_111.zip (master scans of the manuscript pages with color checker),• Drangsong_111.pdf (containing presentation images of the manuscript pages),• Drangsong_111_001v.png (manuscript page sample),• Drangsong_111_backlites.zip (backlit samples),• Drangsong_111_fibres.zip (microscopic images),• Drangsong_111_macros.zip (in close-up samples),• Drangsong_111_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 190: Rig ’dzin ’dus pa’i ’phru [’phro] ’du/
No full textDrangsong 190: Rig ’dzin ’dus pa’i ’phru [’phro] ’du/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 190 contains the practice of visualising the emanation and reabsorption of the assembly of knowledge-holders.It is composed of 2 folios.File naming convention within Drangsong_190.zip archive: Drangsong_190_001r.jpgDrangsong_190 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_190.zip (master scans of the manuscript pages with color checker),• Drangsong_190.pdf (containing presentation images of the manuscript pages),• Drangsong_190_001r.png (manuscript page sample),• Drangsong_190_backlites.zip (backlit samples),• Drangsong_190_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Korespondencja Daniela Ernesta Jablonskiego w zbiorach Moravian Archives (Bethlehem)
No full textWypisy i notatki z korespondencji Daniela Ernesta Jablonskiego w zbiorach Moravian Archives (Bethlehem). Przynależy do projektu "Tłumaczenie tolerancji: koncepcje, teksty i pośrednicy między Polską a protestanckimi Niemcami (1645-1795)"</p
Drangsong 149: Gyad kyi sku mchog dmar po’i bsrgubs thabs bzhugs+ho/
No full textDrangsong 149: Gyad kyi sku mchog dmar po’i bsrgubs thabs bzhugs+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 149 contains a prayer to the red protector deity in armor and helmet, riding a horse and holding a spear, to give blessings and to protect the Yungdrung Bon teachings, and a request that the prayer be fulfilled.It is composed of 2 folios. File naming convention within Drangsong_149.zip archive: Drangsong_149_001r.jpgDrangsong_149 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_149.zip (master scans of the manuscript pages with color checker),• Drangsong_149.pdf (containing presentation images of the manuscript pages),• Drangsong_149_001r.png (manuscript page sample),• Drangsong_149_backlites.zip (backlit samples),• Drangsong_149_macros.zip (in close-up samples),• Drangsong_149_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Virtual changes in real places: Understanding the role of place attachment in augmented reality adoption
No full textDatasets for Studies 1 and 2, presented in the paper:Oleksy, T., Lassota, I., Wnuk, A., & Wcześniak, R. (2024). Virtual changes in real places: Understanding the role of place attachment in augmented reality adoption. Journal of Environmental Psychology, 98, 102386.The dataset Study1_Place_dependence_and_place_identity consists of data used in Study 1, which examines the relationship between place identity, place dependence, and the acceptance of transformative and informative Augmented Reality technology.The dataset Study2_Active_and_traditional_place_attachments consists of data used in Study 2, which examines the relationship between active and traditional place attachments, and the acceptance of transformative and informative Augmented Reality technology.</p
Microelectrode-based probing of charge propagation and redox transitions in concentrated polyoxometallate electrolyte of potential utility for redox flow battery
No full textConcentrated solutions of Keggin-type silicotungstic acid, as well as the system’s single crystals (H4SiW12O40*31H2O) and their colloidal suspensions have been tested using the microelectrode methodology to determine mass-transport, electron self-exchange and apparent (effective) diffusion-type coefficients for charge propagation and homogeneous (electron self-exchange) rates of electron transfers. </p