Dane Badawcze UW University of Warsaw
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Drangsong 198: sNya rgyud rin chen sgron gsal gyi mchog khri bzhugs+ho/
Drangsong 198: sNya rgyud rin chen sgron gsal gyi mchog khri bzhugs+ho/.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 198 contains prayers and praises, visualizing the main meditatioal deity, and engaging in offerings, confession, and recitation practices, all with the aim of seeking enlightenment.It is composed of 15 folios. File naming convention within Drangsong_198.zip archive: Drangsong_198_001r.jpgDrangsong_198 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1980s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_198.zip (master scans of the manuscript pages with color checker),• Drangsong_198.pdf (containing presentation images of the manuscript pages),• Drangsong_198_001v.png (manuscript page sample),• Drangsong_198_backlites.zip (backlit samples),• Drangsong_198_macros.zip (in close-up samples),• Drangsong_198_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Community evaluation survey data in Old Dongola 2021
This dataset includes the community survey forms in English and Arabic, the collected data, and the responses of the open-end answers in Arabic and their translation in English.A structured questionnaire, consisted of 43 questions, was used for a community survey in Ghaddar in 2021. Ghaddar is an administrative town of the Old Dongola Unit, Goulid County, Northern State of the Republic of Sudan, with the population around 6000. Ghaddar is located in the immediate north of the archaeological site, Old Dongola.The aim of the survey was to understand the community’s life, experiences and perspective towards archaeology and heritage, ideas about tourism and related development, and the evaluation of the engagement programmes conducted at Old Dongola from 2019 to 2020.The 43 single or multiple-choice questions were divided into seven themes; 1) life in Ghaddar, 2) archaeological works in the area, 3) benefits of archaeological work in Old Dongola, 4) benefits from tourism development, 5) heritage and archaeology, 6) community engagement programmes, 7) demographic questions.The questions in Themes 1) to 4) and 7) are the same as the first community survey and was developed by Katarzyna Radziwiłko and Tomomi Fushiya (Polish Centre of Mediterranean Archaeology, University of Warsaw) in 2019. The first survey questionnaire was developed in English and was translated into Arabic by Mohamed Hassan Siedahmed. The survey questionnaire that was used in the survey 2019 was modified in 2021, by Tomomi Fushiya, to combine with an evaluation of community engagement programmes; two questions were added under Theme 5), and five questions under the new theme, Theme 6). The Tohamy Abulghasim translated the additional questions.A random sampling method was applied to collect the data in Ghaddar. The collection of the data was carried out by three local recent graduates (Umm Salma Abu AlZine Mohamed, Manal Mohamed, Wafa Ahmed), the head of tourism office (Abeer Babiker), and Tohamy Abulghasim, under the supervision of Tomomi Fushiya, in five different areas of Ghaddar from 6 to 15 February 2021. 195 respondents answered the questionnaire and six were considered defective due to incomplete responses and were omitted from the analysis. The analysed responses were in total 189 (Women: 95; Men 89; No answer 5). The collected data was entered to SPSS by Tomomi Fushiya for frequency and tabulation analyses.The data collection was carried out as a part of the Dialogue community engagement project (2019-2022) within the framework of a multidisciplinary project, ArchaeoCDN. Archaeological Centre of Scientific Excellence, led by Dr. hab. Artur Obłuski (PCMA, UW), funded by the Ministry of Science and Higher Education of the Republic of Poland.Tomomi Fushiya conducted the fieldwork at Old Dongola as a member of the PCMA, UW archaeological project, headed by Dr. hab. Artur Obłuski (the director of PCMA, UW). The PCMA, UW Old Dongola project has obtained research permission to work in Old Dongola from the National Corporation for Antiquities and Museums, Sudan.</p
Drangsong 015: Kun bzang a gsal…
Drangsong 015: Kun bzang a gsal…This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The main sādhanā text of the primordial Buddha Samantabhadra, including the method of visualising the divinity, as well as the names of the masters in the corresponding Bonpo lineage. It is composed of 16 folios.File naming convention within Drangsong_015.zip archive: Drangsong_015_001r.jpgDrangsong_015 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the Ecole Pratique des Hautes Etudes and the Centre de Recherche sur les Civilisations d’Asie Orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-WażnyProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_015.zip (master scans of the manuscript pages with color checker),• Drangsong_015.pdf (containing presentation images of the manuscript pages),• Drangsong_015_001v.png (manuscript page sample),• Drangsong_015_backlites.zip (back lit samples),• Drangsong_015_fibres.zip (microscopic images),• Drangsong_015_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 142: Rig ’dzin ’dus pa’i gsol ’debs byin rlabs phun tshogs bzhus+ho/
Drangsong 142: Rig ’dzin ’dus pa’i gsol ’debs byin rlabs phun tshogs bzhus+ho/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 142 contains prayers to various deities and lineage masters of Bon.It is composed of 5 folios. File naming convention within Drangsong_142.zip archive: Drangsong_142_001r.jpgDrangsong_142 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_142.zip (master scans of the manuscript pages with color checker),• Drangsong_142.pdf (containing presentation images of the manuscript pages),• Drangsong_142_001v.png (manuscript page sample),• Drangsong_142_backlites.zip (backlit samples),• Drangsong_142_macros.zip (in close-up samples),• Drangsong_142_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 242: Untitled
Drangsong 242: Untitled.This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 242 contains offerings to the goddess Srid pa’i rgyal mo, along with praise of her majesty; prayers for the destruction of one's own ignorance, resistance from external enemies, and the intrusion of malevolent entities; and ultimately, seeking blessings and accomplishing enlightenment. It is composed of 5 folios. File naming convention within Drangsong_242.zip archive: Drangsong_242_010r.jpgDrangsong_242 → collection name and number 010 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_242.zip (master scans of the manuscript pages with color checker),• Drangsong_242.pdf (containing presentation images of the manuscript pages),• Drangsong_242_010r.png (manuscript page sample),• Drangsong_242_backlites.zip (backlit samples),• Drangsong_242_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Drangsong 023: Phung ’bar nag po’i bzlog pa bzhugs pa legs s+ho/ bkra shis par gyur cig/
Drangsong 023: Phung ’bar nag po’i bzlog pa bzhugs pa legs s+ho/ bkra shis par gyur cig/This dataset contains photographs of the manuscript pages with handwritten text. It is a part of the royal Drangsong collection from Mustang, Nepal.The manuscript Drangsong 023 contains a ritual for repelling enemies and the demonic disasters. It is composed of 7 folios. File naming convention within Drangsong_023.zip archive: Drangsong_023_001r.jpgDrangsong_023 → collection name and number 001 → page numberr / v → recto / versoDRANGSONG PROJECTThe data included here were produced by the members and collaborators of the Drangsong project conducted in the years 2019-2024. Translations of titles and colophons were done by Charles Ramble and Naljor Tsering, transcriptions of selected texts by Nyima Drandul. The features such as bookbinding style, format and layout of manuscripts, as well as the type of paper illustrated with close-up and microscopic images, were taken by Agnieszka Helman-Ważny. The illustrations were described by Nils Martin, and the photographic documentation taken in situ was done by Thomas Schrom and Rinchen Loden Lama. Detailed studies and laboratory analyses of paper samples were carried out by Agnieszka Helman-Wazny in collaboration with the Interdisciplinary Laboratory of Archaeometric Research at the University of Warsaw (Barbara Wagner, Agata Szubartowska, Alicja Święcicka, and Bartłomiej Witkowski) and Warsaw University of Technology (Grażyna Zofia Żukowska), using integrated methods such as microscopic fibre analysis, Reflectance Transformation Imaging/Polynomial Texture Maps (RTI / PTM), and X-ray fluorescence spectrometry (XRF). The C14 analyses were performed at the Poznań Radiocarbon Lab (Tomasz Goslar).PROJECT DETAILSThe Project No. UMO-2018/30/M/HS3/00372 funded by The National Science Centre, Poland, in the framework of the HARMONIA 10 program, hosted by the Faculty of Journalism, Information and Bibliology, Department of Books, and Media History, University of Warsaw, Poland in a partnership with the École Pratique des Hautes Études and the Centre de recherche sur les civilisations de l'Asie orientale (CRCAO), Paris.Title: Protecting the Kingdom with Tibetan Manuscripts: codicological and historical analysis of the royal Drangsong collection from Mustang, Nepal.Project PI: Agnieszka Helman-Ważny hagniwaz@gmail.comProject co PI: Charles RambleThe aim of this project was to carry out a codicological and text-historical study of a unique collection of manuscripts, named Drangsong, belonging to the Bön religion of Tibet. It is named after the lineage of Bönpo priests in whose house it is kept. The collection, consisting of 340 different items with a total of 3,477 folios, cards, or individual sheets of paper, represents the ritual repertoire of the priests of the kings of Mustang, once a Tibetan kingdom and now a district of Nepal. The manuscripts exemplify the variety of forms, scripts, decorations, materials and other codicological features. The texts have not been used since the priestly line ended in the 1950s or 60s. The value of this collection is twofold: first, the collection was assembled from different parts of Tibet and the Himalaya over six centuries, and offers a rich body of material which can be retrieved by material and codicological analyses that will contribute to our understanding of book and paper making traditions in the region, as well as social aspects of Tibetan manuscript production; and secondly, in terms of its content, it offers a window onto the nature of royal religion in a Tibetan kingdom. These manuscripts were used in rituals for the protection and prosperity of the kingdom of Mustang, its subjects and members of royal lineage; knowledge of the materials and ritual practices involved in the creation of physical objects will help to understand the interaction between religion, patronage and political authority in Tibetan society.DATASET FILESThe dataset contains files:• Drangsong_023.zip (master scans of the manuscript pages with color checker),• Drangsong_023.pdf (containing presentation images of the manuscript pages),• Drangsong_023_001v.png (manuscript page sample),• Drangsong_023_backlites.zip (back lit samples),• Drangsong_023_fibres.zip (microscopic images),• Drangsong_023_macros.zip (in close-up samples),• Drangsong_023_XRF_analysis.png (X-ray fluorescence spectrometry).DESCRIPTION OF THE MANUSCRIPTDetailed information on writing, materials, format, and layout is provided in a Readme.txt file attached to this dataset.</p
Is students’ teamwork a dreamwork? A new DCE-based multidimensional approach to preferences towards group work
The data refer to the study on the preferences of lower secondary school students in Poland for different modes of learning and school subjects. It employs a discrete choice experiment to describe student preferences in light of the time devoted to studying. The study shows significant heterogeneity of student tastes for different study modes. Most students prefer studying in a group of peers, but there are important differences across students at different achievement levels and subjects. This study demonstrates how preferences toward learning can be properly measured using discrete choice experiments.Data related to publication: Gajderowicz, T., Jakubowski, M., Wrona, S. et al. Is students’ teamwork a dreamwork? A new DCE-based multidimensional approach to preferences towards group work. Humanit Soc Sci Commun 10, 154 (2023). https://doi.org/10.1057/s41599-023-01641-xDane dotyczą wyników badania metodą DCE poświęconego preferencjom uczniów gimnazjów w Polsce w zakresie różnych form nauki i przedmiotów szkolnych. Badanie pokazuje znaczną różnorodność upodobań uczniów w zakresie różnych trybów nauki. Większość uczniów woli uczyć się w grupie rówieśników, ale istnieją istotne różnice między uczniami w zależności od poziomu osiągnięć i przedmiotów. Badanie to pokazuje, w jaki sposób preferencje dotyczące uczenia się można właściwie zmierzyć za pomocą eksperymentów z dyskretnym wyborem.Zbiór danych jest powiązany z artykułem Gajderowicz, T., Jakubowski, M., Wrona, S. et al. Is students’ teamwork a dreamwork? A new DCE-based multidimensional approach to preferences towards group work. Humanit Soc Sci Commun 10, 154 (2023). https://doi.org/10.1057/s41599-023-01641-x</p
Fotografie z wystawy stałej Muzeum Żydowskiego w Berlinie (Jüdisches Museum Berlin) - część "Katastrofa" (2020)
Zdjęcia z wystawy stałej Muzeum Żydowskiego w Berlinie (część "Katastrofa) wykonane przeze mnie podczas podróży badawczej i wykorzystane przy pisaniu artykułu:Wóycicka, Z. (2023). W poszukiwaniu trzeciej drogi. Nowa wystawa stała w Muzeum Żydowskim w Berlinie (część „Katastrofa”). Zagłada Żydów. Studia I Materiały, (19), 673-684. https://doi.org/10.32927/zzsim.1040Tekst dostępny w OA: https://www.zagladazydow.pl/index.php/zz/article/view/1040Wystawa otwarta w 2020 r.</p
Wywiady eksperckie dotyczące postrzegania, rozumienia, badania i wykorzystania w praktyce edukacyjnej książki informacyjnej dla dzieci
[PL]Transkrypcje wywiadów eksperckich dotyczących postrzegania, rozumienia, badania i wykorzystania w praktyce edukacyjnej książki informacyjnej dla dzieci przeprowadzone z polskimi badaczkami w ramach projektu „Dziecięca książka informacyjna w XXI wieku: tendencje – metody badań – modele lektury” (Preludium NCN, 2020/37/N/HS2/00312).Zbiór składa się z dwóch folderów ZIP zawierających po 8 identycznych transkrypcji wywiadów przeprowadzonych z badaczkami z Akademii Sztuk Pięknych im. Eugeniusza Gepperta we Wrocławiu, Uniwersytetu Gdańskiego, Uniwersytetu Ignatianum w Krakowie i Uniwersytetu Wrocławskiego między 6 lutego a 26 marca 2024 r. Jeden folder zawiera pliki w formacie TXT, drugi – PDF.Projekt uzyskał pozytywną opinię Komisji Rektorskiej ds. Etyki Badań Naukowych z Udziałem Człowieka Uniwersytetu Warszawskiego.Osoba do kontaku: dr Krzysztof Rybak, Wydział „Artes Liberales”, Uniwersytet Warszawski, email: km.rybak@uw.edu.pl [EN]Transcriptions of expert interviews on the reception, understanding, research and use in educational practice of children's informational books conducted with Polish researchers as part of the project „Informational children's book in the 21st century: trends – research methods – models of reading” (NCN Preludium grant, 2020/37/N/HS2/00312).The collection consists of two ZIP folders, each containing 8 identical transcriptions of interviews conducted with researchers from the Eugeniusz Geppert Academy of Fine Arts in Wrocław, the University of Gdańsk, the Ignatianum University in Kraków and the University of Wrocław between 6 February and 26 March 2024. One folder contains files in TXT format, the other – PDF.The project has received a positive opinion from the Rector's Committee for the Ethics of Research Involving Human Participants at the University of Warsaw.Contact person: Dr Krzysztof Rybak, Faculty of „Artes Liberales”, University of Warsaw, email: km.rybak@uw.edu.pl </p
Data behind the figures in Carrier localization in defected areas of (Cd, Mn) Te quantum well investigated via Optically Detected Magnetic Resonance employed in the microscale publication
The attached dataset has been visualised as figures in the publication ‘Carrier localisation in defected areas of (Cd, Mn) Te quantum well investigated via Optically Detected Magnetic Resonance employed in the microscale’. A factual description of the data can be found in the publication. Data has been collected by a spectrometer. Dataset is saved as ASCII file and is divided into columns.Dataset description:Columns 1-8: Figure 1a. Columns 1,3,5,7 contain energy values in meV, columns 2,4,6,8 contain reflectance data corresponding to the energy values. Individual plots are recreated by plotting columns 2,4,6,8 as a function of, respectively, 1,3,5,7.Columns 10-11: Figure 1b. Column 10 contains values of ΔE in meV, column 11 contains values of Acx/Ax (arb. u.). Plotting column 11 vs column 10 will recreate the plot as seen in publication.Columns 13-15: Figure 2b. Columns 13, 14, 15 contain respectively values of x (um), y (um), Acx/Ax (arb. u.) used to create a map seen in Figure 2b.Columns 17-19: Figure 2c. Columns 17, 18, 19 contain respectively values of x (um), y (um), ΔE (meV) used to create a map seen in Figure 2c.Columns 21-23: Figure 3a. Columns 21, 22, 23 contain respectively values of x (um), y (um), Acx/Ax (arb. u.) used to create a map seen in Figure 3a.Columns 25-27: Figure 3b. Columns 25, 26, 27 contain respectively values of x (um), y (um), Acx/Ax (arb. u.) used to create a map seen in Figure 3b.Column 29-32: Figure 3c. Columns 29, 31 contain magnetic field values B (T) while Columns 30, 32 contain ODMR values (meV).Columns 34-36 Figure 3d. Columns 34,35,36 contain respectively values of x (um), y(um), ODMR background (meV) used to create a map seen in Figure 3d.Columns 38-42 Figure 4. Column 38 contains magnetic fieldv values B (T) and columns 39, 40, 41, 42 contain ODMR values (meV).</ul