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Da Wolfenstein a Wolfenstein: nazisti-zombie e il concetto di “male assoluto” nell’universo videoludico
Get PDFL’obiezione di coscienza dell’artistic business. L’injunction della website designer al vaglio della Suprema Corte degli Stati Uniti
Get PDFL’educazione del popolo nella Public History of Education: istruire con i Catechismi repubblicani durante la Repubblica napoletana del 1799
Get PDF: During the very brief experience of the Neapolitan Republic of 1799, the
pro-republican Neapolitan intellectuals entrusted the nation-state with the role of stateeducator in order to be able to activate innovative public education projects. Various propaganda and training tools for republican ideas were used, among these the republican
catechism was a tool capable of shaping consciences by directing them towards the republican faith. The texts of the four lay catechisms, circulated during the Neapolitan republic
of 1799, were first analyzed (also with the aid of software) and then interpreted: after all,
to be able to understand a text well it is essential to enter the circle hermeneutic, that is, in
the intricate fabric of knowledge, a stratified system of multiple interpretations. The pages
of the republican catechisms of the Jacobean three-year period increase the Public History
of Education, helping to better outline the different perspectives of civil pedagogy
El «caso Guatemala»: entre relaciones interamericanas y diplomacia italiana (1944-1954)
Get PDFEl artículo nace del deseo de reconstruir los acontecimientos políticos de Guatemala
en la década 1944-1954, los eventos se interpretan a través de la lente de la diplomacia
italiana. De esta manera, el presente escrito se propone profundizar en un periodo histórico crucial para Guatemala mediante una aportación innovadora.
Específicamente, la pregunta a la que el escrito intenta responder es cómo la alternancia
entre «fracturas internas» (la inestabilidad político-económica) y «externas» (la ruptura
de las relaciones con Washington) ha condicionado el proceso de democratización en el
Estado centroamericano.
El trabajo consta de dos partes: la primera se centra en una perspectiva hemisférica para
analizar el cambio en las relaciones interamericanas desde el final de la Segunda Guerra
Mundial hasta el comienzo de la Guerra Fría. La segunda, en una dimensión regional
para interpretar el camino emprendido por la República centroamericana hacia el socialismo, acabando con la intervención estadounidense para deslegitimar al gobierno
de Árbenz.The article derives from the desire to reconstruct the political events in Guatemala from
1944 to 1954. The events are interpreted through the lens of Italian diplomacy. Through
an innovative contribution, it aims to delve deeper into a crucial historical period for
Guatemala. Specifically, the paper attempts to answer how the alternation between
“internal” (political-economic instability) and “external” (the breakdown of relations
with Washington) fractures has conditioned the democratization process in the Central
American state. The work is divided into two parts. The first focuses on a hemispheric
perspective to examine the shift in inter-American relations from the end of World War
II to the beginning of the Cold War. The second highlights a regional dimension to
interpret the Central American Republic’s path toward socialism, culminating in the
American intervention to delegitimize Árbenz’s administration
“La Duse” di Mario Apollonio: dal rifiuto del Piccolo al Teatro della Basilica
Get PDFMario Apollonio affida al dramma La Duse il compito di esprimere la sua concezione dell’arte dell’attore. L’attrice viene rappresentata sul palco, mentre
prova La Signora dalle Camelie: nel cerchio magico
della finzione, si snoda il suo itinerario umano e spirituale. Il copione viene proposto come “prologo” per
inaugurare la stagione 1947-48 del Piccolo Teatro di
Milano. Il rifiuto di Paolo Grassi di metterlo in scena
porterà alle dimissioni di Apollonio dal comitato Direttivo del Piccolo Teatro: “La Duse” aveva reso esplicite, e inconciliabili, divergenze politiche e culturali
in merito alle modalità di attuazione di un programma d’interesse pubblico.Mario Apollonio entrusts the drama “La Duse” with
the task of expressing his conception of the art of the
actor. The actress is represented on stage, while she
rehearses “The Lady of the Camellias”: in the magic
circle of fiction, her human and spiritual itinerary is
outlined. The script was proposed as a "prologue" to
inaugurate the 1947-48 season of the Piccolo Teatro
in Milan. Paolo Grassi's refusal to stage it will lead to
Apollonio's resignation from the management committee of the Piccolo Teatro: “La Duse” had made explicit, and irreconcilable, political and cultural conflicts regarding the methods of implementing a program of public interest
Strategic lawsuits against public participation and their global relevance: Recent developments and persisting gaps in human rights law and in (EU) PIL
No full textThe contribution analyses the phenomenon of SLAPPs (Strategic Lawsuits
Against Public Participation) from the different, yet synergic, perspectives of Human
Rights and Private International Law, in the light of the “anti-SLAPPs” Directive
2024/1069/EU. After analysing the phenomenon in the implications and possible
future developments of the case law of the European Court of Human Rights (ECHR),
the paper discusses the aspects of Private International Law that concern not only the
European instruments of civil judicial cooperation (Brussels I bis and Rome II
Regulations), but also the perspective of relations with third countries, in order to
formulate some reflections de jure condito and de jure condendo. The thesis sustained
in the contribution highlights the necessity to consider the global relevance of
SLAPPs: while further homogeneity and structure of EU private international law in
the field – in its capacity to address the phenomenon within the EU judicial space –
would be an added value, it is equally true that SLAPPs are not confined to the EU
judicial space and international cooperation may be required
Giovanni Donadio da Mormanno, musico, architetto, organaro
Get PDFIl presente saggio è dedicato alla straordinaria figura di musico, architetto e organaro di Giovanni Donadio da Mormanno. Uomo di straordinaria cultura e formazione, Mormanno fu attivo alla corte aragonese di Napoli. Capo-scuola nell’arte organaria napoletana napoletana, la sua formazione da architetto avvenne con tutta probabilità nella stessa città di Napoli dove entrò a contatto con i grandi architetti di origine fiorentina, come Giuliano da Maiano, indicato da molti come suo praeceptor. Alla stessa corte aragonese di Napoli fu musico entrando a contatto con i grandi teorici del tempo lì attivi come il fiammingo Johannes Tinctoris. Lo studio che qui si presenta tiene conto di un’ampia bibliografia, sia antica che più recente, e di fonti primarie, che in molti casi perdute nel corso del secondo conflitto mondiale, ci sono state tramandate dai regesti di Gaetano Filangieri di Satriano.This essay is dedicated to the extraordinary musician, architect and organ-builder Giovanni Donadio da Mormanno. A man of extraordinary culture and education, Mormanno was active at the Aragonese court in Naples. A schoolmaster in the Neapolitan art of organ building, his training as an architect most likely took place in the city of Naples itself, where he came into contact with the great architects of Florentine origin, such as Giuliano da Maiano, indicated by many as his praeceptor. At the same Aragonese court in Naples he was a musician, coming into contact with the great theorists of the time active there such as the Flemish Johannes Tinctoris. The study presented here takes into account an extensive bibliography, both ancient and more recent, and primary sources, which in many cases were lost during the Second World War, have been handed down to us from the regests of Gaetano Filangieri di Satriano
