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Emilia Musumeci, Veneficium. Storia di un crimine atroce, Meum. Biblioteca del Laboratorio di storia del penale e della giustizia, Massa Carrara, 2022, pp. 334 [discussione]
Full text linkCarlo Coniglio e la sua biblioteca. Note a margine della donazione di un fondo librario
Full text linkL’avvocato Carlo Coniglio (1939-2023) è stato un apprezzato professionista bolognese, attivo in politica e nel movimento cooperativo. Dopo la sua morte, la moglie Irene Ruggiero ha voluto donare i libri di argomento storico-politico e storico-economico che erano appartenuti al consorte alla Biblioteca Popolare. In questo breve contributo si vuole dare conto di questo versamento, ma soprattutto ripercorrere sinteticamente la biografia di Carlo Coniglio. Infatti, avendo egli avuto un ruolo importante nella vita politica ed economica bolognese, è auspicabile che possano essere avviate ricerche più mirate e puntuali sul suo impegno civile. Questo articolo ambisce ad essere una sorta di apripista in tale direzione, fornendo le coordinate principali di riferimento.Carlo Coniglio (1939-2023), was a respected Bolognese lawyer, politically involved and interested in the cooperative movement. After his death, his wife Irene Ruggiero donated the historical-political and historical-economic books that had belonged to her husband to the Biblioteca Popolare. In this short contribution, we would like to give an account of this donation, but above all to briefly review Carlo Coniglio’s biography. Indeed, as he played an important role in Bolognese political and economic life, it is to be hoped that more targeted and precise research on his civic commitment can be undertaken. This article aims to be a forerunner in that direction, providing the main coordinates of reference
Storia di Ruggero Rebecchi, “Al Puff”
Full text linkL’articolo si occupa del caso di Ruggero Rebecchi, nato e vissuto a Mirandola (Modena). Durante la Seconda guerra mondiale, Rebecchi, che era un assiduo frequentatore di osterie, fu arrestato e inviato due volte al confino, per aver pronunciato, da ubriaco, frasi ingiuriose verso il regime. Dopo la guerra, Rebecchi tornò a vivere a Mirandola, dove morì nel 1981.The article focuses on the story of Ruggero Rebecchi, who was born and lived in Mirandola (Modena). During the Second World War, Rebecchi, who was an frequent tavern-goer, was arrested and sent twice to confinement, for having uttered, while drunk, insulting phrases towards the regime. After the war, Rebecchi returned to live in Mirandola, where he died in 1981
Il patrimonio storico-educativo come fonte per la ricerca, la didattica e la Public History of Education: riflessioni a partire dal progetto del Centenario dell’Asilo Sacro Cuore di Borgo Panigale a Bologna
Full text linkThe purpose of this contribution is to return to the scientific community
the results of a research project on the history and memory of the ‘Sacro Cuore’ Kindergarten in Borgo Panigale (Bologna), a school institution that celebrated its centenary in
2022. The phases and contents of this initiative, which also turned into a history teaching
and Public History of Education project involving the school community and citizenship,
will be presented. It is intended here to reflect on some aspects of a Public History of Education understood as the valorization and communication of the historical-educational
heritage solidly anchored in the rigor of scientific research, but also on some critical issues
related to the multiple scenarios that are emerging and the kind of commitment required
of university teachers for these public research actions, which is still decidedly underestimated
L’eco della loro voce. Eleonora Duse, Memo Benassi e Glauco Mauri
Full text linkBenassi, in un’accidentale osservazione affidata alla
malinconica rievocazione dell’ultima tournée americana della Duse, osserva che l’eco della voce degli attori “si trova sempre più lontana in quella degli allievi, sino a spegnersi”. Il saggio cerca di rintracciare
i riverberi di questo eco che dalla grande attrice italiana passa da Memo Benassi per spegnersi in Glauco
Mauri. Una filiazione che permette di seguire il filo
sottile della trasmissione dei saperi delle pratiche attoriali del passato. Un’occasione per esaminare le
modalità attraverso cui un allievo e un maestro si riconoscevano tali in un sistema dove le forme pedagogiche erano interamente inscritte nel sistema produttivo delle compagnie di giro.Benassi, in an incidental observation entrusted to the
melancholic evocation of Duse's last American tour,
observes that the echo of the actors' voice 'is found
farther and farther away in that of the disciples, until
it is extinguished'. The essay attempts to trace the reverberations of this echo that from the great Italian
actress passes through Memo Benassi to extinguish
in Glauco Mauri. A filiation that allows us to follow
the thin thread of the transmission of knowledge of
past acting practices. An opportunity to examine the
ways in which a disciple and a master recognized
themselves as such in a system where the pedagogical forms were entirely inscribed in the production
system of the tour companies
«Rituales del desarraigo». Dibaxu de Juan Gelman en la puesta en escena de Hugo Aristimuño: de la intimidad a la política
Full text linkDibaxu (‘debajo’) es un poemario en judeoespañol que Juan Gelman escribió en los
primeros años ochenta, ya en el exilio, y publicó en 1994.
Inspirándose en los poemas y en la vida del poeta argentino, el dramaturgo Hugo
Aristimuño pone en escena una obra con el mismo título. Dibaxu es lo que subyace,
lo que está debajo, y por lo tanto, la clave para investigar la interioridad del poeta y sus
angustias durante el exilio causado por la dictadura argentina.
El guion fue elaborado recopilando versos de Gelman y extrayendo frases de sus
entrevistas, al fin de formar un cuadro literario y humano del autor y —a través de
la escenificación de sus pesadillas, sus obsesiones y sus dolores— brindar un homenaje a
la generación de los que sufrieron la violencia de la dictadura cívico-militar.Dibaxu (‘below’) is a collection of Judeo-Spanish poems that Juan Gelman wrote in the
early eighties while already in exile and published in 1994. Inspired by the poems and
life of the Argentine poet, the playwright Hugo Aristimuño stages a play with the same
title. Dibaxu is what lies beneath and, therefore, the key to investigating the poet’s inner
turmoil and anguish during the exile caused by the Argentine dictatorship.
The script was created by gathering Gelman’s verses and pulling phrases from his interviews. Its goal was to paint a literary and human portrait of the author and, by dramatizing his nightmares, obsessions, and suffering, honor the generation that endured the
brutality of the civil-military dictatorship
“Questi fantasmi”? La Shoah nel discorso sulla Guerra in Israele
Full text linkDa quando Hamas ha attaccato Israele il 7 ottobre 2023, e da quando Israele ha reagito pesantemente contrattaccando Gaza, nel dibattito sulla guerra sono apparsi molti riferimenti alla Shoah. Il presente articolo analizza alcuni di questi riferimenti e propone una distinzione analitica tra la Shoah come metro di paragone e la Shoah come monito. Infine, si chiede se, in merito all’utilizzo dei simboli della Shoah da parte dei sostenitori della causa palestinese, si possa parlare di appropriazione culturale.Since Hamas attacked Israel on 7th October 2023, and since Israel heavily reacted counter-attacking Gaza, many references to Shoah have been appearing in the public debate on the war. The present articles analyzes some of these references, and proposes an analytical distinction between a yardstick use of Shoah and a warning use of Shoah. Finally, the article wonders whether a problem of cultural appropriation can emerge with reference to Shoah’s symbols used by Palestine’s supporters
Recensione a M. Panebianco, stato di diritto e democrazia euro-globale. La crisi dell’est-ovest, editoriale scientifica, Napoli, 2023, pp. 320.
Full text linkIl Museo «Pasquali Agazzi» (Mu.P.A.) di Brescia tra conservazione e condivisione di una tradizione educativa
Full text linkThis paper outlines the work of the «Pasquali Agazzi» Museum (Mu.P.A.),
which was launched in Brescia in 2021. Since its foundation, the exhibition centre – which
retraces the key milestones in the development of the early childhood education method
practiced in the late 1800s by Rosa and Carolina Agazzi and Pietro Pasquali – has actively
promoted the historical and educational heritage that it houses. Recognizing its potential
as a source of identity for the wider community, Mu.P.A. has designed multiple actions
targeting the large-scale dissemination of historical knowledge, organizing itself not only
as an «object» of cultural consumption, but also as a «subject» in the shared production
and construction of culture. To this end, the museum has languages with the power to
engage audiences from a diverse range of educational and cultural backgrounds, ages and
interest groups. Over the course of its short history, Mu.P.A. has thus implemented practices that are aligned with the Public history of education approach
Intelligenza artificiale e processo: tra diritto ed etica
Full text linkIl presente contributo si prefigge l’obiettivo di analizzare il fenomeno dell’Intelligenza
Artificiale applicato all’ambito della giustizia e, più in particolare, al processo civile. Può davvero
l’ausilio di un algoritmo affiancare il giudice nella sua decisione o, addirittura, sostituirlo? Alla luce
dei pro e contro evidenziati, l’IA potrebbe coadiuvare il giudice senza, però, sostituirlo in toto né in
termini formali né sostanziali. Ciò in quanto, punto fermo di ogni ragionamento sulla giustizia
predittiva è il principio del giusto processo che dovrebbe suggerire l’adozione di algoritmi che siano
in grado di riprodurre autonomamente tutti gli elementi che contribuiscono a rendere un procedimento
giudiziario equo e giusto. È, pertanto, necessario mantenere una differenza concettuale tra l’umano e
la sua empatia e l’artificiale e la sua apatiaThis contribution aims to analyze the phenomenon of Artificial Intelligence applied to the field of
justice and, more specifically, to civil proceedings. Can the help of an algorithm really support the
judge in his decision or even replace him? In light of the pros and cons highlighted, the AI could
assist the judge without, however, completely replacing him either in formal or substantial terms.
This is because the cornerstone of any reasoning on predictive justice is the principle of due process
which should suggest the adoption of algorithms that are capable of autonomously reproducing all
the elements that contribute to making a judicial proceeding fair and just. It is, therefore, necessary
to maintain a conceptual difference between the human and his empathy and the artificial and his
apath