6957 research outputs found
Sort by
Sobre la justicia en la filosofía política de Leopoldo Zea
Full text linkEl objetivo de este artículo es aproximarnos al análisis del lugar que ocupa la justicia
en la filosofía política de Leopoldo Zea. Situado en su realidad histórica concreta,
Leopoldo Zea logra hilvanar una lógica propia que le permite concebir la justicia
como fundamento esencial para toda sociedad que aspire a dignificar al ser humano.
En estricto sentido, se perciben tres niveles de análisis sobre la justicia en la filosofía
política de Leopoldo Zea: un nivel cultural-civilizatorio, otro; que se ubica en la fenomenología del sujeto y otro más, que asume la conciencia de lo americano como
fundamento epistémico-racional. La articulación de estos tres niveles permite esbozar
la especificidad de una racionalidad que, si bien parte de la periferia adquiere sentido
y alcance universal porque trasciende lo particular americano, de la circunstancialidad
histórica de la que nace, en sus soluciones.This article intends to discuss the place justice holds in the political philosophy of
Leopoldo Zea. Rooted in his concrete historical reality, Leopoldo Zea crafts his own
logic to conceive justice as a fundamental pillar for any society striving to dignify human beings. Strictly speaking, Leopoldo Zea’s political philosophy reveals three levels
of justice analysis: a cultural-civilizing level, a level located in the phenomenology of the
subject, and a level that regards the American consciousness as an epistemic-rational
foundation. Articulating these three levels allows us to outline the specificity of a rationality that gains significance and universal applicability while being part of the periphery. This rationality transcends the American singularity, the historical circumstances
of its origins, in its solutions
Quelques phénomènes de variation dans les noëls du volume factice bl 8o 1974 (Le Mans, Médiathèque L. Aragon): entre diatopie, diaphasie et diastratie
Full text linkThe volume BL 8o 1974 kept at the Médiathèque Louis-Aragon in Le Mans assembles nine collections of
noels that were produced in Maine or in the surrounding regions in Western France and that contain texts
composed in the first half of the 16th century to accompany the celebration of the Nativity of Christ. Al-
though the volume does not contain any actual patois poems, it is possible to identify several instances of
linguistic hybridity. Whereas Nicolas Denisot’s Noelz adopt a generally sophisticated linguistic register,
without any regional characterization, other collections display in a more tangible way their linguistic
connection with the territory they belong to. In this essay we intend to examine the different forms of
linguistic variation that are at stake in this volume (diatopic, diaphasic and, to a lesser extent, diastratic
variation) and to relate them to the communicative purposes that were pursued by the «noélistes»
Sull’attraversamento quasimodiano dei paesaggi mediterranei e archeologici
Full text linkIn Quasimodo il costante sguardo letterario al
paesaggio mediterraneo, spesso contrassegnato
da tratti edenici, si intreccia sovente con quello
delle rovine archeologiche greche e magnogreche
in cui il filtro classico agisce mitopoieticamente,
proponendo originali riscritture, traduzioni e
contestualizzazioni dei miti con un’autentica predilezione per quelli di ambientazione siciliana
ispirati particolarmente da Ovidio. Gli itinerari testuali orientati verso l’Antico sono spesso contrassegnati dalla constatazione dello iato esistente
tra il passato e la contemporaneità.In Quasimodo’s work, the constant literary gaze
at the Mediterranean landscape, often marked by
Edenic features, is often intertwined with that of
the Greek and Magna Graecia archaeological ruins in which the classical filter acts mythopoetically, proposing original rewritings, translations
and contextualisations of the myths with an authentic propensity for those set in Sicily, inspired
particularly by Ovid. Textual itineraries oriented
towards the Ancient are often marked by the
acknowledgement of the existing gap between the
past and the contemporary
Raccontare altri spazi: anelli narrativi e disturbi psichici nella narrativa di Simona Vinci
Full text linkQuesto studio sostiene la tesi che gli spazi manicomiali rappresentano un percorso attiguo a quello dei lager perché le proprietà assimilative della costruzione narrativa e del cronotopo del lager rispetto a quelle che definiscono lo spazio d’isolamento e abbrutimento non sono, pace Primo Levi, così diverse. La disamina del romanzo La prima verità di Simona Vinci segue quindi le coordinate teoriche disegnate da Michel Foucault in Espaces autres e termina con delle considerazioni riguardanti la struttura empatica del personaggio nonfictional. Le conclusioni confermano una interiorizzazione vinciana della lezione foucaultiana, evidente nell’utilizzazione di spazi consegnati a chi legge dopo un processo di iper-costruzione straniante.This study supports the thesis that spatial notions connected to mental hospital spaces represent a path adjacent to that of the concentration camps. By virtue of the assimilative properties of the narrative construction and the chronotope of the concentration camp we can compare such space to that of isolation and brutalization of mental asyum which are not, pace Primo Levi, so different. The examination of the Simona Vinci’s novel La prima verità follows the theoretical coordinates drawn by Michel Foucault in Espaces autres and ends with considerations regarding the empathic structure of Vinci’s non-fictional character. The conclusions confirm the author's internalization of Foucault's lesson, evident in the use of spaces given to the reader after a process of alienating hyper-construction
Michelangelo Pistoletto, La formula della creazione, Cittadellarte Edizioni, Biella 2022, pp. 352.
Full text linkLa Gerusalemme dimezzata. Calvino contro Tasso
Full text linkL’articolo, prendendo le mosse dalla rinnovata
fortuna di Tasso negli anni Cinquanta, intende ricostruire la prospettiva demistificante con cui
Italo Calvino si appropria della Gerusalemme liberata. L’analisi si soffermerà su alcune figure di
personaggi-guerrieri dell’opera di Calvino, dal Visconte dimezzato al Cavaliere inesistente, fino al
«capitano» Orlando del Castello dei destini incrociati e al San Giorgio della Taverna. Il palinsesto
tassiano li trasforma tutti in emblemi di una frattura: dell’individuo, dell’intellettuale, della civiltà
nel suo complesso. Ma si cercherà di dimostrare
come, nel passaggio dai primi anni Cinquanta agli
anni Settanta, Calvino ribadisca incessantemente
la necessità di trovare una sintesi con l’altro da sé,
o addirittura di abolire qualsiasi distinzione, contraddicendo in maniera categorica l’ideologia
prevaricatrice della Crociata e della religiosità
tassiana.Starting from Tasso’s renewed fortune in the
1950s, the article intends to reconstruct Italo Calvino’s demystifying perspective on La Gerusalemme liberata. The analysis will focus on some
warrior characters in Calvino’s works: from Il visconte dimezzato to Il cavaliere inesistente, up to
the «chief» Orlando in Il castello dei destini incrociati and San Giorgio in La taverna. Tasso’s
palimpsest transforms them all into emblems of a
fracture. The aim is to demonstrate how Calvino
reiterates his attempt to find a synthesis between
the self and the other, or even to abolish any distinction. By doing so, he categorically contradicts
the prevaricating ideology of the Crusade and of
Tasso’s religiosity
Ira Aldridge’s Reputation in the United States during his Lifetime
Full text linkIra Aldridge is widely recognized today for having
been the first African American to earn an international reputation as a professional actor in the
nineteenth century. During his first twenty-seven
years performing throughout the British Isles, he
was recognized as a skillful actor. He went on to
perform Shakespeare with great success in major
theatres on the Continent for the remaining fifteen years of his career. Yet his remarkable
achievements abroad were seldom mentioned in
newspapers in the United States during his lifetime. More stories about him finally began to circulate when it was announced in 1867 that he
would be returning to America to perform in New
York City, but he died in Poland shortly before he
was due to sail. The many obituaries written
about him immediately afterward earned him a
measure of belated recognition
Post Wow, is Less More? A Critical Approach to Animated Mapped Projection for Art Historical Knowledge Sharing The Twentieth-Century Mural as a Case Study
Full text linkThis paper critically considers digital curatorial practices, increasingly used both in commercial and museum settings, involving the animated mapped projection of digitised works of art. It draws attention to the problematic and common misuse of the term ‘immersive’ to designate such practices and examines their effectiveness for art historical knowledge sharing and meaning making. Through first-hand observation of a number of such exhibits, the paper considers the lessons that can be learned from them and how they would specifically apply to a corpus of twentieth-century frescoes that make up the study object of a research project on art historical digital curatorship
