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    BRIDGING TRADITION AND MODERNITY: BRICK ARCHITECTURE AND CRITICAL REGIONALISM IN CONTEMPORARY VILLAGE RESIDENCE IN BANGLADESH

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    Traditional brick has been the most preferred construction material in the Bengal region since 300 BC. During the renaissance of modern architecture in Bangladesh, which began in the early 1950s, brick architecture was revived through large-scale national projects as well as smaller private projects. This trend has continued and evolved into various experimental approaches integrating brick with other contemporary materials. This paper aims to illustrate the application of brick as a sustainable and contextual material and its use in different architectural elements to achieve climate-responsive architecture in a single-family residence. Moreover, it explores how contemporary brick architecture can blend seamlessly into the rural context of Bangladesh without disrupting the existing rich rural fabric and lifestyle. Adopting a qualitative approach, the paper presents a brief literature review on the chronological development of critical regionalism through brick architecture. Additionally, architectural drawings of the case study residence are analysed to demonstrate the application of critical regionalism in contemporary architecture in rural Bangladesh. The findings show that incorporating conventional materials that can be locally sourced provides flexibility in terms of available expertise while enabling architecture to blend into the existing socio-cultural context. This approach supports the advancement of the architecture industry in contemporary times

    SUSTAINABLE WATERFRONT LANDSCAPE TO REVITALISE THE COASTAL HERITAGE OF TELUK SENGAT, KOTA TINGGI, JOHOR

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    The coastal heritage of Teluk Sengat in Kota Tinggi, Johor represents a complex intersection between natural ecosystems, cultural legacy, and human settlement patterns. As a historic port town situated along the Johor River, Teluk Sengat holds tangible and intangible heritage values that have evolved under pressures from climate change, rapid urbanisation, and unsustainable development. This study analyses the landscape character, environmental vulnerabilities, and socio-economic challenges of the area to propose a holistic, resilient design solution. A combination of qualitative methods including site inventory, stakeholder interviews, and literature reviews were used to inform the design strategies. By integrating heritage conservation, ecotourism infrastructure, and climate-sensitive planning, the project aims to regenerate the coastal identity of Teluk Sengat while supporting local communities and preserving biodiversity. The final proposal envisions a sustainable waterfront landscape that enhances cultural continuity, ecological resilience, and economic viability

    REVIVING SOULS: ENHANCING LAMAN KAED AS COMMUNAL PUBLIC SPACES IN UNIVERSITY

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    Laman KAED at the Kulliyyah of Architecture and Environmental Design (KAED), IIUM, has the potential to serve as a central hub for interaction, creativity, and spiritual reflection. However, the space is currently underutilised, and lacking in vibrancy, inclusivity, and functional character. This project aims to revive and transform Laman KAED into a multifunctional, sustainable, and Shariah-compliant environment that reflect the faculty’s identity and fosters community engagement. A collaborative methodology, including site assessment, user observation, precedent review, design development, and cost assessment guides the proposal toward a holistic intervention. The design introduces paved walkways for improved circulation, kiosks as income-generating elements, and a stage to support academic and social activities. Together, these innovations emphasise harmony between nature, humanity, and divine principles while creating a meaningful, inclusive, and financially viable space. The outcome positions “Revive” as a purposeful, dynamic, and sustainable transformation that restores both the physical and symbolic value of Laman KAED. By integrating passive systems, multifunctional structures, and biophilic design, the space evolves into a living environment that adapts to changing academic and social needs while nurturing creativity, interaction, and well-being. Grounded in Islamic values, the project aspires to deliver long-lasting academic, social, and spiritual benefits, establishing Laman KAED as an iconic landmark that strengthens communityidentity and belonging

    ABADI: SAFEGUARDING THE RICH FABRICS OF MALAY ARCHITECTURAL HERITAGE THROUGH A CEREMONIAL ENTRANCE OF IIUM MALAY ENCLAVE

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    This article presents a project on “ceremonial entrance” for the existing Malay Enclave, also called the Malay Heritage Living Lab, at International Islamic University Malaysia. The proposed project incorporates a lookout platform, an entrance archway, bridge guardrails, and landscape works. The main objective of this inventive design proposal is to elevate the Malay Heritage Living Lab, infusing it with captivating elements that are not only safeguarding the rich fabric of traditional Malay architectural heritage but also function as a guiding light to both local and international audiences. In essence, the design concept Abadi, stands as a testament to the legacy of bygone eras, offering an immersive experience that effortlessly intertwines the delicate strands of traditional Malay architecture and the quintessential elements inherent to a traditional village setting. To accomplish this vision, an elaborate and systematic approach was carefully developed. This entailed the selection of case studies, each dedicated to exploring a unique aspect of the proposed design: the structure, the passageway, and, importantly, the platform. Throughout this process, the research team explored extensively into the venture of identifying characteristics that delineate each design element. This encompassed a thorough examination of materials, installation techniques, and a thoughtful choice of hues, all of which were scrutinised with great attention to detail, tailored precisely to the context and specific needs of the project. As the project takes shape, it would be supported by a set of core conceptions that encapsulate its essence and goals, with Rumah Kutai (Kutai House) being particularly prominent context to the proposed project. The notion of Abadi, means eternal, everlasting, or immortal, would serve as guiding principles, ensuring that the design remains rooted in the Malay cultural origins and continues to respect and celebrate the vibrant heritage it strives to preserve and promote. Ultimately, this interdisciplinary undertaking promises to be an extraordinary blend of knowledge, creativity, and appreciation for Malay heritage in the contemporary context

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    REHABILITATION OF PERAK TRADITIONAL HOUSE: REPURPOSING RUMAH TOK SEDARA BONGSU INTO EDUTOURISM CENTRE

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    Rumah Kutai is an old Perak traditional architecture that has become extinct due to modernisation and lacking proper preservation and conservation efforts. According to the National Heritage Act no. 645 standard, to overcome the issue and sustain its architectural heritage, the traditional building needs to be properly restored before being repurposed. This study aims to revitalise abandoned traditional houses, notably Rumah Tok Saudara Bongsu in Perak Tengah, with a dual purpose: conserving cultural and heritage values and transforming them into Perak pottery educational and tourism centre. Methodologically, this study employs two case studies: one for assessing dilapidation studies and another for designing a traditional pottery edutourism. The findings advocate a comprehensive approach. The main facades must be preserved to maintain the building's identity; dilapidated materials and areas necessitate restoration according to the standard, and additional face-lift, including additional spaces are proposed to support the new functions of the building with minimal disruptions. The study is significant to enhance the lifelong span of the house with proper conservation approaches. Besides, it promotes new function of the building for the public towards sustainable Perak cultural heritage

    THE GEMS OF JOHOR BAHRU: REVITALISING SUNGAI SEGGET AS A VIBRANT HERITAGE AND CULTURAL RIVERFRONT

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    This project proposes the revitalisation of Sungai Segget as a vibrant heritage and cultural riverfront. Presently, the issues include the river condition in Class III and IV and less appreciation of the site's heritage values. The name Segget came from the English word "sea gate", a structure prevalent in Johor in the 1900s. This 4,280-meter river has been labelled the second most polluted river in Malaysia. The awful stench emitted by the river was due to uncontrolled sewage management by business activities along the Segget River. The methods employed in this project are site inventory, analysis and synthesis for data collection, and design process for ideation and strategies. This project proposed strategies to revitalise Sungai Segget and the surrounding area through the concept of 'The Living Museum' and activating the site through the Blue Trails, Green Trails, Heritage Trails and improved accessibility

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