Studia Rossica Posnaniensia
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Николай Гоголь в культурном контексте эпохи (на материале повести А. Полторацкого „В Петербурге”)
Get PDFIn the article based on the story In Petersburg by Alexei Poltoratsky, N. Gogol\u27s personality in the cultural context of Russian empire capital is considered. Special attention is paid to creative relations of N. Gogol with prominent cultural personalities of that time: Pushkin, Jukovsky, Delvig, Maximowich and others. Except that the author reconsiders some stereotypes of appraisals touching these historical persons.In the article based on the story In Petersburg by Alexei Poltoratsky, N. Gogol\u27s personality in the cultural context of Russian empire capital is considered. Special attention is paid to creative relations of N. Gogol with prominent cultural personalities of that time: Pushkin, Jukovsky, Delvig, Maximowich and others. Except that the author reconsiders some stereotypes of appraisals touching these historical persons.In the article based on the story In Petersburg by Alexei Poltoratsky, N. Gogol\u27s personality in the cultural context of Russian empire capital is considered. Special attention is paid to creative relations of N. Gogol with prominent cultural personalities of that time: Pushkin, Jukovsky, Delvig, Maximowich and others. Except that the author reconsiders some stereotypes of appraisals touching these historical persons
„План мира” и мотивы поступка русского литературного героя (И.С. Тургенев и Дж. Байрон)
Get PDFThe paper is aimed at understanding peculiarities of behavior of the Russian literary character. The analysis of the early romantic poem Steno by I.S. Turgenev is defined by its imitating of Byron\u27s Manfred. At the same time, the author of the paper indicates items of difference in the “architectonics of actions” as it is viewed by the Russian and English literary character.The paper is aimed at understanding peculiarities of behavior of the Russian literary character. The analysis of the early romantic poem Steno by I.S. Turgenev is defined by its imitating of Byron\u27s Manfred. At the same time, the author of the paper indicates items of difference in the “architectonics of actions” as it is viewed by the Russian and English literary character.The paper is aimed at understanding peculiarities of behavior of the Russian literary character. The analysis of the early romantic poem Steno by I.S. Turgenev is defined by its imitating of Byron\u27s Manfred. At the same time, the author of the paper indicates items of difference in the “architectonics of actions” as it is viewed by the Russian and English literary character
Польская тема в произведениях Василия Аксенова
Get PDFIn this article the author suggests an unexpected thematic turn (the Polish turn) of analysis of V. Aksyonov\u27s works. The analysis of the novel Moscow Saga (1994), for example, concerns the involvement of novel\u27s characters in solving “the Polish question”. Aksyonov\u27s attitude to the matter coincides with A. Herzen\u27s reaction to tragic events of 1863. But both A. Herzen and V. Aksyonov wrote not only about Russian-Polish war conflicts. These authors recognized also Polish charm.In this article the author suggests an unexpected thematic turn (the Polish turn) of analysis of V. Aksyonov\u27s works. The analysis of the novel Moscow Saga (1994), for example, concerns the involvement of novel\u27s characters in solving “the Polish question”. Aksyonov\u27s attitude to the matter coincides with A. Herzen\u27s reaction to tragic events of 1863. But both A. Herzen and V. Aksyonov wrote not only about Russian-Polish war conflicts. These authors recognized also Polish charm.In this article the author suggests an unexpected thematic turn (the Polish turn) of analysis of V. Aksyonov\u27s works. The analysis of the novel Moscow Saga (1994), for example, concerns the involvement of novel\u27s characters in solving “the Polish question”. Aksyonov\u27s attitude to the matter coincides with A. Herzen\u27s reaction to tragic events of 1863. But both A. Herzen and V. Aksyonov wrote not only about Russian-Polish war conflicts. These authors recognized also Polish charm
И. Тургенев как протомодернист. Пьеса „Месяц в деревне” в контексте цикла эссе К. Гринберга „Защита модернизма”. Предвестие нового художественного стиля
Get PDFClement Greenberg is considered as one of the greatest and most influential American critics of the late 20th century. Understanding modern and postmodern discussions in the world of literature and fine arts seems to be impossible without the profound knowledge of Greenberg\u27s opinions. The aim of the studies in this article is the comparative analysis of I. Turgenev\u27s drama A Month in the Country and fundamental principles of Greenberg\u27s theory of modernism, the attempt to generate the inner relationships between those two works of art. Treating the aforementioned drama as the model piece of Turgenev\u27s dramaturgy we focus on the parametres which build up the openness of the play, emphasise the innovative character of the text in the context of the changes of the Great Theatre Reform. The interpretation of Turgenev\u27s play in the view of global artistic tendencies shows the uniqueness of his work of art. The comparative method of the analysis helps to discover the encoded features which will influence modernist way of thinking, eliminating the differences between the word and other ways of artistic expression.Clement Greenberg is considered as one of the greatest and most influential American critics of the late 20th century. Understanding modern and postmodern discussions in the world of literature and fine arts seems to be impossible without the profound knowledge of Greenberg\u27s opinions. The aim of the studies in this article is the comparative analysis of I. Turgenev\u27s drama A Month in the Country and fundamental principles of Greenberg\u27s theory of modernism, the attempt to generate the inner relationships between those two works of art. Treating the aforementioned drama as the model piece of Turgenev\u27s dramaturgy we focus on the parametres which build up the openness of the play, emphasise the innovative character of the text in the context of the changes of the Great Theatre Reform. The interpretation of Turgenev\u27s play in the view of global artistic tendencies shows the uniqueness of his work of art. The comparative method of the analysis helps to discover the encoded features which will influence modernist way of thinking, eliminating the differences between the word and other ways of artistic expression.Clement Greenberg is considered as one of the greatest and most influential American critics of the late 20th century. Understanding modern and postmodern discussions in the world of literature and fine arts seems to be impossible without the profound knowledge of Greenberg\u27s opinions. The aim of the studies in this article is the comparative analysis of I. Turgenev\u27s drama A Month in the Country and fundamental principles of Greenberg\u27s theory of modernism, the attempt to generate the inner relationships between those two works of art. Treating the aforementioned drama as the model piece of Turgenev\u27s dramaturgy we focus on the parametres which build up the openness of the play, emphasise the innovative character of the text in the context of the changes of the Great Theatre Reform. The interpretation of Turgenev\u27s play in the view of global artistic tendencies shows the uniqueness of his work of art. The comparative method of the analysis helps to discover the encoded features which will influence modernist way of thinking, eliminating the differences between the word and other ways of artistic expression
Смысл символики имени „Макар” в контексте творчества Ф.М. Достоевского и проблем эсхатологии как скрытый концепт жизни и культурной креативности человека
Get PDFThe paper deals with the meanings of the name Makar according to Florinsky\u27s metaphysical conception which, with reference to the symbolic representation of simplicity in the oeuvre of Dostoyevsky and its problems of eschatology, make it possible to reveal the universal and cosmological message hidden in the symbolic content of the name. The name Makar as a symbol of the organic unity and the integrity of man\u27s personality is rendered as a biblical universal model of the whole creation of which man is its expression. Man is meant as “God’s temple” which is “holy” i.e. ideal, as ideal is innocent man. Therefore, the name Makar in the oeuvre of Dostoyevsky is meant as the only valid conception of man\u27s life and creativity which corresponds to God\u27s Universe and protects man from further decline and degradation of life and culture because of its extreme measure.The paper deals with the meanings of the name Makar according to Florinsky\u27s metaphysical conception which, with reference to the symbolic representation of simplicity in the oeuvre of Dostoyevsky and its problems of eschatology, make it possible to reveal the universal and cosmological message hidden in the symbolic content of the name. The name Makar as a symbol of the organic unity and the integrity of man\u27s personality is rendered as a biblical universal model of the whole creation of which man is its expression. Man is meant as “God’s temple” which is “holy” i.e. ideal, as ideal is innocent man. Therefore, the name Makar in the oeuvre of Dostoyevsky is meant as the only valid conception of man\u27s life and creativity which corresponds to God\u27s Universe and protects man from further decline and degradation of life and culture because of its extreme measure.The paper deals with the meanings of the name Makar according to Florinsky\u27s metaphysical conception which, with reference to the symbolic representation of simplicity in the oeuvre of Dostoyevsky and its problems of eschatology, make it possible to reveal the universal and cosmological message hidden in the symbolic content of the name. The name Makar as a symbol of the organic unity and the integrity of man\u27s personality is rendered as a biblical universal model of the whole creation of which man is its expression. Man is meant as “God’s temple” which is “holy” i.e. ideal, as ideal is innocent man. Therefore, the name Makar in the oeuvre of Dostoyevsky is meant as the only valid conception of man\u27s life and creativity which corresponds to God\u27s Universe and protects man from further decline and degradation of life and culture because of its extreme measure
Феномен русской прозы: писатели – референты иноэтнокультуры
Get PDFThe contemporary literature borders don\u27t agree with the formal state borders. The Russian literature is an example of this. Its ethnic index doesn\u27t correspond either with a writer\u27s residence or his citizenship. Belonging to the Russian literature is defined by the Russian language. Some of non-Russian ethnic writers win awards for their contribution to the Russian literature. Thus any author writing in Russian is a Russian writer. By origin and nurture D. Rubina, T. Pulatov, S. Aflatuni, CH. Aytmatov, A. Volos et al. belong to the Russian culture as well as to a non-Russian one. Being in the sphere of folk and family mythology, memories, traditions, ethnic cooking, religious myths, these writers create their non-Russian ethnic works in Russian. They appear as commentators, interpreters, mediators between two mentalities: the own and the non-own, acting as spokesmen for non-Russian ethnic culture, or as translators between different mentalities, different ethnic values.The contemporary literature borders don\u27t agree with the formal state borders. The Russian literature is an example of this. Its ethnic index doesn\u27t correspond either with a writer\u27s residence or his citizenship. Belonging to the Russian literature is defined by the Russian language. Some of non-Russian ethnic writers win awards for their contribution to the Russian literature. Thus any author writing in Russian is a Russian writer. By origin and nurture D. Rubina, T. Pulatov, S. Aflatuni, CH. Aytmatov, A. Volos et al. belong to the Russian culture as well as to a non-Russian one. Being in the sphere of folk and family mythology, memories, traditions, ethnic cooking, religious myths, these writers create their non-Russian ethnic works in Russian. They appear as commentators, interpreters, mediators between two mentalities: the own and the non-own, acting as spokesmen for non-Russian ethnic culture, or as translators between different mentalities, different ethnic values.The contemporary literature borders don\u27t agree with the formal state borders. The Russian literature is an example of this. Its ethnic index doesn\u27t correspond either with a writer\u27s residence or his citizenship. Belonging to the Russian literature is defined by the Russian language. Some of non-Russian ethnic writers win awards for their contribution to the Russian literature. Thus any author writing in Russian is a Russian writer. By origin and nurture D. Rubina, T. Pulatov, S. Aflatuni, CH. Aytmatov, A. Volos et al. belong to the Russian culture as well as to a non-Russian one. Being in the sphere of folk and family mythology, memories, traditions, ethnic cooking, religious myths, these writers create their non-Russian ethnic works in Russian. They appear as commentators, interpreters, mediators between two mentalities: the own and the non-own, acting as spokesmen for non-Russian ethnic culture, or as translators between different mentalities, different ethnic values
Один герой трех рассказов И.А. Бунина
Get PDFThe paper of Yelena Kapinos One Protagonist of Three Short Stories by Ivan Bunin analyzes three short stories by Ivan Bunin (Grammar of Love, A Winter Dream and In a Never- Never Land). The stories are connected through the same recurring protagonist, Ivlev, who functions as a “mediator” between the world of the characters and that of the author. The three texts are structured as a kaleidoscope of similar motifs, details and narrative techniques that reveal the key elements of Bunin\u27s poetic universe.The paper of Yelena Kapinos One Protagonist of Three Short Stories by Ivan Bunin analyzes three short stories by Ivan Bunin (Grammar of Love, A Winter Dream and In a Never- Never Land). The stories are connected through the same recurring protagonist, Ivlev, who functions as a “mediator” between the world of the characters and that of the author. The three texts are structured as a kaleidoscope of similar motifs, details and narrative techniques that reveal the key elements of Bunin\u27s poetic universe.The paper of Yelena Kapinos One Protagonist of Three Short Stories by Ivan Bunin analyzes three short stories by Ivan Bunin (Grammar of Love, A Winter Dream and In a Never- Never Land). The stories are connected through the same recurring protagonist, Ivlev, who functions as a “mediator” between the world of the characters and that of the author. The three texts are structured as a kaleidoscope of similar motifs, details and narrative techniques that reveal the key elements of Bunin\u27s poetic universe
Проблема героя в рассказе А.П. Чехова „Черный монах”
Get PDFThis article is focused on the ontological issues that are reflected in one of the most philosophical stories written by A.P. Chekhov – The Black Monk. The core idea on which the construction of the hero and the presented world are based turns out to be dualism. Kovrin belongs to the upper world of idea, so consequently, this status brings him to the conflict with the usual people – the dwellers of the world of the matter. This platonic philosophy seems to reflect not only a certain artistic strategy of the writer, but also a personal view on the human existence in the world of Chekhov himself. What needs to be underlined is the fact, that the writer seems to believe that in the process of human evolution the number of people belonging to the realm of idea will increase in the future.This article is focused on the ontological issues that are reflected in one of the most philosophical stories written by A.P. Chekhov – The Black Monk. The core idea on which the construction of the hero and the presented world are based turns out to be dualism. Kovrin belongs to the upper world of idea, so consequently, this status brings him to the conflict with the usual people – the dwellers of the world of the matter. This platonic philosophy seems to reflect not only a certain artistic strategy of the writer, but also a personal view on the human existence in the world of Chekhov himself. What needs to be underlined is the fact, that the writer seems to believe that in the process of human evolution the number of people belonging to the realm of idea will increase in the future.This article is focused on the ontological issues that are reflected in one of the most philosophical stories written by A.P. Chekhov – The Black Monk. The core idea on which the construction of the hero and the presented world are based turns out to be dualism. Kovrin belongs to the upper world of idea, so consequently, this status brings him to the conflict with the usual people – the dwellers of the world of the matter. This platonic philosophy seems to reflect not only a certain artistic strategy of the writer, but also a personal view on the human existence in the world of Chekhov himself. What needs to be underlined is the fact, that the writer seems to believe that in the process of human evolution the number of people belonging to the realm of idea will increase in the future
„Дружба” и „друг” в языковой картине мира (на материале паремиологических трансформ)
Get PDFIn the paper, based on the material of paremiological units (proverbs, aphorisms, phrases), concepts of friendship and friend have been discussed. The carried out analyses afforded more accurate observation of the language picture of the world in the social communication, whose base – in that case – was friendship which was so richly established in the European aphoristics. Via transformations of established paremiological constructions the users of Russian language included in them not rarely very critical view of the modern interpersonal relations.In the paper, based on the material of paremiological units (proverbs, aphorisms, phrases), concepts of friendship and friend have been discussed. The carried out analyses afforded more accurate observation of the language picture of the world in the social communication, whose base – in that case – was friendship which was so richly established in the European aphoristics. Via transformations of established paremiological constructions the users of Russian language included in them not rarely very critical view of the modern interpersonal relations.In the paper, based on the material of paremiological units (proverbs, aphorisms, phrases), concepts of friendship and friend have been discussed. The carried out analyses afforded more accurate observation of the language picture of the world in the social communication, whose base – in that case – was friendship which was so richly established in the European aphoristics. Via transformations of established paremiological constructions the users of Russian language included in them not rarely very critical view of the modern interpersonal relations
Клиповость мышления и формирование межкультурной компетенции
Get PDFThis article discusses the specifity of clip thinking. The article defines the concept and describes such primary features on cognitivistic level as drawbacks of this phenomenon. There were also proposed suggestions of small modifications used in process of forming intercultural comeptence for students studying Russian language on university level. On the one hand mentioned modification includes specificity of clip thinking, while on the second hand it is directed to such skills as analysis, synthesis, generalization etc.This article discusses the specifity of clip thinking. The article defines the concept and describes such primary features on cognitivistic level as drawbacks of this phenomenon. There were also proposed suggestions of small modifications used in process of forming intercultural comeptence for students studying Russian language on university level. On the one hand mentioned modification includes specificity of clip thinking, while on the second hand it is directed to such skills as analysis, synthesis, generalization etc.This article discusses the specifity of clip thinking. The article defines the concept and describes such primary features on cognitivistic level as drawbacks of this phenomenon. There were also proposed suggestions of small modifications used in process of forming intercultural comeptence for students studying Russian language on university level. On the one hand mentioned modification includes specificity of clip thinking, while on the second hand it is directed to such skills as analysis, synthesis, generalization etc