Studia Rossica Posnaniensia
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Место человека в концепции времени Михаила Осоргина
Get PDFThe main subject of the article is the way Mikhail Osorgin perceives the relation between man and time in his emigration novels. The category of time in Osorgin’s works cannot be considered apart from the human factor. Osorgin has always been interested in man’s role and place in the eternal stream of time.The main subject of the article is the way Mikhail Osorgin perceives the relation between man and time in his emigration novels. The category of time in Osorgin’s works cannot be considered apart from the human factor. Osorgin has always been interested in man’s role and place in the eternal stream of time.The main subject of the article is the way Mikhail Osorgin perceives the relation between man and time in his emigration novels. The category of time in Osorgin’s works cannot be considered apart from the human factor. Osorgin has always been interested in man’s role and place in the eternal stream of time
Поэтика парадокса в прозе Сигизмунда Кржижановского
Get PDFThe article deals with the poetics of paradox in the stories of Sigizmund Krzhizhanowsky, which were written in the years 1920–1930. The paradox of the writer served as an analytical tool to reveal the absurdity of Russian reality of that time. The novelist undermines imaginary quantities, to which too much importance was attached in the era of totalitarianism.The article deals with the poetics of paradox in the stories of Sigizmund Krzhizhanowsky, which were written in the years 1920–1930. The paradox of the writer served as an analytical tool to reveal the absurdity of Russian reality of that time. The novelist undermines imaginary quantities, to which too much importance was attached in the era of totalitarianism.The article deals with the poetics of paradox in the stories of Sigizmund Krzhizhanowsky, which were written in the years 1920–1930. The paradox of the writer served as an analytical tool to reveal the absurdity of Russian reality of that time. The novelist undermines imaginary quantities, to which too much importance was attached in the era of totalitarianism
Читатель и авторская метарефлексия в „Мертвых душах” Гоголя
Get PDFThe article analyzes the functions and semantics of the term of the metatext “reader” playing an important role in metanarration in Gogol’s Dead Souls. The reader whom the author addresses is not only an imagined addressee, but also the imagined character of the author’s thinking who plays the role of the reader and stabilizes a possible relation to the written product. The author is discharged if the reader can mediate between the world of creativity and the world of heroes and can express a potentially possible opinion or judgement on the written product. Reproducing the reader’s reflection expressed in a certain form concerning a subject or imagen means the author, as a rule, foresees and anticipates that the reader will become acquainted with what is represented now, at the moment of creation, or in the prospective future.The article analyzes the functions and semantics of the term of the metatext “reader” playing an important role in metanarration in Gogol’s Dead Souls. The reader whom the author addresses is not only an imagined addressee, but also the imagined character of the author’s thinking who plays the role of the reader and stabilizes a possible relation to the written product. The author is discharged if the reader can mediate between the world of creativity and the world of heroes and can express a potentially possible opinion or judgement on the written product. Reproducing the reader’s reflection expressed in a certain form concerning a subject or imagen means the author, as a rule, foresees and anticipates that the reader will become acquainted with what is represented now, at the moment of creation, or in the prospective future.The article analyzes the functions and semantics of the term of the metatext “reader” playing an important role in metanarration in Gogol’s Dead Souls. The reader whom the author addresses is not only an imagined addressee, but also the imagined character of the author’s thinking who plays the role of the reader and stabilizes a possible relation to the written product. The author is discharged if the reader can mediate between the world of creativity and the world of heroes and can express a potentially possible opinion or judgement on the written product. Reproducing the reader’s reflection expressed in a certain form concerning a subject or imagen means the author, as a rule, foresees and anticipates that the reader will become acquainted with what is represented now, at the moment of creation, or in the prospective future
Пастернак и Маяковский. История знакомства
No full textBoth eminent Russian poets shared much, although they also differed considerably. Peers, they debuted almost simultaneously as Futurists, though their personal contacts began with a conflict within the Futuristic milieu. They were poets-urbanists, but Mayakovsky was captivated by urban civilization as well as ethical and social phenomena, while Pasternak was fascinated with municipal parks. Their acquaintanceship consisted of mutual attraction and recognition, especially for their early, pre-revolutionary works. After the revolution Mayakovsky attempted to draw Pasternak into his organizational initiatives and publication undertakings. Pasternak’s protests led to conflicts and a severance of ties. Despite the deterioration in their relations, Pasternak was deeply touched by Mayakovsky’s suicide.Both eminent Russian poets shared much, although they also differed considerably. Peers, they debuted almost simultaneously as Futurists, though their personal contacts began with a conflict within the Futuristic milieu. They were poets-urbanists, but Mayakovsky was captivated by urban civilization as well as ethical and social phenomena, while Pasternak was fascinated with municipal parks. Their acquaintanceship consisted of mutual attraction and recognition, especially for their early, pre-revolutionary works. After the revolution Mayakovsky attempted to draw Pasternak into his organizational initiatives and publication undertakings. Pasternak’s protests led to conflicts and a severance of ties. Despite the deterioration in their relations, Pasternak was deeply touched by Mayakovsky’s suicide.Both eminent Russian poets shared much, although they also differed considerably. Peers, they debuted almost simultaneously as Futurists, though their personal contacts began with a conflict within the Futuristic milieu. They were poets-urbanists, but Mayakovsky was captivated by urban civilization as well as ethical and social phenomena, while Pasternak was fascinated with municipal parks. Their acquaintanceship consisted of mutual attraction and recognition, especially for their early, pre-revolutionary works. After the revolution Mayakovsky attempted to draw Pasternak into his organizational initiatives and publication undertakings. Pasternak’s protests led to conflicts and a severance of ties. Despite the deterioration in their relations, Pasternak was deeply touched by Mayakovsky’s suicide
Женская правда-истина в произведениях Валентина Распутина
Get PDFThe artistic characterology of Valentin Rasputin is considered from the angle of the gnosiological categories of truth. The characters are interpreted in the gender aspect. The author concentrates on stories by V. Rasputin, mainly, on the work Zhivi y pomni (Live and Remember).The artistic characterology of Valentin Rasputin is considered from the angle of the gnosiological categories of truth. The characters are interpreted in the gender aspect. The author concentrates on stories by V. Rasputin, mainly, on the work Zhivi y pomni (Live and Remember).The artistic characterology of Valentin Rasputin is considered from the angle of the gnosiological categories of truth. The characters are interpreted in the gender aspect. The author concentrates on stories by V. Rasputin, mainly, on the work Zhivi y pomni (Live and Remember)
Прошлое и современность в творчестве Ирины Ратушинской
Get PDFRussian poet Irina Ratushinskaya’s poetic output was presented in the article by paying attention to two aspects in her creativeness. The subject of the past is connected with Polish roots, Polish subject matter, religion and faith. Elements of contemporaneousness аre found in works about constraint, persecution, the fight for democracy and freedom, and describing the lack of agreement to restrict an individual`s freedom.Russian poet Irina Ratushinskaya’s poetic output was presented in the article by paying attention to two aspects in her creativeness. The subject of the past is connected with Polish roots, Polish subject matter, religion and faith. Elements of contemporaneousness аre found in works about constraint, persecution, the fight for democracy and freedom, and describing the lack of agreement to restrict an individual`s freedom.Russian poet Irina Ratushinskaya’s poetic output was presented in the article by paying attention to two aspects in her creativeness. The subject of the past is connected with Polish roots, Polish subject matter, religion and faith. Elements of contemporaneousness аre found in works about constraint, persecution, the fight for democracy and freedom, and describing the lack of agreement to restrict an individual`s freedom
Неизвестный известный поэт. Про еврейский аспект жизни и творчества Самуила Маршака
No full textSamuil Marshak, the father of Soviet children’s literature, started his literary career as a supporter of Zionism, a movement that was particularly popular in the Russian Empire in the first decade of the 20th century. During the Stalinist era this descendant of great rabbinic families and author of the collections of poems Zionides and Palestine was forced to hide his Jewish roots. However, Jewish themes are present in Marshak’s pre-revolutionary and post-revolutionary work.Samuil Marshak, the father of Soviet children’s literature, started his literary career as a supporter of Zionism, a movement that was particularly popular in the Russian Empire in the first decade of the 20th century. During the Stalinist era this descendant of great rabbinic families and author of the collections of poems Zionides and Palestine was forced to hide his Jewish roots. However, Jewish themes are present in Marshak’s pre-revolutionary and post-revolutionary work.Samuil Marshak, the father of Soviet children’s literature, started his literary career as a supporter of Zionism, a movement that was particularly popular in the Russian Empire in the first decade of the 20th century. During the Stalinist era this descendant of great rabbinic families and author of the collections of poems Zionides and Palestine was forced to hide his Jewish roots. However, Jewish themes are present in Marshak’s pre-revolutionary and post-revolutionary work
Десять игр с временем. Концептуализация времени в поэзии Инны Лиснянской
No full textInna Lisnianska, a Russian poet born in 1928, debuted in the late 1950s and has been publishing intellectual and inspired poetry since then. One of her major artistic achievements has been the creation of the linguistic concept of time. The poems that were selected for this analysis show the poet’s ability to recognize the signs of time “in everything” (M. Bachtin).Inna Lisnianska, a Russian poet born in 1928, debuted in the late 1950s and has been publishing intellectual and inspired poetry since then. One of her major artistic achievements has been the creation of the linguistic concept of time. The poems that were selected for this analysis show the poet’s ability to recognize the signs of time “in everything” (M. Bachtin).Inna Lisnianska, a Russian poet born in 1928, debuted in the late 1950s and has been publishing intellectual and inspired poetry since then. One of her major artistic achievements has been the creation of the linguistic concept of time. The poems that were selected for this analysis show the poet’s ability to recognize the signs of time “in everything” (M. Bachtin)
Символы и мифы мемуаристики: „Мой лунный друг” Зинаиды Гиппиус
Get PDFLudmila Lutsevich’s article “The Symbols and Myths of the Discipline that Studies Memoirs: My Moon Friend by Zinaida Gippius” mentions the characteristic feature of the Russian emigrational discipline that studies memoirs. The feature combines the alloy of facts of real existence, objective characteristics and a realistic evaluation in combination with a fictional plot, subjective descriptions, predictions and talks. These combinations led to the creation of mythological concepts and interpretations. Based on one of Zinaida Gippius’ earliest memoirs, the author of the article studies her interpretation of Aleksandr Blok’s personality as a romantic myth about a poet.Ludmila Lutsevich’s article “The Symbols and Myths of the Discipline that Studies Memoirs: My Moon Friend by Zinaida Gippius” mentions the characteristic feature of the Russian emigrational discipline that studies memoirs. The feature combines the alloy of facts of real existence, objective characteristics and a realistic evaluation in combination with a fictional plot, subjective descriptions, predictions and talks. These combinations led to the creation of mythological concepts and interpretations. Based on one of Zinaida Gippius’ earliest memoirs, the author of the article studies her interpretation of Aleksandr Blok’s personality as a romantic myth about a poet.Ludmila Lutsevich’s article “The Symbols and Myths of the Discipline that Studies Memoirs: My Moon Friend by Zinaida Gippius” mentions the characteristic feature of the Russian emigrational discipline that studies memoirs. The feature combines the alloy of facts of real existence, objective characteristics and a realistic evaluation in combination with a fictional plot, subjective descriptions, predictions and talks. These combinations led to the creation of mythological concepts and interpretations. Based on one of Zinaida Gippius’ earliest memoirs, the author of the article studies her interpretation of Aleksandr Blok’s personality as a romantic myth about a poet
Проза Ивана Шмелева в контексте духовной парадигмы русской литературной классики (в перспективе избранных аспектов русского шмелеведения последних лет)
Get PDFThis article, based on some contemporary Russian literary research studies, contains a reflection on Ivan Shmelov’s prose in the context of the spiritual paradigm of Russian classical literature. Typical Shmelov motifs, such as the “Holy Rus”, a monastery as a symbol of an Orthodox center, the spiritual life of heroes, the individual and national internal way towards a new religious Renaissance – are developed in the manner of “spiritual realism”. They are also linked with the religious themes and aspects of the prose of Russian emigrant writers as well as with prerevolutionary pieces of literature, including texts from the time of old Russian literature.This article, based on some contemporary Russian literary research studies, contains a reflection on Ivan Shmelov’s prose in the context of the spiritual paradigm of Russian classical literature. Typical Shmelov motifs, such as the “Holy Rus”, a monastery as a symbol of an Orthodox center, the spiritual life of heroes, the individual and national internal way towards a new religious Renaissance – are developed in the manner of “spiritual realism”. They are also linked with the religious themes and aspects of the prose of Russian emigrant writers as well as with prerevolutionary pieces of literature, including texts from the time of old Russian literature.This article, based on some contemporary Russian literary research studies, contains a reflection on Ivan Shmelov’s prose in the context of the spiritual paradigm of Russian classical literature. Typical Shmelov motifs, such as the “Holy Rus”, a monastery as a symbol of an Orthodox center, the spiritual life of heroes, the individual and national internal way towards a new religious Renaissance – are developed in the manner of “spiritual realism”. They are also linked with the religious themes and aspects of the prose of Russian emigrant writers as well as with prerevolutionary pieces of literature, including texts from the time of old Russian literature