Studia Rossica Posnaniensia
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Творчество Якова Голосовкера в контексте русской и западно- европейской культуры
Get PDFThe aim of the present article is to open up the connection of Jakov Golosovker’s creativity with Russian and Western European culture (the Silver Age, Antique culture, German romanticism, German philosophy).The aim of the present article is to open up the connection of Jakov Golosovker’s creativity with Russian and Western European culture (the Silver Age, Antique culture, German romanticism, German philosophy).The aim of the present article is to open up the connection of Jakov Golosovker’s creativity with Russian and Western European culture (the Silver Age, Antique culture, German romanticism, German philosophy)
Мемуары Анны Евдокимовны Лабзиной – документ познания нравственности русской женщины в конце XVIII века
No full textAnna Labzina, born in the eighteenth century in a gentry family, left extraordinary memoirs. Her diaries are not a testimony of time but rather reflect her very own experiences and emotions connected with her unsuccessful marriage, a decision which was made when she was thirteen years old. Her notes confirm the eighteenth-century principle of absolute dependence on one’s husband. Labzina accepts and suffers dependence meekly, but from her words the picture of a “pained soul” emanates – the only thing she can rebel against is her fate.Anna Labzina, born in the eighteenth century in a gentry family, left extraordinary memoirs. Her diaries are not a testimony of time but rather reflect her very own experiences and emotions connected with her unsuccessful marriage, a decision which was made when she was thirteen years old. Her notes confirm the eighteenth-century principle of absolute dependence on one’s husband. Labzina accepts and suffers dependence meekly, but from her words the picture of a “pained soul” emanates – the only thing she can rebel against is her fate.Anna Labzina, born in the eighteenth century in a gentry family, left extraordinary memoirs. Her diaries are not a testimony of time but rather reflect her very own experiences and emotions connected with her unsuccessful marriage, a decision which was made when she was thirteen years old. Her notes confirm the eighteenth-century principle of absolute dependence on one’s husband. Labzina accepts and suffers dependence meekly, but from her words the picture of a “pained soul” emanates – the only thing she can rebel against is her fate
Художественное слово Федора Достоевского в современной культуре (подготовка к анализу театрально-кинематографической адаптации литературного текста)
Get PDFIn accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky\u27s text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture.In accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky\u27s text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture.In accordance with theatrical and cinematographic experiments, in the space of model extensive complexity of Dostoyevsky\u27s text, immanent readiness of the verbal material to transform into another type of artistic expression in order to reveal mentally meaningful operations inflicted by the initial impulse of adapted reality can define itself as a distinctive factor of the forming function of the word of the Russian master in the contemporary culture
Жизнь идеи в художественной форме метароманов Ф.М. Достоевского и В. Набокова
Get PDFThe paper focuses on the analysis of F. Dostoyevsky\u27s and V. Nabokov\u27s metanovels as the phenomenon synthesizing all core values of artistic consciousness and the world of a sensitive reader. The examination of Dostoyevsky\u27s and Nabokov\u27s metaprose shows the coexistence of languages and cultural systems characterising both writers. The comparative method of the interpretation is utilised in order to show the unique model of intertextuality in 19th century and modern Russian literature.The paper focuses on the analysis of F. Dostoyevsky\u27s and V. Nabokov\u27s metanovels as the phenomenon synthesizing all core values of artistic consciousness and the world of a sensitive reader. The examination of Dostoyevsky\u27s and Nabokov\u27s metaprose shows the coexistence of languages and cultural systems characterising both writers. The comparative method of the interpretation is utilised in order to show the unique model of intertextuality in 19th century and modern Russian literature.The paper focuses on the analysis of F. Dostoyevsky\u27s and V. Nabokov\u27s metanovels as the phenomenon synthesizing all core values of artistic consciousness and the world of a sensitive reader. The examination of Dostoyevsky\u27s and Nabokov\u27s metaprose shows the coexistence of languages and cultural systems characterising both writers. The comparative method of the interpretation is utilised in order to show the unique model of intertextuality in 19th century and modern Russian literature
Эстетические представления С. Залыгина, В. Астафьева и В. Распутина (на материале публицистики)
Get PDFDuring the analysis basic affinity of aesthetic systems of S. Zalygin, V. Astaf \u27ev andV. Rasputin comes to light. Aesthetics of three writers is determined by their ethics. Ethics determine sights of writers on applicability of art (literature), representation about mission of the artist to a society. For writers the sight on the literature, as on national and moral consciousness of people is characteristic.During the analysis basic affinity of aesthetic systems of S. Zalygin, V. Astaf \u27ev and V. Rasputin comes to light. Aesthetics of three writers is determined by their ethics. Ethics determine sights of writers on applicability of art (literature), representation about mission of the artist to a society. For writers the sight on the literature, as on national and moral consciousness of people is characteristic.During the analysis basic affinity of aesthetic systems of S. Zalygin, V. Astaf \u27ev and V. Rasputin comes to light. Aesthetics of three writers is determined by their ethics. Ethics determine sights of writers on applicability of art (literature), representation about mission of the artist to a society. For writers the sight on the literature, as on national and moral consciousness of people is characteristic
Поэзия на службе власти – раннее панегирическое творчество Симеона Полоцкого
No full textIn this paper we endeavour to probe into the life and art of а unique poet and intellectual Symeon of Polotsk. We are dealing with this on the basis of his first still unpublished manuscript, focusing on the panegyrical works. Symeon, the future tutor of Peter the Great was formed in the turbulent times of the 17th century on the eastern lines of the weakening Polish empire. In his thirties he was forced to flee his native Polotsk and took refuge under the wings of tsar Alexei Mikhailovich in Moscow. There his talents found an excellent opportunity to flourish. The court of the Romanovs was Fast becoming the cultural and spiritual centre of the absolute monarchy, which was soon to become the powerful Russian empire. The poetry of Symeon took an indispensable part in the burgeoning royal ceremonial. In this the poet not only responded to the realities of the tsar’s court, but shaped new directions in the baroque art and influenced other wordsmiths of his time. The uniqueness of his approach to the panegyrical poetry employs biblical symbols and celestial analogies in order to celebrate the might and wisdom of his master and protector. This paper pays tribute to the indisputable originality of the worksIn this paper we endeavour to probe into the life and art of а unique poet and intellectual Symeon of Polotsk. We are dealing with this on the basis of his first still unpublished manuscript, focusing on the panegyrical works. Symeon, the future tutor of Peter the Great was formed in the turbulent times of the 17th century on the eastern lines of the weakening Polish empire. In his thirties he was forced to flee his native Polotsk and took refuge under the wings of tsar Alexei Mikhailovich in Moscow. There his talents found an excellent opportunity to flourish. The court of the Romanovs was Fast becoming the cultural and spiritual centre of the absolute monarchy, which was soon to become the powerful Russian empire. The poetry of Symeon took an indispensable part in the burgeoning royal ceremonial. In this the poet not only responded to the realities of the tsar’s court, but shaped new directions in the baroque art and influenced other wordsmiths of his time. The uniqueness of his approach to the panegyrical poetry employs biblical symbols and celestial analogies in order to celebrate the might and wisdom of his master and protector. This paper pays tribute to the indisputable originality of the worksIn this paper we endeavour to probe into the life and art of а unique poet and intellectual Symeon of Polotsk. We are dealing with this on the basis of his first still unpublished manuscript, focusing on the panegyrical works. Symeon, the future tutor of Peter the Great was formed in the turbulent times of the 17th century on the eastern lines of the weakening Polish empire. In his thirties he was forced to flee his native Polotsk and took refuge under the wings of tsar Alexei Mikhailovich in Moscow. There his talents found an excellent opportunity to flourish. The court of the Romanovs was Fast becoming the cultural and spiritual centre of the absolute monarchy, which was soon to become the powerful Russian empire. The poetry of Symeon took an indispensable part in the burgeoning royal ceremonial. In this the poet not only responded to the realities of the tsar’s court, but shaped new directions in the baroque art and influenced other wordsmiths of his time. The uniqueness of his approach to the panegyrical poetry employs biblical symbols and celestial analogies in order to celebrate the might and wisdom of his master and protector. This paper pays tribute to the indisputable originality of the work
Проблемы фоностилистики в поэтическом творчестве Велимира Хлебникова
No full textThe article presents an attempt to analyse Velimir Khlebnikov\u27s selected poems from the point of view of phonostylistic, i.e. sound and prosodic organization. In the poet\u27s texts, sound can be said to have three main functions: onomatopoeic, conceptual, and structural. Each is present in Khlebnikov\u27s texts, but none of them manifests to the same degree. A detailed analysis of these texts with respect to phonostylistic elements reveals a number of meanings absent from many other analyses, and many times proves to be the exclusive method of comprehension of Khlebnikov\u27s texts.The article presents an attempt to analyse Velimir Khlebnikov\u27s selected poems from the point of view of phonostylistic, i.e. sound and prosodic organization. In the poet\u27s texts, sound can be said to have three main functions: onomatopoeic, conceptual, and structural. Each is present in Khlebnikov\u27s texts, but none of them manifests to the same degree. A detailed analysis of these texts with respect to phonostylistic elements reveals a number of meanings absent from many other analyses, and many times proves to be the exclusive method of comprehension of Khlebnikov\u27s texts.The article presents an attempt to analyse Velimir Khlebnikov\u27s selected poems from the point of view of phonostylistic, i.e. sound and prosodic organization. In the poet\u27s texts, sound can be said to have three main functions: onomatopoeic, conceptual, and structural. Each is present in Khlebnikov\u27s texts, but none of them manifests to the same degree. A detailed analysis of these texts with respect to phonostylistic elements reveals a number of meanings absent from many other analyses, and many times proves to be the exclusive method of comprehension of Khlebnikov\u27s texts
Эстетическое содержание самоубийства главной героини романа Л.Н. Толстого „Анна Каренина”
Get PDFThe article is an attempt at analysing and rereading of the Russian prosaist’s masterpiece by means of phenomenology of suicide. The suicidal casus in the artistic world of the author of Resurrection – a thinker, Christian, open to the assimilation of different value systems and deep spiritual attitudes – reveals one of the many methodological possibilities to study the occurring cultural phenomena as justified in exploring the world masterpieces.The article is an attempt at analysing and rereading of the Russian prosaist’s masterpiece by means of phenomenology of suicide. The suicidal casus in the artistic world of the author of Resurrection – a thinker, Christian, open to the assimilation of different value systems and deep spiritual attitudes – reveals one of the many methodological possibilities to study the occurring cultural phenomena as justified in exploring the world masterpieces.The article is an attempt at analysing and rereading of the Russian prosaist’s masterpiece by means of phenomenology of suicide. The suicidal casus in the artistic world of the author of Resurrection – a thinker, Christian, open to the assimilation of different value systems and deep spiritual attitudes – reveals one of the many methodological possibilities to study the occurring cultural phenomena as justified in exploring the world masterpieces
Архетип героя в повести Олега Павлова „Казенная сказка”
Get PDFIn the article, basic features of the main hero of the story The state fairy tale captain Khabarov are being analysed. It’s also proved that the story became a support for overcoming the spiritual chaos for the writer during the epoch of disintegration of the 1990s.In the article, basic features of the main hero of the story The state fairy tale captain Khabarov are being analysed. It’s also proved that the story became a support for overcoming the spiritual chaos for the writer during the epoch of disintegration of the 1990s.In the article, basic features of the main hero of the story The state fairy tale captain Khabarov are being analysed. It’s also proved that the story became a support for overcoming the spiritual chaos for the writer during the epoch of disintegration of the 1990s
Мотив семейного разлада в русской беллетристике о жизни духовенства 1860–1870-х гг.
Get PDFIn the present paper the analysis of a motif characteristic of the Church-oriented novels, novelettes, stories and sketches – the motif of family discord – is offered. The examination of several literary works of the 1860s and 1870s has shown that it is the depiction of the negative aspects of clergymen\u27s family life that dominates, the reasons for which being different moral principles, hierarchy of values and major life objectives. Usually it is a priest\u27s wife that is presented as a negative character, although the opposite may be also observed. In the paper both the influence of the literary motif of family discord, popular in the realistic literature, is examined and certain facts of everyday life of the Orthodox clergy are presented in order to show the combination of these factors in the Church-oriented literary works.In the present paper the analysis of a motif characteristic of the Church-oriented novels, novelettes, stories and sketches – the motif of family discord – is offered. The examination of several literary works of the 1860s and 1870s has shown that it is the depiction of the negative aspects of clergymen\u27s family life that dominates, the reasons for which being different moral principles, hierarchy of values and major life objectives. Usually it is a priest\u27s wife that is presented as a negative character, although the opposite may be also observed. In the paper both the influence of the literary motif of family discord, popular in the realistic literature, is examined and certain facts of everyday life of the Orthodox clergy are presented in order to show the combination of these factors in the Church-oriented literary works.In the present paper the analysis of a motif characteristic of the Church-oriented novels, novelettes, stories and sketches – the motif of family discord – is offered. The examination of several literary works of the 1860s and 1870s has shown that it is the depiction of the negative aspects of clergymen\u27s family life that dominates, the reasons for which being different moral principles, hierarchy of values and major life objectives. Usually it is a priest\u27s wife that is presented as a negative character, although the opposite may be also observed. In the paper both the influence of the literary motif of family discord, popular in the realistic literature, is examined and certain facts of everyday life of the Orthodox clergy are presented in order to show the combination of these factors in the Church-oriented literary works