Studia Rossica Posnaniensia
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Семантико-стилистические трансформации в русском литературном языке XVIII–XXI столетий
Get PDFInvestigating the semantic and stylistic transformations of the meaningful language units functioning in a given epoch allows us to show the internal regularities of their evolution, their systemic nature, and conditionality on factors of a historically cultural character. Realizating the semantic potential of a word capable of the associative rethinking plays an important role in the organization of modern vocabulary.Investigating the semantic and stylistic transformations of the meaningful language units functioning in a given epoch allows us to show the internal regularities of their evolution, their systemic nature, and conditionality on factors of a historically cultural character. Realizating the semantic potential of a word capable of the associative rethinking plays an important role in the organization of modern vocabulary
Художественный концепт „венчание” в повести И.А. Бунина „Деревня”
Get PDFTo understand the semantic content of the creative concept of ‘’the sacrament of matrimony’’ in Ivan Bunin’s novel The Village, it is necessary to focus on revealing the semantic components of ‘’culture coagulate’’ (a term by J. Stepanov) and its artistic realization on various levels of the text. This analysis allows the author to indicate that opposites (such as death and birth, wedding and funeral, tragedy and farce) are united in a way that is typical for Bunin.To understand the semantic content of the creative concept of ‘’the sacrament of matrimony’’ in Ivan Bunin’s novel The Village, it is necessary to focus on revealing the semantic components of ‘’culture coagulate’’ (a term by J. Stepanov) and its artistic realization on various levels of the text. This analysis allows the author to indicate that opposites (such as death and birth, wedding and funeral, tragedy and farce) are united in a way that is typical for Bunin
О некоторых аспектах проприальной интертекстуализации в свете новейших исследований
No full textA new perspective in research on proper names has appeared recently. A proper name is now treated as a text unit. The article discusses intertextual relations between different classes of onyms and some extralinguistic aspects of proprial intertextualisation.A new perspective in research on proper names has appeared recently. A proper name is now treated as a text unit. The article discusses intertextual relations between different classes of onyms and some extralinguistic aspects of proprial intertextualisation
Альтернативная историософия в прозе Виктора Пелевина. На примере романов „Ампир В” и „Бэтман Аполло”
No full textPielewin W., Batman Apollo, przeł. E. Rojewska-Olejarczuk, Kraków 2014.Pielewin W., Empire V, przeł. E. Rojewska-Olejarczuk, Warszawa 2008.Pielewin W., Generation „P”, przeł. E. Rojewska-Olejarczuk, Warszawa 2010.Pielewin W., Mały palec Buddy, przeł. H. Broniatowska, Warszawa 2012.Пелевин В., Batman Apollo, Москва 2013.Пелевин В., Empire „V”, Москва 2015.Пелевин В., Чапаев и Пустота, Москва 2012.Czaplejewicz E., Owidiusz, Leonardo, Nietzsche: trzy obrazy chaosu, „Przegląd Humanistyczny” 1998, nr 3(348), s. 1–26.Jaworski M., Solipsyzm jako perspektywa poznawcza w twórczości Wiktora Pielewina, [w:] Literatura u progu XXI wieku, pod red. J. Chłosty-Zielonki i Z. Chojnowskiego, Olsztyn 2014.Podstawski M., Uciekinierzy z Aten. Rosyjska filozofia XIX i XX wieku wobec ‘niepoznawalnosci boga’, „HYBRIS” 2013, nr 20, s. 40–48.Khagi S., From Homo Sovieticus to Homo Zapiens: Viktor Pelevin\u27s Consumer Dystopia, „The Russian Review” 2008, no. 67, s. 559–579.Livers K., The Tower or the Labyrinth: Conspiracy, Occult, and Empire-Nostalgia in the Work of Viktor Pelevin and Aleksandr Prokhanov, “The Russian Review” 2010, no. 69, s. 477–503.Noordenbos B., Breaking into a New Era? A Cultural-Semiotic Reading of Viktor Pelevin, “Russian Literature” 2008, no. 1, p. 85–107.Watt I., The rise of the novel: studies in Defoe, Richardson and Fielding, London 1993. Липовецкий М., Эткин д A., Возвращение тритона: советская катастрофа и постсоветский роман, „НЛО” 2008, № 94.Лобин А., Роман-утøпiя В. Пелевина „S.N.U.F.F.”: проблема жанра и концепция истории, „Известия Саратовского университета” 2013, № 4, т. 13, с. 91–97.Маркова Т., Четыре кратких сюжета на тему „Авторские стратегии 2000-х”, „Toronto Slavic Quarterly” 2013, no. 44, s. 49–58.Федотова Е., Роман В. Пелевина „Generation П” — словесная игра как способ осмысления и пересоздания дейтсвительности, „Уральский филологический вестник” 2013, № 5, s. 227–234.Шубин Р., История как предмет пародии в „Диалектике переходного периода” Виктора Пелевина, „Studia Rossica Posnaniensia” 2015, nr 40, cz. 1, s. 65–76.Pielewin W., Blaise C., Wywiad udzielony na Uniwersytecie Iowa, 1996, [w:] źródło elektroniczne: https://www.youtube.com/watch?v=X_G-CUUCFEM (10.09.2015).Евтушенко Е., Поэт в России — больше, чем поэт, [w:] źródło elektroniczne: https://www.stihi.ru/2007/11/17/1193 (10.09.2015).Казарина Т., Виктор Пелевин: слово и тело, [w:] źródło elektroniczne: http://www.phil63.ru/files/mix_10_009.pdf (10.09.2015).Ульянов С., Пелевин и пустота, [w:] źródło elektroniczne: http://pelevin.nov.ru/stati/o-ulan/1.html (10.09.2015).The aim of the paper is an attempt to interpret Viktor Pelevin’s Empire V and Batman Apollo in the context of alternative historiosophy. The author of the article tries to interpret the notion of history within the aforementioned works by Pelevin, who perceives human history as a well-organized machine which imposes suffering on the weak.The aim of the paper is an attempt to interpret Viktor Pelevin’s Empire V and Batman Apollo in the context of alternative historiosophy. The author of the article tries to interpret the notion of history within the aforementioned works by Pelevin, who perceives human history as a well-organized machine which imposes suffering on the weak
Влияниe Вальтера Скотта на историческую прозу А.С. Пушкина: „Роб Рой” и „Капитанская дочка”
Get PDFThis article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples of a similar poetics of the narration, dialectal use of language and dialogue, and the use of local colour and folk elements, such as folk songs or old sayings, which serve as mottos for particular chapters in the novels.This article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples of a similar poetics of the narration, dialectal use of language and dialogue, and the use of local colour and folk elements, such as folk songs or old sayings, which serve as mottos for particular chapters in the novels.This article analyses the influence of Sir Walter Scott’s historical fiction (Rob Roy) on the development of the historical novel in Russia in the first half of the 19th century, based on the example of Pushkin’s The Captain’s Daughter. The author argues that both Scott and Pushkin had a similar approach to their national and local history and collected historical material in the same way (through archival research and by contacting local people who had witnessed the events of the Jacobite Rebellion, 1715, and the Pugachev Rebellion, 1773–1775). A close analysis of both texts presents examples of a similar poetics of the narration, dialectal use of language and dialogue, and the use of local colour and folk elements, such as folk songs or old sayings, which serve as mottos for particular chapters in the novels
Праздник Вальпургиевой ночи как куль- турно-литературный феномен (на основе сравнительного анализа трагедии „Фауст” И.В. Гете и романа „Мастер и Маргарита” М. Булгакова)
No full textThe article is devoted to the phenomenon of Walpurgis Night in European culture and literature. The author focuses on the contradictions in the notion and images of Walpurgis Night, which emerged as a result of centuries of Catholic education in Europe. As a matter of fact, the feast named after Saint Walpurga is the pagan feast of Beltane, the scared night of love, vigor and awakening new life. Such a concept of the event is reflected in two masterpieces of world literature — Johann Wolfgang von Goethe\u27s tragedy Faust and the novel The Master and Margarita by Mikhail Bulgakov.The article is devoted to the phenomenon of Walpurgis Night in European culture and literature. The author focuses on the contradictions in the notion and images of Walpurgis Night, which emerged as a result of centuries of Catholic education in Europe. As a matter of fact, the feast named after Saint Walpurga is the pagan feast of Beltane, the scared night of love, vigor and awakening new life. Such a concept of the event is reflected in two masterpieces of world literature — Johann Wolfgang von Goethe\u27s tragedy Faust and the novel The Master and Margarita by Mikhail Bulgakov.The article is devoted to the phenomenon of Walpurgis Night in European culture and literature. The author focuses on the contradictions in the notion and images of Walpurgis Night, which emerged as a result of centuries of Catholic education in Europe. As a matter of fact, the feast named after Saint Walpurga is the pagan feast of Beltane, the scared night of love, vigor and awakening new life. Such a concept of the event is reflected in two masterpieces of world literature — Johann Wolfgang von Goethe\u27s tragedy Faust and the novel The Master and Margarita by Mikhail Bulgakov
Омографические триады в русском языке
Get PDFThe article is devoted to the study of Russian homographic rows consisting of three components, such as ворона (gen. and acc. sg. of ворон ‘raven’) — ворона (nom. sg.) ‘crow’ — ворона (short form of вороной ‘black’), вертела (gen. sg. of вертел ‘spit for roasting’) — вертела (nom. and acc. pl. of вертел) — вертела (past of вертеть ‘to turn’), здорово (adv.) ‘greatly, superbly; hard, strongly’ — здорово (short neut. form of здоровый I ‘healthy’) — здорово (short neut. form of здоровый II ‘tremendous, hefty’). The author has analyzed and classified 70 such three-component groups of homographs revealed in contemporary Russian.The article is devoted to the study of Russian homographic rows consisting of three components, such as ворона (gen. and acc. sg. of ворон ‘raven’) — ворона (nom. sg.) ‘crow’ — ворона (short form of вороной ‘black’), вертела (gen. sg. of вертел ‘spit for roasting’) — вертела (nom. and acc. pl. of вертел) — вертела (past of вертеть ‘to turn’), здорово (adv.) ‘greatly, superbly; hard, strongly’ — здорово (short neut. form of здоровый I ‘healthy’) — здорово (short neut. form of здоровый II ‘tremendous, hefty’). The author has analyzed and classified 70 such three-component groups of homographs revealed in contemporary Russian
Гармония как принцип образования дефисных субстантивно-субстантивных конструкций (на примере единиц личной семантики)
Get PDFUsing the structure of hyphenated compound words has become a productive way of creating new nominations in contemporary Russian. The aim of this article is to show that harmony as an orderly combination of elements in a whole is the main concept that underpins multiple psycholinguistic processes, resulting in the occurrence of hyphenated compound words in Russian speakers’ language.Using the structure of hyphenated compound words has become a productive way of creating new nominations in contemporary Russian. The aim of this article is to show that harmony as an orderly combination of elements in a whole is the main concept that underpins multiple psycholinguistic processes, resulting in the occurrence of hyphenated compound words in Russian speakers’ language
Paradygmat antropocentryczny jako kategoria lingwistyczna w badaniu obiektów językowych
Get PDFThis study constitutes an attempt to present views from contemporary cognitive linguistics on the definition and realization of the anthropocentric paradigm in the language system. On the basis of reseachers\u27 opinions, the author comes to the conclusion that a language can be analyzed as a peculiar semantic system whose realization is related to a human being. The available results of linguistic object studies, which take into consideration the anthropocentric paradigm, prove that nowadays anthropocentrism should be presented as a linguistic category
Социальная сторона концепта ‘ЗРИТЕЛЬНОЕ ВОСПРИЯТИЕ’ в русской и польской языковых картинах мира (на материале глаголов зрительного восприятия)
Get PDFThe article discusses the social dimension of the concept of VISUAL PERCEPTION in Russian and Polish based on visual perception verbs. Similarities and discrepancies in creating the concept in both languages are indicated. The analysis takes into consideration the anthropocentric factor in forming the concept.The article discusses the social dimension of the concept of VISUAL PERCEPTION in Russian and Polish based on visual perception verbs. Similarities and discrepancies in creating the concept in both languages are indicated. The analysis takes into consideration the anthropocentric factor in forming the concept