Studia Rossica Posnaniensia
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    597 research outputs found

    Русские свадебные приговоры: несколько замечаний о специфике бытования обрядового текста в необрядовой ситуации

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    The article is devoted to the problem of situating and performing ceremonial texts in non-ceremonial situations and is based on material from wedding speeches made in 1986–2006 in the local tradition of the Vilegodsky district in the Arkhangelsk region. An analysis of texts from the ceremonial genre performed in non-ceremonial situations allows the description of some mechanisms by which a folklore work in different speech situations is born, as well as masterly performance and strategies used by grooms  in wedding speeches at the collector’s request (in situations “outside the ceremony”).  It enables us to speak about text commonality in repeat performances, and also the correlation of collective and individual, traditional and improvisational in ceremonial texts learned and performed in various situations. Comparing the records of wedding speeches divided into different temporary intervals provides an informative and productive discussion  of the problem of specifics in folklore memory and the competence of the performer, mechanisms for memorizing, reproducing, and also the peculiarities of texts with  a tendency towards improvisation.The article is devoted to the problem of situating and performing ceremonial texts in non-ceremonial situations and is based on material from wedding speeches made in 1986–2006 in the local tradition of the Vilegodsky district in the Arkhangelsk region. An analysis of texts from the ceremonial genre performed in non-ceremonial situations allows the description of some mechanisms by which a folklore work in different speech situations is born, as well as masterly performance and strategies used by grooms  in wedding speeches at the collector’s request (in situations “outside the ceremony”).  It enables us to speak about text commonality in repeat performances, and also the correlation of collective and individual, traditional and improvisational in ceremonial texts learned and performed in various situations. Comparing the records of wedding speeches divided into different temporary intervals provides an informative and productive discussion  of the problem of specifics in folklore memory and the competence of the performer, mechanisms for memorizing, reproducing, and also the peculiarities of texts with  a tendency towards improvisation

    Миф Левиафанa в творчестве Андрея Звягинцева (на материале фильмa „Левиафан”)

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    The article focuses on an interpretation of Andrei Zvyagintsev’s film Leviathan in the context of the Leviathan myth. The film was inspired by the Book of Job and the philosophical treatise called Leviathan or The Matter, Form and Power of a Common Wealth Ecclesiasticall and Civil written by Thomas Hobbes in 17th century. The article starts with an explanation of the possible meanings of the symbol of Leviathan in various cultural and historical traditions, including the Bible and Hobbes’s book. The background is then expanded further in the interpretation of selected shots from the film, which show that the artistic text of the Russian director can be perceived as a universal parable of human life.The article focuses on an interpretation of Andrei Zvyagintsev’s film Leviathan in the context of the Leviathan myth. The film was inspired by the Book of Job and the philosophical treatise called Leviathan or The Matter, Form and Power of a Common Wealth Ecclesiasticall and Civil written by Thomas Hobbes in 17th century. The article starts with an explanation of the possible meanings of the symbol of Leviathan in various cultural and historical traditions, including the Bible and Hobbes’s book. The background is then expanded further in the interpretation of selected shots from the film, which show that the artistic text of the Russian director can be perceived as a universal parable of human life

    Переводческая акцептация и полемика в интерпретации литературных имен собственных. На примере русского и польского переводов саги о Гарри Поттере

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    Translation of literary proper names boils down to either accurately rendering their original form / meaning or finding equivalents which have less in common with their original versions. In the article the author attempts to deduce what might have caused the translators to choose one of the two strategies by means of analysing chosen examples from the saga. Apparently, the translators’ decisions stem not only from the limitations of respective languages and cultures, but also from their individual approach towards the original text.Translation of literary proper names boils down to either accurately rendering their original form / meaning or finding equivalents which have less in common with their original versions. In the article the author attempts to deduce what might have caused the translators to choose one of the two strategies by means of analysing chosen examples from the saga. Apparently, the translators’ decisions stem not only from the limitations of respective languages and cultures, but also from their individual approach towards the original text

    Концепция национального характера в контексте иронического в романе Ивлина Во „Незабвенная”

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    The paper is devoted to a study of national character in Evelyn Waugh\u27s work The Loved One. The ironic representation of British and American national characters is analyzed in the paper.The paper is devoted to a study of national character in Evelyn Waugh\u27s work The Loved One. The ironic representation of British and American national characters is analyzed in the paper

    Дискуссия как один из методов проблемного обучения

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    The author of the article points out the advantages of using the discussion method (which is one of the strategies of problem teaching) during foreign language classes. This strategy creates the possibility to develop various competences in learners, for example: the competence of formulating their own opinion; the competence of expressing their point of view; the competence of achieving consensus and formulating decisions reached through solving the problem together with a group of learners; the competence  of summing up. In the process of foreign language teaching, discussion is the most effective and also the most complicated form of language practice, and one which requires multi-stage preparation.The author of the article points out the advantages of using the discussion method (which is one of the strategies of problem teaching) during foreign language classes. This strategy creates the possibility to develop various competences in learners, for example: the competence of formulating their own opinion; the competence of expressing their point of view; the competence of achieving consensus and formulating decisions reached through solving the problem together with a group of learners; the competence  of summing up. In the process of foreign language teaching, discussion is the most effective and also the most complicated form of language practice, and one which requires multi-stage preparation

    Święto w językowej świadomości Polaków i Rosjan

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    Linguistic awareness has been one of the research interests in both cognitive and cultural linguistics in recent years. Images of linguistic signs which originate as part of the linguistic awareness of representatives of various cultures and languages can differ considerably. There are many ways of distinguishing these differences, including semantic analysis and analysis of the connotations related to a given word. This article presents how the term holiday functions in the linguistic awareness of Poles and Russians

    Małe święto jako nośnik tożsamości kulturowej w powieści „Telluria” Władimira Sorokina

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    The article examines the category of feast in Vladimir Sorokin’s novel Теллурия. The proposed interpretation of selected parts of the novel leads to the conclusion that in postmodern conditions, the phenomenon of small feast might take on the role of a medium of cultural identity

    Сложные новообразования в электронных российских СМИ

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    The article considers the structure and functions of compound innovations in online Russian mass media. These innovations are composed by the usual means of pure composition and root affixation. Contaminated innovations, which are non-standard in structure, are also analyzed. The factors contributing to the expressiveness of innovations are singled out: irregularity of derivational structure, non-usual combinations of constituent parts of innovations, play upon precedent phenomena.The article considers the structure and functions of compound innovations in online Russian mass media. These innovations are composed by the usual means of pure composition and root affixation. Contaminated innovations, which are non-standard in structure, are also analyzed. The factors contributing to the expressiveness of innovations are singled out: irregularity of derivational structure, non-usual combinations of constituent parts of innovations, play upon precedent phenomena

    Масонский код в творчестве Владимира Набокова. Постановка проблемы на материале романа „Приглашение на казнь”

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    This article is an attempt to interpet a work by Vladimir Nabokov, Invitation to a Beheading, with the most important determinants of Masonic culture. There are few studies that discuss this outstanding prose writer in terms of freemasonry and the author of this article discusses this issue with particular attention to the symbolism  of the Masonic initiation ritual.This article is an attempt to interpet a work by Vladimir Nabokov, Invitation to a Beheading, with the most important determinants of Masonic culture. There are few studies that discuss this outstanding prose writer in terms of freemasonry and the author of this article discusses this issue with particular attention to the symbolism  of the Masonic initiation ritual

    Teatr i dramat rosyjski w polskich badaniach rusycystycznych

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    The article analyzes Polish studies of the Russian theater and drama of the first half of the twentieth century in the context of the Great Theater Reform, written by Katarzyna Osińska, Jadwiga Gracla, Halina Mazurek, Ludwika Mięsowska, and others. It is pointed out that the critical works of these Polish scholars bring many important conclusions concerning contemporary dramatic literature in Russia. In the past drama as a literary genre did not attract much attention from Polish Russian scholars, although in recent years the situation has changed. More and more valuable dissertations are being published on this subject

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