Studia Rossica Posnaniensia
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Nostalgia a muzyka
This article is an attempt to answer the question of what nostalgia is in music. The author makes a distinction between the emotions of the author, the performer and the recipient as well as the emotional qualities of the work itself. She also tries to describe the means of artistic expression that foster the impression of nostalgia in music
Гностические мотивы в творчестве Владимира Набокова (на примере повести Соглядатай)
There are many works that discuss the prose of Vladimir Nabokov in the Gnostic context. The article is an attempt to confront the short novel The Eye of this outstanding writer with the most important determinants of the Gnostic initiation
Из истории наименований свидетелей в русском языке
The author in this research article analyses the names of witnesses in the period from Ancient Russia to the end of the 17th century. Vocabulary is analysed from the point of view of origin, semantics and sphere of usage. Russkaya Pravda (Rus’ Justice), birch bark manuscripts and business documents of the 15–17 centuries were used as research sources
Ностальгические мотивы в сонете Адама Мицкевича Аккерманские степи и их отражение в русских переводах
The paper deals with the nostalgic motives in Adam Mickiewicz’s sonnet The Ackerman Steppe, expressed in the imagery of the poem, and their reflection in Russian translations, which were published in different periods from the 19th century up to our times. The author examined how the epoch and the translator’s position influenced the perception of the images
Wyrazy zapożyczone z języka polskiego w słowniku gwar smoleńskich Włodzimierza Dobrowolskiego
The analysis comprises a stock of 414 Polish loanwords selected from the dictionary of Smolensk dialects. In the article the following problems are discussed: the stock of loanwords, periods and the process of the borrowing. Most of the words were borrowed as a result of direct language contacts. Some of the words were borrowed through Belarussian. The majority of them were borrowed in the 17th, 19th and at the beginning of the 20th century
Перформативный поворот в постсоветской культуре
The author of the article considers the elements of performance in the literary works of the post-Soviet period. His attention is focused on three East Slavic nations, whose literatures belonged to the area of “Soviet literature” for a long time. It is noted that the implementation of the elements of performance into the culture confirms the radical renewal of literary discourse and creation of new national narratives
Ностальгия по Логосу: поэзия Ивана Жданова в контексте неотрадиционализма
The paper aims at presenting an attempt to interpret Ivan Zhdanov’s poetry in the context of neotraditionalism. This literary project, founded by Valery Tiupa, is based on the idea of dialogue by Mikhail Bakhtin as well as philosophy of personalism by Martin Buber, Nikolai Berdyaev, Emmanuel Levinas. In contrast to postmodernism, neotraditionalism takes an attempt to restore the value and esteem to widely understood cultural tradition (especially Mediterranean and Christian cultures)
Między (re)konstrukcją a nostalgią. Współczesny polski i rosyjski neopoganizm w kontekście „postcolonial studies”
The article proposes a look at contemporary neopoganism as a phenomenon that can be described in the context of postcolonial studies. However, analyzing neopaganism through the prism of the classic postcolonial terms seems to be insufficient to the author. Therefore, he proposes to supplement it with the concept of nostalgia. He also disagrees with the view that neopaganism is the part of the postmodern trend of contemporary culture
Русское словосложение: исторический аспект
Compound words are known in the Russian language since the first written texts of different genre and stylistic characteristics. The formation of composites was carried out in two productive ways: by the non-morphological semantic method of fusion and by morphological addition. Within both methods (in literary texts) the calques of Greek composites and the development of East Slavic word formations in their sample are also noted. Both methods were interrelated, and an interaction of derivatives occurred in their sphere.Compound words are known in the Russian language since the first written texts of different genre and stylistic characteristics. The formation of composites was carried out in two productive ways: by the non-morphological semantic method of fusion and by morphological addition. Within both methods (in literary texts) the calques of Greek composites and the development of East Slavic word formations in their sample are also noted. Both methods were interrelated, and an interaction of derivatives occurred in their sphere
Интердисциплинарность, многокультурность, лингвокультурология и коммуникация на иностранном языке
Interdisciplinarity is one of the contemporary lines of research in what are broadly understood as humanistic disciplines (although not only in these ones). It is reflected, among other things, in the megatrends of the 21st century, one of the most significant of which is the drive towards the transition from mono- to multiculturalism. Against such a background the contemporary issues of cultural linguistics and communication are outlined. The main thesis of the paper is that intercultural foreign communication is not a simple transfer of the knowledge of a new culture, but it consists in developing abilities to understand it, to combat prejudice and negative stereotypes with reference to one’s own culture, as well as to the foreign one which is being acquired.Interdisciplinarity is one of the contemporary lines of research in what are broadly understood as humanistic disciplines (although not only in these ones). It is reflected, among other things, in the megatrends of the 21st century, one of the most significant of which is the drive towards the transition from mono- to multiculturalism. Against such a background the contemporary issues of cultural linguistics and communication are outlined. The main thesis of the paper is that intercultural foreign communication is not a simple transfer of the knowledge of a new culture, but it consists in developing abilities to understand it, to combat prejudice and negative stereotypes with reference to one’s own culture, as well as to the foreign one which is being acquired