Studia Rossica Posnaniensia
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Семантика природных стихий в „Школе для дураков” Саши Соколова
The objective of this article is to analyse two classical elements: the air (the wind) and the earth in Sasha Sokolov’s novel A School for Fools. The antithesis of the elements creates a symbolic space in a text, which the author interprets as a confrontation of freedom (the air) with the Soviet enslavement system (the earth). In this fight, it is the wind that exhibits more power as a destructive force, bringing an eschatological sense to the text
Онейропоэтика сборника рассказов Николая Байтова „Зверь дышит”
The article attempts to trace the process in which the selected narratives, based on the poetics of dreams, are constructed. This analysis focuses on the stories The Beast and Don Delta from Nikolai Baitov’s latest collection of stories The Beast Breathes, published in 2014. In the stories which were chosen as the examples, the presence of oneiric forms is both the primary compositional principle and the element determining the story’s genre affiliation. It is shown that the basic principle for organizing the literary dream in the story The Beast is the use of the poetic trope of metabole. Experiment with form underlies Don Delta, the story that follows. This leads the author to create a new genre form – the rough draft of a dream. Through his specific means of organising the dream form, Baitov reveals new possibilities for language in constructing a literary dream, while at the same time illustrating a paradoxical interaction between “signifier” and “signified” as well as their potential for creating literary reality
Komunikatywno-pragmatyczny aspekt czerwieni (na przykładzie książki „У войны не женское лицо” Swietłany Aleksijewicz)
The article presents the role of the colour red in defining two communicative and pragmatic centres (the war and the woman) in Svetlana Alexievich’s reportage War Does Not Have a Woman’s Face. The colour red plays a significant role in visualizing war events and depicting different aspects of female sensitivity
Весь-человек Михаилa Пришвинa (на материале повести „Корабельная чаща”)
Article is devoted to studying a concept of all-unity, all-man (rus. всеединство, всечеловек) in the story The Ship Forest (Korabel’naya Chashcha) of the Russian writer Mikhail Prishvin. The idea of all-unity, of unity common to all mankind, peculiar to the Russian thought, has found expression in a symbol All-man (Весь-человек). The image-symbol is considered through a number of collective forms and personalities, its language form, conceptual filling, development of an image in the case of diaries of Prishvin is investigated. The author focuses on the problem of sectarianism in the Russian culture and radicalization of collective life at the beginning of the 20th century in the Bolshevism. As a method hermeneutical developments of Vardan Hayrapetyan in the field of the Russian folklore are applied. The symbol of the All-man corresponds to a mytheme of a first-man and with hermeneum the man of the world (the world person), embodying the archaic idea of rescue
Boris Pasternak wobec przemian cywilizacyjnych
Boris Pasternak made use of available means of transport and communication on a daily basis. This fact, however, was not reflected in his autobiographical writings, correspondence and his oeuvre. The sole exception was the railway, playing a significant role in the life of the author and his protagonists as well as in the contents and form of his works
К вопросу о функциональной организации лексического минимума на основе метода коммуникативных задач
This paper is the result of the work on the lexical minimum of Russian language for bachelors of Russian philology within the context of Task-based Language Teaching method. The text provides a definition of the lexical minimum, presents the main principles of the Task-based Language Teaching. The main part of the article is devoted to the presentation of the principles of selection and organization of the language material included in the proposed lexical minimum
„Ближайшая станция европейской культуры…”: полонофилия 60-х годов
The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev, Boris Dubrovin and Emil Janvarev’s poetry. The special influence on the formation of the geo-cultural image of the Polish People’s Republic in this period is discussed in the context of Polish cinema (in particular Andrzej Wajda’s film Ashes and Diamonds).The article attempts to trace the sources of “polonophilia” in the Soviet culture of the sixties and to consider the strategies of the representation of the Polish text in Russian literature after the Khrushchev Thaw on the material of Stanislav Kunyaev, Boris Dubrovin and Emil Janvarev’s poetry. The special influence on the formation of the geo-cultural image of the Polish People’s Republic in this period is discussed in the context of Polish cinema (in particular Andrzej Wajda’s film Ashes and Diamonds)
Обращения как способ выражения эмоций (на материале русского, белорусского и словацкого языков)
Emotions put their imprint on all language levels and, most likely, are manifested in almost all appeals. The paper analyzes the appeals, synonymous with the word “grandmother”, which perform pragmatic and expressive functions. On this basis, we call them emotives and emotives-regulators. Some nuances of their use in Russian, Belarusian and Slovak are described. The positive national and international emotional meaning of the appeals under consideration is underlined.Emotions put their imprint on all language levels and, most likely, are manifested in almost all appeals. The paper analyzes the appeals, synonymous with the word “grandmother”, which perform pragmatic and expressive functions. On this basis, we call them emotives and emotives-regulators. Some nuances of their use in Russian, Belarusian and Slovak are described. The positive national and international emotional meaning of the appeals under consideration is underlined
Metoda wyodrębniania odtwarzalnych konstrukcji werbo-nominalnych języka rosyjskiego z korpusów tekstowych
The article describes an extraction method of Russian verbal-nominative structures from electronic texts with the use of grammatical annotation and regular expressions syntax. The stages of the retrieval process are outlined. The list of extracted structures can be subsequently verified for the presence of reproducible units (phrasems)
Rosyjskie czasowniki ruchu wirowego w świetle metafory pojęciowej
In recent years linguistic studies have laid great emphasis on the semantic side of linguistic expressions. The aim of this paper is to introduce and describe the term “circular motion” viewed from the perspective of the conceptual metaphor in Russian. It describes the process of creating such metaphors based on the notions of source and target domains