Slavia Occidentalis
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Tożsamość w czeskich gatunkach literackich: narodowa, terytorialna, kulturowa czy historyczna?
The work Identity in Czech literary genres: national, territorial, cultural or historical? is an attempt at providing an answer to the title question by describing the conditions in which the characteristic features of Czech literary genres emerged and were amplified during the Czech national revival in the first half of the 19th century
Pożegnanie z imperium? Użyteczność teorii postkolonialnej w badaniach nad współczesną ukraińską prozą kobiecą
Farewell to Empire is not a one-off act but an extremely complex process that has lasted many years. The decolonisation and de-Sovietisation of Ukrainian society is possible only by overcoming the mental effects of colonialism. Existence from revolution to revolution, and in consequence from revolution to war, was an experience shared by at least three generations of Ukrainian writers. However, each generation has either had different experiences with the previous political system, or none at all. Yet their lives are now connected with it through the experiences of previous generations. In the case of the contemporary analysis of Ukrainian women’s prose, the postcolonial perspective, combined with gender studies and a feminist critique, provides an extensive theoretical background for distinguishing the consequences of colonial/totalitarian practices and resistance strategies. In these narratives, women are the subjects and they speak in their own names. By analysing the literary representations of female figures who have contributed to the literary development of the independent state since the 1990s, the women can recreate their roles in creating modern Ukrainian statehood, shaping an independent society, or, on a micro scale, recreating their path to (re)constructing their own identity
Męka Pana Jezusowa. Z szesnastowiecznego rękopisu Biblioteki Uniwersyteckiej w Warszawie, wydali Marek Osiewicz, Rafał Wójcik i Wiesław Wydra, Wydawnictwo Naukowe UAM, Poznań 2015, ss. 281
Jeszcze o prapolskim etnonimie Polanie
The purpose of the article is to review the question of the use of the Proto-Polish ethnonym Polanie. According to the opinion traditionally adopted in historiography, this name referred to one of the tribes inhabiting Greater Poland (the territories of Kuyavia) whose territorial conquests led to the establishment of the Polish State. On the basis of a semantic analysis of the earliest written occurrences of this name, the author develops the thesis that it originally designated a tribe residing in the western part of Lesser Poland, and only at the beginning of the 11th century, again, it came to denote the ‘inhabitants of Poland’ (understood as the state of Bolesław I the Brave)
Zdzisław Stieber (1903–1980). Materiały i wspomnienia, pod redakcją Doroty K. Rembiszewskiej, Slawistyczny Ośrodek Wydawniczy. Instytut Slawistyki Polskiej Akademii Nauk, Warszawa 2013, ss. 296
O prawo do różnicy – o postawie zaangażowanej w pisarstwie Predraga Matvejevicia (szkic)
The article attempts to analyse the concept of engagement (commitment) in the books of Predrag Matvejević, a remarkable Croatian intellectual. Starting with a short presentation of his nonconformist views on political, social and cultural issues, the article focuses on highlighting the main features of his fight for the right to be different, one of the most important rights in the eyes of an intellectual
Wielość światów. Kilka refleksji o twórczości lirycznej Pavla Straussa
Writer Pavol Strauss is little known in Slovakia and Poland because there were several decades between his first collections of poetry written in the German language in the period between the two World Wars and his Slovak post-war essays, and then his other works (essays, diaries and aphorisms) published sporadically or after 1989 on the other. He published four collections of poetry in German: Die Kanone auf dem Ei (1936), Schwarze Verse (1937), Worte aus der Nacht (published bilingually in 2001) and Bruder Abel lebt ja noch (manuscript). After 1946 Pavol Strauss stopped writing poetry and stopped writing in German
Poezja zza krat. Щоб промінь волі не погас: вірші українських поетів у перекладі російською мовою Марка Каганцова – Чтоб луч свободы не погас: стихотворения украинских поэтов в переводе на русский язык Марка Каганцова, упоряд. і автор передмови Р. Кюнцлі, Українські технології, Львів 2015, cc. 576
Poezja zza krat. Щоб промінь волі не погас: вірші українських поетів у перекладі російською мовою Марка Каганцова – Чтоб луч свободы не погас: стихотворения украинских поэтов в переводе на русский язык Марка Каганцова, упоряд. і автор передмови Р. Кюнцлі, Українські технології, Львів 2015, cc. 57
Literatura jako (auto)kreacja. Widmowy świat prozy Jerzego Pilcha
The article is an attempt at presenting the works of Jerzy Pilch in the context of a literature-centric tradition according to which a writer enjoys a privileged position in a culture. This allows him/her to speak about the world and him/herself from the viewpoint of a finder of truth, a depositor of universal values. In the culturally altered reality of the last few decades, a writer affected by the literature-centric tradition needs to look for various forms of compensating for lost status. A case in point is Jerzy Pilch, whose most elaborate style, combined with mythologizing his own biography, are a tool for “coping” with the generally lower standards of culture. The inconsistencies and incoherence of the writer’s auto-creation, their spectral nature, reminiscent ofDerrida’s philosophy, reveal the genuine dimension of the struggle with modernity faced by Pilch the traditionalist