Slavia Occidentalis
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Kuszenie historią: zwrot narracyjny we współczesnej powieści galicyjskiej
A review of modern historiography shows the traditional methods of the description of history and of appeals to certain private, subjective and emotional facts. In the context of this problem, the author researches novels of contemporary Ukrainian literature which have a historical background. These are The Pharmacist (2015) by Yuriy Vynnychuk, Felix Austria (2014) by Sophia Andruchovych and Kornelia (2015) by Nadia Morykvas. These writers don’t suggest an absolutely new concept of the past, but their interpretations of history show signs of a new method which hasn’t been invented just for today. Writers show history as the private experience of separate heroes, as in such an interpretation it takes the new plot. Such a literary position demonstrates a dissatisfaction with memorial culture, which is typical nowadays
Vzťah náboženstva a umenia v literatúre svetovej a slovenskej moderny
The study analyzes the relation between religion and art in the world, and in Slovak modernist literature. It also examines religion and art from the point of view of its scholarly reception in the context of European literature. It builds on the division of artists of religious orientation based on Bernhard Rang’s two types: a) Claudelian and b) Green-ian. A part of the study provides new insights into Slovak literary modernism. Despite the expectation that modernism would exclude Christian works of literature, the opposite happened: modernism tested Christian works of art and emphasized their ability to capture the subtle aspects of human existence. In this way, a weakness of modernism was exposed: its degenerative function when it focuses only on material aspects. A historical overview has shown that Slovak intellectuals were used to living in an alternative cultural environment and nurturing an alternative culture. This experience proved useful to them in the 20th century, particularly after 1945. During communist rule, the underground church played a major role in Poland and in Slovakia. In Slovakia, Catholic dissidents were of great importance to the developments that led to the Velvet Revolution in November 1989
Językowe właściwości autora czy zecera w XVII-wiecznym tekście drukowanym ?
17th-century printed texts, represented in the article by stylistically uniform texts of church sermons, mainly funeral sermons, are characterised by significant differences in the frequencies of specific forms entering into the composition of variant pairs or sequences. The completed research experiment consisted in the comparison of the frequency of individual variants. Firstly, in texts by a single author published in different printing offices in different cities, secondly, in texts by a single author published in different printing shops, but in the same city, and finally, in texts by various authors published in the same printing shop. The experiment demonstrated that, generally, the author of a printed text was not the one who made the selection of a specific word form constituting a part of a variant pair. We must note the significant contribution to this process of workers in the book industry employed in publishing offices: editors, proofreaders and type-setters. Usually, it is difficult to say that 17th- century printed texts were characterised by the originality of the language of their authors or proofreaders/ typesetters. A different attitude towards the problem would be more appropriate, acknowledging that we are dealing with linguistic properties of text which include some components of language used by the author-editor/proofreader – typesetter
Grupa nominalna w ustawach. System wewnątrztekstowych-odniesień
This paper deals with a group of contemporary legal texts which have the form of statutes. The author describes the anaphoric relation between nominal groups (NG) constituted by an event-driven element and sentences which are linearly prior to these groups, the so-called antecedents. The analysis, founded on principles of syntax with a semantic basis, provides observations about restrictions in the formalisation of elements of the semantic base whose elements can be connected with the use of NG. The disclosure of elements of the content plan, excluding exceptions, entails a condensation which causes that categorical meanings that are the most intensely governed and communicatively relevant are fulfilled on the surface. The inability to reproduce the meaning of the “grammatical agent” causes that NG with a constitutive event-driven element are an indication of the depersonalisation attributed to legal texts. The repeatability of NG, mainly one- and two-component phrases, as well as their initial location in an utterance are factors depicting another feature of statutes: syntactic schematism. The author also demonstrates that the system of intratextual references is not the same in various variants of the Polish language. In the statute, as a genre of the legal language, its specific nature is already noticeable within one of the systematising units of the legal text, i.e. the article. The specific nature of the examined relation is conditioned by (1) the proper arrangement of structures connected with a network of references, and (2) the manner of their denotation. These features are the results of adherence to the editorial principles of legal texts
Z czerwonym Kielichem. Przedmiot wiary husytów w Trylogii husyckiej Otokara Vavry.
The study is dedicated to Otokar Vavra’s cinematographic “Hussites Revolutionary Trilogy”. The films were shot in the 1950s as colour motion pictures. The main idea is based on Alois Jirasek’s trilogy and Frantisek Palacky’s philosophy of history combined with some ideological concepts revolving around the communist interpretation of Hussites. The three films: Jan Hus (1954), Jan Žižka (1955) and Proti všem (Against All Odds, 1957) pose some sort of a challenge by showing a religious movement from an atheist’s perspective. Vavra indeed created a work of propaganda, a heroic story of the Czech folk fighting against foreign powers (lords and nobles, crusaders) which had the potential of underpinning the communist ideology in Czechoslovakia. On the other hand, the trilogy took in a new symbolic meaning after the 1968 occupation by the Warsaw Pact
III Међунаодни Конгрес Слависта (Веоград, 18–25.IX.1939). Репринт -издање материjала неодржаног конгреса. Приредио Богољуб Станковић, Славистичко Друштво Србиjе, Веоград 2008, XXVII + ss. 785
Marcin Maciołek, Kształtowanie się nazw owadów w języku polskim. Procesy nominacyjne a językowy obraz świata, Uniwersytet Śląski: Oficyna Wydawnicza WW, Katowice 2013, ss. 304
You are not a doll, not a commodity! – Contemporary Ukrainian Advice Literature for Girls
The author of the article focuses on the stereotypical depiction of femininity in contemporary Ukrainian advice literature. By discussing norms and patterns of behavior present in Ukrainian advice literature for girls, he shows their role in the post-Soviet reemergence of patriarchal norms. The article focuses on five bookspublished in the last five years: A Real Lady. A Handbook for Girls (2012), A Book for a Young Lady (2014), A 100% Girl (2016), Encyclopedia for Girls (2016), and A Stylish Book for a Little Lady (2015)
Польский переселенческий говор в Респ ублике Хакасия и в Красноярском Крае РФ
The article deals with the essential aspects of the phonetic and, primarily, grammatical system of the Polish immigrant dialect spoken in two villages in Western Siberia: Znamenka (Bogradsky District of the Republic of Khakassia) and Alexandrovka (Krasnoturansky District of Krasnoyarsk Krai). The dialect appeared in the Yeniseysk Governorate of the Russian Empire at the end of 1890s as a result of Polish rural migration from Volhynia to Siberia. Before that, the ancestors of those settlers had moved to Volhynia from Masuria. The examined dialect shows relatively good preservation of its original system. At the same time, it has been strongly influenced by Russian, as the dominant language of its surroundings. The main effect of this intensive contact is the further development of trends that had taken place in the original dialect system, which have been supported by the Russian language