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Begriffsketten, Verschränkungen und Deontik der Pandemiediskurse
No full textAls ein vergleichsweise junges diskurslinguistisches Untersuchungsobjekt eröffnen Pandemiediskurse unterschiedliche Forschungsfragen und -desiderata (vgl. z.B. Rocco/Dreesen/Krasselt, im Druck). Im Zentrum des Interesses steht hier das Desiderat, die Verschränkung bestimmter Stränge von Pandemie(meta)diskursen mit anderen Diskursen bzw. Diskurssträngen näher zu erforschen. Ausgehend von einigen deutschen und italienischen Ausdrücken, die im Zusammenhang mit der Pandemie das Konzept des „Leugnens“ versprachlichen (Covidleugner, negazionista, negazionismo del covid u.a.), erkundet der Beitrag die Verschränkung von Pandemiediskursen mit anderen Diskursen und Diskurssträngen. Anhand der Schweizer Teilkorpora S_AL_DE_SNF_COVID19 und S_AL_IT_SNF_COVID19 in deutscher und italienischer Sprache werden hierzu Begriffsketten bzw. Begriffsäquivalenzen und Begriffsoppositionen untersucht, in denen einschlägige Ausdrücke vorkommen, die das Konzept des Leugnens und benachbarte Konzepte versprachlichen
The intermedial representation of migration across the Mediterranean in the graphic novel Liebe deinen Nächsten by G. von Borstel and P. Eickmeyer
No full textDas Schicksal der Flüchtlinge auf ihrem Weg über das Mittelmeer wird in Liebe deinen Nächsten (2017) lebhaft gezeigt, in dem Gaby von Borstel und Peter Eickmeyer ihre dreiwöchige Erfahrung auf einem Rettungsschiff wiedergeben. Die Spannung zwischen Sprache, Schrift und Bild, der wechselnde Gehalt des Pronomens ‚wir‘ und des Substantivs ‚Meer‘, die entscheidende Rolle des Erzählens, das Zusammenspiel zwischen dem Buch und dem Blog der Autoren, der praktische Nutzen des Bandes für eine Spendenaktion sind einige bedeutende Aspekte dieser Graphic Novel, die zeigen, wie vielseitig und kraftvoll die Darstellung der „fragmentierten Flucht nach Europa“ (B. Etzold) ist, die Liebe deinen Nächsten dem Leser anbietet.The fate of refugees on their way across the Mediterranean has been vividly captured in Liebe deinen Nächsten (2017) by Gaby von Borstel and Peter Eickmeyer in which they recount their three-week experience on a rescue ship. The relationship between language, writing and image; the changing content of the pronoun ‘we’ and the noun ‘sea’; the crucial role of narration; the interplay between the book and the authors’ blog; and the practical use of the volume for a fundraising campaign are but some of the most significant aspects of this graphic novel that illustrate what a versatile and powerful depiction of the ‘fragmented flight to Europe’ (B. Etzold) Liebe deinen Nächsten offers its readers
Harro Harring – ein revolutionärer Philhellene und Schriftsteller aus Nordfriesland. Die Darstellung des griechischen Unabhängigkeitskrieges in seinen literarischen Texten
No full textm Mittelpunkt des Artikels steht der Schriftsteller Harro Harring, dessen Werke „Die Insel Sphagia“, „Tragikomische Abenteuer eines Philhellenen“, „Der Korsar“ und „Die Mainotten“ den griechischen Freiheitskampf thematisieren. Die Erzählung „Insel Sphagia“ ist ein markanter Fall in der Fülle der philhellenischen Literatur der 1820er Jahre, denn in ihr werden die Griechen nicht ausschließlich positiv als Kämpfer für die Befreiung Griechenlands dargestellt. Bei dem Text „Die tragikomischen Abenteuer eines Philhellenen“ handelt es sich um den vierten Band des umfangreichen autobiographischen Romans „Rhongar Jarr. Fahrten eines Friesen“. Die beiden anderen Texte sind Theaterstücke. Das Theaterstück „Die Mainotten“ war dabei das erste Drama, das zu dieser Thematik mit großem Erfolg auf einem deutschen Theater aufgeführt wurde. Harro Harring gehört zu den wenigen Literaten, die selbst als Freiwillige am griechischen Freiheitskampf teilgenommen haben.The article focuses on the writer Harro Harring, whose works “The Island of Sphaghia”, “Tragicomic adventures of a Philhellene”, “The Corsar” and “The Mainots” deal with the Greek struggle for freedom. The short story “The Island of Sphaghia” is a unique case in the German philhellenic literature, because the Greeks are not exclusively positively portrayed as fighters for the liberation of Greece. The text “Tragicomic adventures of a Philhellene” is the 4th volume of the extensive autobiographical novel “Rhongar Jarr. Journeys of a Friese”. The other two texts are plays. The play “The Mainots” was the first drama to be performed on this theme with great success in a German theatre. Harro Harring is one of the few writers who took part in the Greek struggle for freedom as a volunteer.m Mittelpunkt des Artikels steht der Schriftsteller Harro Harring, dessen Werke „Die Insel Sphagia“, „Tragikomische Abenteuer eines Philhellenen“, „Der Korsar“ und „Die Mainotten“ den griechischen Freiheitskampf thematisieren. Die Erzählung „Insel Sphagia“ ist ein markanter Fall in der Fülle der philhellenischen Literatur der 1820er Jahre, denn in ihr werden die Griechen nicht ausschließlich positiv als Kämpfer für die Befreiung Griechenlands dargestellt. Bei dem Text „Die tragikomischen Abenteuer eines Philhellenen“ handelt es sich um den vierten Band des umfangreichen autobiographischen Romans „Rhongar Jarr. Fahrten eines Friesen“. Die beiden anderen Texte sind Theaterstücke. Das Theaterstück „Die Mainotten“ war dabei das erste Drama, das zu dieser Thematik mit großem Erfolg auf einem deutschen Theater aufgeführt wurde. Harro Harring gehört zu den wenigen Literaten, die selbst als Freiwillige am griechischen Freiheitskampf teilgenommen haben
Djelatnici Sveučilišta u Zadru u akademskoj godini 2023./2024.
No full textPopis djelatnika u akademskoj godini 2023./2024.
 
Beyond the Adriatic Mirror. Schiavoni’s Quaderno croato
No full textIl contributo analizza la silloge poetica Quaderno croato del giovane scrittore tarantino Vanni Schiavoni. Il viaggio lungo la costa dalmata, da cui scaturiscono i testi della plaquette, si trasforma da spostamento geografico a attraversamento di paesaggi esteriori e interiori, intrecciando percezione, memoria e riflessione etica. Nei dodici componimenti di Quaderno croato, Schiavoni affronta anche la memoria storica della guerra jugoslava e la condizione esistenziale della sua generazione. La poesia diventa così luogo di incontro con l’alterità, in un dialogo empatico che supera la dimensione geografica, mediando tra storia personale e collettiva, lirismo e consapevolezza storica.This contribution offers an analysis of Vanni Schiavoni’s anthology Quaderno croato, a poetry collection by the young writer, highlighting its thematic complexity and stylistic maturity and published in 2020. The book, consisting of twelve poems dedicated to twelve places on the Croatian coast, uses the poetics of travel to transform the journey from a simple geographical displacement into an existential crossing and ethical-political meditation, where sensory perception, historical memory, and ethical reflection intertwine. Schiavoni transforms Croatia into a dynamic system of energies and correspondences, evoking with rare poetic intensity its islands, cities, and human figures - from the “Kornati, like small errors of the waves”, to Dubrovnik, with its “hundred names in the long sunset”, and Šibenik, a “Venice in filigree”. Schiavoni, a member of the post-industrial Salento generation, addresses in the collection the painful memory of the Yugoslav war and the complex dialogue between personal and collective identity, mediated by reflection on history and landscape. The structure of the poems in bilingual pairs (Italian-Croatian) emphasises the tension between roots and otherness. The human figures encountered fishermen, street vendors, border guards, become epiphanies of otherness and nuclei of meaning, revealing travel as an experience of encounter and self-knowledge. The poet favours a meditative and lyrical language, avoiding ideological and declamatory drifts, and restoring to the poetic text a function of resistance to oblivion and emotional reconstruction. Quaderno croato thus marks the apex of Schiavoni’s projected “Trilogy of the Roots”, representing the point of balance between his personal linguistic experimentation and a broader poetic tradition that weaves together lyrical introspection, moral tension and responsibility. The work can therefore be inscribed in the tradition of civil and testimonial poetry, which combines the aesthetic dimension with a profound sense of historical and moral responsibility
Attitudes towards open peer-review in the Croatian Medical Journal
No full textBackground and aim: Traditional peer-review is anonymized and often criticized for being subjective, time consuming, not able to detect errors, and biased (Smith, 2006, Tennant, Ross-Hellauer, 2020). Coupled with the rise of open science, and the replication crisis, this has led to calls for more transparency and openness, including openness of peer-review and grant proposal evaluations. Open peer-review does not have a universal definition as there are myriad of practices represented under the term: open identities of the authors and reviewers, open review reports published alongside the article, open interaction and discussion between author(s) and reviewers, or open platforms where a review is facilitated by a different entity than the one where the paper is published (Ross- Hellauer, 2017, Bazdaric et al, 2021). Today, less than 2% of journals practice open peer-review (Responsible Journals, 2024), and the reasons for such a slow uptake are unclear, but attitudes of scientist likely play a role. Attitudes towards open peer-review were previously investigated with a validated questionnaire in a sample of Croatian scientists (n=541) that showed neutral and negative attitudes toward open peer-review and open peer-review in a small scientific community (Bazdaric et al, 2021). The goal of our study was to investigate attitudes of authors, reviewers and editors of the Croatian Medical Journal (CMJ), a diamond open access journal, regarding open peer review.
Methods: Participants (n=4347) were invited to complete an anonymous online questionnaire through Google forms, where they also indicated their consent to participate in the study. The survey was open from March to May 2024, and we sent two reminders 14 days apart. We used the validated ATOPP questionnaire (Bazdaric et al, 2021) and added extra questions related to the Croatian Medical Journal, altogether 41 questions (21 attitudes on Likert scale 1-5; 9 open science practices, 11 demography and publishing). The open peer-review scale has two factors: open peer-review (6 questions) and open-peer review in a small scientific community (2 questions).
Results: We received a total of 254 answers (response rate 6%), out of which 120 (47%) were authors, 25 (10%) reviewers, 57 (22%) authors and reviewers, and 26 (10%) in multiple editorial and author roles (editors, editorial board members and authors) and 19 (7%) did not want to declare their role. Of all participants, 128 (50%) were female, and the median age was 50 years (min 27-max 83) years. Participants came from 35 countries, however a little over half were from Croatia (54%). Participants’ attitudes towards open peer review were neutral (median score 3.2 (25 percentile 2.7-75th percentile 3.8), while their attitudes toward open peer review in a small scientific community were negative (median 2.3 (25 percentile 1.5-75th percentile 3.0). There were no gender differences in both constructs (P=0.259 and P=0.719, respectively). Over a third of participants (136, 53%) expressed they would like to see open peer-review in the journal, and 96 (38%) stated they would like to know the identity of their reviewers in the CMJ.
Conclusion: Authors, reviewers, and editors in the CMJ are still very cautious towards open peer-review, especially in small scientific communities which is in line with previous results on a Croatian sample of scientists. It is important to raise awareness among journal editors and government agencies to increase peerreview transparency in journals and projects
Assessing scientific merit through data quality in a domain repository
No full textA widespread open science publishing culture means the researchers involved should be rewarded for the merit contained in the research output they produce and share. A recent survey shows that “Open and FAIR data management and sharing” is the most deserving of reward. (Grattarola et al., 2024). Research assessment should prioritize quality, encompassing the entire spectrum of research outputs, including research data, computer code, and other. Evaluating the scientific quality of research data is crucial for including it as a legitimate scientific output, akin to the way literature is evaluated in the editorial and peer review publishing selection
Archaeological investigations at the Ljubljana site on Ljubačka kosa
No full textRad donosi rezultate arheoloških istraživanja provedenih u sklopu terenske nastave studenata arheologije tijekom 2024. godine na lokalitetu Ljubljana na Ljubačkoj kosi. The paper presents the results of archaeological research carried out as part of the fieldwork practice for archaeology students during the year 2024 at the Ljubljana site on Ljubačka kosa
Underwater archaeological survey of Dubrovnik-Neretva County
No full textRad na projektu Hrvatske zaklade za znanost Potopljena neolitička nalazišta u podmorju hrvatskog dijela Jadrana uključuje i poseban pregled podmorja obalnih županija. U 2024. godini bio je predviđen pregled Dubrovačko-neretvanske županije. Pregledane su potencijalne pozicije te su utvrđeni arheološki ostatci koji se okvirno mogu datirati u vrijeme neolitika. The work on the Croatian Science Foundation\u27s project Undersea Neolithic sites in the Croatian Adriatic includes a special survey of the seabed of coastal counties. A survey of Dubrovnik-Neretva County was planned for 2024. Potential locations were surveyed and archaeological remains were identified that can be roughly dated to the Neolithic period