Poznańskie Studia Slawistyczne
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Postkatastrophische Re-Lektüre Tadeusz Hołujs Puste pole
Get PDFThis article deals with the re-interpretation of Tadeusz Hołuj’s drama Puste pole (1963; The Empty Field) and its theatrical staging by Józef Szajna in 1965. Based on the drama I want to demonstrate how the artists – who were both survivors of the concentration camp in Auschwitz – managed re-presenting the Holocaust despite the political situation and the accompanying anti-Semitic government campaign in Poland in the 1960s. The reception of the drama of then and nowadays shows how that re-presentation was once interpreted due to the political circumstances, which made the issue of the Holocaust and the Jews bannend from public life, language, and memory. Finally I explore how Hołuj’s drama can be read today when we approach it via postcatastophic re-reading determined by after-knowledge, retrospection, and retroactivity.This article deals with the re-interpretation of Tadeusz Hołuj’s drama Puste pole (1963; The Empty Field) and its theatrical staging by Józef Szajna in 1965. Based on the drama I want to demonstrate how the artists – who were both survivors of the concentration camp in Auschwitz – managed re-presenting the Holocaust despite the political situation and the accompanying anti-Semitic government campaign in Poland in the 1960s. The reception of the drama of then and nowadays shows how that re-presentation was once interpreted due to the political circumstances, which made the issue of the Holocaust and the Jews bannend from public life, language, and memory. Finally I explore how Hołuj’s drama can be read today when we approach it via postcatastophic re-reading determined by after-knowledge, retrospection, and retroactivity
Pierwsza mapa Słowenii
Get PDFThe first map of Slovenia was published only in 1861; it was the work of Peter Kozler, Slovenian lawyer and self-taught cartographer. If we analyze it in context of contemporary cartography, its novelty appears clearly. Kozler’s map was based on the principle of ethnicity, and not on a historical and juridical tradition of the Habsburg lands as it was the usage. The border of Slovenian territory crossed historical provinces. The map is presented in the paper as a visual realization of the principles of United Slovenia (Zedinjena Slovenija), first Slovenian political movement in 1848, which claimed unity and autonomy of the Slovenian nation. The performative and constructivist character of the document is strengthened, as far as it didn’t describe an existing state of matters, but was rather postulating a non-existing yet political entity of Slovenes. Thus, the form and function of the map, on the example of Kozler’s one, seem support a political idea of Slovenian national emancipation.The first map of Slovenia was published only in 1861; it was the work of Peter Kozler, Slovenian lawyer and self-taught cartographer. If we analyze it in context of contemporary cartography, its novelty appears clearly. Kozler’s map was based on the principle of ethnicity, and not on a historical and juridical tradition of the Habsburg lands as it was the usage. The border of Slovenian territory crossed historical provinces. The map is presented in the paper as a visual realization of the principles of United Slovenia (Zedinjena Slovenija), first Slovenian political movement in 1848, which claimed unity and autonomy of the Slovenian nation. The performative and constructivist character of the document is strengthened, as far as it didn’t describe an existing state of matters, but was rather postulating a non-existing yet political entity of Slovenes. Thus, the form and function of the map, on the example of Kozler’s one, seem support a political idea of Slovenian national emancipation
„Свештеничка од Марвинци” или „впрегната сопруга”? За семиотиката на железнодобните псалии од кругот на „македонските бронзи”
Get PDFThe main reason for this study are the bronze objects found on the body of a woman (supposedly a “priestess”) from an Iron Age grave (VII century BC) from Marvinci in the Republic of Macedonia. There has also been a bronze statue recently presented in a public space in Skopje, as a contemporary art interpretation of this archeological finding. The main focus of this article is a semiotic analysis of arch-shaped bronze elements from this grave. Based on the form of similar finds from Europe they are defined as cheek-pieces i.e. elements of the reins for horse riding, but in Macedonia they have been used in another function – as female jewelry or as handles of a specific ritual implement. The study suggests overcoming of these contradictions through the following semiotic relations: a girl/mare + equipment for riding = a harnessed mare/wife, i.e. the use of these objects as symbols of a “wild woman” who is transferred from the sphere of “natural” to the sphere of “cultural” through the act of marriage, becoming a “tamed/a domesticated wife”. Within the same relationship the following paradigm is proposed (husband = ruler: wife = subject). Several facts are stated in the argumentation of this relationship: the mythological and ritual traditions based on ancient written sources; a ritual tradition of Slavic and Balkan folklore; a Slavic and ancient Greek lexeme with the meaning husband and wife whose etymology is based on the meaning of harnessed. This semiotic relation offers a possible key for the interpretation of the twenty bronze statues of horsemen placed in the last three years in the capital of the Republic of Macedonia, as part of the project “Skopje 2014”.The main reason for this study are the bronze objects found on the body of a woman (supposedly a “priestess”) from an Iron Age grave (VII century BC) from Marvinci in the Republic of Macedonia. There has also been a bronze statue recently presented in a public space in Skopje, as a contemporary art interpretation of this archeological finding. The main focus of this article is a semiotic analysis of arch-shaped bronze elements from this grave. Based on the form of similar finds from Europe they are defined as cheek-pieces i.e. elements of the reins for horse riding, but in Macedonia they have been used in another function – as female jewelry or as handles of a specific ritual implement. The study suggests overcoming of these contradictions through the following semiotic relations: a girl/mare + equipment for riding = a harnessed mare/wife, i.e. the use of these objects as symbols of a “wild woman” who is transferred from the sphere of “natural” to the sphere of “cultural” through the act of marriage, becoming a “tamed/a domesticated wife”. Within the same relationship the following paradigm is proposed (husband = ruler: wife = subject). Several facts are stated in the argumentation of this relationship: the mythological and ritual traditions based on ancient written sources; a ritual tradition of Slavic and Balkan folklore; a Slavic and ancient Greek lexeme with the meaning husband and wife whose etymology is based on the meaning of harnessed. This semiotic relation offers a possible key for the interpretation of the twenty bronze statues of horsemen placed in the last three years in the capital of the Republic of Macedonia, as part of the project “Skopje 2014”
Imperativnost između gramatičke zadanosti i komunikacijske uljudnosti
Get PDFThe paper focuses on the relation between imperatives and imperativeness, that is, between the imperative as a grammatical mood with a defined form and its assigned function, on the one hand, and imperativeness as a communicative value that can manifest itself through different morphosyntactic forms, on the other. In this sense, the function of imperatives is analysed in the context of the theory of speech acts. The analysis reveals that different imperative forms can be classified as different types of speech acts based on their various communicative roles. The theory of politeness dictates that directness, which is a basic feature of imperatives, should be avoided in polite communication. This is why we also focus on other morphosyntactic forms whose form indicates a reduced level of directness, but whose content still has the characteristics of imperatives.The paper focuses on the relation between imperatives and imperativeness, that is, between the imperative as a grammatical mood with a defined form and its assigned function, on the one hand, and imperativeness as a communicative value that can manifest itself through different morphosyntactic forms, on the other. In this sense, the function of imperatives is analysed in the context of the theory of speech acts. The analysis reveals that different imperative forms can be classified as different types of speech acts based on their various communicative roles. The theory of politeness dictates that directness, which is a basic feature of imperatives, should be avoided in polite communication. This is why we also focus on other morphosyntactic forms whose form indicates a reduced level of directness, but whose content still has the characteristics of imperatives
Milo Urban’s Journalist Writing and Memoirs on the Theme of the Holocaust (in Slovak literature)
Get PDFThe article discusses selected texts of different genres by Milo Urban (1904–1982). The first text level is represented by fragments from his memoirs written in the 1970s and only published in the 1990s. An analysis of Urban’s journalistic activities during the Second World War provides us with another point of view. The article wishes to show different language versions elaborated by one author when dealing with one particular historical moment (the solution of the Jewish question and the Holocaust). This points at a significant change in Urban’s attitude to historical tragedies of the 20th century, and raises the question about a personal tragedy of an individual as well as his ability to cope with guilt and responsibility.The article discusses selected texts of different genres by Milo Urban (1904–1982). The first text level is represented by fragments from his memoirs written in the 1970s and only published in the 1990s. An analysis of Urban’s journalistic activities during the Second World War provides us with another point of view. The article wishes to show different language versions elaborated by one author when dealing with one particular historical moment (the solution of the Jewish question and the Holocaust). This points at a significant change in Urban’s attitude to historical tragedies of the 20th century, and raises the question about a personal tragedy of an individual as well as his ability to cope with guilt and responsibility
The Reflections of Feminist Ideas in Novels and Short Stories by Slovenian Women Writers
Get PDFSlovenian authors who contribute to the feminist and later lesbian discourse are often also the poets and writers. As far as the feminist and lesbian theory tradition is concerned, the connection to western theories is present. Slovenian women writers and their female characters think about the options of a female subject position, they reflect their own dilemmas and issues in the creative process. While the character of a heterosexual feminist is still marginal in modern Slovenian literature, the character of a lesbian realizing the demands of radical feminism has become a self-evident part of the Slovenian literary production with the works of Suzana Tratnik and Nataša Sukič
Od postkolonijalizma do transnacionalizma: izazovi postsocijalističke feminističke teorije
Get PDFThe article offers a reflection on the utility of postcolonial studies and transnational feminism for the analysis of women’s post-socialist experiences, with a special emphasis on Croatian academic and social space. After general considerations about the epistemological profile and etico-political agenda of transnational feminism – as illustrated by the results of the feminist seminar in Dubrovnik (2007–2015) – the author presents three theoretically most challenging feminist authors: Madina Tlostanova, Biljana Kašić and Marina Gržinić. Each of them in its own way demonstrates that theoretical voices from the “global South” are the most productive tool to oppose academic “global feminism” and to inspire “women’s struggles for sociopolitical justice, especially in colonial and neocolonial contexts” (Swarr, Nagar 2010: 4). The radical call for the decolonization of gender, human being and knowledge (Tlostanova 2013), the appreciation of woman’s public voices and counter-discourses (Kašić), and the critique of racialization in the production of knowledge (Gržinić 2015) are intertwined and linked to the final thesis about the importance of distinguishing the biopolitical form of women’s memory vs. the necropolitical formation of institutionalized history in post-socialist context.The article offers a reflection on the utility of postcolonial studies and transnational feminism for the analysis of women’s post-socialist experiences, with a special emphasis on Croatian academic and social space. After general considerations about the epistemological profile and etico-political agenda of transnational feminism – as illustrated by the results of the feminist seminar in Dubrovnik (2007–2015) – the author presents three theoretically most challenging feminist authors: Madina Tlostanova, Biljana Kašić and Marina Gržinić. Each of them in its own way demonstrates that theoretical voices from the “global South” are the most productive tool to oppose academic “global feminism” and to inspire “women’s struggles for sociopolitical justice, especially in colonial and neocolonial contexts” (Swarr, Nagar 2010: 4). The radical call for the decolonization of gender, human being and knowledge (Tlostanova 2013), the appreciation of woman’s public voices and counter-discourses (Kašić), and the critique of racialization in the production of knowledge (Gržinić 2015) are intertwined and linked to the final thesis about the importance of distinguishing the biopolitical form of women’s memory vs. the necropolitical formation of institutionalized history in post-socialist context
Women and the Canon. Are We Justified to Speak of a Female Literary Canon Nowadays?
Get PDFThe paper is initiated by a brief outline of the development of women’s literature in the ex-“East European” countries since 1989. Then it turns to feminist literary theory tracking two different periods of its reception by, and adaption to, literary criticism in post-communist academic research. The concepts of women’s generations and women’s literary canon, vital for the western tradition of gynocriticism, are closely analyzed in line with their relevance to present-day women’s literature in post-communist culture. The paper ends with a presentation of a threefold model of the prospective to speak of women’s literature imbedded in, or in counter stance to, the traditional literary canon