Poznańskie Studia Slawistyczne
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Śladem romantycznej kreacji bohatera w chorwackiej poezji końca XX wieku. Od wampira do konsumenta
Full text linkOne of the distinctive traits of Romantic literature was its frenetic feverishness and frightening otherness, the embodiment of which was, among many other beings, the vampire. This character in neo-Romantic contexts was sometimes invoked by the representatives of Croatian poetry of the late twentieth century. However, in its different currents it performed a different task. War and martyrdom poetry collected in the anthology “U ovom strašnom času” used the specter for the creation of a portrait of the enemy, while using the familiar clichés of Renaissance variant of Croatian romanticism. Branko Maleš’ vampiric themes merge into an indivisible whole with references to contemporary consumerism and co-create an ironic self-portrait of a postmodern neo-Romanticist. Maleš reaches for the themes of romantic strangeness and deconstructs them in a ludic manner.One of the distinctive traits of Romantic literature was its frenetic feverishness and frightening otherness, the embodiment of which was, among many other beings, the vampire. This character in neo-Romantic contexts was sometimes invoked by the representatives of Croatian poetry of the late twentieth century. However, in its different currents it performed a different task. War and martyrdom poetry collected in the anthology “U ovom strašnom času” used the specter for the creation of a portrait of the enemy, while using the familiar clichés of Renaissance variant of Croatian romanticism. Branko Maleš’ vampiric themes merge into an indivisible whole with references to contemporary consumerism and co-create an ironic self-portrait of a postmodern neo-Romanticist. Maleš reaches for the themes of romantic strangeness and deconstructs them in a ludic manner
Imagi/nacija. Neoromantičarski koncepti imaginacije u tekstovima hrvatskog narodnog preporoda i u pjesništvu Domovinskog rata
Full text linkThe paper attempts to shed light on the concept of imagination and its formative role in imagining collective identities such as gender, religion or nation in literary, journalistic and programmatical texts written by Croatian revivers, as well as in the poetry of the Croatian War of Independence. Here, the concept of imagination is conceived as a field criss-crossed by contradictions selectively used by the revivers and contemporary Croatian poets in the 1990\u27s, in order to achieve certain political goals. According to need, they use it to reconcile resemblances with differences, general with particular or else for the purpose of generating hegemonistic symbols or organic unity of culture/nation, they erase divisions, ignoring and abolishing othernesses.The paper attempts to shed light on the concept of imagination and its formative role in imagining collective identities such as gender, religion or nation in literary, journalistic and programmatical texts written by Croatian revivers, as well as in the poetry of the Croatian War of Independence. Here, the concept of imagination is conceived as a field criss-crossed by contradictions selectively used by the revivers and contemporary Croatian poets in the 1990\u27s, in order to achieve certain political goals. According to need, they use it to reconcile resemblances with differences, general with particular or else for the purpose of generating hegemonistic symbols or organic unity of culture/nation, they erase divisions, ignoring and abolishing othernesses
Romantyzm w historii literatury chorwackiej
Full text linkThe paper researches the way romanticism is reconstructed and interpretated in three books on the history of Croatian literature (Ježić, Frangeš Jelčić). In the analysis of selected histories of Croatian literature, three very important methodological questions that are extracted, namely the question of periodization, the question of the evaluation of Croatian literature of romanticism, and the question of considering the Croatian literature of romanticism in the broader context of the literary world trends.The paper researches the way romanticism is reconstructed and interpretated in three books on the history of Croatian literature (Ježić, Frangeš Jelčić). In the analysis of selected histories of Croatian literature, three very important methodological questions that are extracted, namely the question of periodization, the question of the evaluation of Croatian literature of romanticism, and the question of considering the Croatian literature of romanticism in the broader context of the literary world trends