Poznańskie Studia Slawistyczne
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W krainie światła, w krainie Cienia. Nad prozą autobiograficzną Faruka Šehicia
Get PDFThis article is the first attempt in Poland to examine the following issues in The Book of Una, the novel by Faruk Šehić: the problems of autobiographic memory, war trauma, going through the trauma situation in a creation process (autobiography as a symbol of individual identity and an attempt to overcome the stressor). The analysis drew attention to the category of a journey into the depths of one’s self within the so-called past life regression present in the work by this Bosnian author. In the course of the examination, it was revealed that the intimate contact established by and between the protagonist with the important figures from his childhood, sentimental objects, the aquatic element, plant world and places of playing, adventure and shelter has a therapeutic dimension.The aforementioned issues were studied with the use of a set of scientific tools in the area of anthropology of culture (abjective experiences and objects, symbolism of blood, category of childhood), theory of trauma, hypnology and hyperesthesia, polemology, humanistic psychiatry, Bachelard’s theory of poetic image, topoanalysis and poetics of the elements. The process of interpretation also included the Jungian concept of structure of personality known as the Shadow archetype.The aforementioned issues were studied with the use of a set of scientific tools in the area of anthropology of culture (abjective experiences and objects, symbolism of blood, category of childhood), theory of trauma, hypnology and hyperesthesia, polemology, humanistic psychiatry, Bachelard’s theory of poetic image, topoanalysis and poetics of the elements. The process of interpretation also included the Jungian concept of structure of personality known as the Shadow archetype
Ruś – Ukraina, Białoruś w Pierwszej Rzeczypospolitej
Get PDFThe reviewed book is the eleventh in the series devoted to the “Culture of the First Polish Republic in dialogue with Europe. Hermeneutics of values”. This series is the aftermath of an interesting research project, whose aim is both to comprehensively present the cultural relations of the Polish-Lithuanian Commonwealth with Europe, as well as to recognize the ways and forms of mutual communication of literary, aesthetic, political and religious values. In addition, it aims to present in a broad comparative context the structure of Early Modern culture of the Polish-Lithuanian Commonwealth. Apart from the introduction, the book contains the dissertations of 11 authors originating from various scientific centers in Poland and abroad (Toruń, Białystok, Vilnius, Venice, Padua, Cracow, Poznań, Rzeszów) and representing different research specialties: philology, history, and history of art. The general and primary goal of the text it is to analyze various aspects of the Ruthenian culture of the Polish-Lithuanian Commonwealth, both in its dynamic connection with the Polish-Latin culture and the processes occurring in Eastern European Orthodoxy after the fall of the Byzantine Empire and in connection with the strengthening of the Moscow state. The key issues developed in the volume relate essentially to: values of the Ruthenian culture, some of which coincide or are identical to those recognized by Western-Polish citizens of the Commonwealth, while depend on the centuries old tradition of Eastern-Christian culture.The articles focuses on the values displayed in the Orthodox and Uniate spheres and around the polemics between them, punching with axiological arguments. The most frequently and basic problems that were raised are: determinants of identity, faith (religion), language (languages), social status, origin; the policy of rulers, the problem of ecclesiastical jurisdiction; tradition and change in culture – biblical studies, patristics, liturgy, theology; printing, translations, education; apologetics and polemics, preaching, iconography; a renewal program for the clergy that was to become the vanguard of the renewal of the entire Eastern Church; Bazylian Uniate ( Greek- Catholic) clergy: the idea of cultural integration, education, translation and publishing.The reviewed book is the eleventh in the series devoted to the “Culture of the First Polish Republic in dialogue with Europe. Hermeneutics of values”. This series is the aftermath of an interesting research project, whose aim is both to comprehensively present the cultural relations of the Polish-Lithuanian Commonwealth with Europe, as well as to recognize the ways and forms of mutual communication of literary, aesthetic, political and religious values. In addition, it aims to present in a broad comparative context the structure of Early Modern culture of the Polish-Lithuanian Commonwealth. Apart from the introduction, the book contains the dissertations of 11 authors originating from various scientific centers in Poland and abroad (Toruń, Białystok, Vilnius, Venice, Padua, Cracow, Poznań, Rzeszów) and representing different research specialties: philology, history, and history of art. The general and primary goal of the text it is to analyze various aspects of the Ruthenian culture of the Polish-Lithuanian Commonwealth, both in its dynamic connection with the Polish-Latin culture and the processes occurring in Eastern European Orthodoxy after the fall of the Byzantine Empire and in connection with the strengthening of the Moscow state. The key issues developed in the volume relate essentially to: values of the Ruthenian culture, some of which coincide or are identical to those recognized by Western-Polish citizens of the Commonwealth, while depend on the centuries old tradition of Eastern-Christian culture.The articles focuses on the values displayed in the Orthodox and Uniate spheres and around the polemics between them, punching with axiological arguments. The most frequently and basic problems that were raised are: determinants of identity, faith (religion), language (languages), social status, origin; the policy of rulers, the problem of ecclesiastical jurisdiction; tradition and change in culture – biblical studies, patristics, liturgy, theology; printing, translations, education; apologetics and polemics, preaching, iconography; a renewal program for the clergy that was to become the vanguard of the renewal of the entire Eastern Church; Bazylian Uniate ( Greek- Catholic) clergy: the idea of cultural integration, education, translation and publishing
Nowe stronice (nie)znanej historii
Get PDFThe article discusses the book by Diana Ivanova История на новобългарския книжовен език – a new textbook on the history of literary Bulgarian language. Starting from a discussion of terminology related to concepts the Old Bulgarian and New Bulgarian language, first presents the history of the scientific discipline as the history of the New Bulgarian literary language (NBKE), and then the textbooks used so far in the university didactics. It is necessary to indicate a new content of the discussed monograph, in which a significant novum is the different perception of the beginnings of NBKE and chapters on the activities of the literary society from Brasov and biblical translations into a language understandable to the reader in the 19th century.The article discusses the book by Diana Ivanova История на новобългарския книжовен език – a new textbook on the history of literary Bulgarian language. Starting from a discussion of terminology related to concepts the Old Bulgarian and New Bulgarian language, first presents the history of the scientific discipline as the history of the New Bulgarian literary language (NBKE), and then the textbooks used so far in the university didactics. It is necessary to indicate a new content of the discussed monograph, in which a significant novum is the different perception of the beginnings of NBKE and chapters on the activities of the literary society from Brasov and biblical translations into a language understandable to the reader in the 19th century
Materiały opcjonalne drukowanego służebnika (w świetle wybranych przykładów z metropolii kijowskiej, XVI–XVII w.)
Get PDFIn 16th–17th-century’s liturgical books one can find numerous additions regarded as redundant and optional. These paratextual elements are: verbal (e.g., prefaces, dedicational verses or letters, afterwords, introductions), iconic (schemas, illustrations) and both combined. Unnecessary materials in printed liturgiarions apart from the above-mentioned are: teachings of Jan Chrysostom, Basil the Great and Gregory Dialogos – the authors of Divine Liturgy and the short eulogistic compositions about Church Fathers, sometimes accompanied by their images. These additional elements are great evidence of development of liturgical practice, documents certifying intellectual level of Ruthenian clergy and renovating ambitions of hierarchy. For this reason, they should be widely considered as worthy sources in the study about religion reform in the Metropolitanate of Kiev and of a church culture in old Polish-Lithuanian Commonwealth.In 16th–17th-century’s liturgical books one can find numerous additions regarded as redundant and optional. These paratextual elements are: verbal (e.g., prefaces, dedicational verses or letters, afterwords, introductions), iconic (schemas, illustrations) and both combined. Unnecessary materials in printed liturgiarions apart from the above-mentioned are: teachings of Jan Chrysostom, Basil the Great and Gregory Dialogos – the authors of Divine Liturgy and the short eulogistic compositions about Church Fathers, sometimes accompanied by their images. These additional elements are great evidence of development of liturgical practice, documents certifying intellectual level of Ruthenian clergy and renovating ambitions of hierarchy. For this reason, they should be widely considered as worthy sources in the study about religion reform in the Metropolitanate of Kiev and of a church culture in old Polish-Lithuanian Commonwealth
Словото за Изсъхналата смоковница и притчата за лозето от Йоан Дамаскин в средновековната славянска книжнина (предварителни наблюдения)
Get PDFThe Slavonic version of the homily dedicated to The (Cursed) Fig-Tree and the Parable of the Vineyard by John Damascene has not been so far object of an archeographic-textological study. The present study gives the initial observations on the reception of that Byzantine work in Mediaeval Slavonic Literature. The work centred mainly on the South Slavonic manuscript tradition, while the East Slavonic manuscript tradition represented by the text from the well-known Uspensky Miscellany was used as a starting point and as a basis for comparison during the analysis. The study showed that in Mediaeval Slavonic Literature the homily dedicated to The (Cursed) Fig-Tree and the Parable of the Vineyard by John Damascene has been disseminated through three different Slavonic translations, one redaction, and one contaminated version.The Slavonic version of the homily dedicated to The (Cursed) Fig-Tree and the Parable of the Vineyard by John Damascene has not been so far object of an archeographic-textological study. The present study gives the initial observations on the reception of that Byzantine work in Mediaeval Slavonic Literature. The work centred mainly on the South Slavonic manuscript tradition, while the East Slavonic manuscript tradition represented by the text from the well-known Uspensky Miscellany was used as a starting point and as a basis for comparison during the analysis. The study showed that in Mediaeval Slavonic Literature the homily dedicated to The (Cursed) Fig-Tree and the Parable of the Vineyard by John Damascene has been disseminated through three different Slavonic translations, one redaction, and one contaminated version
Mała wielka kinematografia. Patrycjusz Pająk, Arcydzieła chorwackiego filmu fabularnego, Wydział Polonistyki Uniwersytetu Warszawskiego, Warszawa 2018, 395 s..
Get PDFIn his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story
Біблійні інтертексти крізь призму „інтегрованого підходу” (фундаментальна праця на ниві перекладознавства)
Get PDFThe review sets out to provide a critical analysis of Oksana Dzera’s monographic research which has an obvious topicality and interdisciplinary character as the work aims to investigate issues of theory and practice of translation, intertextuality and theolinguistics. The monograph is regarded as a successful project marked with novelty, considerable theoretical and practical value and perspective to open up new vistas for further research.The review sets out to provide a critical analysis of Oksana Dzera’s monographic research whichhas an obvious topicality and interdisciplinary character as the work aims to investigate issues oftheory and practice of translation, intertextuality and theolinguistics. The monograph is regardedas a successful project marked with novelty, considerable theoretical and practical value and perspectiveto open up new vistas for further research
Osudy Starých letopisů českých (text F)
Get PDFThe collection of Hussite chronicles called Old Czech Annals contains more than thirty manuscripts some of which have been left out of the research spotlight. One of them is the Czech written text F (called “of Stockholm”) from the second half of the 15th century, currently stored under the signature G 10, no. 432 in the Moravian Municipal Archive in Brno, nevertheless, until 1878, it had been held in Stockholm as a spoil. The text F describes the course of events on the Czech territory from the years 1393 to 1453. Particular emphasis is laid on the events taking place during the Hussite revolution (after 1419) narrated, from the perspective of moderate Utraquism, by an anonymous Prague chronicler. Even though he, in his descriptions, consciously evades to include his evaluation of the events, striving for being an objective and impartial, unbiased observer, it is possible, at times, to read his attitude and opinion from his language rendering, which we instantiate with citations from the manuscript. A copy of the manuscript was acquired during its brief borrowing from Sweden to Prague in 1819 by Václav Hanka (1791–1861), a prominent representative of the Czech National Revival. The copy is stored in the National Museum Library, signature III F 9.The collection of Hussite chronicles called Old Czech Annals contains more than thirty manuscripts some of which have been left out of the research spotlight. One of them is the Czech written text F (called “of Stockholm”) from the second half of the 15th century, currently stored under the signature G 10, no. 432 in the Moravian Municipal Archive in Brno, nevertheless, until 1878, it had been held in Stockholm as a spoil. The text F describes the course of events on the Czech territory from the years 1393 to 1453. Particular emphasis is laid on the events taking place during the Hussite revolution (after 1419) narrated, from the perspective of moderate Utraquism, by an anonymous Prague chronicler. Even though he, in his descriptions, consciously evades to include his evaluation of the events, striving for being an objective and impartial, unbiased observer, it is possible, at times, to read his attitude and opinion from his language rendering, which we instantiate with citations from the manuscript. A copy of the manuscript was acquired during its brief borrowing from Sweden to Prague in 1819 by Václav Hanka (1791–1861), a prominent representative of the Czech National Revival. The copy is stored in the National Museum Library, signature III F 9
Erotska začinka iz 17. stoljeća
Get PDFPaper focuses on a poem Mlad užežen u ljubavi, preserved in an early manuscript by Dubrovnikʼs merchant Miho Martellini, created before 1657. This is the most erotic začinka-poem of the 17th century, inspired by the so called cushion customs. The above mentioned poem is a part of a corpus created parallel with the official literary production, and its existence demonstrates the stratification of the 17th century literature, and marks the existence of thematically and stylistically pure folk literature, together with epics, epic poems, tragedies and tragicomedies. That sort of literature didnʼt have to change the readers, to instruct them in virtuous life, not even to give them some aesthetic pleasure. Its purpose was primarily entertainment.Paper focuses on a poem Mlad užežen u ljubavi, preserved in an early manuscript by Dubrovnikʼs merchant Miho Martellini, created before 1657. This is the most erotic začinka-poem of the 17th century, inspired by the so called cushion customs. The above mentioned poem is a part of a corpus created parallel with the official literary production, and its existence demonstrates the stratification of the 17th century literature, and marks the existence of thematically and stylistically pure folk literature, together with epics, epic poems, tragedies and tragicomedies. That sort of literature didnʼt have to change the readers, to instruct them in virtuous life, not even to give them some aesthetic pleasure. Its purpose was primarily entertainment
Приватні рукописні молитовники католиків Правобережної України XVIІI–XIX ст. як свідоцтво епохи
Get PDFThe article presents a description and analysis of the peculiarities of the handwritten prayer books of Catholics of the Right-Bank Ukraine of the XVIІІ–XIX centuries on the example of one of the collections of the Central State Historical Archives of Ukraine in Kiev.The article presents a description and analysis of the peculiarities of the handwritten prayer books of Catholics of the Right-Bank Ukraine of the XVIІІ–XIX centuries on the example of one of the collections of the Central State Historical Archives of Ukraine in Kiev