Poznańskie Studia Slawistyczne
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Iskustvo Beograda Augustina Tina Ujevića
Get PDFThe subject of the analysis in this article are the texts of Augustin Tin Ujević created during his stay in Belgrade. The way of experiencing this city by the poet is reflected through the relationship between the subject and the urban space, through the language of the lyrical expression and through poetics. The interpretive key to its reading is the flaneur figure, treated not as a prototype, but as a reference point.The subject of the analysis in this article are the texts of Augustin Tin Ujević created during his stay in Belgrade. The way of experiencing this city by the poet is reflected through the relationship between the subject and the urban space, through the language of the lyrical expression and through poetics. The interpretive key to its reading is the flaneur figure, treated not as a prototype, but as a reference point
Avangarda poslije avangarde u hrvatskoj poeziji
Get PDFThe article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s.The article discusses the problem of the avant-garde in Croatian poetry during the second half of 20th century. It supports the thesis about the continuity of the avant-garde before and after World War II, and perceives the artistic and literary experiments of the neo and post-avant-garde as a part of a long avant-garde tradition. The analysis brings forward the different perceptions of avant-garde in the works of Radovan Ivšić and Josip Sever, and post-avant-garde poets of 1970s and 80s
„Nic tylko wstręt” – Ladislava Klímy koneksje z gotycyzmem
Get PDFFew interpretations of the work of Ladislav Klíma, by both Polish and Czech researchers, most often emphasize the philosophical aspect of his writing. They point to the connections of his work with the philosophy of Schopenhauer, Nietzsche, Berkeley. The article suggests taking a different lead related to connections with the Gothic Convention and the aesthetics of shock and disgust inscribed in it. The author used this convention, among others, to formulate his philosophy of Will. The article focuses on the mini-novel The Suffering of Prince Sternenhoch. The process of interpretation was facilitated by the use of findings of Jindřich Chalupecký, whereas the theories of Julia Kristeva proved useful in the methodological aspect.Few interpretations of the work of Ladislav Klíma, by both Polish and Czech researchers, most often emphasize the philosophical aspect of his writing. They point to the connections of his work with the philosophy of Schopenhauer, Nietzsche, Berkeley. The article suggests taking a different lead related to connections with the Gothic Convention and the aesthetics of shock and disgust inscribed in it. The author used this convention, among others, to formulate his philosophy of Will. The article focuses on the mini-novel The Suffering of Prince Sternenhoch. The process of interpretation was facilitated by the use of findings of Jindřich Chalupecký, whereas the theories of Julia Kristeva proved useful in the methodological aspect
Полското междувоенно двадесетилетие в огледалото на колективната рецепция
Get PDFThe subject of this review is the reception of Polish interwar literature in Bulgaria, and particularly the anthology Polish Poetry between the Two World Wars (2019), by Panayot Karagyozov and the special issue of Literaturen vestnik (2018), devoted to Polish culture from that period. The focus of the review is on the simultaneous reception of both translated poetry and literarycritical articles.The subject of this review is the reception of Polish interwar literature in Bulgaria, and particularly the anthology Polish Poetry between the Two World Wars (2019), by Panayot Karagyozov and the special issue of Literaturen vestnik (2018), devoted to Polish culture from that period. The focus of the review is on the simultaneous reception of both translated poetry and literarycritical articles
Święte i doczesne… ciało, czyli o somatycznym wymiarze narracji
Get PDFThe article briefly presents a series of problems discussed in the dissertation entitled Свето и пропадљиво. Тело у српској хагиографској књижевности (Holy and Worldly. Body in Serbian Hagiographic Literature) by Smilja Marjanović-Dušanić. Dedicated to a wide professional and non-professional audience, the book in question is a significant scientific work since it refers not only to the historical, but also to the anthropological and culturological description related to the activity of decoding of such essential socio-cultural category like body. Considered as a highly complex phenomenon, body is a sign generated by the realm of various traditions and discourses which render different cultural modes or primary and secondary contexts; it might be also conceived as a distinctive signature of given time-space, community and cultural system. It will not be an exaggeration to say that the dissertation is an extremely interesting and indeed outstanding study of the subject which impresses with its high cognitive value and research rank. What is more, it offers a serious and objective view of the convoluted and multidimensional cultural phenomenon and identity construct.The article briefly presents a series of problems discussed in the dissertation entitled Свето и пропадљиво. Тело у српској хагиографској књижевности (Holy and Worldly. Body in Serbian Hagiographic Literature) by Smilja Marjanović-Dušanić. Dedicated to a wide professional and non-professional audience, the book in question is a significant scientific work since it refers not only to the historical, but also to the anthropological and culturological description related to the activity of decoding of such essential socio-cultural category like body. Considered as a highly complex phenomenon, body is a sign generated by the realm of various traditions and discourses which render different cultural modes or primary and secondary contexts; it might be also conceived as a distinctive signature of given time-space, community and cultural system. It will not be an exaggeration to say that the dissertation is an extremely interesting and indeed outstanding study of the subject which impresses with its high cognitive value and research rank. What is more, it offers a serious and objective view of the convoluted and multidimensional cultural phenomenon and identity construct
Flâneur nadrzeczywistości. Vítězslava Nezvala surrealne wędrówki po Pradze
Get PDFIn the surrealistic period of his literary work Vítězslav Nezval, following the French formula of presenting Paris as an archetypical modern city, published textual passage Pražský chodec (1938) which title is taken from the famous Apollinaire’s story but its narrative schema resembles the Louis Aragon’s Paris Peasant. In opposition to avant-garde ideas of the perfect urbanization projects connected with the technological progress and futurological utopias Nezval tries to show Prague (more mysterious and surreal in his eyes than the capital of France) as a space of living literary tradition, full of lieux de mémoire and traces of long past events. Walking around urban streets, alleys or bridges often regarded as the typical surrealistic activity, becomes here an instrument of evoking these memories and it is also treated as a metaphor of poetic creation.In the surrealistic period of his literary work Vítězslav Nezval, following the French formula of presenting Paris as an archetypical modern city, published textual passage Pražský chodec (1938) which title is taken from the famous Apollinaire’s story but its narrative schema resembles the Louis Aragon’s Paris Peasant. In opposition to avant-garde ideas of the perfect urbanization projects connected with the technological progress and futurological utopias Nezval tries to show Prague (more mysterious and surreal in his eyes than the capital of France) as a space of living literary tradition, full of lieux de mémoire and traces of long past events. Walking around urban streets, alleys or bridges often regarded as the typical surrealistic activity, becomes here an instrument of evoking these memories and it is also treated as a metaphor of poetic creation
Archiwa a chorwacka historiografia literacka. Nieznane śpiewniki kajkawskie
Get PDFArchival research is of great importance for the study of old Croatian literature, as a large part of the body of literary texts has been preserved in manuscripts to the present day, and many of them are kept in archives. Although at its beginnings Croatian national philology was strongly focused on archival work, in the 20th century this kind of research was abandoned, despite the fact that there was still a lot of unanalyzed material left in the archives, as well as many possibilities for correction or supplementing previous conclusions. Thus the handwritten Kajkavian songbooks, especially the secular ones, have been only partially examined. In addition, some songbooks from the Croatian State Archives have never become an object of research. This article draws attention to the importance of fundamental archival research, without which it is impossible to properly draw a picture of the Kajkavian element of old Croatian literature.Archival research is of great importance for the study of old Croatian literature, as a large part of the body of literary texts has been preserved in manuscripts to the present day, and many of them are kept in archives. Although at its beginnings Croatian national philology was strongly focused on archival work, in the 20th century this kind of research was abandoned, despite the fact that there was still a lot of unanalyzed material left in the archives, as well as many possibilities for correction or supplementing previous conclusions. Thus the handwritten Kajkavian songbooks, especially the secular ones, have been only partially examined. In addition, some songbooks from the Croatian State Archives have never become an object of research. This article draws attention to the importance of fundamental archival research, without which it is impossible to properly draw a picture of the Kajkavian element of old Croatian literature
Академик Петър Динеков и младият полски българист Едвард Можейко (епистоларни свидетелства от 60-те години на ХХ век)
Get PDFThe article presents hitherto unknown letters in Polish by Edward Możejko, a Canadian scholar of Polish origin, to the Bulgarian scholar Petar Dinekov. These letters reveal the professional contacts between the two men in the 1960s when the young Możejko defends his dissertation on a topic in the field of Bulgarian studies at the Jagiellonian University and Dinekov is one of his reviewers. The letters are explored in the context of other documentary sources. The present study is part of a larger project on epistolary heritage testifying the active professional contacts of Dinekov with the Polish cultural intelligentsia
Obywatel dwóch narodowych kultur
Get PDFEmil Korytko, a Polish student in Lwów (Galicia, Austrian partition), was arrested on accusations of activity in a Polish independence movement organisation. After over two years long investigation and imprisonment, he was exiled to Ljubljana (Laibach), the capital of Carniola. While living in exile, he collected and studied Slovene folk poetry and the customs of Carniola, thus becoming a pioneer of Slovenian ethnology and at the same time one of the most influential activists of Slovenian national awakening. In Slovenia he is known better than in his native country. In November 2013, the University in Ljubljana (Faculty of Philosophy) organized, in cooperation with the Embassy of Poland in Slovenia, a symposium dedicated to the celebration of the 200th anniversary of his birth, including an exhibition about his life and career, held in the National and the University Library of Slovenia. In June 2019 this exhibition, supplemented by several documents, was held in the Slovenian Parliament as a celebration of the 180th anniversary of Korytko’s death. The bilingual book presented here reflects these cultural celebrations and the current state of knowledge about Polish-Slovenian ethnographer, philologist, poet, and translator.Emil Korytko, a Polish student in Lwów (Galicia, Austrian partition), was arrested on accusations of activity in a Polish independence movement organisation. After over two years long investigation and imprisonment, he was exiled to Ljubljana (Laibach), the capital of Carniola. While living in exile, he collected and studied Slovene folk poetry and the customs of Carniola, thus becoming a pioneer of Slovenian ethnology and at the same time one of the most influential activists of Slovenian national awakening. In Slovenia he is known better than in his native country. In November 2013, the University in Ljubljana (Faculty of Philosophy) organized, in cooperation with the Embassy of Poland in Slovenia, a symposium dedicated to the celebration of the 200th anniversary of his birth, including an exhibition about his life and career, held in the National and the University Library of Slovenia. In June 2019 this exhibition, supplemented by several documents, was held in the Slovenian Parliament as a celebration of the 180th anniversary of Korytko’s death. The bilingual book presented here reflects these cultural celebrations and the current state of knowledge about Polish-Slovenian ethnographer, philologist, poet, and translator
Futurist Suggestions in the War Poems by Josip (Sibe) Miličić
Get PDFWith the opening of the twentieth century, the beneficial river of the avant-gardes seemed to flood the entire European continent in a happy contamination of national cultures, giving life to an authentic supranational koine of artists: it was sometimes fusion of forms, styles, environments, cultures, a salutary effort to rejuvenate languages. The particular attention of the Italian Futurists to the new national realities was among the factors of particular attraction to the movement for South Slavs whose representative was Josip (Sibe) Miličić, who called for cultural and political renewal of his country. His direct encounter with Marinetti and Boccioni seems to leave its mark on his poetry both structurally and thematically: in the collection from 1914, Miličić reveals a new sensibility and a new rhythm: in one of his war lyrics, the futurist suggestions materialize in his first onomatopoeic attempt, suitable to undermine the lyricism of the verse by intensifying the link between the phonic aspect and the meaning. Despite their common interventionism, the Great War found the Croat and the Italian Futurists on opposite political positions concerning the Dalmatian islands and the Italian expansionism on the Adriatic. The poet’s war experience lead him to a “mature” phase starting in the twenties with his first article-manifesto. At this time he was able to reprocess his own critical identity: affirming his deeply anti-materialist and anti-industrial spiritualism, his standpoints by then had become very distant from Marinetti’s insights.With the opening of the twentieth century, the beneficial river of the avant-gardes seemed to flood the entire European continent in a happy contamination of national cultures, giving life to an authentic supranational koine of artists: it was sometimes fusion of forms, styles, environments, cultures, a salutary effort to rejuvenate languages. The particular attention of the Italian Futurists to the new national realities was among the factors of particular attraction to the movement for South Slavs whose representative was Josip (Sibe) Miličić, who called for cultural and political renewal of his country. His direct encounter with Marinetti and Boccioni seems to leave its mark on his poetry both structurally and thematically: in the collection from 1914, Miličić reveals a new sensibility and a new rhythm: in one of his war lyrics, the futurist suggestions materialize in his first onomatopoeic attempt, suitable to undermine the lyricism of the verse by intensifying the link between the phonic aspect and the meaning. Despite their common interventionism, the Great War found the Croat and the Italian Futurists on opposite political positions concerning the Dalmatian islands and the Italian expansionism on the Adriatic. The poet’s war experience lead him to a “mature” phase starting in the twenties with his first article-manifesto. At this time he was able to reprocess his own critical identity: affirming his deeply anti-materialist and anti-industrial spiritualism, his standpoints by then had become very distant from Marinetti’s insights