Poznańskie Studia Slawistyczne
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Transgresje. Przenikania. Synchroniczność. Uwagi o wyobraźni chorwackiej i serbskiej awangardy literackiej
Get PDFThe article discusses selected problems of the image, imagination and the ideological-aesthetic consciousness of the avant-garde in Croatian and Serbian literatures. Inspired by the ideas of modern Europe and opened to experiment, transgressions and mental function of the artistic language, it created an autonomous world of imagination. Utopian theories of reality evaluated from expressionistic conceptions of penetration of the world if matter and spirit, Earth and universe to surrealistic conceptions of over-reality.The article discusses selected problems of the image, imagination and the ideological-aesthetic consciousness of the avant-garde in Croatian and Serbian literatures. Inspired by the ideas of modern Europe and opened to experiment, transgressions and mental function of the artistic language, it created an autonomous world of imagination. Utopian theories of reality evaluated from expressionistic conceptions of penetration of the world if matter and spirit, Earth and universe to surrealistic conceptions of over-reality
Towards a Different Knowledge: the Knjiženstvo Database and the Digitisation of Materials
Get PDFThe first part of this paper introduces the concept of digital humanities and the phases that some researchers note in the development of the humanities in new, digital media, as well as the role of digital humanities in the promotion of the marginalised literatures, particularly that written by women. The core example is the digital database Knjiženstvo, certain segments of which contain not only the data on the texts, but the digitised texts as well. In this paper, we pose the question on how databases can be involved in the creation of new knowledge at all educational levels. To this effect, we necessarily expand certain segments of the database to include those publications on which they already contain information. In relation to this, it has been observed that one of the greatest problems is the part of the database dealing with the periodicals – both women and feminist – and therefore, the second part of the paper is dedicated to this topic. We first analyze the terms women and feminist magazines, and afterwards, we consider the ways in which the materials from these periodicals could be gathered, classified and connected
Deconstruction and the Archival Revolution: on the Relevance and Reception of Archive Fever in New Media Studies
Get PDFThe paper focuses on the reception of Derrida’s Archive Fever among (new) media theorists and its relevance for the ongoing discussions in that academic field. Although this Derrida’s text is often described as the one in which he provides a statement on the pervasive revolutionary impact of new media, its reception among media theorists remains scarce. Several media scholars that tackle the text, however, have an ambivalent stance on it: they appreciate some of Derrida’s theses, but regard them largely obsolete. The first part of the paper analyzes these critiques and argues that many of the objections on Derrida’s behalf are caused by the misinterpretation of important features of the deconstructive thought. In its second part, the paper firstly deals with certain weaker points of Derrida’s reflection and then proceeds to examine his insights pertinent to the problems of contemporary media theory that were neglected in earlier reception. Finally, paper reaffirms the claim about the need for a more profound exchange between the deconstruction and media studies, albeit one that would avoid the examined shortcomings
Документалното наследство на Кирила Възвъзова-Каратеодорова в Националната библиотека „Св. Св. Кирил и Методий“
Get PDFKirila Vazvazova-Karateodorova is a notable Bulgarian archivist, archeographer and an author of numerous studies dedicated to the Bulgarian Revival. A small part of the documents related to her landmark are stored in the National Library ‟St. St. Cyril and Methodius.” Although few of these documents reveal part of her personal and creative path
New Lexical and Phraseological Faunal Units in the Language Observatory of the University of Warsaw from a Cross-Linguistic Polish-English Perspective
Get PDFThe aim of the present paper is to discuss the new Polish faunal lexical and phraseological units from a cross-linguistic perspective. The research corpus is compiled on the basis of Obserwatorium Językowe Uniwersytetu Warszawskiego (the Language Observatory of the University of Warsaw) – an online source containing the items which are in use and which have not been included in dictionaries so far. The English equivalents allocated for these units are analysed and divided intofour groups: quasi-absolute, partial, parallel and zero counterparts.The aim of the present paper is to discuss the new Polish faunal lexical and phraseological units from a cross-linguistic perspective. The research corpus is compiled on the basis of Obserwatorium Językowe Uniwersytetu Warszawskiego (the Language Observatory of the University of Warsaw) – an online source containing the items which are in use and which have not been included in dictionaries so far. The English equivalents allocated for these units are analysed and divided intofour groups: quasi-absolute, partial, parallel and zero counterparts
Plakat polityczny w chorwackiej ikonosferze
Get PDFThe titular problem of Croatian political poster, regarded as an art of margins, is treated by the author, according to the order of chapters, in four main aspects: historical, aesthetic, socio-political, and cultural one. The development of poster art, correlated with national history in 19th and 20th century Croatia, is presented in the chapter “In the vapour of history”. In the next chapters some particular sections of the searching field are described. These sections are as follows: technique of montage of the pictures, modern iconoclastic practices, chaos vs. order, and the place (“From margin to centre”).The titular problem of Croatian political poster, regarded as an art of margins, is treated by the author, according to the order of chapters, in four main aspects: historical, aesthetic, socio-political, and cultural one. The development of poster art, correlated with national history in 19th and 20th century Croatia, is presented in the chapter “In the vapour of history”. In the next chapters some particular sections of the searching field are described. These sections are as follows: technique of montage of the pictures, modern iconoclastic practices, chaos vs. order, and the place (“From margin to centre”)
Wędrująca idea awangardy. Centrum Dekontaminacji Kulturowej i serbska kultura oporu
Get PDFThe article addresses the presence of the avant-garde in the discourse and the practice of social resistance in Serbia at the turn of the 20th and 21st centuries. The focal point of the text is the thesis that nowadays the avant-garde resonates not so much as an artistic formation, but as an ideological complex. The author investigates the manners of contemporary transposition of ideas and avant- garde imagination through the analysis of the activities of the Centre for Cultural Decontamination in Belgrade. Using the examples of two programmes: Modernism, Serbian National Identity in 20th Century and En Garde – Avant-Garde 20/21, the author shows how the local experience of the interwar avant-garde and the neo-avant-garde formed within the movement of ʼ68 protests, creates a specific ideological current, a model of self-organization and a pattern of activities bordering between art and socio-political reality. In the 1990s, in Serbia, it becomes the reference system for artivism (an approach consisting in influencing social and political reality through art), and today still remains an inspiration for independent intellectual and artistic environments and for critical institutions that create an alternative and polemic cultural space to the official policies of the Serbian authorities.The article addresses the presence of the avant-garde in the discourse and the practice of social resistance in Serbia at the turn of the 20th and 21st centuries. The focal point of the text is the thesis that nowadays the avant-garde resonates not so much as an artistic formation, but as an ideological complex. The author investigates the manners of contemporary transposition of ideas and avant- garde imagination through the analysis of the activities of the Centre for Cultural Decontamination in Belgrade. Using the examples of two programmes: Modernism, Serbian National Identity in 20th Century and En Garde – Avant-Garde 20/21, the author shows how the local experience of the interwar avant-garde and the neo-avant-garde formed within the movement of ʼ68 protests, creates a specific ideological current, a model of self-organization and a pattern of activities bordering between art and socio-political reality. In the 1990s, in Serbia, it becomes the reference system for artivism (an approach consisting in influencing social and political reality through art), and today still remains an inspiration for independent intellectual and artistic environments and for critical institutions that create an alternative and polemic cultural space to the official policies of the Serbian authorities
The Slav Avant-garde in Australian Art
Get PDFAustralian art history includes a peculiar short period during which the European avant-garde values were brought to Australia by a group of Slav artists who gathered in Adelaide in 1950. They were brothers Voitre (1919–1999) and Dušan Marek (1926–1993) from Bohemia, Władysław (1918–1999) and Ludwik Dutkiewicz (1921–2008) from Poland, and Stanislaus (Stanislav, Stan) Rapotec (1911–1997) from Yugoslavia, later joined by Joseph Stanislaus Ostoja-Kotkowski (1922–1994) from Poland. Each of these artists went on to leave their individual mark on the overall Australian art practice. This brief moment of the artists’ working and exhibiting together also enriched their later individual work with the very idea of a common Slav cultural memory.Australian art history includes a peculiar short period during which the European avant-garde values were brought to Australia by a group of Slav artists who gathered in Adelaide in 1950. They were brothers Voitre (1919–1999) and Dušan Marek (1926–1993) from Bohemia, Władysław (1918–1999) and Ludwik Dutkiewicz (1921–2008) from Poland, and Stanislaus (Stanislav, Stan) Rapotec (1911–1997) from Yugoslavia, later joined by Joseph Stanislaus Ostoja-Kotkowski (1922–1994) from Poland. Each of these artists went on to leave their individual mark on the overall Australian art practice. This brief moment of the artists’ working and exhibiting together also enriched their later individual work with the very idea of a common Slav cultural memory
Działalność czasopisma „Novorečje” na tle serbskich i polskich badań nad neologizmami
Get PDFThe paper presents the activity of a new Serbian journal “Novorečje” dedicated exclusively to neologisms in language. Analyses disseminated in this periodical are discussed in the context of the approaches to new vocabulary elaborated in the framework of Serbian linguistics. Parallels and divergences with respect to Polish linguistic tradition are also presented. Finally, the paper tries to summarise main research tendencies represented by the authors publishing in the journal “Novorečje”: analyses of new feminatives, discussions on derivative mechanisms, neosemantisms, semantic drives, phraseological innovations, lexemes denoting new phenomena, as well as methodological problems.The paper presents the activity of a new Serbian journal “Novorečje” dedicated exclusively to neologisms in language. Analyses disseminated in this periodical are discussed in the context of the approaches to new vocabulary elaborated in the framework of Serbian linguistics. Parallels and divergences with respect to Polish linguistic tradition are also presented. Finally, the paper tries to summarise main research tendencies represented by the authors publishing in the journal “Novorečje”: analyses of new feminatives, discussions on derivative mechanisms, neosemantisms, semantic drives, phraseological innovations, lexemes denoting new phenomena, as well as methodological problems