Poznańskie Studia Slawistyczne
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Kazališna hemeroteka – uvid u građu
Get PDFThis paper aims to present the contents of the Periodical and Newspaper Library of the Croatian Academy of Sciences’ Division of the History of the Croatian Theatre from the 1921–1924, 1968– 1969, and 1989–1992 periods, i.e. on a sample of nine theatre seasons. It includes an overview of the newspapers and periodicals from which the Library’s contents originate as well as of the number of articles in each of the specified periods, i.e. theatre seasons. The research presented here encompasses 10,859 articles, which have been classified; data on the types of articles present in each period has been tabulated. Even though a comparison of results shows that the number of sources – i.e. newspapers and other periodicals from which the Library’s contents are gathered – was significantly reduced, this did not influence the larger deviations in the overall number of articles in the researched periods. The paper shows that authored articles – mostly critiques – are the predominant type in all the researched periods, offers an insight into the diversity and wealth of the Library’s contents, and refers to the differences and similarities regarding the types and prevalence of articles in the examined periods.This paper aims to present the contents of the Periodical and Newspaper Library of the Croatian Academy of Sciences’ Division of the History of the Croatian Theatre from the 1921–1924, 1968– 1969, and 1989–1992 periods, i.e. on a sample of nine theatre seasons. It includes an overview of the newspapers and periodicals from which the Library’s contents originate as well as of the number of articles in each of the specified periods, i.e. theatre seasons. The research presented here encompasses 10,859 articles, which have been classified; data on the types of articles present in each period has been tabulated. Even though a comparison of results shows that the number of sources – i.e. newspapers and other periodicals from which the Library’s contents are gathered – was significantly reduced, this did not influence the larger deviations in the overall number of articles in the researched periods. The paper shows that authored articles – mostly critiques – are the predominant type in all the researched periods, offers an insight into the diversity and wealth of the Library’s contents, and refers to the differences and similarities regarding the types and prevalence of articles in the examined periods
O scenicznym ożywianiu i potencjałach autobiograficznego archiwum na przykładzie wybranych chorwackich spektakli teatralnych
Get PDFAutobiographism has been noticeably conquering the Croatian theatre which results in specific artistic projects, mainly falling into the category of theatre of the real. This material calls for a description of strategies, functions and potentials. The most important here is the freedom to (re)construct identity – performativity – communication and interaction. The styling of an autobiographical archive and its extension into action allows adopting a new view and interpreting historical events and current social problems differently. This phenomenon is manifested in selected performances which involve staging a dramatic text, adapting prose or journalistic text, compiling and processing various cultural texts, incorporating the performers’ confessions and observations, and developing documentary material. Descriptions of the latest performances confirm reactivity of the theatre, its power to concertize and subjectivize, as well as to model the audience’s attitudes. Autobiographism has been noticeably conquering the Croatian theatre which results in specific artistic projects, mainly falling into the category of theatre of the real. This material calls for a description of strategies, functions and potentials. The most important here is the freedom to (re)construct identity – performativity – communication and interaction. The styling of an autobiographical archive and its extension into action allows adopting a new view and interpreting historical events and current social problems differently. This phenomenon is manifested in selected performances which involve staging a dramatic text, adapting prose or journalistic text, compiling and processing various cultural texts, incorporating the performers’ confessions and observations, and developing documentary material. Descriptions of the latest performances confirm reactivity of the theatre, its power to concertize and subjectivize, as well as to model the audience’s attitudes
Към въпроса за стила „Pодно изкуство” в аспекта на българския авангард през 20-те години на ХХ век
Get PDFThe article presents the selected aspects of the Bulgarian avant-garde movement called “Native Art” (Rodno izkustvo) which developed in art (painting of Ivan Milev and others) and literature (the so-called decorative prose, ars decorum) in the 1920s. An aesthetical object of the then creators was searching for spirituality of the community expressed through a synthesis of such form of cultural heritage as symbolism, secession, Old Bulgarian and Byzantine iconography, rituals and folklore embroideries, ancient mosaic. For the constitution of the style “Rodno izkustvo”, the aesthetics of Bulgarian expressionism along with its artistic forms of rhythm and motion had a special significance. The analysis focuses on the theoretical writings by the most important representatives of Bulgarian avant-garde, namely, Čavdar Mutafov, Geo Milev, Nikolai Rainov, Sirak Skitnik and others whose attitude towards the problems of the style highlighted the process of it arising from individual acts to artistic syntheses. In the article, there are also references to the works of the contemporary art historian Dimitâr Avramov. The interdisciplinary research perspective of the article allows the author to indicate the distinctive properties of the avant-garde style of the Native Art, but also to illuminate the intellectual turn in Bulgarian art at the beginning of the 20th century.The article presents the selected aspects of the Bulgarian avant-garde movement called “Native Art” (Rodno izkustvo) which developed in art (painting of Ivan Milev and others) and literature (the so-called decorative prose, ars decorum) in the 1920s. An aesthetical object of the then creators was searching for spirituality of the community expressed through a synthesis of such form of cultural heritage as symbolism, secession, Old Bulgarian and Byzantine iconography, rituals and folklore embroideries, ancient mosaic. For the constitution of the style “Rodno izkustvo”, the aesthetics of Bulgarian expressionism along with its artistic forms of rhythm and motion had a special significance. The analysis focuses on the theoretical writings by the most important representatives of Bulgarian avant-garde, namely, Čavdar Mutafov, Geo Milev, Nikolai Rainov, Sirak Skitnik and others whose attitude towards the problems of the style highlighted the process of it arising from individual acts to artistic syntheses. In the article, there are also references to the works of the contemporary art historian Dimitâr Avramov. The interdisciplinary research perspective of the article allows the author to indicate the distinctive properties of the avant-garde style of the Native Art, but also to illuminate the intellectual turn in Bulgarian art at the beginning of the 20th century
Decentred Geographies: Poetics and Politics of the Avant-garde
Get PDFThanks to the work of Pascale Casanova, Franco Moretti, David Damrosch and many others, over the past two decades, the concept of world literature has once again become the subject of thorough examination within the field of literary studies, especially in relation to cosmopolitanism and globalization. When it comes to the study of individual national literatures and specific regional contexts, as well as to the definition of comparative literature as a discipline, debates regarding its background, its reach and limitations could not be ignored. World literature thus appears as a heterogenous entity – always manifesting in different contexts in different forms – consistently in dialogical exchange with specificities of a particular literature and culture. Instead of discussing the problematic relation between centre and periphery or criticizing the idea of global literary and cultural canon, the avant-garde as an international and global phenomenon that appears even more radically on the so-called periphery is what is of primary interest to me. Therefore, the purpose of this paper is to demonstrate that avant-garde (in its various forms and radical expressions) simultaneously challenges art as an institution and introduces the idea of a decentred geography of world literature.Thanks to the work of Pascale Casanova, Franco Moretti, David Damrosch and many others, over the past two decades, the concept of world literature has once again become the subject of thorough examination within the field of literary studies, especially in relation to cosmopolitanism and globalization. When it comes to the study of individual national literatures and specific regional contexts, as well as to the definition of comparative literature as a discipline, debates regarding its background, its reach and limitations could not be ignored. World literature thus appears as a heterogenous entity – always manifesting in different contexts in different forms – consistently in dialogical exchange with specificities of a particular literature and culture. Instead of discussing the problematic relation between centre and periphery or criticizing the idea of global literary and cultural canon, the avant-garde as an international and global phenomenon that appears even more radically on the so-called periphery is what is of primary interest to me. Therefore, the purpose of this paper is to demonstrate that avant-garde (in its various forms and radical expressions) simultaneously challenges art as an institution and introduces the idea of a decentred geography of world literature
Маска „одеського бомонду”: поезія Бориса Нечерди
Get PDFThere are analysed in the article writings of the Ukrainian poet Borys Necherda (1939-1998). He was the original writer of the generation of 1960th and made brave experiments with the artistic word. Necherda as an author balanced between the official literature and the literature of the underground. There are a lot of unconventional features in his poems such as colloquial vocabulary, elements of slang, journalism, mixing of discourses and various means of rhetoric. That was a reason that Necherda’s writings were not appreciated during his life. Only nowadays after the poet’s death we have the possibility to re-read it from new points of view. This writings evidence a process of vanguard experimenting. In an original way they present a local peculiarity of a place: the poet become the voice of the „Odessa beaumond”, choosing masks for his lyrical subject.There are analysed in the article writings of the Ukrainian poet Borys Necherda (1939-1998). He was the original writer of the generation of 1960th and made brave experiments with the artistic word. Necherda as an author balanced between the official literature and the literature of the underground. There are a lot of unconventional features in his poems such as colloquial vocabulary, elements of slang, journalism, mixing of discourses and various means of rhetoric. That was a reason that Necherda’s writings were not appreciated during his life. Only nowadays after the poet’s death we have the possibility to re-read it from new points of view. This writings evidence a process of vanguard experimenting. In an original way they present a local peculiarity of a place: the poet become the voice of the „Odessa beaumond”, choosing masks for his lyrical subject
Archiving in the Face of Erasure: the Idea of the “Post-German” Archive
Get PDFThe article introduces the notion of the “post-German” archive as an idea for further research on the erased cultures of Central Europe. The author questions the hierarchical and top-down structure of the institutionalized archive. Instead, she proposes to understand the “post-German” archive as an inclusive conception. It would incorporate various narratives, languages, and perspectives. In this way, the canonization of given motives can be avoided. The author pays special attention to the responsibility of the researcher. She illustrates the theoretical framework with examples from Polish and Czech archival practices
Pułapki (nie)pamięci. Przedstawienia GUŁagu w kulturze XXI wieku: literatura, film i sztuka
Get PDFThe subject of the article is the review of the book “Inwiefern ist das heute inter-essant?” Erinnerungen an den stalinistischen Gulag im 21. Jahrhundert by the German literary scholar Nina Friess (2016), which is dealing with the contemporary Russian memory of the Gulag. The goal is to show how the author interprets and contextualizes memory practices in today’s Russia and which texts are crucial for her as manifestations of these remembering strategies (and forgetting as well). Reading this book allows to form the thesis that the extreme experience of the Soviet camps is still a controversial issue in the Russian culture and that the memory of it is full of gaps and empty spaces, even though at the same time this subject increasinly finds its way into popular cultural (graphic novels and crime thrillers).The subject of the article is the review of the book “Inwiefern ist das heute inter-essant?” Erinnerungen an den stalinistischen Gulag im 21. Jahrhundert by the German literary scholar Nina Friess (2016), which is dealing with the contemporary Russian memory of the Gulag. The goal is to show how the author interprets and contextualizes memory practices in today’s Russia and which texts are crucial for her as manifestations of these remembering strategies (and forgetting as well). Reading this book allows to form the thesis that the extreme experience of the Soviet camps is still a controversial issue in the Russian culture and that the memory of it is full of gaps and empty spaces, even though at the same time this subject increasinly finds its way into popular cultural (graphic novels and crime thrillers)
The Survival Force of Literature
Get PDFThe following review article brings a presentation of the published in 2018 encyclopaedia of Czech literary samizdat. The analysed publication consists of two parts – a comprehensive introduction discussing the question of independent literary culture in Czechoslovakia under communist regime pressure and an entry section with more than 300 entries about Czech independent self-publishing activities. The presentation of the following book provokes the need to re-examine the phenomenon of Czech samizdat, reflecting on its chronological framework, definition, meaning and role in creating and keeping alive an independent culture in the era of domination of the communist regime (1948–1989)
Dynamika współczesności w zwierciadle leksyki
Get PDFThis review is a short presentation and an analysis of the book Динамика и иновации в лексикалната система на българския език, published in 2019 in Plovdiv. The book consists of nine parts, each dealing with a different type of linguistic processes (archaisation, terminologisation and determinologisation, lexicalisation, univerbation, neologisation, internationalisation) occurring in the lexical system of contemporary Bulgarian. Linguistic changes in the lexical sphere are presented in the context of dynamic changes in the methods of communication, determined by non-linguistic reality. The monograph deals with new vocabulary, from the end of the 20th century to the present day. It contains a synthetic review of certain positions within the scope of the discussed linguistic processes. An effort was also made to organise the terminology used in Bulgarian linguistic studies. The advantage of the monograph resides in the original propositions for the interpretation of individual phenomena and the author’s own propositions for definitions. What makes the publication particularly interesting is the presentation of an experimental study in the field of examining language competence and language memory of those Bulgarian language users who represent the generation of today’s students.This review is a short presentation and an analysis of the book Динамика и иновации в лексикалната система на българския език, published in 2019 in Plovdiv. The book consists of nine parts, each dealing with a different type of linguistic processes (archaisation, terminologisation and determinologisation, lexicalisation, univerbation, neologisation, internationalisation) occurring in the lexical system of contemporary Bulgarian. Linguistic changes in the lexical sphere are presented in the context of dynamic changes in the methods of communication, determined by non-linguistic reality. The monograph deals with new vocabulary, from the end of the 20th century to the present day. It contains a synthetic review of certain positions within the scope of the discussed linguistic processes. An effort was also made to organise the terminology used in Bulgarian linguistic studies. The advantage of the monograph resides in the original propositions for the interpretation of individual phenomena and the author’s own propositions for definitions. What makes the publication particularly interesting is the presentation of an experimental study in the field of examining language competence and language memory of those Bulgarian language users who represent the generation of today’s students