Poznańskie Studia Slawistyczne
Not a member yet
724 research outputs found
Sort by
Най-хубавият вкус е да живееш и твориш в родината. Писма на художничката Бронка Гюрова-Алшех до Донка и Константин Константинови
Get PDFThe current article presents five letters from the Bulgarian artist Bronka Gyurova-Alcheh written in the period 1959–1968, addressed to the writer Konstantin Konstantinov and his sister – the artist Donka Konstantinova. The letters were found in the personal archive of Konstantinov, and bring to light interesting facts of the life in Buenos Aires of Bronka Gyurova, who emigrated from Bulgaria in 1951
The “Custodial Period” of the Royal Land Archives in Zagreb Through the Activities of Ivan Bojničić and Emilij Laszowski
Get PDFThe development of Croatian archival science is inextricably linked with the activities of the Royal Land Archives in Zagreb. Although the beginnings of the care of archival materials can be traced back to the middle of the 17th century, it is difficult to talk about organized and systematic protection until the end of the 19th century and the work of two prominent social officials, historians and archivists, namely Ivan Bojničić and Emilij Laszowski. Through their efforts in the next three decades, i.e. until the 1920s, the Land Archives was transformed into a significant institution with a permanent scientific journal and newly renovated spaces built according to the standards of the archival profession, for the preservation, protection and use of archives. This period, however, was also characterized by the complete absence of theoretical considerations of archival science. According to social, political and financial circumstances, it was necessary to think about the elementary preservation of archival materials to save them from complete decay. Due to all the above, the mentioned period in the development of the Zagreb Land Archives can justly be called “custodial.
Augusta Cesarca (nie)realistyczny portret przygłuchej Tonki
Get PDFIn the centre of the article’s interest, there are the expressionist ideas present in the work by Croatian writer from the inter-war period (1893–1941). The mini-novel/novella in question entitled Tonkina jedina ljubav (1931) is considered the work belonging to the epoch of the new/social realism which dominated in the 1930s, however, the author, as is shown on the basis of the article’s research, did not managed to free himself from influence of expressionism that shaped the most Croatian consciousness as for the avant-garde historical time (1910–1930). Focusing attention on a disabled woman along with her small-town environment of Zagreb before the World War I, the author draws her exaggerated, cartoonish portrait which has little to do with the realistic and mimetic reflection of reality. The work is a kind of aesthetic and ethical provocation, and serves as unmasking the idyllic image of Zagreb which turns out to be a city inhabited by intolerant and narrow-minded society convinced, however, of its civilisation superiority. The titular character is a victim of this society, and at the same time she remains its part. The aesthetic and ethical provocation concerns the disabled woman together with „inefficient” society living in the terrifying city.In the centre of the article’s interest, there are the expressionist ideas present in the work by Croatian writer from the inter-war period (1893–1941). The mini-novel/novella in question entitled Tonkina jedina ljubav (1931) is considered the work belonging to the epoch of the new/social realism which dominated in the 1930s, however, the author, as is shown on the basis of the article’s research, did not managed to free himself from influence of expressionism that shaped the most Croatian consciousness as for the avant-garde historical time (1910–1930). Focusing attention on a disabled woman along with her small-town environment of Zagreb before the World War I, the author draws her exaggerated, cartoonish portrait which has little to do with the realistic and mimetic reflection of reality. The work is a kind of aesthetic and ethical provocation, and serves as unmasking the idyllic image of Zagreb which turns out to be a city inhabited by intolerant and narrow-minded society convinced, however, of its civilisation superiority. The titular character is a victim of this society, and at the same time she remains its part. The aesthetic and ethical provocation concerns the disabled woman together with „inefficient” society living in the terrifying city
Język ciała we frazeologii polskiej i rosyjskiej
Get PDFThe article addresses the issue of a body language as a semiotic code and its reflection in systems of natural languages, in their phraseological resources. The material for analysis is phraseological units of contemporary Polish and Russian languages. The basis for comparison is the phraseological concept by Weronika N. Telia (В.Н. Телия) and linguistic works by Grigorij E. Krejdlin (Г.Е. Крейдлин). First and foremost, three types of signs of the body language are verbalised in subsystems under analysis: bodily symptoms, symptomatic and communicative gestures and a body position.The article addresses the issue of a body language as a semiotic code and its reflection in systems of natural languages, in their phraseological resources. The material for analysis is phraseological units of contemporary Polish and Russian languages. The basis for comparison is the phraseological concept by Weronika N. Telia (В.Н. Телия) and linguistic works by Grigorij E. Krejdlin (Г.Е. Крейдлин). First and foremost, three types of signs of the body language are verbalised in subsystems under analysis: bodily symptoms, symptomatic and communicative gestures and a body position
Непубликуваните фикционални текстове (Васил Попович и Асен Христофоров)
Get PDFThis paper deals with some texts from the archives of two authors from different periods. These texts were not published by the authors in their lifetime. The reason was not some kind of censorship, especially in the case of Vasil Popovich, who probably had some scruples dealing with events from the private life of his opponent Konstantin Jireček. Asen Hristoforov, a writer who was expelled from the University and sent to a labor camp, did not offer texts about his time in the labor camp for publishing. However, in this published texts there are hints about the repressions he suffered and about his disapproval of the communist regime. At the same time, there was a tension between his criticism and his attempt to partially accept the official perspective towards some events and political figures of Bulgarian communist past
Із метою „підшукування нових динамічних форм вислову”. „Дванадцятка” як авангардне явище в українській літературі
Get PDF“The Twelve” was the name of a group of Ukrainian littérateurs, active during the period of 1934 to 1939 in Lviv. The phenomenon of “Lviv’s youngest literary bohemians of the 1930s” (W. Gabor) was discovered relatively recently, which explains why despite a growing interest of researchers it remains obscure and undervalued in Ukrainian literary studies. Worthy of mention is the innovativeness of “The Twelve”, always avant-garde in their search for new forms of speech, both when it comes to urban prose (Anatol Kurdydyk, Zenon Tarnavsky, Bohdan Nyzhankivsky) and the prose about the villages (Vasil Tkachuk) as well as to the bohemianist style that the group exhibited. This paper is therefore an attempt to determine the extent of innovativeness (the avant- -garde solutions in both the functioning and literary legacy) of “The Twelve”.“The Twelve” was the name of a group of Ukrainian littérateurs, active during the period of 1934 to 1939 in Lviv. The phenomenon of “Lviv’s youngest literary bohemians of the 1930s” (W. Gabor) was discovered relatively recently, which explains why despite a growing interest of researchers it remains obscure and undervalued in Ukrainian literary studies. Worthy of mention is the innovativeness of “The Twelve”, always avant-garde in their search for new forms of speech, both when it comes to urban prose (Anatol Kurdydyk, Zenon Tarnavsky, Bohdan Nyzhankivsky) and the prose about the villages (Vasil Tkachuk) as well as to the bohemianist style that the group exhibited. This paper is therefore an attempt to determine the extent of innovativeness (the avant- -garde solutions in both the functioning and literary legacy) of “The Twelve”
Awangarda panoramicznie
Get PDFThe Seeing Avant-garde [Widzenie awangardy] volume edited by Agata Stankowska, MarcinTelicki and Agata Lewandowska is a collection of the articles about the avant-garde update.Written by many researchers, the articles show a wide scale of research on the contemporaryavant-garde manifested in literature, art, music, theatre and cybernetics. As an extremely valuablepublication, the book in question concentrates on the new and original methods of comparativeresearch, marks new reading directions, and presents contemporary problems of aesthetics.The Seeing Avant-garde [Widzenie awangardy] volume edited by Agata Stankowska, MarcinTelicki and Agata Lewandowska is a collection of the articles about the avant-garde update.Written by many researchers, the articles show a wide scale of research on the contemporaryavant-garde manifested in literature, art, music, theatre and cybernetics. As an extremely valuablepublication, the book in question concentrates on the new and original methods of comparativeresearch, marks new reading directions, and presents contemporary problems of aesthetics
Współpraca naukowa PRL z drugą Jugosławią
Get PDFScientific connections between Polish People’s Republic and The Second Yugoslavia were a very important element of the bilateral relations between both countries. The mechanisms and rules of the scientific cooperation were similar to the rules and mechanisms of the cultural cooperation and faced the same constraints and possibilities. Types of institutions existing in the field of culture had their correspondences in the field of science and education. Developing of the scientific cooperation was not a strategic aim for both countries in the interwar period as well as during the Communism due to the situation on the international political scene. In the era of globalization, in the context of international scientific cooperation, interslavic relations has become the weakest in the last two centuries. Nowadays, even more than before, the scientific cooperation between all Slavic countries depends on individuals and their involvement.Scientific connections between Polish People’s Republic and The Second Yugoslavia were a very important element of the bilateral relations between both countries. The mechanisms and rules of the scientific cooperation were similar to the rules and mechanisms of the cultural cooperation and faced the same constraints and possibilities. Types of institutions existing in the field of culture had their correspondences in the field of science and education. Developing of the scientific cooperation was not a strategic aim for both countries in the interwar period as well as during the Communism due to the situation on the international political scene. In the era of globalization, in the context of international scientific cooperation, interslavic relations has become the weakest in the last two centuries. Nowadays, even more than before, the scientific cooperation between all Slavic countries depends on individuals and their involvement
Споменът като архив. Елка Константинова в една недовършена анкета
Get PDFElka Konstantinova is a well-known name in Poland. She has defined her work as a lecturer at the Jagiellonian University in Krakow and as a diplomat in Warsaw as an important part of her life. The text presents an unknown and unpublished survey on her memories about her work in Poland and the circumstances of preparing this unfinished survey ment to deal with the question of Konstantinova’s biography and memories