Poznańskie Studia Slawistyczne
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Репрезентація родинних цінностей у польських паремійних одиницях із семантично протилежними компонентами
Get PDFThis paper presents the results of the research of the concept of family and basic family values in Polish paremiological proverbs with semantically opposite components. More than 60 paremiological units with semantically opposite components were analysed. Considering the semantics of paremias, there are groups that represent the image of the Polish family, i.e. “Husband and wife (the relationship between them)”, „Parents and children (the importance of parents for children)”, „Parents and children (the importance of children for parents)”, „Relationships between other relatives”. The analysis of these groups has showed the breadth of the semantic structure of paremias with antonymous components, which reflect the relationship between husband and wife, the peculiarities of the family hierarchy; a significant difference between the importance of father and mother for a child, in particular the status and functions of father and mother; the importance of children in parents’ lives; relationship between brother and sister and between two brothers as well, and the images of blood relatives and relatives by marriage.У статті представлено результати дослідження поняття сім’я та основних родинних цінностей у складі польських прислівʼїв та приказок із семантично протилежними компонентами. З огляду на семантику паремій виокремлено групи, які репрезентують образ польської родини – “Чоловік і дружина (стосунки між ними)”, „Батьки і діти (значення батьків для дітей)”, „Батьки і діти (значення дітей для батьків)ˮ, ”Родинні стосункиˮ. Аналіз цих груп показав широту семантичної структури прислівʼїв та приказок з антонімічними компонентами, за допомогою яких відображено стосунки між чоловіком і дружиною, особливості сімейної ієрархії (соціальна роль чоловіка та дружини); суттєву різницю між значенням батька і матері для дитини, зокрема статус та функції батька й матері; особливе значення дітей у житті батьків; стосунки між братом і сестрою та між двома братами, а також образи кровних родичів та свояцтва
Zbrodnia u korzeni bułgarskiej państwowości? Próba interpretacji na podstawie bułgarskich powieści historycznych
Get PDFThe foundations of the medieval Bulgarian state are inseparably paired with the adoption of Christianity. At that time an event occurred which based on modern terminology ought to be described as coup d’état. As a consequence a cruel punishment was administered by the ruler, prince Boris. A bloody execution of all the 52 rebelled houses became an immanent symbol of the rise of the Christian Bulgarian state and plays an important role in the novels related to the history of the medieval period of the state. The literary vision of the Bulgarian authors of the socialist era presents that tragic occurrence almost as a founding murder and in accordance with Foucault interpretation as a bloody spectacle of suffering that was a demonstration of the power of the sovereign over his subjects, and following Girard can be described as specific collective sacrifice.U początku kształtowania się średniowiecznego państwa bułgarskiego, w nierozłącznej parze z przyjęciem chrześcijaństwa legło wydarzenie, które zgodnie ze współczesną terminologią należałoby nazwać próbą przeprowadzenia zamachu stanu oraz jego konsekwencja – okrutna kara wymierzona buntownikom przez władcę, księcia Borysa. Krwawa egzekucja wszystkich członków 52 zbuntowanych rodów stała się immanentnym symbolem powstania chrześcijańskiego państwa bułgarskiego i zajęła ważne miejsce w powieściach historycznych przedstawiających dzieje średniowiecznego państwa. W literackiej wizji bułgarskich autorów doby socjalistycznej to tragiczne wydarzenie zostało przedstawione jako niemalże mord założycielski, lecz także zgodnie z interpretacją Foucaulta krwawy spektakl kaźni wyrażający władzę suwerena nad poddanymi oraz charakteryzowana przez Girarda specyficzna ofiara zbiorowa
Jezik i igra – prikaz jedne osobene knjige: Antonić, Ivana (ur.), Svenka Savić: Između baletske i jezičke igre. Novi Sad: Ženske studije i istraživanja: Futura publikacije, 2020, str. 320.
Get PDFKilka uwag o antropocentryzmie i dydaktyzmie jako wykładnikach relacji homo–animal (na podstawie polskich i rosyjskich frazeologizmów z nazwami wybranych zwierząt gospodarskich)
Get PDFThe aim of the article is to show the relationship between the homo and animal spheres. The research material consists of Polish and Russian phraseological units in a broad sense (idioms, comparisons and proverbs) with zoonyms being the names of farm animals. The main emphasis was placed on the inherent – in faunal phraseology – and the closely related features of anthropocentrism and didacticism. Tracing the relationship between humans and animals clearly indicates the pejorativization of the linguistic image of fauna by a man. People like to use animal portraits to speak of the dark sides of their own world. Ascribing disabilities to representatives of fauna at the same time exposes the value of everything that is human. Parallel however, there is a phenomenon of hyperbolization of the negative portrait of a man who tries to subjugate living creatures from outside his species, guided by heartlessness, greed and selfishness. The lack of morality or culture cannot be considered animal traits, since higher feelings are characteristic of homo sapiens and constitute the foundation that distinguishes humans from the fauna world. Animals only fight for food, domination, and take care of the young. Their behavior is not due to ill will, lack of morals or culture. In the behavior of animals, their nature prevails and their innate instincts ensure their survival. Animals are not uncultivated and immoral, it is only a man who thinks of them in this way, involuntarily projecting his own world onto the animal world. There is a human interpretation of the world in animalistic phraseological units.The aim of the article is to show the relationship between the homo and animal spheres. The research material consists of Polish and Russian phraseological units in a broad sense (idioms, comparisons and proverbs) with zoonyms being the names of farm animals. The main emphasis was placed on the inherent – in faunal phraseology – and the closely related features of anthropocentrism and didacticism. Tracing the relationship between humans and animals clearly indicates the pejorativization of the linguistic image of fauna by a man. People like to use animal portraits to speak of the dark sides of their own world. Ascribing disabilities to representatives of fauna at the same time exposes the value of everything that is human. Parallel however, there is a phenomenon of hyperbolization of the negative portrait of a man who tries to subjugate living creatures from outside his species, guided by heartlessness, greed and selfishness. The lack of morality or culture cannot be considered animal traits, since higher feelings are characteristic of homo sapiens and constitute the foundation that distinguishes humans from the fauna world. Animals only fight for food, domination, and take care of the young. Their behavior is not due to ill will, lack of morals or culture. In the behavior of animals, their nature prevails and their innate instincts ensure their survival. Animals are not uncultivated and immoral, it is only a man who thinks of them in this way, involuntarily projecting his own world onto the animal world. There is a human interpretation of the world in animalistic phraseological units
Животиње у српској поезији друге половине ХХ века
Get PDFDuring the second half of the twentieth century, unlike some earlier periods, the dominant tendency was to present animals in Serbian poetry in the “mode of new literacy”, i.e. to depict their real existence. This approach began in the middle of the century by Vasko Popa with his famous cycle “List”. After him, numerous Serbian poets continued in that direction. Thus, in his poetry, Aleksandar Ristović, created a lavish bestiary in which he paid the most attention to tiny and seemingly trivial animal species. In his opus, he emphasized the common biological basis and the equal value of humans and animals. However, in the work of the author of the same generation, Borislav Radović, we come across the nostalgia of modern urban man for the animal world. In the generation of poets who affirmed themselves on the Serbian poetry scene during the seventies, one of the important thematic preoccupations was the animal world. From this generation of poets, we pointed out the verses of Petar Cvetković, who presented all the complexity of the animal’s encounter with the human, and Ibrahim Hadžić, who very often humanized the animals he wrote about.Током друге половине двадесетог века, за разлику од неких ранијих периода, доминира тежња да се животиње у српској поезији представе у „модусу нове дословности“, односно да се ослика њихова реална егзистенција. Овај приступ започео је половином века Васко Попа својим знаменитим циклусом „Списак“. Након њега бројни српски песници наставили су у том смеру. Александар Ристовић је тако у својој поезији створио раскошан бестијаријум, у коме је највише пажње посвећивао сићушним и наизглед неважним животињским врстама. У свом опусу он је истицао и заједничку биолошку основу и једнаку вредност људи и животиња. У делу аутора исте генерације Борислава Радовића, међутим, наилазимо на носталгију савременог урбаног човека за животињским светом. У генерацији песника који су се на српској песничкој сцени афирмисали током седамдесетих година једна од значајних тематских преокупација јесте и животињски свет. Из ове песничке генерације указали смо на стихове Петра Цветковића, који је представио сву сложеност сусрета животињског са људским и Ибрахима Хаџића, који врло често животиње о којима пева хуманизује
Zwierzęcy bohaterowie w powieści Crobinhoodovi Dunji Kalilić. Na tropie stereotypów
Get PDFThis article analyses how animal characters were presented in the novel Crobinhoodovi by Dunja Kalilić, which belongs to the trend called ratni dječji roman in Croatian literature and shows the Serbian aggression against Croatia. The attention was paid in particular to the issue of stereotypes. The work consists of six parts. The first one is dedicated to the development of Croatian children’s animal studies. The second part shows the ways of portraying the war in Croatian literature for the youngest. The third part focuses on stereotypes about animals, the fourth one describes the stereotypical images of animals and people presented in the writer’s work, and the fifth part deals with national stereotypes. The last part is a summary of the considerations and presents the conclusion that the novel Crobinhoodovi makes it a goal to properly shape the child’s worldview, which is achieved by building and consolidating the negative stereotype of the Serbian soldiers.This article analyses how animal characters were presented in the novel Crobinhoodovi by Dunja Kalilić, which belongs to the trend called ratni dječji roman in Croatian literature and shows the Serbian aggression against Croatia. The attention was paid in particular to the issue of stereotypes. The work consists of six parts. The first one is dedicated to the development of Croatian children’s animal studies. The second part shows the ways of portraying the war in Croatian literature for the youngest. The third part focuses on stereotypes about animals, the fourth one describes the stereotypical images of animals and people presented in the writer’s work, and the fifth part deals with national stereotypes. The last part is a summary of the considerations and presents the conclusion that the novel Crobinhoodovi makes it a goal to properly shape the child’s worldview, which is achieved by building and consolidating the negative stereotype of the Serbian soldiers
Baarhundertzeit: международная конференция, посвящённая 100-летнему юбилею доктора Йоханнеса Баaра
Get PDFПавловићево читање народне и старе српске поезије
Get PDFUsing the analytical method, the paper points to the extents and implications of Pavlović’s research of Serbian verbal folk and medieval literature. Along with this, the paper tries to present this segment of his essayistic work in the context of the wider Pavlović’s essayistic and poetic opus as well, emphasizing their prolific and versatile corresponding. His essays are in a function of thoughtful and evaluating reflections of our oldest literature strata, which eventually shapes up the image about literature and historical span of Serbian poetry and the experience of a unique spiritual continuity. Pavlović’s Essays on Folk and Old Serbian Poetry (orig. Ogledi o narodnoj i staroj srpskoj poeziji) represent an example of how broadness of interests, an impressive intelect, erudite competency, an open and explorative spirit, but also inevitable artistic sensibility and frequent poetic expression become a trigger for new readings and interpretations surely valuable for new generations of readers and researchers.У раду се аналитичким методом указује на домете и импликације Павловићевог проучавања српске усмене и средњовековне књижевности. Притом, текст настоји да овај сегмент његове есејистике представи и у контексту ширег Павловићевог есејистичког, али и песничког опуса, истичући њихово плодно и разноврсно кореспондирање. Његови есеји у функцији су смисаоног и вредносног осветљавања наших најстаријих књижевних слојева, чиме се до краја уобличава представа о књижевно-историјском распону српске поезије и искуство јединственог духовног континуитета. Павловићеви Огледи о народној и старој српској поезији представљају пример како ширина интересовања, импресиван интелект, ерудитна компетенција, отворен и откривалачки дух, али и незаобилазан уметнички сензибилитет и неретко поетска експресија, постају замајац нових читања и тумачења, сасвим сигурно драгоцених за будуће генерације читалаца и изучавалаца
Wielkie problemy mikrojęzyka
Get PDFThe article contains a review of Marinela Mladenova’s book Банатски български книжовен език в контекста на славянската микролингвистика. История, динамика на нормата и езикови политики, the author of which focuses on the normalization and development of the language norms of the Bulgarian minority living in Banat. The literary language of the Banat Bulgarians has the status of an island language because it has been used by the Catholic community for over two hundred years living outside their homeland, in a foreign linguistic environment. It developed its own literary norm through time, mostly under the influence of Croatian, Romanian, and Hungarian, and is now regarded a micro-language. Marinela Mladenowa’s book, as well as the accompanying article, discuss the political and societal reasons that influenced the development of this standard.Artykuł zwiera recenzję książki Marineli Mladenovej Банатски български книжовен език в контекста на славянската микролингвистика. История, динамика на нормата и езикови политики, której autorka skupia się na normalizacji i rozwoju norm języka bułgarskiej mniejszości zamieszkującej Banat. Literacki język Bułgarów z Banatu ma status języka wyspowego, gdyż posługuje się nim katolicka społeczność od ponad dwustu lat żyjąca poza ojczyzną, w obcym otoczeniu językowym. Z czasem – w dużej mierze pod wpływem języka chorwackiego, rumuńskiego i węgierskiego – rozwinął własną normę literacką i uznawany jest dziś za mikrojęzyk. Książka Marineli Mladenowej, a w ślad za nią także niniejszy artykuł dotyczą czynników politycznych i społecznych, które oddziaływały na rozwój tej normy