Poznańskie Studia Polonistyczne. Seria Literacka
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Społeczno-kulturowe ramy pamięci w działaniach Towarzystwa Gimnastycznego „Sokół” na terenie Niemiec przełomu XIX i XX wieku
The article offers a new perspective on the role of the Sok.ł Gymnastic Society in the circles of Polish immigrants in Germany at the turn of the 20th century, presenting examples of Sok.ł’s activity in numerous places (including Berlin, Leipzig, Bochum) and the variety of forms of presentation used (poetry – song – drama; cultural performances). The theoretical considerations are preceded by a brief discussion of the history of the movement, with particular emphasis on the specificity of Sok.ł’s activities in the areas under Prussian rule. The use of new methodologies and studies of cultural memory and the categories of myth made it possible to reconstruct the social and cultural framework of memory. The analysis may be an incentive to revise the common views, allowing one to ask questions about the place and the role of collective memory, about the media of memory or the meaning of the phonic space
Najnowsze opowieści z Górnego Śląska – między sagą rodzinną, herstory i renarracją mitów
The article contains considerations on contemporary everyday life in Silesia. Its main aim is the interpretation of novels written in the late 2010s, for instance Od jednego Lucypera (From the same devil) by Anna Dziewitt-Meller, Pokora by Szczepan Twardoch, Kajś. Opowieść o G.rnym Śląsku (Kajś. A Story of Upper Silesia) by Zbigniew Rokita. Those stories are genologically placed between a family saga, herstory and myth retelling, but the most important purpose for the authors was the recognition of the specific Upper Silesian culture, past and present experiences and visions of the local community.The article contains considerations on contemporary everyday life in Silesia. Its main aim is the interpretation of novels written in the late 2010s, for instance Od jednego Lucypera (From the same devil) by Anna Dziewitt-Meller, Pokora by Szczepan Twardoch, Kajś. Opowieść o G.rnym Śląsku (Kajś. A Story of Upper Silesia) by Zbigniew Rokita. Those stories are genologically placed between a family saga, herstory and myth retelling, but the most important purpose for the authors was the recognition of the specific Upper Silesian culture, past and present experiences and visions of the local community
Niemiecko-polski konflikt o Górny Śląsk w latach 1918–1922 w perspektywie wybranych powieści autobiograficznych Ernsta von Salomona
The German–Polish conflict about Upper Silesia from 1918–1922, which is one of the most important historical and political issues in the literary work of Ernst von Salomon, particularly in his autobiographical novels, is briefly analysed in the context of his turbulent biography, his work and autobiographical strategies. In von Salomon’s novels, the sheer conflict seen as a fight over new frontiers in Central and Eastern Europe in 1918–1922 becomes a subjective narration which results, to a large extent, from his involvement in the postulates of the German national revolution as one of the trends of the Conservative Revolution in Germany between 1918 and 1933. At the end of the paper, this conflict in Salomon’s literary perspective is briefly analysed around key issues based on selected examples from his autobiographical novels.The German–Polish conflict about Upper Silesia from 1918–1922, which is one of the most important historical and political issues in the literary work of Ernst von Salomon, particularly in his autobiographical novels, is briefly analysed in the context of his turbulent biography, his work and autobiographical strategies. In von Salomon’s novels, the sheer conflict seen as a fight over new frontiers in Central and Eastern Europe in 1918–1922 becomes a subjective narration which results, to a large extent, from his involvement in the postulates of the German national revolution as one of the trends of the Conservative Revolution in Germany between 1918 and 1933. At the end of the paper, this conflict in Salomon’s literary perspective is briefly analysed around key issues based on selected examples from his autobiographical novels
Powieść Popiół i diament Jerzego Andrzejewskiego a cenzura w NRD
The article presents how the Polish novel Popi.ł i diament (Ashes and Diamonds) by Jerzy Andrzejewski was received by censors in the German Democratic Republic. The novel was first published in East Germany in the 1960s, although attempts to release it were made as early as sixteen years earlier. The author of the article recalls the reviews by German censors who refused to give consent to the novel’s publication on the East German market and whose decisions were affected not by the content of the book alone, but also by the social and political situation in both the Polish People’s Republic and the German Democratic Republic.The article presents how the Polish novel Popi.ł i diament (Ashes and Diamonds) by Jerzy Andrzejewski was received by censors in the German Democratic Republic. The novel was first published in East Germany in the 1960s, although attempts to release it were made as early as sixteen years earlier. The author of the article recalls the reviews by German censors who refused to give consent to the novel’s publication on the East German market and whose decisions were affected not by the content of the book alone, but also by the social and political situation in both the Polish People’s Republic and the German Democratic Republic
Roman Pollak i jego perspektywa nauki w II Rzeczypospolitej
The article presents an analysis of the views on science held by Roman Pollak, a prominent literary historian of the interwar period. The source material consists of Pollak’s texts published in “Nauka Polska. Jej potrzeby, organizacja i rozwój” (Polish science. Its needs, organisation and development) issued by the Józef Mianowski Fund and his longer article Nauka na Powszechnej Wystawie Krajowej (Science at the Polish General Exhibition) written around the inauguration of the Polish General Exhibition in Poznan in 1929. The article presents a portrait of a scholar who strongly emphasised the role of creative processes in science, was significantly influenced by the centralising reforms of science in Italy in the interwar period and who projected a vision of the humanities focused on synthetic analyses serving as the core of studies in a given area.The article presents an analysis of the views on science held by Roman Pollak, a prominent literary historian of the interwar period. The source material consists of Pollak’s texts published in “Nauka Polska. Jej potrzeby, organizacja i rozwój” (Polish science. Its needs, organisation and development) issued by the Józef Mianowski Fund and his longer article Nauka na Powszechnej Wystawie Krajowej (Science at the Polish General Exhibition) written around the inauguration of the Polish General Exhibition in Poznan in 1929. The article presents a portrait of a scholar who strongly emphasised the role of creative processes in science, was significantly influenced by the centralising reforms of science in Italy in the interwar period and who projected a vision of the humanities focused on synthetic analyses serving as the core of studies in a given area
Z Archiwum Instytutu Kultury Polskiej im. Attilia Begeya w Turynie. Fragmenty z listów Romana Pollaka do rodziny Bersano Begey
Roman Pollak’s letters held in the archive of the Attilio Begey Institute of Polish Culture in Turin shed some light on the amount of work undertaken in order to found the Institute. The correspondence archived in Turin also testifies to the relationship the Poznan-based professor maintained with the descendants of the renowned Polonophile: Maria, Arturo, Rosina and Marina. Consequently, the article not only discusses Roman Pollak’s involvement in the founding of the Turin Institute, but also presents his relationship with the family of Polonophiles from Piedmont.Roman Pollak’s letters held in the archive of the Attilio Begey Institute of Polish Culture in Turin shed some light on the amount of work undertaken in order to found the Institute. The correspondence archived in Turin also testifies to the relationship the Poznan-based professor maintained with the descendants of the renowned Polonophile: Maria, Arturo, Rosina and Marina. Consequently, the article not only discusses Roman Pollak’s involvement in the founding of the Turin Institute, but also presents his relationship with the family of Polonophiles from Piedmont
„Tylko zdechlaki nie lubią żuru”. Studium męskiej przemocy w „Gnoju” Wojciecha Kuczoka
The article offers an analysis of Wojciech Kuczok’s renowned novel Gnój (Muck) from the perspective of studies on masculinity. It focuses on how hegemonic masculinity (a term popularized by the Australian researcher Raewyn Connell), represented in the novel by the protagonist’s father, functions, and on the forms of expressing a type of masculinity that the father does not accept, namely weakness, lameness and no aptitude for hypermasculinity, depicted in the protagonist.
The article also analyses the narration and building the linguistic image of the world presented in the novel, the main manner of expressing masculinity by the father and the way he reinforces his hegemonic status
Inspiracje Nietzscheańską myślą – Skrzydła Nietzschego Wojciecha Karpińskiego
The aim of the article is to show the influence of Friedrich Nietzsche’s philosophy on literature. The category of borderland is primarily of cultural and symbolic significance. Wojciech Karpiński shows the way of Friedrich Nietzsche’s thought in discovering his eidos. The German philosopher lived a life between good and evil, joy and suffering, falling and rising upwards, and writers were inspired by this attitude.The aim of the article is to show the influence of Friedrich Nietzsche’s philosophy on literature. The category of borderland is primarily of cultural and symbolic significance. Wojciech Karpiński shows the way of Friedrich Nietzsche’s thought in discovering his eidos. The German philosopher lived a life between good and evil, joy and suffering, falling and rising upwards, and writers were inspired by this attitude
Czego nie wiemy o Hannie Szumańskiej-Wertheimowej? Wydawnictwo (in spe) „Wisła” 1943–1944
The aim of this paper is to try and outline the activities of Hanna Szumańska-Wertheim in Warsaw during the 1943–1944 period. It provides information about the arrest of her husband, Stanisław Wertheim, and about her underground cultural undertakings (the “Wisła” publishing house). The author also draws the readers’ attention to Szumańska-Wertheim’s activities as a courier in the resistance movement