Poznańskie Spotkania Językoznawcze
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Profesor Zygmunt Zagórski. Laudacja wygłoszona na uroczystości odnowienia doktoratu 25 listopada 2011 roku
No full textIntertekstualność współczesnej komunikacji internetowej. Intertekstualne odwołania wewnątrzgatunkowe w memach
Full text linkIntertextual references as a game suggested by the author and played by the Internet user, contribute to the process of creating and receiving online memes. In their case this intertextual game is more complicated than in traditional literary texts as it refers to different sign systems: iconic and verbal. Frequently on top of referring to online memes the process of discovering intertextual relations necessitates uncovering textual references from outside the Internet. The author focuses on the mechanisms of this intertextual game within specific types of memes. The mechanisms are presented on the basis of a study of one meme series. For intertextual reception of a meme, the clues for the receiver are both on the iconic level (by repeating the iconic element or a part of it) as well as on the level of the verbal text (by repeating the syntactic structures), e.g. questions, parallel structures, an innovative use of the language which involves new morphological and inflectional formations (the use of neologisms and inflectional forms which are not used by native speakers), distortions of the phonetics and spelling which lead to a noticeable formal similarity between the newly created text and the text (or its fragments) to which the intertextual reference is made.Relacje intertekstualne, rozumiane jako rodzaj gry − zaproponowanej przez autora i podejmowanej przez odbiorcę, leżą u podstaw procesu tworzenia i odbioru memów internetowych. W wypadku memu internetowego gra intertekstualna jest bardziej skomplikowana niż w wypadku tradycyjnych tekstów literackich, ponieważ odnosi się do różnych systemów znakowych – ikonicznych i werbalnych, często oprócz nawiązań do memów sieciowych proces odkrywania związków intertekstualnych wymaga dodatkowo odkrycia pozasieciowych odniesień tekstowych. Przedmiotem zainteresowania autorki artykułu są mechanizmy wewnątrzgatunkowej gry intertekstualnej, wykorzystywane przez twórców memów internetowych. Pokazane są one na przykładzie jednej serii memetycznej. Wskazówki dla odbiorcy memu, by jego odbiór miał charakter intertekstualny, znaleźć można zarówno na poziomie ikonicznym – przez powielanie elementu ikonicznego lub jego części, jak i na poziomie tekstu werbalnego – przez powielenie struktur składniowych (np. pytajnych, paralelnych), stosowanie innowacyjnych zabiegów językowych: słowotwórczych (używanie neologizmów), fleksyjnych (powoływanie do życia form gramatycznych niewystępujących w uzusie), zniekształcenia fonetyczne i ortograficzne, prowadzące do ujawnienia łatwo zauważalnego podobieństwa formalnego nowego tekstu do fragmentów lub całego tekstu, który ma być uwzględniony w odbiorze intertekstualnym
Intertekstualność współczesnej komunikacji. Memy a teksty kultury
Full text linkOnline memes are examples of a genre employing various references to texts of culture. The references concern the origin of the genre (a stemmata, an emblem, a collage, a satirical painting) as well as its graphical and text elements. The references most frequently come from works of significance to a specific community. These are famous works of literature, painting or the film art as well as elements of pop culture which enjoy the recognition of the public, e.g. TV series, books and commercials. The memes themselves are non-uniform. Some may be examined as works of art (artistic memes), others as signs of the culture of counter-speaking, a comment on the reality or a form of uncomplicated entertainment. Not all of them are accompanied by humour, joke or play; sometimes they offer irony or black humour. The ability to decipher the message and the play of elements indicates one’s affiliation with a communication community.Internetowe memy są przykładem gatunku, w którym wykorzystuje się różnorodne nawiązania do tekstów kultury. Nawiązania dotyczą zarówno genezy gatunku (stemmat, emblemat, kolaż, rysunek satyryczny), jak i jego elementów graficznych i tekstowych. Źródłem odwołań są najczęściej dzieła istotne dla danej społeczności, należące do kanonu literatury, malarstwa czy sztuki filmowej, a także cieszące się uznaniem publiczności elementy kultury popularnej, np. seriale, książki i reklamy. Same memy są niejednorodne. Niektóre można rozpatrywać jako dzieła sztuki (artystyczne memy), inne jako przejaw kultury kontrmówienia, komentarz dotyczący rzeczywistości czy formę nieskomplikowanej rozrywki. Nie wszystkim towarzyszy humor, żart czy zabawa, czasami mamy do czynienia z ironią czy czarnym humorem. Umiejętność odczytania przekazu i gry elementów jest wyznacznikiem przynależności do wspólnoty komunikacyjnej
Identyfikacja ulic w siedemnasto- i osiemnastowiecznych księgach miejskich Pobiedzisk
No full textA description of manners of the identification of streets in manuscript documents, which the 17th and 18th centuries municipal year books were, is the subject of the article. Three types of phrases were analysed: the phrases with a sentence determiner, the phrases with a determiner in the form of the prepositional phrase and the phrases with a determiner in the form of adjective. The essential aim of the research is to establish possible semantic structures which were the semantic sources in the process of deriving the nominal groups that have become the street names. The results of the research are as follow: 1. streets were identified almost exclusively (apart from two cases) by deriving the semantic locative relation; 2. most of the locative relations were derived from the proper names taken from beyond the city area as in the case of the town of Gniezno; 3. in few nominal groups the locative relations were derived from the proper names that were in use in the city area as in the case of the town of Pobiedziska
„Święte życie” na Lizbońskiej. Architektura i sacrum w poezji Mirona Białoszewskiego
No full textThe article presents the late authorship of Miron Białoszewski, especially his poems collected in the book Odczepić się (1978) and a diary Chamowo (2009) that are a document of the poet’s life in the block of flats after his removal to the flat in a tower block at the Lizbońska Street in Warsaw in 1975. In these texts we may notice the new way of writing that was formed by new accommodation and living arrangement that influenced the poets’ life. On the other hand the room on the ninth floor occurs the place that was marked with sacrum and it puts an impact on the poets’ metaphysical and supernatural experience. The flat in the tower block has also influenced the author’s perspective and the way of writing, so that Białoszewski has experienced terminal situation – being between the two forms of living, balancing between the earth and heaven, profanum and sacrum. The removal starts to resemble a ferry across Styx, and the ninth floor becomes an unwanted porch of eternity. The titled word odczepianie się (disconnecting, separating) from the past and being at the top of the tower block means the new beginning for the poet, and writing becomes an imitation of the God’s act of creation that helps Białoszewski to accommodate in the world after heart attack and removal
„Zgromadziła nas miłość”. Językowy obraz miłości w homiliach ślubnych
No full textThe aim of this paper is to present the linguistic image of love derived from the wedding sermons published in the Internet. The idea of love is rarely defined in the analyzed texts and it is rarely presented in different aspects. Love is presented in the positive way by repeating the same, mostly conventionalized metaphors. What is more, the idea of love in the analyzed texts is stereotyped and schematic, because the authors of sermons refer to the common texts such as St. Paul Hymn to Love or different examples from everyday life. On the on hand, language of the sermons resembles the science and theological language that is not understandable for recipients, and on the other hand it is colloquial with the huge amount of expressive words.The aim of this paper is to present the linguistic image of love derived from the wedding sermons published in the Internet. The idea of love is rarely defined in the analyzed texts and it is rarely presented in different aspects. Love is presented in the positive way by repeating the same, mostly conventionalized metaphors. What is more, the idea of love in the analyzed texts is stereotyped and schematic, because the authors of sermons refer to the common texts such as St. Paul Hymn to Love or different examples from everyday life. On the on hand, language of the sermons resembles the science and theological language that is not understandable for recipients, and on the other hand it is colloquial with the huge amount of expressive words
Określenia chrześcijańskich duchownych Kościołów innych niż katolicki w polszczyźnie XVI wieku
No full textThe article discusses 21 designations for Christian clergymen from Churches other than Catholic from the 16th century. They are general names of Orthodox and Protestant clergymen as well as the names of high-ranking priests and dignitaries of those Churches. The names mentioned have been excerpted from the published volumes of Słownik polszczyzny XVI wieku (“Dictionary of the 16thcentury Polish Language”). The article presents their origin and a consecutive history. What must be noted is quite big variety of the names of clergypersons of the denominations other than Catholic in the Polish language of the 16th century. Additionally, we can notice stability of those basic, most common designations. They are generally continued in contemporary Polish, not only in its specialist ecclesiastical variety
Agnieszka Rosińska-Mamej, Fonetyka i fonologia języka polskiego. Skrypt dla studentów, Wydawnictwo Uniwersytetu Jana Kochanowskiego, Kielce 2014, ss. 99
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Miejsce badań nad idiolektem w obrębie językoznawstwa
No full textThe article attempts to portray transformations of the research on the idiolect in Polish linguistic studies of the last two centuries. In this research some distinct tendencies can be observed: inscreasing number of works devoted to different idiolects, widening circle of described individuals, as well as new theoretical approaches to the problem, closely related to main paradigms of contemporary linguistics: above all the concept of the idiolect as an individual communication competence or as a structure containing the individual worldview. The evolution of understanding the idiolect is still involving new phenomena considered as idiolect components into the field of research. Some linguistic currents regard the idiolect as more primal than the common language, which is treated as the overlap of many idiolects. Because of all these the research on idiolects are clearly put forward from margins of linguistics towards its centre. It seems there are new currents and linguistic disciplines that influence discovering the value of the idiolect as an object of linguistics. Focusing on the idiolect results also from tendencies present in other disciplines as well as from the individualistic aspect of the contemporary culture
O zjawisku, które w tekstach polskich występuje w ponad 60% wyrazów
No full textThe present writer believes that in all languages the form of words depends on three main factors, not only on regular sound change and analogical development, but also on what he calls irregular sound change due to frequency. He has analysed a fragment of a poem by Mickiewicz and has found different reduced forms there, e. g. waść < wasza miłość, mości < miłościwy, mego < mojego, dość < dosyć, już < OPol. juże, mi < mnie, przed (a reduced equivalent of przód), co (a reduced equivalent of OCS. česo), bez (a reduced equivalent of Biez‑ in the toponym Biezdziedza), za (a reduced equivalent of Lith. ažúo), ‑em < OPol. jeśm, ‑sz (a reduced equivalent of the OCS. ending ‑ši), ‑eś < OPol. jeś, ‑ą < PSl. *‑ętь, ‑ć < OPol. ‑ci, ‑ę < PIE. *‑omi or adjectival endings like ‑emu < *‑u‑jemu, ‑y < *‑ъ‑jь, ‑ej < *‑y‑jejě, ‑ego < *‑a‑jego, ‑e < *‑y‑jě. These irregular reductions, which are very numerous, occur in texts in more than 60% of words. There are six arguments which prove that there exists a connection between irregular phonetic reductions and frequency of use. Finally, the present writer quotes the opinion of a statistician according to which there is less than a chance in 10 million that this connection does not exist.The present writer believes that in all languages the form of words depends on three main factors, not only on regular sound change and analogical development, but also on what he calls irregular sound change due to frequency. He has analysed a fragment of a poem by Mickiewicz and has found different reduced forms there, e. g. waść < wasza miłość, mości < miłościwy, mego < mojego, dość < dosyć, już < OPol. juże, mi < mnie, przed (a reduced equivalent of przód), co (a reduced equivalent of OCS. česo), bez (a reduced equivalent of Biez‑ in the toponym Biezdziedza), za (a reduced equivalent of Lith. ažúo), ‑em < OPol. jeśm, ‑sz (a reduced equivalent of the OCS. ending ‑ši), ‑eś < OPol. jeś, ‑ą < PSl. *‑ętь, ‑ć < OPol. ‑ci, ‑ę < PIE. *‑omi or adjectival endings like ‑emu < *‑u‑jemu, ‑y < *‑ъ‑jь, ‑ej < *‑y‑jejě, ‑ego < *‑a‑jego, ‑e < *‑y‑jě. These irregular reductions, which are very numerous, occur in texts in more than 60% of words. There are six arguments which prove that there exists a connection between irregular phonetic reductions and frequency of use. Finally, the present writer quotes the opinion of a statistician according to which there is less than a chance in 10 million that this connection does not exist