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Suzanne Santoro’s Towards new expression: An Interference in Carla Lonzi’s Theory of Sexuality and Aesthetics
Get PDFIn 1974, the Brooklyn-born artist Suzanne Santoro published, in Rome, a small volume of photography titled Per una espressione nuova / Towards new expression with the feminist publishing company Scritti di Rivolta Femminile, founded by Carla Lonzi and the women of the radical feminist group Rivolta Femminile in 1970. The artist’s book was animated by the question of how the representation of women’s bodies – especially the erasure of women’s genitals in the history of art – had conditioned women’s self-determination and their knowledge of their own sexuality. Towards new expression was in dialogue with Lonzi’s ideas about women’s sexuality and especially with her La donna clitoridea e la donna vaginale (The clitoridean woman and the vaginal woman, 1971) but nonetheless, as soon as it was printed and started to circulate, Lonzi expressed her disappointment and discomfort with it. This reaction, and the accusations it contains, are for me the starting point for a reflection on the relationship already investigated by many scholars between art and feminism in Lonzi’s thought.In 1974, the Brooklyn-born artist Suzanne Santoro published, in Rome, a small volume of photography titled Per una espressione nuova / Towards new expression with the feminist publishing company Scritti di Rivolta Femminile, founded by Carla Lonzi and the women of the radical feminist group Rivolta Femminile in 1970. The artist’s book was animated by the question of how the representation of women’s bodies – especially the erasure of women’s genitals in the history of art – had conditioned women’s self-determination and their knowledge of their own sexuality. Towards new expression was in dialogue with Lonzi’s ideas about women’s sexuality and especially with her La donna clitoridea e la donna vaginale (The clitoridean woman and the vaginal woman, 1971) but nonetheless, as soon as it was printed and started to circulate, Lonzi expressed her disappointment and discomfort with it. This reaction, and the accusations it contains, are for me the starting point for a reflection on the relationship already investigated by many scholars between art and feminism in Lonzi’s thought
Il teatro degli anni settanta. Tre vite ribelli
Get PDFL’aspetto più sorprendente del teatro degli anni settanta è la forza con cui ha parlato: la sua capacità di attrazione in quanto strumento di una ribellione a più facce, come vedremo, per chi lo faceva quanto per chi lo andava a vedere. Al di là dei grandi teatri, istituzionali o meno, ci fu un diffuso e indipendente volgersi al teatro di forze giovanili, prevalentemente di sinistra, in genere in forma spontanea, che dettero vita a un vero mondo parallelo. Le tre vite (Julia Varley, Sandro Lombardi, Luigi Calcaterra) che presento non possono restituirci uno spaccato articolato di quegli anni, ma per una volta delineano una sezione verticale. Sono ricordi, e hanno quindi tutti i problemi di una memoria legata alla propria giovinezza e ad anni tanto particolari. Non sono una campionatura, sono punti di vista del tutto parziali e personali, e solo tre, ma come storica del teatro rivendico l’importanza del racconto, e della dimensione biografica e personale
Backward Modernism and Queerly Desiring Women in Early 20th-Century British and French Fiction: Rosamond Lehmann and Jeanne Galzy
Get PDFThis article seeks to open up comparative, transversal scholarship on the representation of queer women in Europe. Engaging critically with associations of lesbians with modernism, analysis draws on Heather Love’s concept of “backwards modernism”, and Susan Lanser’s notion of “confluence” to bring into dialogue two underexplored novels that recount the queer experiences of young women in England and France: Rosamund Lehmann’s Dusty Answer (1927) and Jeanne Galzy’s Jeunes filles en serre chaude (1934). We identify several striking points of convergence between the novels, and argue that while they are both ambiguous in their portrayal of non-normative sexuality, they show how early queer sexual experiences are far from a “passing phase”; rather they are transformative.Questo articolo intende aprire una ricerca comparata e trasversale sulla rappresentazione delle donne queer in Europa. Attraverso un confronto critico con la letteratura critica su lesbismo e modernismo, l’analisi prende le mosse dal concetto di “modernismo nostalgico” di Heather Love, e dalla nozione di “confluenza” di Susan Lanser, per porre a confronto due romanzi ancora poco studiati che narrano le esperienze queer di due giovani donne in Inghilterra e Francia: Dusty Answer di Rosamund Lehmann’s (1927) e Jeunes filles en serre chaude (1934) di Jeanne Galzy. Identifichiamo diversi importanti punti di convergenza tra i due romanzi, e dimostriamo che, anche se sono entrambi ambigui nelle loro descrizioni delle sessualità non-normative, essi mostrano come le esperienze sessuali queer in giovane età non siano solo “fasi transitorie”, ma che abbiano invece una funzione trasformativa
Mediterraneo e migrazioni: La donna e il mare nel teatro spagnolo contemporaneo
Get PDFStudy of the female figure and her relationship with the sea in contemporary Spanish drama on the theme of migration. Within this line of late Hispanic theatre, the connection between woman and sea has become a metaphor for the dead, a reflection of a tragic reality. The investigation focuses on three works that are particularly significant for the very personal aesthetics of the authors and for the originality of the thematic treatment developed in each of them: Angélica Liddell’s Y los peces salieron a combatir contra los hombres, Antonia Bueno’s Aulidi (hijo mío) and Juana Escabias’ Babel.Studio della figura femminile e del suo rapporto col mare nella drammaturgia spagnola contemporanea sul tema delle migrazioni. Nell’ambito di questo filone del teatro ispanico ultimo, il connubio donna-mare è diventato una metafora mortifera, riflesso di una tragica realtà. L’indagine si concentra su tre opere particolarmente significative, per l’estetica personalissima delle autrici e per l’originalità del trattamento tematico sviluppato in ciascuna di esse: Y los peces salieron a combatir contra los hombres di Angélica Liddell, Aulidi (hijo mío) di Antonia Bueno e Babel di Juana Escabias
Donazione mitocondriale: recenti sviluppi, problematiche etiche attorno al concetto di “identità” dei nati e impieghi non terapeutici. Perché le Mitochondrial Replacement Techniques sono ancora un capitolo aperto nel grande libro della fecondazione assistita
No full textMitochondrial Replacement Techniques (MRTs), designed to prevent mitochondrial diseases, are far from being an efficient and safe opportunity to eradicate mitochondrial DNA’s disorders. Indeed, there are still many scientific, ethical, and social concerns. Particularly when it comes to identity issues for MRT-conceived people and non-therapeutical uses. This paper aims to suggest some reflections on these topics, without overlooking scientific grounds and regulatory references.Mitochondrial Replacement Techniques (MRTs), designed to prevent mitochondrial diseases, are far from being an efficient and safe opportunity to eradicate mitochondrial DNA’s disorders. Indeed, there are still many scientific, ethical, and social concerns. Particularly when it comes to identity issues for MRT-conceived people and non-therapeutical uses. This paper aims to suggest some reflections on these topics, without overlooking scientific grounds and regulatory references
Assisted Suicide in Austria – the new legal framework
No full textIn 2020 the Austrian Constitutional Court repealed a legal provision prohibiting assisted suicide. This essay deals with the Court’s decision and its consequences and focuses particularly on the new regulation on assisted suicide that entered into force in January 2022.In 2020 the Austrian Constitutional Court repealed a legal provision prohibiting assisted suicide. This essay deals with the Court’s decision and its consequences and focuses particularly on the new regulation on assisted suicide that entered into force in January 2022
Intelligenza artificiale e autodeterminazione in materia sanitaria
No full textThe use of artificial intelligence in medicine raises many legal issues. This essay examines how medical AI intersects with the right to informed consent and the principle of self-determination. The author highlights that the complexity and opacity of machine learning could dissuade the patient from consenting AI treatment and, therefore, induce him to give up the benefits that this technology usually brings to his health. Consequently, the author suggests adjusting the content of the information due to the patient, taking into account the limited knowledge that ordinary people have about artificial intelligence, and, more generally, redefining the boundaries of the principle of informed consent. The use of artificial intelligence in medicine raises many legal issues. This essay examines how medical AI intersects with the right to informed consent and the principle of self-determination. The author highlights that the complexity and opacity of machine learning could dissuade the patient from consenting AI treatment and, therefore, induce him to give up the benefits that this technology usually brings to his health. Consequently, the author suggests adjusting the content of the information due to the patient, taking into account the limited knowledge that ordinary people have about artificial intelligence, and, more generally, redefining the boundaries of the principle of informed consent. 
Rapporto 4/2022 – Intelligenza artificiale e amministrazioni centrali
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Effetti patrimoniali del sopravvenuto accertamento della morte sulla successione dello scomparso, dell’assente e del morto presunto
No full textThe essay takes its cue from considering the supervening ascertainment of the death of the disappeared, absent or presumed dead person as an event which entails changing the structure of interests dictated by these institutions. In light of the foregoing, after having noticed that, thanks to the technological evolution in the fields of molecular biology and forensic anthropology, as compared to the past, the proof of death nowadays can occur with greater probability, the essay focuses on how the mentioned proof affects the succession process relating the missing person.The essay takes its cue from considering the supervening ascertainment of the death of the disappeared, absent or presumed dead person as an event which entails changing the structure of interests dictated by these institutions. In light of the foregoing, after having noticed that, thanks to the technological evolution in the fields of molecular biology and forensic anthropology, as compared to the past, the proof of death nowadays can occur with greater probability, the essay focuses on how the mentioned proof affects the succession process relating the missing person