Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
Not a member yet
254 research outputs found
Sort by
REPOSITIONING THE CREATION OF NEW MINANGKABAU DANCE: ENTERTAINMENT MEDIA AND PRESERVATION OF LOCAL WISDOM
Full text linkThis article aims to analyze the position of Minangkabau dance creations as entertainment and as a preservation of Minangkabau local wisdom. In addition, this article introduces creative dance as a new culture for the people of West Sumatra which has an impact on preserving Minangkabau local wisdom. This study used a qualitative method where data was collected through interviews, observation and literature review of Minangkabau contemporary dance creations. The validity of the data was tested through triangulation and analyzed based on the phenomena contained in the Minangkabau creation dance and then verified. The results of the study found that the existence of Minangkabau creative dance today is a form of representation of Minangkabau local wisdom so that creative dance can be accepted by the Minangkabau people in West Sumatra. Minangkabau dance creations are in process of creation and cannot be separated from the acculturation and reconstruction of Minangkabau dance traditions that once existed. In turn, this creative dance can maintain the existence of Minangkabau traditional dance as a cultural heritage of the Minangkabau people. Dance created by Minangkabau during this period has a position as public entertainment and as a medium for preserving the local wisdom values of the Minangkabau people
IMPROVED UNDERSTANDING OF PHOTO AND VIDEO COMPOSITION WITH PEER TEACHING METHOD
Full text linkMastering the field of photography and videography, especially in composition which contains how to arrange the elements to be visualized. These two fields of knowledge synergize in producing creative visualizations. Moreover, graduates from the broadcasting major are prepared to be ready to enter the industrial world. It also directly demands cameramen to increase their abilities, especially in the process of formation and education. This prompted researchers to observe the ability and understanding of photo and video composition of class XI PSPT SMKN 1 Six Lingkung, Padang Pariaman Regency. To increase this understanding, researchers used the peer teaching method. So far, in the PSPT Department this method has never been applied in increasing theoretical understanding to achieve quality work
HUMANISTIC THOUGHT IN MUSIC ARTS EDUCATION
Full text linkResearch is the foundation of music education that has a humanistic mind. This research was conducted to determine the initial study of learning that could have been more optimal. Music education has not been able to express freedom and maturity. This research is due to a need to foster students' sense of awareness and responsibility. This awareness can expand students' experiences in music in the surrounding environment. The research used literature studies from ten articles published in national journals and then abstracted to compare the findings. The results showed that music education focuses on art elements, including expressing, appreciating, creating, and creating harmony in the environment. Music arts education can motivate students to discover the character and personality of students in knowledge, potential, and positive behavior in the surrounding environment.Keywords: Musical Art; Humanistic PerspectivePEMIKIRAN HUMANISTIK DALAM PENDIDIKAN SENI MUSIKAbstrak Riset merupakan landasan pendidikan musik yang berwawasan humanistik. Penelitian ini dilakukan untuk menentukan pembelajaran pembelajaran awal yang bisa lebih optimal. Pendidikan musik belum mampu mengekspresikan kebebasan dan kedewasaan. Penelitian ini dilakukan karena adanya kebutuhan untuk menumbuhkan rasa kesadaran dan tanggung jawab siswa. Kesadaran tersebut dapat memperluas pengalaman siswa dalam bermusik di lingkungan sekitarnya. Penelitian ini menggunakan studi literatur dari sepuluh artikel yang diterbitkan di jurnal nasional dan kemudian disarikan untuk membandingkan temuan tersebut. Hasil penelitian menunjukkan bahwa pendidikan musik menitikberatkan pada unsur seni yang meliputi mengungkapkan, mengapresiasi, berkreasi, dan menciptakan keselarasan dalam lingkungan. Pendidikan seni musik dapat memotivasi siswa untuk menemukan karakter dan kepribadian siswa dalam pengetahuan, potensi, dan perilaku positif di lingkungan sekitarnyaKata Kunci: Seni Musik; Perspektif Humanisti
REPRESENTATION OF THE LIFE OF PATRIARCHY IN THE FILM YUNI (CRITICAL DISCOURSE ANALYSIS)
Full text linkThe patriarchal culture is very closely related to the existing social order in Indonesia, where many women support it in the domestic sphere so that it is attached to the existence of gender discrimination. One of the films by Kamila Andini with the title “Yuni” represents the social problems experienced by women who are trapped in the conception of patriarchal culture. This study aims to describe and analyze the message of patriarchy and gender discrimination experienced by women in the film Yuni using Sara Mills' critical analysis approach. The results show that there are two concepts of critical discourse analysis, which are seen from the position of the subject and the position of the reader or audience, where this study finds how women are represented as parties who do not have a major role in determining their right to life. The traditional patriarchal culture in Yuni's film scene makes women shackled to a stigma that leads to gender discriminatio
RONDO'S MUSIC SECTIONAL FORM AND STRUCTURE "ALLA TURCA" BY WA. MOZART
Full text link Abstract The Form and Sectional Structure of “Alla Turca” Rondo Music by WA. Mozart. The basic method that will be applied in this research is a qualitative descriptive method. In addition, the approach method used was the library method so that it was found and produced the Sectional Forms and Structures of WA's Rondo "Alla Turca" Music. Mozart. famous for its characteristic piano music, its musical form has a distinctive classical Rondo structure pattern, A B C B A B' and Coda. In addition to the typical 'brilliant' Rondo Form structure in Baroque terms, the use of chord levels (harmony progression) and rhythmic playing makes Rondo's music more lively, fast, and joyful. The sectional structure in Rondo Alla Turca Music by W. A. Mozart, the basis of the scale is diatonic-tonality, the basis of harmony is tri- voice major and minor, the rhythmic basis is duple and triple and symmetrical patterns, while the cadence (V-I or I-V-I), (V- VII7), (IV-I), (V-VI), (IV6-V-II). Form and sectional structure of Alla Turca rondo music. needs to be analyzed to describe music through forms, melodic sequences, tones, rhythms and harmonies that form a unified composition. This is done because music analysis is an important part of music theory, directed towards an approach towards musical understanding to be able to lead to understanding. In the listening process, the ability to follow a melodic groove in a musical pattern in a musical composition becomes a very important fundamental thing. In order to gain an understanding and understanding of the form and sectional structure of Alla Turca's rondo music, one must start from musical grammar, compositional techniques, form, structure, harmony, musical style.Keywords: Form; Sectional Structure; Music; RondoBENTUK DAN STRUKTUR SEKSIONAL MUSIK RONDO" ALLA TURCA" KARYA W.A MOZARTAbstrakBentuk dan Struktur Seksional Musik Rondo “Alla Turca” Karya WA. Mozart. Teknik analisis data adalah deskriptif kualitatif yang merupakan metode penelitian yang menganalisis tentang persepsi untuk mendapatkan informasi lengkap tentang bentuk dan struktur seksional musik rondo “Alla Turca” karya WA. Mozart. Terkenal dengan ciri khas musik piano, bentuk musikalnya memiliki pola struktur Rondo Klasik yang khas, A B C B A B’ dan Coda. Selain pola struktur Rondo Form yang khas ‘brilliant’ dalam istilah Barok, penggunaan tingkat akor (progressi harmoni) dan permainan ritme menjadikan musik Rondo ini lebih lincah, cepat, gembira. Struktur seksional dalam musik Rondo Alla Turca Karya W. A. Mozart, dasar tangga nada adalah tonalitas-diatonis, dasar harmoni tri suara mayor dan minor, dasar ritmis adalah duple dan triple serta pola-pola simetris, sedangakn kadens (V-I atau I-V-I), (V-VII7), (IV-I), (V-VI), (IV6-V-II). Bentuk dan struktur seksional musik rondo Alla Turca karya WA. Mozart penting dilakukan analisis untuk menguraikan musik melalui bentuk, rangkaian melodi, jalinan nada, ritme dan harmoni yang menjadi kesatuan komposisi. Hal ini dilakukan karena analisis musik adalah ilmu yang mempelajari hubungan antar elemen musik yang memperhatikan unsur musik yaitu, melodi, ritme dan harmoni secara detail yang menyusun karya tersebut.Untuk memperoleh pengertian dan pemahaman tentang bentuk dan struktur seksional musik rondo Alla Turca harus bertitik tolak dari gramatika musik, teknik komposisi, bentuk, struktur, harmoni, gaya musik.Kata Kunci: Bentuk; Struktur seksional; Musik; Rondo
DRAMATIC ART OF SI DALUPA DATOK RIMBA ART STUDIES IN WEST ACEH
Full text link The traditional art of Si Dalupa produced by the Datok Rimba Art Studio can be categorized as theatrical art based on the form of the work and especially because of its supporting elements; scriptwriter, director, actor, and musician. Apart from that, the art is also worked out cinematically. This article aims to analyze the drama of Si Dalupa's art in cinematic form based on the ideas of George R. Kernodle called 'structure' and 'texture'. The structure consists of themes, plots, characterizations. Meanwhile, texture covers dialogue, atmosphere, and spectacle. This research approach is qualitative with literature study techniques, observation, in-depth interviews, and documentation. As a result, in terms of structure, Si Dalupa's art has the theme of the arrival of Islam to Aceh, the storyline is linear. Each character has a diverse physique, character, and social background. Whereas in terms of texture, each actor uses the Acehnese language, the atmosphere is built with serune and rapa'i musical instruments. Meanwhile, the spectacle is set in a forest and residential areasKeywords: Si Dalupa; Dramatic Elements; Cinematic DRAMATIKA KESENIAN SI DALUPA SANGGAR SENI DATOK RIMBA DI ACEH BARATAbstrakKesenian tradisional Si Dalupa produksi Sanggar Seni Datok Rimba dapat dikategorikan sebagai seni teater berdasarkan bentuk karya dan terutama karena unsur pendukungnya; penulis naskah, sutradara, aktor, dan pemusik. Selain itu, kesenian tersebut juga digarap secara sinematik. Artikel ini bertujuan menganalisis dramatika kesenian Si Dalupa dalam bentuk sinematik berlandaskan pada gagasan George R. Kernodle yang disebut ‘struktur’ dan ‘tekstur’. Struktur terdiri dari tema, alur, penokohan. Sedangkan tekstur melingkupi dialog, suasana, dan spektakel. Pendekatan penelitian ini ialah kualitatif dengan teknik studi pustaka, observasi, wawancara mendalam, dan dokumentasi. Hasilnya, pada struktur, kesenian Si Dalupa bertemakan ikhwal masuknya Islam ke Aceh, alur ceritanya linear. Setiap tokoh memiliki fisik, watak, dan latar sosial yang beragam. Sedangkan pada tekstur, setiap pemeran menggunakan bahasa Aceh, suasana dibangun dengan alat musik serune dan rapa’i. Sedangkan spektakelnya berlatar hutan dan pemukiman warga.Kata Kunci: Si Dalupa; Unsur Dramatik; Sinematik
THE MUSICAL CONCEPT OF OGUANG JANA IN PARAMBAHAN VILLAGE
Full text linkOguang jana is a type of bronze musical ensemble found in Nagari Parambahan, Lima Kaum sub-district, Tanah Datar district. This art is played by four players, each player holding a canang musical instrument (a type of gong family one level larger than the talempong). This art is commonly carried out in various traditional events and other community entertainment. This study intends to examine the musical concepts that exist in the art of oguang. In addition, studies outside of music texts will also be put forward by the author as an effort to get to know this art beyond the resulting musical texts. Research on this object is also based on the urgency of this art. Where this art no longer has a successor and is very rarely presented in various art stages. Therefore, this research is very important for the author. This research uses qualitative methods to describe things related to the text and context of this art
Study Of The Aesthetic Form Of Wood Craft Furniture Design By Barata Sena
Full text linkThis study focuses on five woodcraft furniture designs by Barata Sena that have been exhibited, namely the Groovy Grey Dining Table, Selendang Console Table, Coffee Table Soft Miami Blue, Wall Panel, and Cabinet Bontos Effect with 4 Drawer. The analysis of the aesthetic form of these five woodcraft furniture designs by Barata Sena is conducted using an interpretative analysis method with an approach to furniture aesthetics. The interpretation analysis is intended to examine Barata Sena's woodcraft furniture designs. Aesthetics in a furniture design can be observed through its composition of principles. Aesthetic form, emotionally, aims to present symbolic images for enthusiasts or users. The forms of the five Barata Sena furniture designs as a whole tend to be in the realm of Geometric Abstraction. These Barata Sena furniture designs not only have geometric basic shapes but are also configured with organic forms. The crafting techniques and finishing applied by Barata Sena tend to be innovative, which is the result of a fairly extensive exploration in order to achieve textures, colors, and constructions with appealing freshness
Pelaksanaan Kekuasaan: Sebuah Tanggapan Terhadap Issue Pokok King Lear
No full textTanggapan terhadap issue pokok lakon King Lear karya Wiliam Shakespeare yang dikerucutkan pada topik pelaksanaan kekuasaan, merupakan kajian atas isian lakon King Lear. Kajian difokusan pada peristiwa, faktor pemicu konflik, dan motif-motif tindakan para tokoh dalam lakon, hingga kontekstualilsasinya dengan peristiwa0peristiwa hari ini. Pada Akhirnya, Kajian ini Lebih lebih menyoroti premis-premis penting yang dianggap mempresentasikan issue-issue yang berkait dengan pelaksanaan kewenangan raja lear. sebagai tokoh utama dalam lakon tersebut, dalam menjalankan kekuasaanya Kajian ini juga diawali dengan pemaparan arti penting dan pengaruh lakon-lakon Shakespeare dalam kreatifitas perteateran indonesia. Pemaparan tersebut diuraikan untuk mendapatkan asumsi atas kekuatan lakon -lakon shakepeare, terutama lakon king lear, baik dari aspek pesan maupun nilai-nilai dibalik penuturan dalam lakon
MUSICAL ANALYSIS OF THE "SMOKE EFFECT": SIALANG RAYO RITUALS AND FOREST FIRES AS A SOURCE OF MUSICAL CREATION
Full text linkIn Indonesian society, especially western Indonesia. The tradition that was created was not to interpret something imaginary such as art or other social activities but community actions in developing business in the field of plantations. One of the consequences of this forest fire is the loss of a community ritual tradition in taking honey bee debt. This tradition is known as the Sialang Rayo ritual. Sialang Rayo Ritual is now rarely found in the life of the people of Bungo regency. The results of the composer's research then developed into a musical composition entitled "Smoke Effect." Music composition III part is a reflection and imagination of the artist who is concerned with seeing the loss of one of the characters of the surrounding community life. In this article, the author analyzes how the artist processes the musicological elements of the Sialang Rayo ritual into an experimental musical composition. The use of Western musical techniques became the basis for the processing and development of this musical composition.Keywords: ritual Sialang Rayo; Smoke Effect; analysis musicABSTRAKKebakaran hutan saat ini menjadi semacam sebuah tradisi pada masyarakat indonesia, khusus indonesia bagian barat. Tradisi yang diciptakan bukan untuk mengiterpretasikan sesuatu imajinasi seperti hal nya kesenian maupun kegiatan sosial lainnya melainkan tindakan masyarakat dalam mengembangkan usaha dibidang perkebunan. Salah satu akibat dari kebakaran hutan ini yaitu hilangnya suatu tradisi ritual masyarakat dalam mengabil madu lebah hutang. Tradisi ini dikenal dengan nama ritual Sialang Rayo. Ritual Sialang Rayo kini sangat jarang di temukan pada kehidupan masyarakat daerah kabupaten Bungo. Dari hasil penelitian yang dilakukan oleh Indra Gunawan (pengkarya), kemudian dikembangkan kedalam komposisi musik 3 bagian yang berjudul “Smoke Effect”. Karya ini merupakan refleksi dan imajinasi pengkarya yang prihatin melihat hilangnya sebuah salah satu karakter kehidupan masyarakat disekitarnya. Pada artikel ini penulis menganalisis bagaimana pengkarya mengolah unsur-unsur musikologi dari ritual Sialang Rayo kedalam sebuah komposisi musik eksperimental. Penggunaan teknik musik musik barat menjadi dasar pengolahan dan pengembangan pada komposisi musik ini.Kata kunci: Ritual Sialang Rayo; Smoke Effect; Analisis Musi