Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
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“PIAMAN DALAM RITME” (Irama Kehidupan Laki-laki dalam Komposisi Musik Inovatif)
No full textPariaman has a culture that does not belong to other regions, that is, the culture of “Bajapuik”. It is a proposal from the bride to the groom where the bride family has to present some money (in the form of gold coins) or other valuable things to the bride family; it is called uang jemputan (drowsy). The presentation of drowsy is called bajapuik. It is a requirement that must be fulfilled by the bride familty before the marriage is to take place. It is also a form of respect shown by the bride family to the groom family. A problem may occur in bajapuik tradition when the bride comes from other regions outside Pariaman. This is a phenomenon that will be expressed in a music compositio
SEJARAH DAN PERKEMBANGAN OBOE SERTA IMPLEMENTASINYA TERHADAP TEKNIK PERMAINAN
No full textOboe instrument first time created by Jean Hotteterre and Michel Philidor in the year 1660, and first time used in writing in music partitur in the year 1671 in activity opera "Pomone" Robert Cambert of masterpiece in Paris. Oboe Instrument experience of the growth differentiating the instrument with the shwam instrument. One of its growth form bell and there are baluster of instrument tabletop, while equalizing the individuality from that instrument using mouthpiece of consisted three separate shares that is, staple, piroutte, and reed. Oboe growth of instrument at present day that goes on during 90 year can be assumed two period, and three ' key'. During century of XIX of instrument of oboe a lot of experiencing of growth in its effort improve;repair the intonation and water down the finger. The growth with the addition process six ' key'. Technique play at the oboe majored to be divided by into two form, 1) Body position and way of holding instrument, this matter is more addressed to respiration technique for example: shoulder exhalation, chest exhalation, stomach exhalation, and diaphragm exhalation 2) recognition Ambasir with the especial target hit is the function of ambasir and forming ambasir.
PERLAWANAN PEREMPUAN DALAM KARYA DUA KOREOGRAFER: HARTATI DAN SUSASRITA LORAVIANTI
No full textHartati and Susasrita Loravianti are both Minangkabau female leading choreographers nowadays, who have been known for their consistency, quality, and their sensibility toward the issue of gender. This article aims to reveal the ideology presented in the works of both choreographers and to show the critical dimension of both choreographers toward the factual problem of women today which is remain opposing traditional rules. This article is a textual study of women opponent which is reflected in the works of both choreographers, namely: Hari Ini and Ritus Diri by Hartati; and Perempuan dalam Kaba, and Meja, Kursi, dan Segelas Jus yang Tumpah by Susasrita Loravianti
SASTRA LISAN LOKAL SEBAGAI PEMBANGUN PENDIDIKAN MORAL
No full textLiterature that developed in communities around the world, conveyed in many ways one of which is delivered by oral, then called oral literature. When viewed from the history of human life, oral literature comes into this world is as old as human existence on earth, because literary writings known to man can write after read. Thus also, this oral literature is everywhere. As the oldest literature in human life, then there is little oral literature has a very significant role in shaping the character, culture and human behavior. In Minangkabau, oral literature is one of them known as bakaba. Kaba, the story brings many moral messages. Kaba is growing in Minangkabau society is inseparable from the tradition maota very popular in the lives of Minang. Kaba, usually also tells of the legends that have the formation of human morality, he is locality. Therefore, oral literature in the lives of local people Minangkabau he also became media indisputable moral educatio