Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
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Branding on Social Media Platforms As a Solution For Mixed Procession Music Groups In The City Of Padang, West Sumatra, Indonesia
Full text linkPancaragam, the only active music group in West Sumatra Province, Indonesia, holds significant potential but has yet to gain widespread recognition. Similar to Tanjidor groups in Betawi Kalimantan, such as Pontianak and Pemangkat, Pancaragam faces challenges in expanding its reach and economic impact on its musicians. To address this, we offer strategic solutions focused on enhancing visibility through social media platforms. This proposal includes the implementation of management patterns that align with the characteristics of each social media platform. Firstly, a profound understanding is needed on how to manage and leverage the specific features of platforms such as Instagram, Facebook, and YouTube. This involves the use of compelling visual content, such as video snippets from their performances, as well as active engagement with fans through comments and direct messaging. Furthermore, the implementation of creative digital campaign strategies can elevate Pancaragam's online presence. Contests or music challenges on these platforms can encourage community participation, while special offers or discounts for live performances can attract a broader audience. Collaborating with local influencers or social media users with an interest in traditional arts and culture can also be an effective way to expand networks and reach new audiences. With a combination of focused management and digital marketing strategies, Pancaragam can gain broader recognition, enhance their online presence, and ultimately provide a positive economic impact for its musicians
The Ornamentation of Single Wooden Chairs in Jepara From The 17th to The 20th Century
Full text linkThe ornamentation of single chairs is a crucial aspect in furniture design, contributing to the aesthetic value and beauty. This qualitative descriptive study utilized fieldwork data collection methods to delve into the chair ornamentation in Jepara, a coastal area in Central Java renowned for its carved furniture industry. This industry reaches all societal layers, from the low to the high income groups. The study identified a design revolution that shifted the focus of chair decoration from mere ornaments to form and function. Specifically, the ornamentation in the design of single wooden chairs in Jepara includes two main motifs: flora and fauna, as well as geometric. The study also explores how innovation in the ornamentation of Jepara's single chairs contributes to the competitiveness in local and international markets, highlighting the importance of design in the furniture industry. Furthermore, this research reveals the impact of the interaction between Jepara's carving art traditions and modern design trends, creating a unique synergy that enriches both cultural heritage and contemporary aesthetics. This analysis uncovers how each chair style with its respective ornamentation reflects the distinctive cultural and social background of the region
Utilization Of Surian Wood Shavings Waste Extract on Prima Mori Cotton Dyeing Results with Tunjung Mordant
Full text linkThis research is motivated as an effort made to obtain environmentally friendly textile dyes by utilizing surian wood shavings waste extract. The purpose of this study is to describe the color name (hue), color evenness, and color fastness to washing of surian wood shavings waste dyeing results on prime cotton. Experimental research uses primary data. Data collection using questionnaires from 15 panelists. Data were analyzed using the Mann Whitney Test using SPSS version 26. The results of the color name of the dyeing without mordant 87% Dark Salmon Pink code #D78D68 color evenness is very even, the results of color fastness without mordant 1 wash 73% color slightly changed, 2 washes 53% color slightly changed, and 3 washes 47% color slightly changed. The results of the tunjung mordant color 80% Gray code #574F4C color evenness is even, the results of the tunjung mordant color fastness 1 wash 80% the color changes slightly, 2 washes 67% the color changes slightly, 3 washes 60% the color changes slightly. The results of the Mann Whitney Test for color evenness were obtained .389> 0.05, Ho was accepted indicating that there was no significant difference in color evenness in the results of dyeing surian wood shavings waste extract on prima cotton mori. While color fastness obtained .547 > 0.05, Ho is accepted indicating that there is no significant difference in color fastness
Comparison of Ecoprint Results on Cotton and Silk Materials Using Cassava Leaves with Hammering Technique Using Lime Mordant
No full textThis research is motivated by an effort to reduce the negative impact caused by the use of synthetic dyes on the environment by using cassava leaves as an environmentally friendly ecoprint textile motif. The aim of this research is to describe the direction of color (hue), clarity of motif shape, washing resistance and explain differences in color direction (hue), clarity of motif shape and washing resistance of ecoprint results on cotton and silk materials using whiting mordant. The type of research is experimental research. The data in this research uses primary data with data collection techniques in the form of questionnaires. The data analysis technique uses frequency percentage and data analysis uses the SPSS (Statistical Product and Service Solution) program. What was produced in this research was the name of the color on the ecoprint of cotton material using whiting mordant, resulting in Sepia Brown color on cassava leaves and Muddy Waters Brown color on cassava leaf bones with clarity of motif shape in the very clear category and washing resistance in the good category. Silk material using whiting mordant produces Soft Brown color on cassava leaves and Clam Shell Pink color on cassava leaf bones with a very clear category and washing resistance in the good category
Representation of Women in Paintings From The Private Collection of OHD Museum, Magelang
Full text linkPenulisan ini didasari atas ketertarikan penulis terhadap karya seni yang terpajang di Museum OHD Magelang. Dari sekian banyaknya lukisan, penggambaran mengenai perempuan sangat terlihat jelas perbedaan penggambarannya. Sudut pandang pelukis memang menjadi salah satu tumpuan dari bagaimana karya lukis tersebut akhirnya dibuat. Perbedaan tersebut dapat terlihat sebagai bagaimana objektifikasi perempuan dilihat dalam sudut pandang pelukis, yang tentunya keduanya saling bertolak belakang, karena adanya interpretasi yang berbeda tersebut penulis tertarik untuk menuangkannya, menggabungkan sudut pandang pelukis dan penikmat seni. Metode yang digunakan dalam penelitian ini yaitu kualitatif deskriptif dengan teori studi kasus. Hasilnya, dari enam lukisan yang diambil tiga merepresentasikan permepuan sebagai objek keindahan. Penggambarannya menyajikan keanggunan, keteduhan, kecantikan wanita yang bisa dinikmati keindahannya dalam goresan kuas yang lembut, dengan warna yang cenderung pucat. Semenntara di sisi lain penggambaran perempuan sebagai objek erotisme terlihat dari bagaimana lukisan dibuat dengan menampilkan tubuh wanita secara vulgar, tidak memakai baju, dan menunjukan area yang terbilang sensitif, penggambarannya sebagai perempuan sebagai objek seksual, gairah dan nafsu. Dari adanya pembahasan tersebut disimpulkan bagaimana pandangan laki-laki saat melihat wanita sebagai dua objek yang berbeda, wanita sebagai unsur keteduhan dan keindahan, disisi lain wanita sebagai objek seksualitas dan nafsu
Designing Motion Graphics for Social Media Content in Yeobo Toppoki Branding
Full text linkIn the current digital era, a brand requires various captivating ideas to convey a message to its audience. The rapid development of information presentation technology is evident with the presence of various media with their respective characteristics and advantages. Through promotional media, the public can receive clear information about products offered by a company or organization. With the increasing number of internet users, the exchange of information has become faster and easier, leading people to prefer communication through the internet as it facilitates communication without time, place, and distance constraints. This ease has led millions of people worldwide to interact using the internet, giving rise to the formation of social media sites. Alongside the evolution of information presentation, the use of motion graphics also provides its own allure as a promotional medium to the audience. Promotional media utilizing motion graphic techniques ensures that all presented information is quickly understood, as the information is conveyed visually and audibly. The creation of motion graphics has become an effective method for producing content for social media. The process of creating motion graphics for social media content involves collaboration among creative teams, graphic design, animation, and editing, making it the focus of research as a model for developing media applications. This design employs a qualitative descriptive research method with a SWOT approach to identify the main potentials to be highlighted. The objective of this design is to create a motion graphic capable of displaying information and attractive potentials for the Yeobo Toppoki brand so that the audience becomes familiar with the packaging and various variants of the brand
Analysis of The Choreography of Kenes Ghandes Dance At Kinanti Sekar Art Studio
No full textThis study aims to read and recognize the 'Kenes Gandhes' dance work, a dance that depicts the agility and grace of Javanese women. It is developed from various dances found in several regions of the Special Region of Yogyakarta, choosing creative dance movements as its form. Kenes Gandhes dance, accompanied by vibrant music, is neatly packaged by its choreographer by combining elements and movements of Tradition and developing them into a new creative dance work. The choreographer and creator of Kenes Gandhes, Kinanti Sekar Rahina, categorizes Kenes Gandhes as a dance for children aged 13 to 21 years, after observing children at Kinanti Sekar Art Studio (SSKS) who show sufficient agility and energy in this age range. This dance can be performed by either a solo female dancer or a group, wearing yellow brocade costumes with short sleeves and batik skirts with the wahyu tumurun motif. This study uses a choreography approach proposed by Y. Sumandiyo Hadi, covering aspects of form, technique, and content, with basic elements consisting of movement, space, and time. The design of floor patterns, motion motifs, musical accompaniment, and choreography elements are structured into the choreographic form of Kenes Ghandes. This dance is expected to become one of the dance works that can develop in the general community to encourage ongoing love for culture. Additionally, this study seeks to explore the cultural values contained in the Kenes Gandhes dance to enrich the repertoire of dance art in Indonesia. This work is also expected to enhance public appreciation of local cultural richness and encourage the younger generation to preserve the nation's cultural heritage
Religious And Cultural Tourism Objects In Sigando Village: A Perspective Of Power Relations And Conflict Theory
Full text linkThis study aims a title “Objek Wisata Religi dan Budaya Kelurahan Sigando: Perspektif Relasi Kuasa dan Teori Konflik” to investigate the power relations and various conflicts that arise from the determination of Sigando Village as a Cultural and Religious Village. This determination often involves various parties, such as local government, local communities, and other stakeholders. Through a power analysis approach, this study will explore the dynamics of power that underlie the determination process, including the interaction between the government and local communities, and its implications for the identity and sustainability of local culture. The study uses a qualitative approach with case studies, this study will analyze the dynamics of interactions between various related parties, including local government, local communities, and tourism actors. Observation, interview, and document analysis methods will be used to collect relevant data. This study is expected to provide a better understanding of the complexity of power relations in the context of determining tourism and cultural destinations at the local level. The findings of this study are expected to provide a deeper understanding of how power is reproduced and maintained in the context of determining tourism and cultural destinations, as well as its implications for the development and empowerment of local communities
Study on Hand Embroidery in Jopang Manganti, Mungka Subdistrict, Lima Puluh Kota Regency
Full text linkPenelitian ini merupakan penelitian deskriptif dengan pendekatan kualitatif, yang bertujuan untuk mendeskripsikan tentang Sulaman Tangan Jopang Manganti Kecamatan Mungka Kabupaten Lima Puluh Kota yang meliputi desain motif, pola hias, kombinasi warna dan teknik pembuatan sulaman tangan di Jopang Manganti. Hasil penelitian mengungkapkan bahwa: 1) Bentuk desain motif di Jopang Manganti yaitu bentuk naturalis terdiri dari motif bunga mawar, melati, tulip, kupu-kupu. Bentuk dekoratif yaitu suntiang ameh. 2) Pola hias yang digunakan pada sulaman tangan di Jopang Manganti adalah pola hias tabur, pola hias pinggiran, pola hias bebas dan pola hias mengisi bidang. 3) Kombinasi warna yang dipakai pada sulaman tangan di Jopang Manganti adalah kombinasi warna harmonis, kombinasi warna komplementer. 4) Teknik pembuatan yang digunakan pada sulaman tangan di Jopang Manganti adalah teknik manual dengan macam-macam tusuk pada bentuk desain motif sulaman
Oral Tradition: The Role of Folklore in Preserving the Cultural Identity of Kumun Debai Subdistrict
Full text linkThe Research on Preserving Cultural Heritage through Oral Tradition is of utmost importance, as the research represents an effort to maintain the cultural identity of the Kumun Debai District in the City of Sungai Penuh. The focus of the research is the role of folklore in preserving the oral tradition in the Kumun Debai District, through an in-depth understanding of proverbs, folktales, traditional songs, and other oral practices. The research aims to document, analyze, and comprehend the role of folklore in preserving the cultural heritage through oral tradition in the Kumun Debai District. This will help maintain the local cultural identity, prevent the loss of oral traditions, and ensure the preservation of local cultural values, which will be passed on to future generations. The study employs the theory of folklore in the context of preserving cultural heritage through oral tradition. The theory focuses on the in-depth understanding of proverbs, folktales, traditional songs, and other oral practices as an integral part of the cultural identity of a community. The use of the "Gerald C. Miller" theory emphasizes the importance of understanding and preserving oral traditions as an inseparable part of a community's cultural identity. Through this approach, the primary objective of the research is to explore the meaning, values, and functions of the oral heritage within the context of the community's life, and how this heritage can be safeguarded to remain relevant in the modern era