Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
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The Representation of Sexuality in the Film Dua Garis Biru (A Cinematic Narrative and Media Aesthetic Analysis)
Full text linkFilm is a cinematographic work that not only presents captivating audiovisual elements but also serves as a medium for artistic and cultural expression, often addressing important issues. Dua Garis Biru is a film that boldly tackles social issues still considered taboo in Indonesia, such as early marriage and sexual education. This research aims to analyze the representation of these issues through the character Dara, using a semiotic approach. The focus is on how audiovisual elements—narrative, visuals, and sound—contribute to conveying messages about sexuality and sexual education within the social and cultural context of Indonesia. The research method employed is qualitative, involving an in-depth analysis of cinematic narrative and media aesthetics. The findings explore how Dua Garis Biru portrays issues of sexuality outside the context of marriage through dialogue, visual symbols, and the use of sound elements that strengthen characterization and atmosphere, providing deeper insight into the themes presented in the film
Peirce's Semiotic Analysis Of The New Halal Indonesia Logo
Full text linkSince it was inaugurated on March 1 2022, Indonesia's new halal logo has attracted a lot of controversy. This is inseparable from the visual appearance of the logo which is very strong in Javanese culture by taking the shape of a mountain and a lurik surjan motif as the big idea. However, the signs and meanings in them are still conventional in accordance with Islamic values such as the value of divinity, faith and devotion, as well as the value of tolerance. On the other hand, the new Indonesian halal logo design is able to represent the halal and haram rules and laws themselves based on Islamic law. This research uses Peirce's semiotic approach with the boundaries of signs as objects, namely icons, indices and symbols. The method used is a qualitative research method with an interpretive analysis approach. From the results of the research carried out, there is a new marking system through observation and analysis carried out in the form of signs of Allah's pronunciation and the shape of the mosque dome. Overall, the visual appearance of the new Indonesian halal logo meets the design principles of being simpler, timeless, elegant, unique and attractive, proportional and relevant. In this way, the visual identity of the halal logo can make it easier for Muslims to recognize and identify halal products that are suitable for consumption.
Making Recycled Paper from Used Paper and Sugarcane Bagasse as an Alternative Art Paper
Full text linkPembuatan kertas seni menggunakan kertas bekas, ampas kulit tebu, dan kulit buah naga merupakan salah satu bentuk pemanfaatan limbah organik untuk menghasilkan benda bernilai seni dan bernilai jual. Kertas bekas yang dimanfaatkan adalah kertas bekas kegiatan akademik sedangkan ampas tebu diperoleh dari penjual air tebu yang setia harinya selalu menyumbangkan ampas tebu sebagai salah satu limbah organik. Berdasarkan kandungannya, ampas tebu yang kaya kandungan selulosa dapat menjadi bahan utama selain kertas bekas dalam pembuatan kertas seni. Hal ini merupakan bentuk kontribusi dunia seni terhadap lingkungan untuk memanfaatkan berbagai macam limbah yang sesuai dengan fungsinya dan mengurangi penggunaan kertas pabrik. Penelitian ini menggunakan metode Practice based research melalui percobaan langsung dengan mengikuti empat tahapan penciptaan karya yaitu tahapan eksplorasi, perencanaan, perwujudan dan evaluasi. Penelitian ini menggunakan metode praktikum secara fisika yang memperoleh hasil bahwa kertas yang dihasilkan memiliki tekstur lebih kasar dan bercorak serta diketahui bahwa kulit buah naga tidak dapat memberikan pengaruh terhadap warna kertas apabila diolah secara fisika
Exploration of Songket Batik: Production Process and Cultural Values at Rumah Batik Tarancak, Solok City
Full text linkBatik is one of Indonesia’s cultural heritages that holds high artistic value, particularly in its motifs and philosophical meanings. An innovative development in West Sumatra is the creation of batik songket, a fusion of batik art and the traditional Minangkabau songket weaving. This study focuses on the production process of batik songket at Rumah Batik Tarancak in Solok City, a pioneer in producing batik on songket fabrics in the region. This innovation not only enriches local cultural heritage but also supports the local economy by enhancing the quality of products that can compete in the broader market. This research was conducted using a qualitative descriptive method through direct observation, interviews, and documentation at Rumah Batik Tarancak. The findings reveal that the batik songket production process employs traditional manual weaving tools (ATBM) and uses both natural and synthetic dyes. The motifs are inspired by Minangkabau culture, embodying symbolic and aesthetic meanings. This innovation is expected to help preserve the heritage of batik and songket while raising awareness about the importance of maintaining cultural traditions
Analysis of Difficulties Faced by Fourth-Grade Teachers in Teaching Arts and Culture Subjects on Visual Arts Material at SDN 2 Ngembal
No full textPenelitian ini bertujuan untuk mengidentifikasi kesulitan guru dalam mengajar SBdP materi seni rupa di kelas IV SDN 2 Ngembal Kulon serta mencari solusi yang dapat mendukung kelancaran proses pembelajaran. Dengan pendekatan kualitatif studi kasus, data dikumpulkan melalui observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa kesulitan utama meliputi keterbatasan sarana, media, metode, waktu pembelajaran, dan penilaian yang subjektif. Solusi yang diusulkan mencakup pengembangan profesional guru, penggunaan media kreatif, serta penerapan metode yang interaktif dan sesuai dengan gaya belajar siswa. Studi ini memberikan kontribusi penting untuk meningkatkan kualitas pembelajaran seni rupa di sekolah dasar serta menjadi referensi bagi guru dan pemangku kepentingan dalam menghadapi tantangan serupa
Joget Bontek Dance of the Asli Tribe in Tanjung Padang Village, Meranti Regency, Riau Province
Full text linkMeranti district community consists of a variety of ethnic groups, including Melayu, Tiong hoa, Minang, and others. One of the tribes that still exists in Meranti district is Asli Tribe. Asli Tribe has numerous arts that flourish and develop in their culture. The art that exists in Asli Tribe is Joget Bontek dance, Joget Bontek is a dance of joy and entertainment that is usually performed at wedding receptions, circumsicion ceremonies, welcoming guests, and others. Joget Bontek dance is comprised of dance movements, floor patterns, music, dynamics, themes, makeup and costumes that combined, make Joget Bontek dance become more interisting. To obtain accurate and precise data, the author uses analysis descriptive method using qualitative data. Data collection techniques in this research using non-participan observations, guided interviews, documentation using camera to take photographs and recordings of Joget Bontek dance in an effort to strengthen the research results obtained from secondary sources
Modification, Commodification Of The Dance Of Sekapur Sirih As The Cultural Identity Of The City Of Bengkulu
Full text linkThe study aims to investigate the modification, commodification of Sekapur Sirih dance as the identity of Bengkulu City. To refresh its attractiveness, the dance underwent modifications of the dance elements of its movement, duration, and musical components with the support of the government and artists. In addition, the commodification of cultural products occurs in Sekapur Sirih dance, which is carried out by artists and communities in an effort to increase commercial value as a form of source of income. Production, distribution, and consumption are part of the process of turning traditional art into high-value commodities. The research method used is qualitative, with data collection techniques of observation, interviews, and documentation. The theoretical paths used are modification (Shils Hand), commodification (Vicent Mosco), and identity. (Yasraf Amir Piliang). The results of the research showed that the modifications carried out reflected the identity of Bengkulu City that appeared in the movement of Sekapur Sirih dancing and the commodification made into cultural products packaged to commercial value, meaning that packaging not only enhances cultural value but also requires economic value.
The Aesthetics of Kaia Dance in the Socio-Cultural Context of the Laban Community, Salido, Pesisir Selatan
Full text linkThis study aims to explore the aesthetics of the Kaia Dance in the socio-cultural context of the Laban community, Kenagarian Salido, IV Jurai District, Pesisir Selatan Regency, West Sumatra. The method employed is a qualitative approach with analytical description, where all data, both written and field data, are described and analyzed according to the research problem. The aesthetic theories of A.A.M. Djelantik and Deni Junaedi are used to examine the issues, while Y. Sumandyo Hadi's perspective is applied to analyze the dance form. Kaia Dance is a traditional dance that has evolved in the Laban community, Kenagarian Salido. It embodies aesthetic elements reflecting the struggle to provide for one's family and draws inspiration from the surrounding nature and local conditions. This study provides new insights into understanding the Kaia Dance as a complex medium of expression, not only in terms of its movements but also in its rich social symbolism and local aesthetic values. The aesthetic values in Kaia Dance can be observed through three aspects: aesthetic object, aesthetic subject, and aesthetic valu
Silek Lanyah: A Form of Tourism Performing Art in Padang Panjang City
Full text linkThis research endeavors to explore the appeal of Silek Lanyah as a form of tourist entertainment in Padang Panjang. Employing a qualitative approach, the study adopts descriptive analysis to elucidate field data and subsequently analyze it in line with the research objectives. Drawing upon the insights of scholars such as Koentjaraningrat on the concept of change, R.M Soedarsono's perspectives on the packaging of tourism art, and I Gusti Ngurah's views on tourist performances, this paper aims to provide a comprehensive understanding of the subject matter. The findings of this investigation underscore the allure of Silek Lanyah as a captivating tourist attraction, capable of enticing visitors to explore and appreciate the charm of Kubu Gadang Tourism Village, while simultaneously showcasing Silek Lanyah as a cherished traditional art form within the region. Through this study, it becomes evident that Silek Lanyah holds significant potential in enriching the cultural landscape of Padang Panjang and contributing to the tourism industry by offering a unique and authentic experience for travelers
Cultural Expression of Aesthetic in Laker Paintings of Sanggar Ganesha in Palembang
Full text linkSocial, economic, and demographic changes in Palembang, such as artists' migration to Yogyakarta and shifting community preferences towards Laker paintings, have impacted the sustainability of the aesthetic of Laker paintings at Sanggar Ganesha in Palembang. This research aims to examine the aesthetic elements of Laker paintings and how these elements reflect local wisdom and reveal symbolic meanings embedded in Laker paintings at Sanggar Ganesha, Palembang. The research method employed is qualitative descriptive. Data collection involved direct observation of Laker paintings, in-depth interviews with artists and key informants at Sanggar Ganesha, and literature review from relevant sources. Data analysis utilized intra-aesthetic analysis techniques to examine visual elements and painting techniques, and extra-aesthetic analysis to explore social, cultural, and philosophical aspects within Palembang's Laker paintings. Findings reveal that Laker paintings at Sanggar Ganesha, Palembang, exhibit unique aesthetic richness reflected through the use of traditional mediums such as Lak varnish, gold leaf, and Chinese ink. These mediums not only provide distinctive visual dimensions but also preserve the authenticity of Laker painting techniques. Elements like monochromatic golden hues, black color usage to highlight crucial details, and the smooth texture derived from Lak varnish application enrich both visual and symbolic dimensions of the paintings. Additionally, Laker paintings at Sanggar Ganesha depict cultural symbols and traditional Palembang values such as the Masjid Agunge, Ampera Jembatan, Rumah Rakit, and the atmosphere of the Sungai Musi, all reflected in visual representations