Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
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OUTBACK PARTS OF SOCIAL ARRANGEMENT BEING RITUAL ART STAGE IN THE MALAY PELALAWAN RIAU
No full textThis research globally examines sounds and deals with the fact that inland tribes functioned in medical rituals that were transformed into stage art entertainment. Certain sounds and movements by the Inland Tribe in medicine have meaning and importance. Why the sounds were functioned in a medical ritual which was later changed the function of medicine in the interior to stage art. How is the interaction and form in the ritual of treatment that requires sounds. Research wants to give the same social attention to art and culture to the tribal civilization, which is sometimes considered backward. This research answers the social prejudices of the transfer of treatment locations from the interior to the stage art. The research technique / method uses qualitative techniques with studies in ethnomusicology, ethnography, art anthropology and art sociology. In the study found a management system that leads to a new theory of "Performance Art for the transfer of issues regarding the existence of Malay Tribal Culture"; practically building a model of the composition of the art of the Tribal Inland tradition as a consumption of urban communities, in the context of the new art culture in the present. Outcomes Research can conclude the uplift of the Tribal Civilization both in terms of music, other arts and all aspects of art do have values that are worth showing, but on the side or behind it turns out there is a certain mission by parties related to arts and culture in the study area Malay
ANALYSIS OF GO LABA MUSICAL ELEMENT OF NGADA TRADITIONAL MUSIC AS THE ACCOMPANIMENT OF JA’I DANCE IN MORA MASA STUDIO TUAK DAUN MERAH (TDM 02) SUB-SUB DISTRICT OEBOBO DISTRICT - KUPANG
No full textGo Laba is the traditional musical instrument of Ngada found in the studio of Mora Masa, Kupang city Nusa Tenggara Timur. Its playing pattern emphasizes more on the repetitions of rhythm. In this article, it's discussed (1) the presentation form of Go Laba as the accompaniment pattern of Ja'l dance in Mora Masa studio, Tuak Daun Merah village, Oebobo sub-district; (2) the musical element of Go Laba as the accompaniment pattern of Ja'l dance in Mora Masa studio, Tuak Daun Merah village, Oebobo sub-district. The traditional music of Go Laba consists of five gongs namely Go Wela, Go Ute, Go Dhere, Go Doa, Laba Wai and Laba Dhera. The presentation of Go Laba is the intertwined playing of rhythm that emphasizes more on the repetition of sound in order to create an aesthetic impression with 2/4 birama. Go Laba in its playing uses allegro tempo found in the rhythm of Go Wela. Based on research results, it can be concluded that Go Laba found in Mora Masa studio functions as the accompaniment of Ja'l dance used for the necessity in entertainment event and participating in the dance festival
DRAMATIC READING OF THE TEXT OF PLAY SCRIPT THROUGH AUDIO RECORDING
No full textMedia of audio recording can be made as the media of learning, whether it's done in the class or outside the class such as study group. Using audio recording in smart phone or hand phone enables the learning of practical tutorial model, and one of them is the learning material of theater art. For art teacher in the school particularly theater teacher, it's very difficult for students to memorize the play script in role playing. When art teacher gives realism play script, main thing responded by students is the difficulty of memorizing the scripts because these scripts written by authors that are very familiar with theater world are full of meaningful literary words. Teacher or trainer reads the script dramatically (dramatic reading while recording). From dramatic reading, it's seen the plot of script dramatically and described the atmosphere in the script wholly. Teacher or trainer hands out recording result to students or actors via WhatsApp, Line, and other applications of social media and students can read the script while listening for the result of teacher's or trainer's recording. Memorizing process will be faster if the students listen to the recording by using handset. Utilizing technology can facilitate theater exercise
THE ANALYSIS OF ORNAMENT FORM OF ARAB TOWN AL-MUNAWWAR TRADITIONAL HOUSE
No full text The people of Arab town Al-Munawwar in Palembang city use ornament to add aesthetic value of their residential buildings. The use of this ornament can be seen from several sides such as door, window, ventilation, wall, partition, pole, and so on. It's also possible that there are messages and meanings that are interesting to be studied from the ornament of Arab town Al-Munawwar traditional house. The study in this research emphasized more on aesthetic value, with the purpose of searching the structure that built and revealing the symbolic value implied in the traditional house ornament of Arab town Al-Munawwar Palembang. Research method used was qualitative method, with analytic descriptive analysis. Those data were then identified, classified, selected, analyzed, and interpreted according to their text and context
GETTRUNG, NONCONVENTIONAL MUSICAL INSTRUMENT FROM WOOD
No full textGettrung is a non conventional musical instrument which was produced from exploration. This instrument was made of Surian dan Mahogany woods. The shape of Gettrung is quite simple, it looks like square. The sound elements of Gettrung were the result of the parts which follow the direction based on its shapes; circle and square. Cutting the line was done until the particular part, that line was not cut to the end of the line. It means there were still some part left and it caused the vibration which produce the sound at the end (trung). This instrument was finally named as Gettrung, it comes from Get which means vibrating sound and trung which means the result of the final sound. Gettrung was categorized into percussion type. The existence of Gettrung contributes to the capability to collaborate with other instruments which have had convention (basic/standard)
ANALYSIS OF INTERPRETATION ON THE BANNER OF LAMONGAN PECEL LELE
No full textLife goes on with the obtained experience. Human’s life depends on nature and its surrounding environment, including artworks made by human. Art experience is an experience obtained by human like the daily experience so art experience is also an intact experience involving feeling, mind, sense, and various human intuitions. The banner of Lamongan pecel lele is an art instrument existing from human’s interpretation based on s/he experience when s/he understands and reprocesses an object. Starting from what’s observed, the writer tried to analyze and reveal the meaning of visual form drawn on that banner. Visual dissection drawn on that banner was conducted in detail. It aims at receiving result that’s more than the meaning obtained based on people’s perception and writer’s one. In other words, pecel lele banner is not only interpreted as what it’s used for (merit value) pecel lele seller but it’s also to see and perceive banner drawing based on the variant of food product sold. However, there is another meaning that has been hidden this long and hasn’t been known by people yet.
THE CHARACTERISTICS OF SELF SIN IN CERAMIC FINE ARTS
No full textSin is an activity that violates God’s law provision. Unfortunately, sin cannot be separated from human. The categorization of sin characteristics by Catholic church in the glory era of Christianity called “Seven Deadly Sins” gives information to recognize sin characteristics that are often experience by oneself. Seven Deadly Sins and other library sources trying to explain about sin from several religious views in Indonesia bring out new comprehension about sin. Based on the new comprehension about sin, the ceramics were created. The main material used was clay from Bentangan, Klaten, Jawa Tengah that had been processed so it had better endurance level of temperature. The process of creation used the techniques of hand-building, pinch, and solid mold. Decoration used intaglio, camelo, and kerrawang ornaments while ceramic colorization used the technique of under-glaze firing. The ceramic artworks of “the characteristics of self sin” series have the hope that these artworks contain creative and educative values, and they also function as the warning that there are sin characteristics threatening us in our daily lif
DOCUMENTARY FILM AS THE MISSIONARY ENDEAVOR OF DIGITAL ERA
No full textOne of television shows is the program of documentary film. Documentary film with religious content involving religious thought, religious values, and public figures of a religion has educational values and wisdom made into a description of life. It has the essence of missionary endeavor that has social purpose and function namely producing peaceful, prosperous, happy and safe life. The making of documentary film of missionary endeavor or more often called the production of documentary film of missionary endeavor is the process of film making from the story idea until the production of documentary film of missionary endeavor. In planning a production, a professional producer will be faced on five things that need deep thought namely the material of production, the means of production (equipment), the cost of production (financial), the executive organization of production, and the implementation stage of producing the documentary film of missionary endeavor
THE EXPRESSION OF DEVOTION IN CALLIGRAPHY PAINTINGS
No full textThe forms of calligraphy paintings was expression of philosophical values of taqwa, it reflected the content of the holy Qur'an and giving the deep guidance of the importance of having attitude, behaviour and norms in a social life of human being. "Taqwa is being obeyed to all of Allah regulations cause of the light that comes from Allah almighty and he expects the reward from Allah and he leaves all the sins activities cause of the light of Allah and he fears of the torture from Allah". The method approach that used in this research were exploration, design and execution of the art work, which had previously been done through literature studies, empirical studies and field studies. The creation of calligraphy painting took from the translation of the holy Qur'an by surah Ali Imran verse 102 that stated "O you who believe, fear Allah truly in His piety; and do not ever die except in a Muslim situation. Calligraphy painting was a bridging of taqwa’s values as an expression to public
MEMBACA PERTUNJUKAN TEATER BERJUDUL NEGERI YANG TERKUBUR KARYA ZURMAILIS SUTRADARA SYUHENDRI
Get PDFPenelitian ini bertujuan membaca salah satu perkembangan bentuk teater modern yang ada di Sumatera Barat. Penelitian ini berdasarkan pada kualitas data (kualitatif), disempitkan menjadi penelitian studi kasus. Bahan atau data terdiri dari tulisan atau ceramah yang terekam dalam konteks yang berbeda, bisa data dari hasil observasi, berita dari surat kabar, dan sebagainya. Persentuhan antara gagasan dan bentuk pertunjukan NyT dengan pertunjukan teater modern lainnya di Indonesia terutama di Sumatra Barat dapat ditarik ke dalam beberapa poin, pertama, secara konseptual (ide/gagasan) Syuhendri mencoba merespon dan menyerap isu-isu yang tengah berkembang secara menasional. Juga ditambah pada dekade 90-an dan 2000-an globalisasi masih hangat-hangatnya dalam pendengaran setiap orang. Kedua, persentuhan Syuhendri dengan tokoh teater lainnya di Sumatra Barat secara teknis tidaklah memiliki kendala, dalam artian dapat diakses tanpa dibatasi oleh jarak. Untuk itu besar kemungkinan karya Syuhendri juga dipengaruhi oleh adanya ruang dialogis antara Syuhendri dengan seniman lainnya di Sumatra Bara