Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni
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BEGENDANG BESERUNAI: INTEGRATION OF TRADITIONAL VALUES IN THE CREATION OF BENGKULU KARAWITAN MUSIC COMPOSITION
Full text linkThe work “Begendang Beserunai” is a contemporary karawitan music composition inspired by the musical phenomenon of the gendang serunai, one of Bengkulu’s traditional arts that plays an important role in ceremonial processions and community entertainment. The gendang serunai, consisting of two long drums (melalu and ningkah) and a serunai as the melody carrier, is distinctive for its interlocking rhythmic patterns and melodic motifs in a scale close to a-b-c-d-e-f#-g-a’. This creation aims to preserve the essence of tradition while introducing innovation through techniques such as unison, canon, polyrhythmic, responsorial, polymetric, and accentuation, supported by additional instruments such as dol, kompang, kolintang, accordion, bass guitar, and cymbals. The method used is a mixed methods approach combining qualitative methods—through participatory observation, in-depth interviews, and recording analysis—and quantitative methods—through measuring tempo, dynamics, rhythmic pattern duration, and audience questionnaires. The results show that this work successfully integrates traditional musical idioms into a modern composition format while maintaining its identity. Questionnaire analysis (n = 50) shows that 84% of respondents perceived the traditional nuance as strong, while 78% rated the aesthetic appeal as high. This work contributes to cultural preservation through documentation, education, and artistic innovation relevant to the contemporary context. “Begendang Beserunai” serves as a model for developing tradition-based works applicable to other regional music forms, as well as an academic and artistic reference for artists, researchers, and art education institutions
The Architectural Style of Asserayah Al-Hasyimiyah Palace Using a Pragmatic Semiotic Approach
Full text linkPenelitian ini mengkaji gaya arsitektur Istana Asserayah Al-Hasyimiah (Istana Siak) menggunakan pendekatan semiotika pragmatik. Dibangun antara tahun 1890 hingga 1899, istana ini menggabungkan arsitektur lokal Melayu dengan pengaruh gaya Indische Empire dan neo-klasik. Melalui observasi, wawancara, dan analisis dokumen, ditemukan bahwa tata ruang simetris istana mencerminkan harmoni budaya Melayu, sementara elemen seperti lengkung lancip, lengkung tapal kuda, dan desain berbentuk perahu memiliki makna simbolis. Lengkung lancip melambangkan spiritualitas Islam, lengkung tapal kuda mencerminkan modernitas dan keterhubungan, sedangkan bentuk perahu melambangkan perjalanan hidup manusia. Posisi istana yang menghadap Sungai Siak mencerminkan kepercayaan kosmologis masyarakat Melayu tentang hubungan antara manusia, alam, dan Tuhan. Selain keindahan arsitekturnya, Istana Siak juga berfungsi sebagai pusat pemerintahan, kebudayaan, dan tempat tinggal keluarga kerajaan. Penggunaan material lokal seperti kayu solid menegaskan identitas Melayu sekaligus memberikan kenyamanan. Penelitian ini menyimpulkan bahwa Istana Siak bukan hanya bangunan fungsional, tetapi juga simbol budaya yang kaya akan nilai sejarah dan makna. Penelitian lanjutan disarankan menggunakan teknologi digital atau membandingkan dengan bangunan serupa untuk memahami lebih jauh dinamika arsitektur transisi di Indonesi
The Effect of Satin Fabric Thickness on Bustier Construction Quality Using the Helen Joseph Armstrong Method
Full text linkThe bustier is a women’s upper garment designed with a tight fit to conform to the body’s contours, particularly around the bust, waist, and hips. Historically, the bustier was originally used as an undergarment; however, along with the evolution of fashion trends, its design has been modified so that it can also be worn as outerwear, serving to shape the body silhouette for a more proportional appearance. The accuracy of the pattern, sewing technique, and material selection are crucial elements that influence the quality of the final bustier product. Among the fabric characteristics that significantly affect garment construction, fabric thickness is a key factor. The research aimed to analyze the differences in bustier outcomes made using satin fabrics of different thickness levels—emerald satin (thin), Roberto satin (medium), and bridal satin (thick)—employing the Helen Joseph Armstrong pattern on a mannequin of size M. The methodological approach adopted was experimental, with the independent variable being the thickness of the satin fabric and the dependent variable being the quality of the bustier result. Data were collected through observation sheets evaluated by three expert designers and seventeen trained panelists. The data analysis technique applied involved hypothesis testing using the K-Related test. The findings revealed that the thickness of the satin fabric significantly affects the quality of the bustier. The bustier made from bridal satin achieved the highest average score, namely 84.45% (categorized as very good). Therefore, it can be concluded that the thicker the satin fabric structure, the better the quality of the final bustier resul
Community Engagement: Optimalisasi Kualitas Tekstil Huyula Eco Craft Melalui Teknik Gesek Godhong Inovatif
Full text linkPenelitian ini bertujuan untuk meningkatkan kualitas produk tekstil UMKM Huyula Eco Craft melalui penerapan teknik gesek godhong dengan kombinasi pewarna sintetis serta pengunci warna waterglass dan garam kasar. Teknik gesek godhong dipilih karena mampu menciptakan motif unik dengan warna lebih cerah dibandingkan metode ecoprint tradisional. Penelitian menggunakan metode kualitatif dengan pengumpulan data melalui eksperimen dan wawancara. Eksperimen dilakukan secara mandiri dan bersama perajin untuk mengevaluasi dampak pewarna dan pengunci warna terhadap kualitas hasil tekstil. Hasil penelitian menunjukkan bahwa penggunaan pewarna sintetis yang diracik khusus menghasilkan warna lebih cerah dan bervariasi. Waterglass sebagai pengunci warna memberikan hasil warna yang cerah, tetapi membuat tekstur kain sedikit kasar. Sebaliknya, penggunaan garam kasar menghasilkan warna yang lebih tahan lama dengan tekstur kain yang lebih halus. Teknik gesek godhong juga memberikan inovasi motif yang meningkatkan daya tarik estetika tekstil.Kesimpulannya, teknik gesek godhong dengan kombinasi pewarna sintetis dan pengunci warna garam kasar memberikan hasil terbaik dari segi warna, tekstur, dan estetika, serta berpotensi meningkatkan daya saing produk tekstil UMKM Huyula Eco Craft. Temuan ini direkomendasikan untuk diadopsi sebagai strategi inovasi produk tekstil oleh UMKM serupa
Aesthetics of the Babuai Dance and the Transformation of Tradition at the Singo Barantai Traditional Arts Institute, Padang
Full text linkBabuai dance is one of the traditional Minangkabau dances that developed at the Singo Barantai Padang Traditional Arts School. This dance is one of the unique traditional dances. Because the movements of this dance depict agility, softness, firmness and sharpness. In every movement is full of accents (movement jerks) besides that there is also acceleration and deceleration. This dance is used for body exercise for a silat athlete before they carry out silat training. The object of this research uses Dance as its formal object, "Babuai Dance" as its material object. This research uses a qualitative method with a descriptive analytical approach. This research was conducted at a silat school, namely the Singo Barantai Padang City Traditional Arts School, which is located in Lubuk Leetah, Kuranji District, Padang. Singo Barantai Traditional Arts College is one of the non-formal educational institutions engaged in the field of arts and culture, where the activities or materials taught at this College include traditional martial arts with the SilekPauh flow, randai, traditional dance, traditional Minangkabau music, and traditional pasambahan speeches. This journal examines the tradition of challenging change in the study of dance aesthetics. Babuai dance is viewed using aesthetic studies with the aim of revealing and exploring in depth everything related to the beauty of the Babuai Dance and changes in the development of the babuai dance at the Singo Barantai Traditional Arts College. In this study, the author was actively involved in the Singo Barantai Traditional Arts College, namely as a participant observer, which means that the author directly enters and is involved in the membership of the Singo Barantai Colleg
Pengaruh Mordan Tawas, Kapur Tohor dan Tunjung Terhadap Hasil Ecoprint Daun Bidara Laut (Ziziphus mauritiana L) pada Bahan Rayon Twill dengan Teknik Hammering
Full text linkThis research is motivated by the development of ecoprint using natural materials so as to reduce the use of harmful synthetic substances. The purpose of this study is to describe the color name, clarity of the motif shape and color resistance to washing with soap produced from ecoprint of bidara laut leaves on rayon twill material with hammering technique using alum, calcium oxide and tunjung mordants. This research is an experimental research with the object of research rayon twill fabric given a motif of bidara laut leaves. The type of data in this study is primary data sourced from questionnaires. The data analysis technique uses the Friedman K-Related Sample test with SPSS version 30.0. The results of ecoprint without mordant, with alum, calcium oxide and tunjung mordant produce various colors. The results of the clarity of the motif shape without mordant is clear, alum mordant is clear, calcium oxide mordant is clear and tunjung mordant is quite clear. The results of color resistance to washing with soap without mordant changed, the alum changed slightly, the calcium oxide changed and the tunjung changed, the results of the Friedman K-Related Sample test from the clarity of the leaf motif shape were 0.001 <0.05. Meanwhile, the color fastness to washing with soap is 0.000 < 0.05. From these data, it can be concluded that there is a significant effect due to the use of alum, calcium oxide, and tunjung mordants on the clarity of the motif shape and color fastness to washing with soap produced from the ecoprin
The Effect of Adding Electrolytes (NaCl) in Tunjung Mordan on Ecoprint Results Using Jatropha curcas Linn Leaves with Pounding Technique on Chiffon Material
Full text linkThis research is motivated by the use of jatropha leaves to make motifs with the ecoprint technique. The purpose of this study is to describe the color name, color fastness and the effect of adding electrolyte to the tunjung mordan on the results of ecoprint by pounding technique on chiffon material. The type of research is experimental research with primary data types sourced from filling out a questionnaire of 18 panelists. Ecoprint of jatropha leaves without mordan produces the names of canary yellow on leaf sheets, pale golden on leaf bones, and reef green leaf bone branches. With mordan tunjung produces dark olive green on the leaf sheet, canary yellow on the leaf bone mother, and reef green on the leaf bone branch. The addition of electrolytes to the tunjung mordan produced the name of camouflage green on the leaf leaf, green smoke on the leaf bone, and reef green on the leaf bone branch. The color fading resistance to washing in chiffon material without mordan, in mordan tunjung, and the addition of electrolyte to mordan tunjung 1time and 2times Ho washing was declared accepted, meaning that there was no significant difference in the results of the K-Related Sample test on color fastness to washing. While 3times of washing Ho was rejected, it means that there is a significant difference in the results of the K-Related Sample test on color fastness to washing
Exploring Gugon Tuhon Meaning in 'Playing in the Brantas River' as Life Wisdom in Tulungagung
Full text linkTraditional culture is often considered outdated in the face of modernization, yet the presence of gugon tuhon in the oral traditions of the Javanese people indicates that local values still hold strong relevance in social life. As a form of local wisdom, gugon tuhon contains various prohibitions and moral messages that have been passed down through generations in the Tulungagung community, serving to protect safety and honor nature and supernatural entities. The prohibition of playing in the river at certain times is one example of gugon tuhon functioning as informal education about safety and harmony with the environment. This study examines the role of visual art as a means of cultural preservation, particularly through the work titled "Playing in the Brantas River." Using a qualitative method with a descriptive-analytical approach, the study collects data through interviews, observations, and documentation. The analysis results show that the visualization of gugon tuhon through painting not only functions as a medium of expression but also as an educational tool for younger generations. This painting presents cultural symbols that remind us of the importance of preserving local wisdom amidst rapid social change
Performance Assessment in the Final Semester Examination for Violin Instrument Studies Music Education Study Program Indonesian Institute of The Art Yogyakarta
No full textViolin instrument practicum at the ISI Yogyakarta Music Education Study Program is included in the Instrument Studies course in 4 levels, consisting of Instrument Studies I, II, III, and IV. In the assessment of the final semester exam for this course, the assessment is carried out using the idea of performance assessment which is applicable to the characteristics of violin performance, to avoid assessment bias. This article is the result of qualitative research with the material object of implementing the Final Semester Examination/UAS for the violin instrument study course at the ISI Yogyakarta Music Education Study Program, and the formal object of performance assessment in terms of the musicological aspect. The stages taken in this research include the process of literature study, observation, interviews and analysis. The result in this article is that performance assessment is needed as an accuracy of assessment parameters. The expected goal is that lecturers and students can use the evaluation results from performance assessments as a guide to identifying strengths and weaknesses in violin playing skills. Assessment includes: fundamental aspects include assessing the close relationship between the player's body posture and the violin instrument; aspects of notation and intonation accuracy; aspects of rhythmic accuracy; and aspects of musical interpretation
Designing An Exhibition Booth For Gift Products From Local Smes In North Sumatra
Full text linkPengenalan produk lokal khas Sumatera Utara dilakukan sebagai upaya meningkatkan brand image setiap daerah untuk lebih diketahui oleh masyarakat setempat maupun wisatawan pendatang dari luar Provinsi. Senjata strategi pemasaran yang dilakukan adalah berupa mengikuti atau mengadakan pameran untuk setiap event kebudayaan dan nasional, karena sangat berpeluang mendatangkan pengunjung lebih banyak sehingga misi dan tujuan promosi yang diharapkan meningkat ketercapaiannya. Seiring perkembangan zaman, desain suatu booth pameran ikut andil berperan penting dalam menentukan indikator keberhasilan sebuah pameran sebagai daya tarik untuk dikunjungi berdasarkan dari rasa penasaran dan kekaguman pengunjung terhadap Booth pameran. Perancangan Exhibition Booth menerapkan konsep melalui tata pajang, tata letak, estetika, dan warna yang mewakili cerminan dari suku budaya Sumatera Utara serta suasana desain yang unik dan bernilai. Ukuran desain Booth mengikuti standar pameran untuk mengurangi space-consuming dan efektif dalam meletakkan produk. Material bahan utama pembuatan booth menggunakan Plywood dengan kualitas tidak mudah rusak, ringan dan mudah untuk dibentuk