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ANALISIS PACING DALAM MEMBENTUK SUSPENSE PADA FILM JOKER KARYA TODD PHILLIPS
The Joker movie shows the journey of Arthur Fleck as he slowly turns into the Joker. The researched aspect of this movie is the editing aspect with a focus on pacing techniques in shaping one of the dramatic elements, suspense. This research uses a qualitative method that is presented descriptively based on theories that contain pacing and dramatics.The results of this research prove that pacing has an important role in shaping the dramatic elements of suspense, by withholding information through cutting with three methods, which are: rate of cutting, rate of change or movement within a shot, and rate of overall change. The dramatic pattern of suspense in the Joker movie has three stages, which are before, during, and after, which are related to each other in shaping the dramatic elements of suspense
Penulisan Naskah Dalam Pembuatan Film Pendek “Elegi Melodi”
Penulisan naskah merupakan elemen penting dalam proses pembuatan film. Naskah film pendek “Elegi Melodi” yang bergenre komedi pahit dan memiliki alur campuran ini memerlukan struktur yang mendalam agar pesan yang ingin disampaikan dapat diterima dengan baik. Oleh karena itu, peneliti tertarik untuk menganalisis naskah film pendek “Elegi Melodi”. Penelitian ini bertujuan untuk mengetahui penerapan teori struktur tiga babak Aristoteles dalam penulisan naskah film pendek “Elegi Melodi”. Teori yang digunakan dalam penelitian ini adalah teori struktur tiga babak yang terdiri dari Babak I, Babak II, dan Babak III. Metode penelitian yang digunakan adalah kualitatif dengan teknik studi dokumenter untuk mengumpulkan final draft naskah film pendek “Elegi Melodi”. Hasil penelitian menunjukkan bahwa penerapan struktur tiga babak pada naskah “Elegi Melodi” memberikan panduan yang jelas dalam membantu menyusun alur cerita. Pada babak I digunakan untuk pengenalan tokoh, babak II berhasil memunculkan konflik, dan babak III menyajikan penyelesaian yang memberikan dampak emosional pada penonton
ANALISIS TEKNIK SCREENLIFE/SCREEN RECORD: SEBUAH STUDI KASUS TENTANG PENGARUHNYA PADA PENCERITAAN FILM
creenlife/screen record, a filmmaking technique that utilizes screen recordings of electronic devices, has garnered significant attention from filmmakers and audiences in recent years. This research employs a qualitative approach with a case study method to analyze screenlife/screen record, focusing on its advantages and disadvantages, its influence on film storytelling, and the challenges faced by filmmakers. The research findings indicate that screenlife/screen record offers realism, audience immersion, and low production costs. However, this technique also presents limitations in story scope, the potential for audience boredom, and the requirement for specialized technical skills. Screenlife/screen record enables filmmakers to explore contemporary themes, deliver immersive and personal narratives, and introduce new perspectives in film storytelling. This research holds implications for filmmakers, academics, and the film industry as a whole. Filmmakers can utilize the research findings to understand the pros and cons of screenlife/screen record and to address the challenges encountered in filmmaking using this technique. Academics can contribute to the development of knowledge about screenlife/screen record and its role in film storytelling. The film industry can recognize screenlife/screen record as a potential genre to capture audience interest and drive innovation in filmmaking
TEKNIK KAMERA SEBAGAI PENAMBAH UNSUR DRAMATIK DALAM PENYUTRADARAAN DRAMA TELEVISI “REKASA”
The production of this work aims to create a comedy television drama by applying shot size, camera angle and camera movement camera techniques to add dramatic elements of conflict, suspense, Curiousity, and Surprise. the application of this technique is used to build an atmosphere in the story, so that the conveying of emotion and atmosphere in the story can be effective to the audience verbally and nonverbally
PERAN PROGRAM CERDAS QUR’AN DALAM MENINGKATKAN KEBERADAAN PADANG TV
Padang TV is one of the local televisions in West Sumatra that has been able to maintain its existence for more than fifteen years. Various challenges are faced by local television in facing competition with local television to national television. Various strategies are carried out to improve its existence, one of which is producing the Cerdas Qur'an program which is produced in the midst of the community. The purpose of this research is to find out how the role of the Cerdas Qur'an program in increasing the existence of Padang TV.
The theory used in this research is the strategy of producing television programs, and strategies in attracting audiences in maintaining the existence of Padang TV. The research methodology used in this research is qualitative method and data collection techniques by conducting interviews, observations, and document studies. The results showed that the Cerdas Qur'an Program has a strong role in increasing the existence of Padang TV through several strategies, namely, strategies for producing television programs, strategies for attracting audiences, strategies for producing programs in the community, and utilizing internet media
MISE-EN-SCENE DALAM MEMBANGUN REALISME PADA FILM “NYAI: A WOMAN FROM JAVA”
ABSTRAKFilm Nyai: A Woman From Java merupakan film fiksi berdurasi 90 menit yang disutradarai oleh Garin Nugroho, diproduksi pada tahun 2016. Meninggalkan gaya bertutur film konvensional, film Nyai memadukan unsur teater dengan film. Penggunaan mise-en-scene disajikan serealistis mungkin secara teatrikal sesuai dengan apa yang terjadi di atas panggung. Realisme bertujuan untuk menciptakan ilusi realitas, yang diwujudkan dalam bentuk pemanggungan atau mise-en-scene yang menggambarkan situasi kehidupan manusia secara objektif tanpa distorsi di dalamnya. Unit analisis yang akan diteliti dalam penelitian ini meliputi setting, pencahayaan, kostum dan tata rias, pemain dan pergerakannya. Berdasarkan hasil kajian dapat disimpulkan bahwa pada unsur-unsur mise-en-scene dalam film “Nyai” teridentifikasi tanda-tanda realisme sehingga unsur-unsur mise-en-scene dalam film ini dapat mendukung kerealistisan yang tampak pada setiap adegan film ini.Kata kunci: Film “Nyai”, Mis-en-scene, Realism
fillm realita imaji
In visual arts, particularly in film, the relationship between reality and imagination creates a complex relation. Film, as a medium that amalgamates visual techniques, special effects, and cinematic direction, possesses the power to construct a highly realistic world. This enables the audience to experience emotional engagement with visuals, characters, and the narrative. This research aims to address the question: how does film establish engagement between reality and imagination? The proposed hypothesis is that the cinematic power and its creative elements generate a convincing representation of the world for the audience's perception, blurring the boundaries between reality and fantasy. The research methodology employs a narrative transportation approach and refers to a range of literature to highlight the intricacies of reality in film, where the emotional and cognitive involvement of the audience is crucial for a profound cinematic experience. This study seeks to provide an understanding of how films create complex relationships between images and reality. In conclusion, films not only produce visual images but also shape alternative realities that influence the perception and even behavior of the audience. Therefore, critical discussion of the boundaries between reality and imagination in films is very important)
ANALYSIS OF THE EXISTENCE OF DIGITAL ONLINE JOURNALISTS IN THE ERA GLOBALIZATION IN REVIEW OF JOURNALISTIC CODE OF ETHICS
Journalism is a major milestone in news outlets. Information from all corners of the world is broadcast and received both conventionally and digitally. Walking the path in the current era of globalization, all information comes to us through online gadgets and smartphones. Global developments permeate every aspect of people's lives in the digital era in obtaining information. Various information that is spread is not imaginary, it is often used as a guide in life. To disseminate information to the audience, even digital journalists who are called online journalists must not be separated from thejournalistic ethics that an online journalist must have. This paper discusses the existence of online journalists in the midst of society in the era of globalization which is mushrooming so that their existence is considered to have sufficient advantages and disadvantages. do not make fake news to increase speed in publishing new
PENDEKATAN KRONOLOGI PADA NASKAH DOKUMENTER TELEVISI “ WANITA PEMAES”
Paes is the art of decorating the face of traditional brides, especially Javanese brides. The creation of a television documentary script raises the topic of a performer from the side of his profession and life. The method used in the creation of this manuscript is the chronological method which divides each sequence according to the three stages of the chronological method, namely the first sequence as the introduction, the second sequence as the body or description and the third sequence as the closing. By applying this method to the script, the resulting impression will be more easily understood by the audience
UPAYA PREVENTIF DALAM MENANGGULANGI TINDAK PIDANA PEMBAJAKAN FILM SECARA ONLINE MAUPUN OFFLINE DI INDONESIA
Penelitian ini bertujuan untuk mengetahui faktor-faktor penyebab dari tindak pidana pembajakan film secara online maupun offline di Indonesia serta upaya preventif yang dilakukan untuk menanggulangi tindak pidana pembajakan film tersebut. Metode penelitian yang digunakan adalah metode penelitian hukum normatif yang merupakan penelitian hukum normatif. Hasil penelitian menunjukkan bahwa terdapat beberapa faktor yang menjadi penyebab tindak pidana pembajakan film secara online maupun offline, yakni : 1) Faktor Teknologi dan Internet, 2) Faktor ekonomi, 3) Faktor Kesadaran Masyarakat 4) Faktor kesadaran Hukum Pada Pencipta Film, 5) Faktor Pengetahuan , 6) Faktor Penegakan Hukum, 7) Faktor Budaya. Adapun upaya preventif dalam menanggulangi tindak pidana pembajakan film secara online maupun offline di Indonesia adalah 1) Melakukan sosialisasi undang-undang Nomor 28 Tahun 2014 tentang Hak Cipta kepada masyarakat, 2) Pelaksanaan penutupan konten dan/hak akses pengguna yang melanggar hak cipta dan/atau hak terkait dalam sistem elektronik, 3) Pelaksanaan Undang-undang Nomor 11 Tahun 2008 tentang Informasi dan Transasksi Elektronik 4) Melakukan perlindungan hak eksklusif terhadap pencipta film, 5) Adanya kesadaran hukum pada masyarakat, 6) Adanya kesadaran hukum pada pencipta film.Kata kunci : preventif , tindak pidana , pembajakan film, online, offlin