MATAN (Urdu Research Journal)
Not a member yet
200 research outputs found
Sort by
سعادت حسن منٹو کے خاکوں میں طنز و مزاح
No full textSadat Hassan Manto was not just a great fiction writer; he was also a talented playwriter, sketch writer, and essayist. While many aspects of his artistic abilities gained recognition; one standout quality was his use of satire and humour. Manto’s artistic ability also gained susses in sketch writing. Sketches included into “Ganjay Frishty” can be divided into two parts: the first part contains political and literary content, and other part contains sketches related to film industry, which are illustrated by satirical and humorous style. The satirical and humorous style of Manto’s writing become more by pun, parody and Quirk, but situational humorous created betterment other than above characteristics. Which are free from buffoonery attitude? Many politicians and literary were treated brutal behaviour by Government also explained with satirical style in his sketches. All the satirical concepts and meaning full accents are vailed by the certain of words; this is also the artistic ability of Manto in sketch writing
جدید اردو نظم میں سیاسی و مزاحمتی شاعری کے تین رنگ
No full textLiterature is also a metaphor for resistance. When a society was exploited, the voice was raised through literature, many movements were also active for it. So many times the shadows of dictatorship fell on the Pakistani society. Along with the injustice and violation of human rights in the society, there will also be an attempt to suppress religious, economic and freedom of expression. At that time, the poets who raised the voice of protest against the dictators are Habib Jalib, Akhtar Hussain Jafari and Fahmida Riaz. In this paper, an attempt has been made to shed light on his achievements and his struggles.
خالد اختر بہ طور اردو تبصرہ نگار
No full textLike other Geners of Urdu literature review writing has also been introduced by Sir Sayyed. It has been given a significant position in the literature, in Hindustan. A considerable effort has also been seen to be put in, to make all of its features clear. Regarding this geners extensive debates exist. Starting from Sir Sayyeds Era up to the era Shams Ur Rehman Farooqi. Contrary to it, Maulvi Abdul Haq is the only one in Pakistan to recognize the importance of Urdu Review writing but in Pakistan it has not been given the due appreciation which it deserved. Muhammad Khalid Akhtar is one of the few people to put in serious efforts to established importance of this geners back in 60s and 70s. The bench mark He set for review writing in Urdu literature is truly an eye catcher
سید محمد جعفری، سید ضمیر جعفری اور دلاور فگار کی ظریفانہ شاعری کے موضوعات کا تقابلی مطالعہ
No full textSayed Muhammad Jafri, Sayed Muhammad Zameer Jafri and Dilawar Fegaar Comprise fundamental position. in Urdu humorous Poetry. They chose political. Social vices, conventional attitudes and inequalities for their poetry. In Urdu humorous poetry, the tradition of comparison /Apposition is next to nothing. There is rivalry among an old tradition of contemplanead the coeval Urdu poem but Sayed Muhammad Jafri, Zameer Jafri and Dilawar Fegaar not only tolerated one another but paid tribute to each other also. All of them have a lot of variety of topics for their poetry and extrate in diversity. Humour finds its place in any social or political issue to these greal pock. They observed precisely all sorts of injustice, Corruption and deprivations in Pakistani Social, political, and religious society and narrated them in their poetry in a way Satiric.
مثنوی’سحرالبیان‘،’ گلزارِنسیم‘ اور ’زہرِ عشق‘ پر ڈاکٹر فرمان فتح پوری کی تحقیق و تنقید کا جائزہ
No full textThe tradition of poetic tales in Urdu has existed for centuries and continues to be an important part of literature. Dr. Farman Fatehpuri, a renowned figure in Urdu literature, has critically evaluated the Urdu poetic tales up until 1870 in his PhD thesis, "Urdu ki Manzoom Daastanein" Masnavi, a type of poetic tale, is a significant part of world literature and reflects the grandeur of this genre. The book "Urdu ki Behtreen Masnaviyan" by Dr. Farman Fatehpuri evaluates three significant masnavis, including "Sehrul Bayan," "Gulzar Naseem," and "Zehr-e-Ishq." Dr. Fatehpuri analyses their characters, plot, dialogue, and sequence of events. "Sehrul Bayan" by Meer Hassan portrays the characteristics of the characters, social values, and events of the time, while "Gulzar Naseem" by Diya Shankar skilfully combines poetry, emotional expression, and elaborate language to reflect the essence of the Lucknow society. "Zehr-e-Ishq" by Nawab Mirza Shaooq is known for its emotional intensity and impactful use of language. Dr. Farman Fatehpuri's evaluation of these works provides insight into their literary and artistic value and contribution to Urdu literature.
ثقلین جعفری کی اردو غزل گوئی کا جائزہ
No full textIn the tradition of Urdu Ghazal, the name of Saqlain Jafri is known as an important and reliable reference. Your Ghazal is very strong both artistically and intellectually. You have beautifully incorporated many of the themes scattered around you in to your poetry. Your topic not only love and romance but also political, social and economic topics you have describe with interest. Your book how to be perfect in love is very good example of Urdu Ghazals. Apart from Ghazal, he also wrote poems, Naats, Hamd, Salam and Qataas which are his own example in Urdu literature. His Ghazals are adorned with rare and rare smiles. Your stile is common sense and simple which is easily understood even by an ordinary reader. Your poetry is charming combination of classicism and innovation. Your book is beautiful addition to Urdu poetry which no less than a valuable asset.
کلامِ اکبر اور سر سید: ایک مطالعہ
No full textAkbar is not against the modern knowledges, but he is not in favour of the blind following of the west, and he is regretted on the loss of the political and educational freedom of the Muslims. We can see satire as a reform in Akbar poetry as a proved fact and he has used his satire as a tool to make radical changes in Sir Syed’s movement. Akbar, being a true satirist, can never fully support any reformist movement. His humorous pattern of thinking always tries to rectify the direction of every character and movement. To doubt and to warn are a part of the satirist’s nature. Satire is such a whip that awakens the sleeping souls of the masses. Like his other characters, Akbar also satirized the character of Sir Syed. Akbar strongly attacked in the early days with contradictions and satire on Sir Syed but with the passage of time and experiences, he seemed to be much impressed by the struggle and reforming passion of Sir Syed. This article discusses the philosophical and psychological differences between Sir Syed and Akbar along with their mutual harmony and similarities.
اکبر الٰہ آبادی اور سید محمد جعفری کی ظریفانہ شاعری کا تقابلی جائزہ
No full textMany poets, in the history of Urdu poetry, have contributed a lot. The comic poetry of Urdu has been elevated by Akbar Allah Abadi. He has been called the Imam of Urdu comic poetry. Syed Muhammad Jafri is near to Akbar Allah Abadi in his comic poetry. Akbar and Syed Muhammad Jafri find similarity in their thoughts, comedy and topics. Both of them highlight the govt and governments policies in their satirical writings. Whether it be the injustice of the English government or Martial law and the authoritafivers of the Dictators; both of the satirize courageously. Some aspects of eastern values have been more special to Akbar and due to his closeness to eastern values, he has satiriesed modern western civilization and new industrial residing’s. Sayed Muhammad Jafri has also paid attention on the same eastern in his poetry
خود انعکاسیت اور فرانز کافکا
No full textFranz Kafka’s voice is one of the most powerful and unique voices in twentieth-century literature because of his works of philosophical ambiguity and self-reflexivity. “The Judgment”, “The Metamorphosis” and “Amerika” are Kafka’s stories in which his personal life is reflected, and they reveal his body and soul. These stories deal with the complex relationship between father and son. The father’s role represents traditional patriarchal authority, while son’s role represents acceptance and sacrifice. Sons are fighting against the fear and hatred of their fathers for the survival of their existence, and they pay for their knowing and unknowing sins by giving their lives. Kafka wanted to be like his father since his childhood and wanted to fulfill all his father’s expectations, but his father’s behavior made him a victim of fear, hatred. Despite his strong desire, he could not build his life on natural lines. Contempt, the pain of rejection, mistrust, impotence, feelings of inadequacy and the resulting anxiety and uncertainty influenced Kafka’s major life decisions. His personality could not attain the strength, needed to fight the external battle of life, instead he had to struggle with “childish strength” throughout his life. In addition to his works, his diaries and letters also reveals the complex relationships between father and son
اقبال کا تصورِ نسواں اور تانیثیت: مماثلات و امتیازات
No full textIqbal is a great poet of Urdu who has a complete philosophy of life. The basic concept of his philosophy is to explore the status of human being in this world. This identification is incomplete without consideration of female position. Iqbal has also a vision about women prestige and position in society. Feminism is a very important discourse of our age which has tries to identify the actual status of women in society and literature. In this article researcher has tried to explore the feminist aspect of Iqbal’s intellect and its relevance with contemporary feminist approach