MATAN (Urdu Research Journal)
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محمد عاصم بٹ کے ناولوں میں وجودیت کے اثرات
No full textExistentialism is the intellectual marquee of the present age. The specific anxieties, tensions, anxieties of this age, which are the result of horrific wars, destructive weapons, violent social revolutions, authoritarian, sectarian and anti-individual beliefs and the decline of spirituality. It has happened. It has caused confusion and despair, rebellion against all accepted traditions, materialism, depravity of imagination, disintegration of spirit and unity in thought, literature and culture, feeling of insecurity, social, political, religious, The defeat of moral and aesthetic values, from which our culture has been shaped, has provided the raw material for the philosophy of existence, which is its interpretation, its interpretation, its derivation, and its critique. Man was the need of proof of his own caste, and he himself was rich in the caste of self-belief, determination, courage and courage, was the embers of centuries and the lone man. But when does man lose courage. Moments full of anguish and sorrow and grief. Human life and society have been the focus of attention in Urdu novels from the very beginning. That is why Asim Butt, who is a modern novelist, covered modern philosophical and intellectual discussions. Asim Butt Kept an eye on the changing circumstances and made the problems of human existence his subject. Muhammad Asim butt is one of the most prominent novelist of 21 century. He wrote three novels Daira, Natamam, Bhaeed. In this article his three novels in Existential effects has been discussed
’’گیتا نجلی‘‘ میں روحانیت کا عنصر(اردو تراجم کے حوالے سے)
No full textRabindranath Tagore was a Bengali poet who belonged to Hindu religion, had a book based on spiritual songs published by London Society, titled Song Offerings ( Geetanjali). Tagore's emotionality, simplicity and deep spirituality deeply impressed the Europeans who were tired of materialism. Tagore was awarded the highest Nobel Prize of Literature due to this book which has been the first prize given to an eastern personality. The main attraction of Geetanjali is spirituality due to which it got fame worldwide and has been translated in many languages of the world
ترقی پسند کہانی کار: حمید اختر
No full textSome people know Hamid Akhtar as a journalist, but his main identity is a writer and as a writer his main status is a storyteller. The subject of fiction is the common man and his problems. Fiction reflects progressive ideas. Written in search of a better life in an exploitative society, these stories do not propagate a better life but fulfill their artistic requirements. Hameed Akhtar struggled all his life, and this struggle was for the unfortunate people who were deceived step by step. As a communist, these stories promote social justice
ملتان کا گمشدہ ڈراما نگار: انوار احمد
No full textIn literary circles, Anwaar Ahmad is known as a short story writer and critic. But he has also experimented with the art of drama. The most important element in fiction is the subject of what part of life the artist has tried to show. Anwaar Ahmad's dramas seem to dominate the problems of his region. The themes of their fears are not unfamiliar. They tell the story of their own soil, the story of their own region. There is adoption in their subjects. Point to the problems of the region, try to bring out the bitter realities of society. Anwaar Ahmad has a special thought, a thought, a purpose, and this thought is evident in his speech, his fiction and his plays.
اردو ناول میں پلاٹ کے مباحث
No full textPlot is a way in which story is told. Discussion about plot is as important as on the story which is basic element of fictional genre. Therefore, most of the theoretic criticism of novel in Urdu is focused on plot. It was necessary to look on all this stuff and have an outcome. In this article all the arguments about plot are looked upon and ways for further discussions are opened
مولوی ذکاء اللہ بہ حیثیت مورخ
No full textMaulvi Zakaullah was one of those companions of Sir Syed Ahmed Khan who tried his level best to accomplish the goals of Aligarh Movement. He also offered services to resolve the difficulties faced regarding the books on Geography, Ethics, Literature, Biography, Linguists and History.
He gave special attention to History. His books entitled “Tarikh-e-Hindustan (10 Volume), Sultan-e-Hindustan (Volume 1 amp; 2), Tarikh-e-Englasia, Aain-eQasri, Sawan-e-Samiullah, Tarikh-e-Islam, Farhang-e-Farhang etc carry great importance
فارس اور وسط ایشیاء میں غالب شناسی
No full textThe tradition of Ghalib Shanasi ( Ghalib Cognizance ) is as old as the literary work of Ghalib itself. Ghalib has left behind himself a highly esteemed literary work of Persian poetry and prose. But despite that the tradition of Ghalib Shanasi ( Cognizance of Ghalib ) among the literary scholars of Persia started too late, near about, in 1950. Though Ghalib was appreciated in Persian literary intellectuals but this appreciation is not sufficient as compare to the discernment of Ghalib among the literary craftsmen of Urdu. Therefore, paradoxically, Ghalib felt pride in expressing himself in Persian and he thought himself as the literary figure of that language. Among the Persian literary figures, thesis of Dr. Muhammad Muqaddam Alvi, Dr. Shafei Kadkani, Professor Estelami, Dr. Raza Mustafa and Yahya Taliban regarding Ghalib Shanasi (Cognizance of Ghalib). The research work and criticism of Muhammad Hassan Jairi, Sayed Ghulam Akbar Naqvi and Muhammad Ali Farjaad etc., regarding Ghalib Shanasi ( Ghalib cognizance ) are worthy to be acknowledged. Though they compensate Persian's lack of Ghalib Shanasi (Ghalib Cognizance), yet more is required to be done
حبیب محمد حبیب کی مرثیہ نگاری
No full textThis article contains the definition of Marsiya (ELEGY) , shows difference between traditional Marsiya (ELEGY) and modern Urdu Marsiya (ELEGY) and tradition of Marsiya Nigari in Bahawalpur.
History of Marsiya (ELEGY) writing in Bahawalpur shows leading elegists such as Agha Sikandar Mehdi, Nafees Fatehpuri, Gulzar Nadim Sabri, Masood Hassan Shahab etc. Habib Muhammad Habib is one of those renowned elegists who excelled and perfected the art of elegy/Marsiya writing in Bahawalpur. He is the leading exponent of modern Marsiya nigari in Bahawalpur. He composed as easily as he spoke, observing all contents of Marsiya. Among his contemporary elegists, his individuality is the obvious truth
شہزاد احمد کی غیر مدوّن نثری تحریریں :تحقیقی و تنقیدی جائزہ
No full textShehzad Ahmad (1936-2012)has been counted as to be one of renowned poet of modern Urdu ghazal. He was vastly read person whose domain was much larger than just poetry. He wrote thirty-two books on the topic of science, philosophy and Islam. He acclaimed a great fame in field of science. Translation, light essay and reviewer. this research article is an endeavor to bring forth the unedited prose writings of Shehzad Ahmad namely his articles, light essays and interviews. which will help a great deal to understand his intellectual ideas.
ریاض احمد کے تنقیدی رویوں کا نفسیاتی دائرہ کار
No full textThe tendency of psychological criticism in Urdu criticism has been among the critics of “HALQA ARBAB ZAOQ”. Riaz Ahmad is the second biggest psychological critic after Meera ji. Psychological Criticism is a psychological analysis of the effects of creation on the author, the characters, and the reader. Riaz Ahmad presented theoretical and practical critiques in the light of the psychological theories of Freud, Young and Adler. He made Urdu poetry part of a more practical critique. He described the difference between classical Urdu poetry and modern Urdu poetry in terms of psychological principles. Psychological justification for the use of nickname, styles and themes. This article analysis the psychological scope of Riaz Ahmad’s critique. He tested modern poets on the criterion of psychological criticism, including NM Rashid, Meera ji, Faiz, Sahir, Majeed Amjad, Qayyum Nazar, Yusuf Nazar and others. Riaz Ahmad has given precedence to modern poets over progressive poets. According to Riaz Ahmad, progressive poets are sexist. His criticism is biased. This article covers all aspects of his psychological critique. His critique has been clarified with arguments. This article is an attempt to understand Riaz Ahmad’s critique