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پاکستانی اردو افسانے میں مزاحمت: مارشل لا کے تناظر میں
No full textAfter the establishment of Pakistan, issues of riots and migration have been prominent in Urdu fiction with the international symbolism in the promotion of symbolic fiction in the 60s General Ayub's martial law was the main factor. General Ziaul Haq's martial law in the 1980s One of the worst political upheavals of Pakistani society is in the stories of the era Differential views of individual and collective psychology with theological and technical experience and Political expression of violence and resistance to violence is prominent. General Musharraf's martial law inexplicably hollowed out Pakistani society. From 1997 to 2000, the form of power was semi-democratic, but its spirit was martial law, the resistance to which, though not of a strong political nature, has been a wave of resistance among Pakistani writers, especially fiction writers, as a nation
اردو رسم الخط پر اعتراضات: تجزیاتی مطالعہ
No full textThe Urdu script is Perso-Arabic script in its nature. In which experts have modified and added according to their needs and sounds. Various objections were raised from time to time. To which the linguists kept giving answers. Although Urdu script borrowed its word structure and spelling method from Arabic and Persian. It is a matter of strange coincidence that the Arabic and Persian scripts do not meet such criticisms and objections. This article aims to examine some of these objections and see how realistic they were. This article critically examines some of these objections and seeks to address them. It is intended to critically examine some such objections to see how realistic those objections were. It is intended to critically examine some such objections to see how realistic those objections were
پاؤلو کویلہوکا مترجم سعید احمد
No full textPaulo Coelho de Souza (b: 24 August 1947) is a Brazilian novelist. He wrote numerous novels in Portuguese. Almost all of his novels have been translated in English. He started writing novels in 1974 and till 2020, he had written 32 novels. Among them him famous novel AlChemist was translated twice in Urdu before. Now (Dr.) Saeed Ahmad translated his two other novels in Urdu named: The Archer and By the River Piedra, which are named in Urdu continuously as Teer Andaz and Girya Bar kinar e Darya, published from Misaal Publishers, Faisalabad in 2021. Saeed Ahmad is Head of the department of Urdu at Government College University, Faisalabad. He is well known for his ctitical works on Urdu Daastan (Urdu tales). On this particular topic, his two books have been published in the last few years which make him popular in the circle of Urdu literary society. Moreover he is a successful Urdu translator. His these two translations of Paulo Coelho’s novels is an example of his good translation. Saeed Ahmad tried to use the literary translation method in these translations. He used to translate the English text of Paulo Coelho novels in literary manners of Urdu language. He used simple, elegant and easily understandable but purely literary Urdu language. In this respect it is so important that this kind of language is quite suitable for a literary translation
تلامذۂ غالب کی نعتیہ شاعری
No full textThis Paper aims to discuss the influences of classic urdu poetry in the last years of 19th century. Especially it is discussed in the paper that how the learners were impressed by Mirza Ghalib and then how they depicted this learning in Prophetic literature. It concludes that Naat is a big source of resumption. It retrieves the religious and literary atmosphere of a typical era. stepwise study of Naat literature can help us to snap back the hidden realities and aspects of society. It is clear from perusing the Naat poetry of Ghalib's tutees that every poet has distinguish way of expression. However, main traits remain same either it is naat or other poetic expressions. So, they show same intellect in Naat which they express poetry in general However All of them didnt have same perception of Ghalib poetry
کا موضوعاتی و مشتملاتی جائزہ (Cartoons) اردو صحافت کے ابتدائی ادارتی خاکوں
No full textThe purpose of an editorial cartoon is not only to amuse the reader but also to aware them with the current events and issues. Unlike the newspaper itself, editorial cartoons are something which an uneducated person can also understand. Therefore, it commands a great importance. The study aims to analyze the cartoons published in an Urdu weekly titled Oudh Punch, first published from Lucknow, British India in 1877. This weekly was the first in Urdu to publish editorial cartoons. Selected cartoons from the Oudh Punch were analyzed in both qualitative and quantitative manner, for quantitative analysis these cartoons were analyzed in five different aspects. Convenience Sampling technique and Nominal level of measurement were used under the theoretical framework of Agenda setting Theory
اسلم انصاری کی غزل میں غم کا بیان
No full textAslam Ansari is a prominent contemporary Urdu poet. Beside a poet, he is also considered an important Iqbal Shanaas, researcher and critic. He has not only shown creative excellence in Urdu but has also written excellent poetry in Persian, English and Saraiki. His poetry rotates around the romantic sentiments, expression of personal and collective truths, lamentaion of modern turmoil, philosophy of the universe and life, defeat of human and moral values in modern time, patriotism and values of the past. The expression of sorrow is found again and again not only in Aslam Ansari’s poetry but also in his prose writings.For him, sorrow is the core reality of life. In this article, the study of sorrow in connection of love and life expressed in his Ghazal has been made
منتخب اردو نظم گو شعرا کی نظموں میں موضوعاتی و ہیئتی تنوّع
No full textModern poem writers of Urdu have contributed immensely towards embellishing Urdu with newer subjects and have added vigor to language's expression through various experiments in its form. As Gopi Chand Narang so aptly remarked “Uniformity of thought and presentation is poison for creativity”. True to form, stalwarts like Faiz, Rashid, Majeed Amjad, Meeraji, Zia Jalandhari and Jaffar Tahir have been different in their choice of topics and content as well as varied and at the same time brave in using new expressions to convey their august thoughts.
One influence that seems to have permeated a great many of these poets is the influence of western culture and literary tradition. English poetry of whom all of them had a fair share of exposure, propelled these artists to seek newer climes, singular techniques and original experiences in their poetry. Blake, Shelley, Keats and French poets all contributed towards a new era hued by these poets in Urdu poem.
While Faiz gave expression to despicable status of ordinary souls in his poetry, N. M. Rashid and Meeraji used Persian and Hindi diction respectively to give vent to their poetic sensibilities. Majeed Amjad uses different types of forms to bring home to the reader his unique experience of time and space and a certain metaphysical understanding of the world around him. Zia and Jaffar Tahir both use historical traditions and their deep understanding of history to make their readers make sense of their contemporary times.
All in all, these poets were creative enough and bold enough not to shy from using different types of forms, techniques and methods to relate Urdu poetry to new and challenging times.
انیسویں صدی میں شاعراتِ اردو کے تذکرے— تعارف و تحقیق
No full textBiographical Accounts (Tazkiras) are one of the most reliable sources of the information about the eminent personalities of the past. These provide a good amalgamation of social, literary and scholastic history of the given society and also become the foundation stone of the literary criticism. The era of Tazkira writing of female Urdu poets formally starts during the end of the nineteenth century, appromixately after two centuries of tazkira writing and one century of Tazkira writing of Urdu poets in India. Tazkiras of the poetesses, not only have basic importance with respect to their nature, presentation, language and expression but also these are the only significant source of information about the Biography and poetry of the contemporary poetesses. This research study has presented the introduction of Tazkiras of urdu poetesses which were written in end of the nineteenth century and also effort has been made to find out that how many of these tazkiras have been written during the period and what is style of their presentation
بیسویں صدی کے ہندو شعرا کے اردو کلام میں اخلاقی و اسلامی اقدار کی عکاسی
No full textHonestly speaking, human feelings and observations primarily have no particular religion or sect, but presenting their expression from a certain point of view shows the effects of a specific thought or ideology, which has by and large influenced different genres of art and literature. Urdu poetry reflects respect and love for humanity. Peace and unity among all religions based on this, they not only extol the love for humanity of each other's religious dignitaries in their poetry but also use it as an example. In this regard, an extensive study of Urdu poetry shows that it is largely free from religious hatred. Apart from Muslims, Hindu and Sikh poets have a distinguished place among the prominent Urdu poets. The Hindu and Sikh poets who transcended religion and made Islamic subjects their topic in a fascinating way and proved that devotion to the truth is no one's legacy. In their verses, through Hamd (praise of Allah) and Naat). Praise of Holy Prophet) they propagated their love for humanity which is exemplary. Non-Muslim poets have also narrated the epics of the bravery and valor of Hazrat Ali (AS). The citation of Hussain's (AS) eternal victory in their poetry blows up the passion for standing with truth despite odds.
ڈاکٹر اسلم انصاری کے علمی و ادبی خطوط اور تنقیدی نثر کا تقابلی مطالعہ
No full textAcademic and literary letters are very important in the thematic division of the letter. These letters are informational in nature in, comments and analyzes are presented. In Urdu which literary points are explained. Academic and literary theories literature, literary theories, interpretations, contemporary literary situations, linguistic debates etc. are described in scholarly and literary texts. Even if the letters of Literary Personalities are of a personal nature, they are useful, but if we talk about their academic and literary schools, it helps to know their ideological commitment, ideological explanation, literary perspective, etc. Such letters are also helpful in understanding the ideas presented in the poetry and works of the poet or prose writer. Apart from his creations, the creator expresses his ideas through conversations and letters with friends. Dr. Aslam Ansari's critical views are present in most of his critical works, but at the same time, his scholarly and literary writings also cover these discussions. Through the comparative study of his letters and critical prose, where the dispersed state of these ideas has been presented in a unified form, the paths for new ideas and thoughts have also been paved