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    قیوم نظر کی نظم نگاری (زمانی تسلسل کے ساتھ بدلتے موضوعات)

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    In this article, Qayyum Nazar’s poems have been reviewed chronically. Nazar, an active member of Halqa e Arbab e Zauq, was a known literary figure during the second half of last century. His contribution to modern poetry is immense. We find diversity of thought and style in his poetry. Alongside his routine literary works, he also composed patriotic songs and childern’s rhymes. In third and fourth decades of last century, although free verse was becoming popular, Qayyum Nazar continued to compose poems in classical style with many varieties. The article concludes that Nazar's poetry accepted the influence of changing social and political milieu. He presented inner self of an individual, but he did not compromise on aesthetics of poetry

    ’’الزبیر‘‘ کے خصوص شمارے ’’غیرملکی افسانہ نمبر‘‘ کا تجزیاتی مطالعہ (ابتدا سے ۱۹۹۰ء تک)

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    Urdu literary journal play an important role in the promotion of urdu literature. Al-Zubair is a such general which plays also an important role to promote the urdu literature and research work. At a time, when special numbers were published in pakistan Al-Zubair also participated in this race and its Foreign Fiction Number was the best number. There was not original pieces of writing in it, but  the translations also embraced many cultures of different countries. If it is compared with other magazines like Nuqoosh for having renowned story writers, but we will not ignore Al-Zubair Foreign legend Number importance. Therefore in the present age Al-Zubair services for progress and propagation of literature will be considered. Foreign Fiction Number have many short stories translated by Bahawalpur writers, its palied an important roll in this number. In these stories, shown many aspact of life and life style of other countries. In this article we discuss the importance  of Al-Zubair and camparison with Nuqoosh Fiction Number. 

    اردو رسم الخط کا تہذیبی تعلق

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    Urdu script has a special existence in terms of its geography and culture. Attempts have been made to change it many times in history, but Urdu has its own uniqueness in its cultural background. If we look at the efforts to introduce Hindi and Roman scripts for Urdu, then Nastaleeq has been suitable for Urdu in every era and still Nastaleeq is like body and soul for Urdu. Language is an important means of communication free from prejudice. Civilization is a combination of different cultures. The script is the identity of every culture. Urdu script also has a cultural uniqueness

    عہدِ غالبؔ میں اردو تاریخ گوئی

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    The nineteenth century is important not only in terms of Urdu literature but also in terms of chronogramisms. In this era, literature and chronogramisms were flourishing in both South India and North India. But in northern India, the Urdu language in particular was exploiting its creative potential.It would not be inappropriate to consider Ghalib as the representative writer of this era and to attribute this era to Ghalib. Although Ghalib did not play a significant role in the art of chronogramisms, but by composing chronogramms in Urdu and Persian, he has definitely kept his connection with this tradition.This is the social need of this age as well as the literary and creative need.This period can be called the golden age of Urdu chronogramisms. This article discusses the golden age of Urdu chronogramisms

    اردو ادب اور سوشل میڈیا: مضمرات و ممکنات

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    With the development of electronic media, the world has become a global village where geographical distances have narrowed. Huge resources have become available for mankindfor their leisure time.However, the facility comes with some effects also. The same influence of the media has affected Pakistani society in many ways. Research has evidenced that such influences has resulted in the gradual decline in social and cultural value system of every society. Such effects can easily be witnessed and determined in literature as well. In such a scenario the responsibilities of the literary personals are increased to safeguard the boundaries of the social and cultural dynamics of a society. For this purpose, writers have to accept their responsibility and make literature the representative of their traditions and values. So that the new generation can be aware of their cultural identity through literature.This paper is an attempt to explore, determine and describe the responsibilities of the Urdu writers to avoid the impact and disadvantages of social media on Urdu literature

    کلامِ ظفر علی خان میں عصری تلمیحات: تحقیقی جائزہ

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    Maulana Zafar Ali Khan (January 17, 1874 - November 27, 1956( is a prominent personality of twentieth-century in Urdu literature. As a poet, writer, journalist, commentator, translator and intellectual figure, Maulana Zafar Ali khan’s name has been taken as a unique reference. He is one of the renowned Poet of twentieth century whose  poetry is a  beautiful combination of ancient and modern allusions. This dissertation is based on a research study of the allusions in the poetry of Baba-e-Sahafat Maulana Zafar Ali Khan. The first part of article partially has defined the definition of allusion )talmeh(and changes in the definition of ‘talmeh’as a literary term in modern era. Afterwards has been taken some contemporary references )talmeh(from the poetry  collection of maulana Zafr Ali khan‘s era. This article is mainly an analysis of the allusions  from the verses of Maulana Zafar Ali Khan, in the context of the  first fifty years of  twentieth century

    اردو ناول میں بیان کنندہ کا تصور

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    Gérard Gennette is among the famous theorists of narration. He elucidated the Theory of Narration in his book “Narrative Discourse”. In this book he expounds story, diazeuctic/discourse and narrative act in narration. According to Gennette, narrative act is the backbone of a story. In a text, narration is narrated and acted as well and narrator is one who narrates story. Historical, cultural, social, political,  psychological and philosophical aspects are the backdrop of a story. Selection of the expression for the specific conduct impacts the construction of a story. Narrator is the manoeuvring tool which an author choose intentionally. Plato has propounded that mimicry and storytelling are the framework ofa story. Henry James is also a co-thinker of Plato. Two types of narrator i.e. homodigetic andheterodigetic act hand in hand to fabricate the associative meaning and make a text more eloquent. In this article, narrators of the selected Urdu novels are retrieved

    مجید امجد اور مغربی شعرا (اثرات و موازنہ)

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    Majeed Amjad, the great poetic genius presented his novel thoughts and ideas with great competency which conferred him distinctive position among his contemporaries i. e. Noon Meem Rashid, Meera Ji, Mukhtar Siddiqui, Jafar Tahir amp; Nasir Shahzad. Majeed Amjad was greatly influenced by English poets. Most of the tools, devices and figures of speech he used to create peculiar rhythm were derived from western tradition of poetry rather than oriental tradition. He held excellent command over the tools like assonance, alliteration, onomatopoeia, syncopation, modulation and many others. He followed great masters of English poetry and innovated different types of stanzas and unique rhyme schemes. It has been a dire need for critical appraisal of Majeed Amjad in the perspective of English tradition of poetry and criticism. In this article I have tried to explore the grey areas of Majeed Amjad poetry in the context of Swinburne, Hopkins, Edgar Allan Poe and Robert Frost.

    اقبال کی مثنوی ’’اسرارِ خودی‘‘، ’’تاریخِ تصوف‘‘ اور خانگی زندگی: چند معروضات

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    In this article, I want to present some hypothesis (assumption) about Asrar-e-Khudi and Tareekh-e-Tasawwuf, a number of objections were raised in this regard. In which Asrar-e-Khudi being in Persian instead of Urdu, Preface, Dedication of book Asrar-e-Khudi to Sir Amam Ali, about his status in society, title of “Sir” to Iqbal being seen as loyalty to British Government and about his personal marriage life especially his first wife and son Aftab Iqbal are being questioned. Objections on his famous poems Shikwa and Jawab-e-Shikha were raised by his literary opponents. Objection regrading point of view of Iqbal on Hafiz Shirazi’s poetry was also raised. It was also questioned why Iqbal used to prefer Persian poetry over Urdu. In this article the attempt has been made to answers these objections

    بلوچی لوک کہانیوں میں معاشرتی حقائق کی عکاسی

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    Storytelling is one of the basic instincts of mankind. Thousands of years ago when he lived in caves and mountains, tales and stories were parts of their intellectual pursuit. Like any other language, there is a body of diverse folktales available in the Balochi language. Apart from reflecting the enormous imaginative prowess of the bygone storytellers, these folktales also depict the various layers of cultural, linguistic and societal fabric of the ancient times. From these folktales, one can also estimate the intellectual, religious, cultural and moral progress and decline of the Baloch society. Moreover, these stories are examples of life's vicissitudes, truth and reality, sweet and bitter realities of life. Balochi folktales have many aspects. They reiterate on some oldest concepts and ideas which are integral parts of the Baloch code of conduct like honouring one’s words and showing respect to womenfolk. Moreover, the society depicted in these folktales is based on the principles of humanity. Timely dispensation of justice is the crux of this humane society. As is the case with folktales of other languages, other than human beings, Balochi folktales are also replete with giant monsters, jinn, witches, fairies and other supernatural elements

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