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فورٹ ولیم کالج اور دہلی کالج میں اردو اصطلاحات سازی: ’فریم بیسڈ ٹرمینالوجی‘ کی روشنی میں
No full textThis short article is an effort to evaluate and compare, through Frame Based Terminology (FBT) the exertions in coinage and translation, of and from, Urdu terminologies by two early British Indian institutions. Fort William College was established to facilitate colonial officers and staff in native language; and Delhi College, with aim to spread modern knowledge in native languages is fitting case to study through FBT. The results depict that the difference in aims, reflected accordingly in all major realms of quality, coinage rules and standards, communicative acceptance, and durability of the terms. Terminology coined at Delhi College, due to its wider scope, specific standards and popular support endured and flourished
میر تقی میر کے سلام و مراثی کا تحقیقی و تنقیدی مطالعہ بحوالہ بحور و اوزان
No full textThis paper focusses the research and critical review of poetic metre of Mir Taqi Mir's published 41 Salams and Marasi.
The art of Marsia has passed through various stages of evolution traveling from Persia to South India, from South India to Delhi and from Delhi to Lucknow.
It is said that the succeeding poets of Lucknow have perfected this genre. However, the credit of bringing this art to light in Lucknow goes to Dehlavi poets, especially Mir and Sauda.
According to the research, Mir wrote 41 Salams and Marasi during his stay in Lucknow, which were not included in the initial published Kuliyat. The later published Kuliyats are the first to include them in the edited Kuliyat of Ibadat Barelvi.
Ibadat Barelvi and Kalb-e-Ali Khan Faiq's Kuliyat were left out by including some Marasi and Salams, which were later compiled and published in 2007 under the auspices of the National Council for the Promotion of Urdu Language.
These 41 Salams and Marasi consist of 14 poetic metre, which have been reviewed in detail in this paper.
مصطفیٰ زیدی کے مرثیے ’’کربلا اےکربلا‘‘ کا تحقیقی و تنقیدی مطالعہ
No full textMustafa Zaidi (1930-1970) a well-known poet and a talented CSP officer whose work especially in (Urdu Nazm and Ghazal) had been appreciated by such literary stalwarts as Josh Maleehabadi and Firaq Gorakhpuri. The initial phase of Zaidi’s poetry was a romantic one, in every sense of the word, but gradually he began to deplore the ruthless realities of a more wearisome nature and turned sour. The interesting fact is that, though Zaidi was not a conventional religious person, his poetry reveals his deep association with religious affairs. He used Karbala as a Metaphor in many of his poetic expressions. In the last phase of his life, he was writing a marsiya named Karbala Aye Karbala but due to his untimely death, it remained incomplete. He wrote 150 couplets of this marsiya which indeed are a significant addition in the Urdu Marsiyas. In this research paper, a detailed critical analysis of Karbala Aye Karbala has been made with keeping in view to reveal its literary significance among the others of the same genre.
احمد ندیم قاسمی کی اقبال شناسی
No full textUrdu literature is incomplete without Allama Iqbal’s description. Iqbal was not only a thinker but also a poet. He did his best in creating self-recognition, futuristic and visionary qualities in Muslim nation. Qasmi was a great appreciator of Iqbal’s ideology and his literary work. Qasmi was a man of high value and immense knowledgeable personality. He was greatly impressed from Iqbal’s idealistic and islamist ideology. Although a lot has been written in Iqbal’s wok but Qasmi’s description and his essays gained unprecedented ratings. It is because Qasmi loved Iqbal and appreciated his ideas to full extent. By his writings and commentaries, Qasmi paved a way in understanding Iqbal’s literary work. Besides this Qasmi also wrote down about family lineage of Allama Iqbal which encompassed not only his education but also his whole life until his death. Qasmi expressed his utmost gratitude and affection for Iqbal in these writings. He accepted Iqbal’s high intellectual and character in a very clear way. This research article will focus on “Qasmi’s Iqbal Shanasi” and try to cover different aspects of iqbal’s personality in Qasmi’s version
مخطوطات مشمولہ مجلّہ ’’تحقیق‘‘: شمارہ ۱ تا ۳۳ (تعارف و تحقیقی تجزیہ)
No full textManuscript is an unpublished text written by the auther or scribe,the impwrtence and usefulness of manuscripts in language and literature is un deniable,in editing and research it is doubled.Urdu department of Sindh university of Jamshoro was started an installment series on manuscripts in Research journal,,Tahqeeq,,and continued intermittently from issue (1 to 18). This article is an introductory review of manuscripts mentioned in "Tahqeeq"
بلوچستان کی اردو شاعری پر ترقی پسند تحریک کے اثرات
No full textThe tradition of Urdu poetry in Balochistan was nurtured in the shadow of northern and southern Hindustan. Until a decade of the twentieth century, the impacts of contemporary inclinations and movements, especially that of the Progressive Movement, on the Urdu poetry of Balochistan can be identified clearly. The poets belonging to the Progressive Movement unified the Balochs against exploitation and injustice. Representing the political and social issues besides the civilization of Balochistan, these poets interpreted the public sentiments in their works at the local and international levels. They had been presenting their thoughts and theories in the form of verses against the colonialism before the partition and their exploitation and governance on the basis of injustice after the divide. In this paper, the impacts of the Progressive Movement on the Urdu poetry of Balochistan have been analysed at the research level
‘‘ہندو مسلم مشترکہ تہذیب اور ’’میرے بھی صنم خانے
No full textMere Bhi Sanam Khanay published in 1940 is Quraat-ul-Ain’s First Novel. Despite being the first novel, one can see the maturity with reference to theme, characterization and plotting.
The Novel comprises of three Parts. In first, Chali Jae Mori Nayya, she has narrated the Hindu Muslim civilization.
In the Second Part, Dhanstay Huey Sahil, she has presented the differences between the Hindu Muslim two communities and the political views of the muslims. Whereas, in the Third section of the novel, Manzil-e-Laila, she has depicted the decline of the muslim elites as a result of partition. As a matter of fact, Qurat-ul-Ain wished for a united and peaceful Hindustan. Such harmony could not be maintained and as a result she experienced a severe mental shock. Mere Bhi Sanam Khanay depicts the creation of this state of mind.
تاریخ، تاریخیت اور نو تاریخیت: بنیادی تعقّلات
No full textIn this article History, Historicism and new Historicism have been explained in a simplified way. Attention has been focused on the nature, problems, and results of their application. In the process of application, however examples and instances have been given from Urdu literature. It has also been observed which of the Urdu critics have understood the history, historicism of and neo-historicism and have expressed their views in this particular subject.The discussion on the work of these critics has revealed their approaches.It has also been observed from what angle the English critics of Neo-historicism have looked at its Marxist aspect of Progressive Criticism and Neo-Historicism.The article also tries to explain the nature and difference of history, in literature and history and also introduces the means by which neo-historicism decodes historical narratives while considering history and literary history as text. This way necessary to make the English critical theory popular in Urdu. While doing this, the views of both Urdu and English critics have been taken into account
مابعد جدیدیت، تانیثیت اور ردِ تشکیل: ہرمینیاتی تناظر
No full textAt the end of second decade of 21st century, feminism got identification as movement and critically theory. Feminism incorporates a deeper and diverse relation to postmodernism. Postmodernism sidelines the imposed truths and it professes marginal characters and ideologies to main prominence. Feminism insists to put the role of disempower women, from hundred of years, for the central place and affirms the acknowledgement of the facts conferred by the woman herself about the woman. Feminism does not highlight plights of woman on social and political level but also, it impacts the creation and critique of literature and as feminist critical theory. The theory of Feminism primarily analyzes any literary text by putting the feminist ideology as a context and perspective. Through this methodology, text is interpreted by using deconstruction as critical tool to deduce meaning. The prime purpose of this article to scrutinize the interrelationships of feminism, post modernism and deconstruction and their nature and functionality
شیخ سعدی شیرازی اور میر تقی میرؔ کی غزلیات میں تصورِ عشق
No full textThere has been a tradition of the concept of love continuing in Persian and Urdu literatures since old ages to modern times. It is due to its confidential affairs of love that the concept is highlighted differently in the poetry of Persian and Urdu poets. According to critics, though Mir learned a lot from the poetry of Saadi, personal experiences and observations are commonly found in the poetry of the two in relation to the concept of love.
In view of Saadi and Mir, love is a precious pearl of life. In the eyes of both, love is a gift of God. The man in its search passes through thick and thin of life and becomes pure gold. In the poetry of Saadi and Mir, the states of real and metaphorical loves are connected with the view of their civilizations. In the lover of Saadi and Mir, the restlessness and eagerness keep him steadfast in the testing time of separation with the beloved. The expanse of the concept of love and its variation has been made part of this scholarly paper.
First time, a comparative analysis of different aspects of the concept of love in the poetry of the two poets is being presented in this paper with respect to beauty, real and metaphorical love, hope and disappointment, universe, beloved, lover and meanings.
An important part of this paper is an analysis of similar and different topics treated by Saadi and Mir