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اسفارِ ہند میں تہذیبی و ثقافتی بیانیہ (خطۂ بہاول پور کے تناظر میں)
No full textTravelogue is such a genre of literature, thanks to which one gets to know the culture, history and geography of any region. Travelogues are written in more or less every language of the world for different purposes, motivations and needs. In a good travelogue, the style of society, civilization, ethics, history and geographical boundaries are thoroughly reviewed. Syed Masood Hasan Shahab Dehlavi, Syed Nasiruddin, Syed Anis Shah Jilani, Bushra Rehman, Nazir Naz and Hasan Abbasi are prominent among the travel writers of Bahawalpur region who visited India. In the observations of these travel writers, where there is a comparison between India and Pakistan, the relationship between the two countries has also been made a topic and important and historical buildings have been included in abundance. On the whole, the travel correspondents of this region have presented a rich reflection of the civilization and culture of India on the basis of their powers of observation
آصف الدولہ کی شکار مہمّات کی معاصر روداد (ایک انگریز شکاری کے قلم سے)
No full textWilliam Blane was a hunter who came to India twice during the 1780’s. He participated in the hunting expeditions of Nawab Vizier Asif-ul-Dowlah of Lucknow. After returning to England, he wrote an account of his expeditions under the title of An Account of the Hunting Excursions of Asoph ul Doulah. It was published from London in 1788. Interestingly, contemporary sources confirm that the famous Urdu poet Mir Taqi Mir was also part of the hunting expedition in which William Blane was present. Mir also penned down two “Shikar Nama” in the form of Mathnavi afterwards.
This article first presents a brief introduction of William Blane, then introduces his Account and contains the translation of above said document. A comparison of this account with Shikar Nama of Mir Taqi Mir also has been done in the introductory part of this article.
منیرنیازی اور فریدون مشیری کی نظموں میں حسیات کا تقابلی مطالعہ
No full textMunir Niazi and Faridoon Moshiri are pioneer poets of Urdu and Persian romanticism in the twentieth century. Today, all the colors of emotions are purely human and in their poetry there are similarities in the theme, style of feeling and performance, especially the trend towards the past. These commonalities are particularly visible in thoughts and feelings related to the universe, fear, death and loneliness. As both poets are known as Hawass, in the expression of these subjects, Hawass makes good use of the elements and images associated with Khamsa and in this series they use the literary arts well, as far as the poetry of both of them is the same. Such imagery emerges
می سوزم: تاریخ، عورت اور مزاحمت
No full textThe current research is a critical and textual analysis of Dr. Humaira Ashfaq's novel Me-Sozam. The novel along with being a work of literature also portrays the realistic picture of women in the cultural background of Khuzdar. The story reveals the revolutionary and rebellious struggle of a poetess Rabia who comes from the ruling class of the area. In the social set-ups of the world, matriarchy exists only in traces; rather the variegated views of societies, through the lens of history reveal the suppressed status of women. On the other hand, women dignity and decorous fight against the odds is also a traceable reality historically. The lives of the Queen of Jhansi, Razia Sultana, and Fatima Sughra are a few of the examples and one similar character is princess Rabia who is the central character of Dr. Humaira Ashfaq's novel. The female protagonist despite being a member of royal family becomes the mouthpiece of the crushed multitudes against the unwarranted customs and the exploitation of the ruling class. Dr Humaira Ashfaq has artistically woven a real tragic event into a piece of literary work
مشنریز مقاصد اور اردو ادب
No full textTo defame Islam, the missionaries used the Urdu language as a medium and hired the services of many poets in this language who were paid heavily to write poems. Among these poets, there were many people who converted their religion to Christianity instead of Islam due to the greed of money. These poets were attracting Muslims towards Christianity because of their weak beliefs, Among these poets are Azad, Angelo, Sefir, Salik, Bimar, Khak, Gul Amritsari etc. While Urdu novelists made Christian conspiracies the subject of their novels. Among them are Aslam Rahi, Qamar Ajnalvi, Sadiq Hussain Siddiqui, Naseem Hijazi, Asghar Ali Chaudhry, Almas MA, Al-Tamish, Ahmed Shuja Pasha and Rashid Akhtar Nadvi. Urdu poetry promotes missionary objectives while Urdu novels cover the internal and external intrigues and policies of the missionaries.
عبدالکریم ثمر کی شاعری میں اسلامی فکر کا مطالعہ
No full textAbdul Karim Samar was an active member of Tehreek-e-Pakistan and a strong advocate of Islamic literature. He was deeply influenced by Allama Iqbal's thought and Islamic ideology. He highlighted Islamic thought in both genres of poetry and prose after the establishment of Pakistan. In his poetry we find the ideological basis of Islam as well as the message of living our lives according to the principles taught by Islam by taking advantage of the blessed life of the Holy Prophet. In his poetry, movement and action are found in the subject of hope and expansion. He used his creative talents to create constructive literature after his affiliation with the Islamic Literature Movement. We find a clear expression of this in his poetry collection Loh-o-qlam, Shakh-e-Sidra and in Shair-o-Ilham
مسعود مفتی کے افسانوں میں معاشرتی حقیقت نگاری کا تحقیقی و تنقیدی مطالعہ
No full textThis research paper offers a comprehensive examination and critical analysis of social realism in the fiction of Masood Mufti. Masood Mufti, a renowned author known for his impactful literary works, has consistently incorporated social realism as a prominent theme in his writings. The study aims to explore the various dimensions of social realism within his fictional narratives, shedding light on the socio-political issues, economic disparities, and cultural intricacies prevalent in the society depicted in Mufti's works.The research adopts a multidimensional approach, considering the historical context, author's background, and the literary techniques employed by Mufti to effectively portray social realism. The paper also discusses the socio-cultural impact of Mufti's social realism, exploring how his work reflects the struggles, aspirations, and challenges faced by marginalized sections of society. Furthermore, it analyzes the effectiveness of Mufti's storytelling in engaging readers and fostering social consciousness. Through a critical lens, the study highlights the literary merits and potential limitations of Mufti's social realism, considering its relevance in contemporary literary discourse.In conclusion, this research aims to contribute to a deeper understanding of the role of social realism in the fiction of Masood Mufti.
اردو اصطلاحات سازی اورلسانیا تی اصطلاحات میں یکسانی کی ضرورت
No full textTerminology is of fundamental importance for any language and it is a regular art, it is necessary for the development of the language, wealth and increase in knowledge. Terminology is indispensable for the teaching and understanding of science and arts. If there is no tradition of terminology in a language, that language becomes academically bankrupt and suffers degradation. The language has to be integrated into the international linguistic stream by adapting it to the new linguistic attitudes. Otherwise, there are serious difficulties in acquiring knowledge and teaching.
Based on the critical and analytical study of the collection of terms, it has been concluded that in the translations of some terms lack the semantic breadth and syntactical condition which makes the understanding easy. In addition, the use of multiple synonyms for the same term causes confusion. There is a need to prepare a comprehensive linguistic dictionary containing the necessary interpretation and detail, in the light of English linguistic dictionaries and encyclopedias, after examining all the linguistic glossaries of Urdu closely
مرزا غالبؔ کی محاوراتی گرفت کا لسانیاتی جائزہ:دیوانِ غالب ؔکے تناظر میں
No full textMirza Ghalib is a great poet. Ghalib handles all the technical elements of narration and innovation in his speech with perfect artistry and skill. Ghalib's interest in the matter of the proverbial industry has received special attention. This paper contains a linguistic analysis of Mirza Ghalib's idiomatic grasp. In this paper, the various uses of idioms in Mirza Ghalib's speech have been highlighted, and by analysing these idioms linguistically, it has been tried to clarify that the use of idioms in the tradition of classical ghazal is very healthy and balanced. The system of idioms in Ghalib's speech has been seen from a linguistic point of view. Also, a glossary of idioms used in Ghalib's Diwan and idioms devised by Ghalib has been arranged, which is a new addition to the art of idioms
ایک زبان : تین تحریری اشکال
No full textThe script is the means of recognizing and preserving any language. Ancient calligraphy has gone through a period of historical change. After the evolutionary journey, language and script became inseparable. It is also a manifestation of the centuries-old style of writing. The study of cultural influences on Urdu language consists of script. Many social effects are affected on the Urdu language. The controversy over Urdu, Arabic, Persian, Devanagari and Roman script is historically significant. The Hindus did their best to make Devanagari popular. The British preferred the Roman script for Urdu writing. The opinion of Urdu experts has always been focused on Urdu Script (Nastaliq). Efforts have been made at various levels to preserve the script. Even today, Urdu is the language of three scripts. It is the only language written in Devanagari, Roman and Urdu. Different people have different opinions about each script. However, the most popular Urdu script is Urdu (Nastaliq). This article gives an overview of Urdu script