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مولانا روم ؒ اور اقبالؒ کا تصور ِ زماں
No full textThis article tends to explore the variety of thoughts of Allama Iqbal and Rumi on the concept of Time. A many philosophical implications have been made by Allama iqbal and Maulana Rum on the concept of Time, yet Allama has a more scientific and empirical approach towards nature of time within and outside the space. Rumi has juxtaposed his theocratic approach towards time which is conveyed under the metaphorical representation of Ishq/love based on pure intuitive perspective. According to Rumi Time is the ultimate consequence of an absolute cause known as Ishq, a driving spiritual force of the Universe and all cosmological objects, while Iqbal's vision encapsulates marvellous tradition of novel objectivity on the character, nature and reality of Time. He has objected on the Serial Time concept of Einstien's Time Dilation Theory as to be fourth dimension of space, non workable, because it renders the future to be predetermined. If it's allowed to be so, there would be no Time in real . To Iqbal , life is within the time span and also the momentum is within the ambet of time. Thus, time is not something predetermined, yet it comes into existence on encountering with the life and space.There are some commanlities between Iqbala and Rumi on this subject matter and their concepts comprise over a wonderful array of objectivity
شیراز دستی کے ناول ’’ساسا‘‘ کا تجزیاتی مطالعہ
No full textMind boggling incidents of post modernism left multidimensional and multifaceted effects on Urdu novels writing. Contemporary political, economical and cultural changes put a challenge before art of novel writing. in order to tackle these challenges, the novel writer of the present era expressing their artistic abilities in different ways. changes which occurred due to new world order made prominent the clashes between civilization many complicated questions are placed before universal and humanities values. Love which was an essence of man's existence is breathing its last. Rather it has become a rare phenomena. The same pangs of ending love is echoing on pages of novel "Sasa". The novelist tried to search at in between the comparison and clashes of two divergent civilization. The novelist described opt expressions which were really needed to express the feeling of love
گلزار کی شاعری میں ہجرت کا المیہ
No full textIndo-pak subcontinent has been victimised by revolutionary and geopolitical challenges since 1947. Due to these factors trends and thinking philosophy of writers and poets has been influenced. Poetry always reflects the deep sentiments which is related to human nature and psychology. Urdu Litrature is also rich with novel and diffrent topics specially based on Migration, community problems and religious integrity. Gulzar as a sensitive legendary person also effected by all these tragic and painful migrations. He produced marvellous piece of work in poetry and prose. He is versatile and has realistic approach to narrate the realities. He by himself faced the disturbance and lawlessness which he transformed in his writings. He prevailed his deep personal feelings during the partition in shape of ruthless loss of lives. Communal riots and terrorism forced a large number of religious communities to leave their native homes and properties and suffer countless difficulties. In following article researcher highlighted Gulzar's work in this regard
مولانا محمد علی جوہر: برطانوی سامراج، سیاست، صحافت، شاعری اور آزادیِ ہند کے تناظر میں
No full textThe charismatic personality of Maulana Muhammad Ali Jauhar is well known all over the sub-continent. He was an eminent journalist, intellectual, orator and poet. He had a great command over both English and Urdu languages. To serve in the field of Politics and Journalism he left the government service. He brought out English and Urdu newspapers; The Comrade and The Hamdard. Through his newspapers he raised strong voice against British imperialism and informed the common people of the imperialistic atrocities and the value of freedom. He also conveyed the same message in his sensational poetry. The aim of this article is to describe how he faced the British ruler in India and rallied the Indian Muslims for freedom
اقبال کا فلسفۂ تمدن اور علم الاقتصاد کے باہمی روابط
No full textThe era of Iqbal was the beginning of an age that aimed at functioning for the elimination of the colonialism and emerged as a sun beeam for an era embrace the science, technology and its invetions. At the time when the western civilization amp; economic system were harming our internal feelings amp; the Marxism was framing the sweet dreams for democracy amp; prosperity. Iqbal laid the foundation of civilized philosophy for the Muslim Ummah over "Islamic ideology of life" and putted on his best efforts to strengthen the economy and composed, Ilm-e-Iqtisad (1903). According to Iqbal, the culture, civilization and economy is the basic amp; first step in the best interest of human prosperity and rise. These thoughtful discussion of Iqbal are the part of his poetry as well
اُردو میں سلام نگاری کی تاریخ کا اجمالی جائزہ : آغاز سے بیسویں صدی تک
No full text"A cursory view of the history of Salam in Urdu, from the begining to the 20th century" covers the historical background, literary and cultural perspectives of Salam, an important genre of religious poetry. As far as history is concerned, this elegiac form of poetry is traced back to the early Deccani period of Urdu poetry. The verses written during that period are often supposed to be marsiya but were generally in the form of Salam. The journey of salam went on to Northern India, and poets like Sauda, Ghalib, Mir and Anees took this genre on the peak of its hight in the 20th century, many poets portray "Salam" as not just a source of crying and mourning but also as a potential medium to convey the message of Karbala to the minds of masses
زاہدہ حنا کی افسانہ نگاری میں سیاسی و سماجی حقیقت نگاری
No full textZahida Hina is a Pakistani fiction writer of 21st century who possesses deep social and political knowledge. Her fiction writing are based on social amd political realism. She got popularity on producing Afsana Zatoon key Shakh which is a representative of political and social problems and strength the political knowledge of the writer by amalgamation of past present situation. On the critical study of Zahida Hina’s fiction, it reveals that she is female interpreter of the common Ghanga Jamni culture of Indo Pakistan history largely. This is the reason that she is a vibrant transformer of history of the era. She narrates that political and cultural situation of comtemporary spam in a marvelous manner
علم الترجمہ میں نظریہ سازی کا تاریخی جائزہ
No full textIt has only been few decades when translation study is acknowledged as a separate discipline of study and body of knowledge. In many countries including Pakistan there used to be no department of translation studies in universities. In west translation was initially considered a sub discipline of linguistics but after James S. Holmes wrote a paper "The name and nature of translation studies” it decisively became a separate discipline of study. Before the essay of Holmes translation was never considered a separate field of study but it also doesn’t mean that there was no theorization about translation altogether. Historically speaking this theorization was mainly in the margins of great work of translations. This theorization is more like empirical nature because it is about the problems a particular translator faced about the translation of certain text from certain text language to certain target language. In this essay it is tired to compile and review of these theoretical approaches towards translations
بلوچی عشقیہ داستانوں میں تصورِ شر
No full textIn every literature of the world characters have there own importance. Whether, its poem or prose, characters are present in both. There are many types of characters, out of which, the presence of some of them is essential, just like, Flat (simple) charactor and round (complete) characters. For a good writing the presence of both types of characters is important. In fable, to keep the interest, besides the legend, characters are also equally important, in which the world of fantacy is created. In this fantacy world, there are many persons, out of which five are important. ie, Hero, Heroin, negative character, helping character and fantacy world characters. Hero represent the good, opposite to him, the negative characters represent the Evil. Due to this negative character, there is different twist in the story. In Balochi Romantic fable, these characters are found in different types. At times in the form of Lord/King at time in the form of individual from own clan, at times in the form of every tribe. And some where the rituals of own clan also create problems for the main characters. Initially, these characters are hated in reality, such characters are the source of motivation to keep the hero active. That's why the presence of such characters in fables is mendatory.
آثار الصنادید‘‘ کی تفہیمِ جدید’’
No full textAsar-us-Sanadeed is a book published by Sir Siyed about the ancient monuments of Delhi from the medieval era. Sir Siyed was an eminent personality of the 19th century who delved in a long list of intellactual pursuits during his lifetime. These works of his have continued to be looked at and analyzed using diffrent prisms long after his passing. It can be said that the events of 1857 brought a major change in Sir Syed's thinking and his world view which,in turn, led to him becoming one of the major voices of 19th century. Asar-us-Sanadeed is an example of the intellectual and literary capabilities of man and can be used to understant his appreciation of history and archaeology as well as its implication for the present and the future. However, it is saddening that the book is still surrouned by a mist of uncertainty and controversy. Through the book is a major archaeological account that cannot be ignored, questions around it have lingered and have never been quite fully tackled and answered. These include concerns around when and how the book was published, who is the actual writer of the book, is it the first book of its kind, what were the reasons behind the conceptions of the book, and who was the intended audience for it etc. These are the major themes that this artical attempts to explore. Research brings us to the conclusion that the book was indeed written by Sir Syed with Imran Baksh Sehbai providing help and support. Sir Syed did not seems to have major monetary considerations in mind while attempting the book but was simply aimingto grab the attention of the Britishers. The book was also aimed to serve as a guide for the various visitors who came to Dehli and were interested in monuments of a bygone era. Asar-us-Sanadeed can be said to be the first book of its kind in Urdu language, through books tackling a subject of such nature had been published in English and Persian etc. Before 1847 as well. Allegation that Sir Syed plagiarized these works without giving due credit turn out to be unfounded. In conclusion, Asar-us-Sanadeed can be said to have opened new avenues for research and exploration around archaeology as well as having brought Sir Syed to national prominence as an author, a cultured scholar and an intellectual