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’’سدھارتھ‘‘ اور ’’آگ کا دریا‘‘ کا فنی و فکری تقابلی جائزہ
No full textThe articulation of commonality and differences between two different novels on a subject of Easter Civilization and Saintism is the focal point of this research article. Hermann Hesse’s novel Siddharatha is based on the philosophy of spiritual and enlightenment and self-discovery. The novel revolves around the eastern mysticism, which progresses through the central character of the novel Siddhartha. While Aag ka Darya is an Urdu novel written by Qurrat-ul-Ain Haider, who story begins twelve thousand years ago and continues until the twenty century. In comparison to Siddhartha, this novel is longer and more detailed, featuring multiple narratives running concurrently, despite differences in language, culture, environment and region both novels blend elements of eastern culture in their presentation. The thematic similarity in both novels written by authors with different connection to different cultures, presents a unique aspect for comparative analysis
جاوید صدیقی کی خاکہ نگاری کا تہذیبی سیاق
No full textIndia has been the cradle of different languages and diverse cultures. There will be no country on the world map that is as culturally diverse and linguistically diverse as India. The process of change in civilization is very simple which enters it without foot and then it is transferred from one generation to another generation and from the second to the third generation. These sketches of Javed Siddiqui are not just pictures of personalities or scenes of places, but they are the traces of cultural, social, political and social ups and downs that need to be preserved and introduced to future generations. No method has yet been discovered other than the pen. There is also a natural sense of humor in his sketches. Jolani, cheerfulness, humor and the elements of sarcasm are part of his writing. Based on all these qualities, Langar Khana is an important pillar in the tradition of Urdu literature and sketching
اسلم انصاری کے دو منظوم ڈرامے اور منظوم ڈرامے کا مستقبل
No full textPoetic drama is a type of play that is written in verse or in a heightened, poetic form of prose. It is a combination of poetry and drama, and it often explores human ideals, beliefs, hopes, dreams, and struggles. Aslam Ansari is a prominent contemporary Urdu poet. He has not only shown creative excellence in Urdu but has also written excellent poetry in Persian, English and Saraiki (a dialect of Punjabi). In this article, along with the importance of Aslam’s poetic drama writing, an attempt has also been made to know the future of Poetic Drama in Urdu. The study involves purposive sampling and for that purpose two of his dramas have been selected and analysed. The purposive samples have been analysed with qualitive method of analysis. The study also involves the comparitive analysis of Aslam's poetic drama with western traditions of poetic drama. This study is unique in its nature as no attempt has been made to find the furute of poetic drama in Urdu literature in refernce with these two poetic dramas of Aslam Ansari. The qualitative method serves the desired purpose of poetic analysis and new meanings have been found with unique literary, linguistic, stylistic, dramatic, poetic features
خدیجہ مستور کے ناولوں میں عُمرانی شعور
No full textThe relationship between literature and society is natural and bilateral. Literature influences the society and gets influenced by it as well. No writer can remain indifferent to the changes happening in his era and society. The Urdu novel has this uniqueness that since its inception it has been associated with social realism. Khadija Mastoor enjoys special status among Urdu novelists, with regard to the awareness of the social consciousness and true depiction of it with the related context. She is one of those novelists who are not detached from the society and social problems it is pregnant with. This article presents a research based critical review of the representation of the society along with its various facets in her novels. Her novels present a true picture of the Indian society before partition and of that which emerged after the creation of Pakistan. Her writings help one understand the rapid changes occuring in the society in both of the eras, the dismantling of the social values and the causes of moral crisis happening with those changes. Her Aangan is the narrative depiction of the society existed in united India, while Zameen shows the cross section of social life in Pakistan
تانیثی نظریات کا مطالعہ اسلامی تناظر میں
No full textThe innate connection between men and women, dating back to the beginning of creation, has been pivotal in shaping today's advanced civilization. Despite Islam bestowing equal rights upon women, many other societies deprived them of these rights. The gradual emergence of feminist theories, particularly in the late 18th century, was fueled by the growing dissent against such injustices. Islam, existing 1400 years ago, not only granted women equal rights but also presented a comprehensive feminist theory, advocating for their freedom and dignity. This article explores fundamental feminist theories within the framework of Islamic teachings, encompassing liberal feminism, radical feminism, and socialist feminism. Islam endorsed women's autonomy, allowing them the right to choose life partners, as articulated by Prophet Muhammad. The religion delineates distinct roles and virtues for women as daughters, wives, and mothers. Islamic feminism seeks to dispel misconceptions arising from misinterpretations, while historically, liberal feminism emerged first within the broader women's liberation movement, aiming to emancipate women from societal, economic, and political constraints
راسخ عظیم آبادی کی نعتیہ شاعری
No full textThis paper aims to discuss some features of prophetic literature in classic era. There is a lack of research and criticism in this area of literature though there are less classic poets who especially wrote Na’at, but the specimons of this era throws light on literary and religious thoughts of 18th century. Rasikh Azimabadi is also one of them who wrote some poetics regarding Naat as it was a style to start epics with Hamd and Naat
فکر تونسوی کی طنز و مزاح نگاری میں سماجی و سیاسی مسائل کی پیش کش
No full textFikr Taunsvi started his writing career by platform of progressive movement of Urdu literature. The Progressives were politically oriented writers who intended social change. Their target was English rule, feudal system and social corruption in India and satire was their chief method. For these satirists socio-political situation of India has much matter to write on. Fiker wrote extensively and his satire is bitter and corrosive. Even some titles of his writings such as Satwan Shastr (Seventh Code), Chaupat Raja (The Blind Prince) and Chand aur Gadha (The Moon and Dunkey) express his aversion and hatred for politics of that time. But his writing career ended with humor that no other progressive writer of time did. Usually mode of writers changes with changes in personal life. The bitter mode and passion of Fikr abated with easiness in his life. The bloodshed of Partition was a thing of past and India has her future in her own hand that helped to change the outlook of society and apprehensions of writers. In this research paper Presentation of Social and political problems in Satire and Humor of Fikr Taunsavi the researcher has analyzed the satire of Fikr and the conditions that led him to write humor
سندھ کی قدیم صنفِ سخن ’’وائی‘‘ پر ایک نظر
No full textWa’i is the oldest and most popular poetry genre of Sindh. It has its own particular form which distinguishes it from other poetry genres. Wa’ai has more to do with singing than reading. It consists of three stanzas in Sindhi but sometimes it also consists of four, five and six stanzas. Wa’i is a flexible, delicate and tender language for expressing subtle emotions, expressing public feelings and emotions. It belongs to a genre of folk songs. All the ancient and modern poets of Sindh have given place to Wa’i in their poetry, especially Shah Abdul Latif Bhitai's poetry contains Wa’ai. Wa’ai has always been a part of the culture of Sindh and thus reflects all the sentiments of the people of Sindh. Even today, Wa’i is a completely popular genre in all parts of Sindh. Structure of Wa’i is similar to Kafi and Mahiya, but Wa’i is completely different and unique from them in terms of its themes and structure