Journal of Research (Urdu)
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سرسید احمد خان اورعلامہ اقبال کی ذہنی ہم آہنگی
No full textSir Syed Ahmed Khan and Allama Iqbal are great leaders of Indian Muslims. They were the pioneers of the freedom movement of sub-continent. Both visited abroad and their Intellectual thinking was similar. They believed in "Two Nations Theory" and were convinced that the solution of Indian Muslim's problems was in a separate country consisting of Muslim majority provinces and states of India, where they will be free to practice Islam and to achieve this destiny they encouraged Muslims of India to embrace modern education in addition to the Islamic Education. In 1903 Iqbal wrote the poem "Syed ki Lohe Turbat" which reveals his relations with Sir Syed. Since his early days Iqbal was influenced by Sir Syed Ahmed's movement and later, he participated and completed Sir Syed's mission by his tireless efforts
یونس متین کی شاعری کا فکری و فنی نظام
No full textYounis Mateen has been fond of poetry since his childhood. His main identity is that of a poet, but he has proved his mettle by experimenting in various genres. In addition, more than a dozen of his books have been published and more than two dozen books are still in print. He has also created a poetic travelogue which is his own example. He is a poet with a style. His poetic style is characterized by simplicity, smoothness, fluency, expressing power and eloquence. His poems are aesthetic and thought-provoking. The main purpose of his poetry is to acquaint the reader with new pleasures. His lyric poems have unique moods and unique spirituality. He has adhered to the tradition in his poetry and has also devised a new style due to which his poetry can be considered as a combination of tradition and innovation
اردو کا ایک فراموش تاریخ گو: عبد الغفور نساخ
No full textThe nineteenth century is important not only in terms of Urdu literature but also in terms of chronogramisms. In this era, literature and chronogramisms were flourishing in both South India and North India. But in northern India, the Urdu language in particular was exploiting its creative potential. In the nineteenth century, this art had gained considerable popularity. The popularity of this art in northern India can be gauged from the fact that a person, who does not have the power to create chronogram, was not considered a poet. In view of this popularity of chronogramms, in other areas also some personalities were born who were in no way inferior to the representative chronogram's creator poets of North India. One of them is the name of Nassakh. Nasakh has created hundreds of chronogramms in Urdu, Persian and Arabic. Nassakh had a special ability to create chronogramms. Chronogramms are not only included in his Diwan but some books only contain chronograms also. This article gives you a brief overview on Nassakh's ability of chronogrammism
عبد الحلیم شرر بطور معاشرتی ناول نگار (تنقیدی مغالطوں کا تجزیہ)
No full textAbdul Haleem Sharar contributed to the Urdu literature simultaneously in the field of novel writing, journalism, poetry, composition, biography and drama writing. He has tried his hand in various genres of literature and any genre of literature that he adopted, he created new dimensions in it. However, much of his fame rests on his novel writing especially historical novels. Based on the fame of Sharar’s historical novel writing, there is a critical fallacy in the world of literature that a writer of historical novels could not depict his era and that all his social novels are fiction and that have a little attachment to the reality and they are not the true reflection of the society. Thus, due to this critical fallacy, Sharar’s social novels were not only completely ignored but these novels were also rejected. This critical fallacy made Sharar’s social novels futile for the public even for the critics. Thus, this fallacy closed the chapter of criticism and analysis on Sharar’s social novels and these novels were pushed into the valley of oblivion from where they could not be taken out till date. This article critiques that Sharar has contributed in the development of Urdu novel writing and these novel are undeniable and inevitable if one wants to get familiar with the political, social and cultural motivations of that particular era. This article also evaluates that a fair analysis is needed on the literary and artistic standard of social novels of Abdul Haleem Sharar
جوش ملیح آبادی کی انقلابی شاعری کا تنقیدی مطالعہ
No full textJosh Malihabadi is a famous poet of urdu literature. His poetry is based on many topics i.e politics, moralities, religion, romance and love of nature etc. Through his poetry, he also motivated the people of sub-continent to get freedom from british rulers. When we compare Josh Malihabadi to other poets, we find that Josh is different from all poets on the basis of his political poetry. That's why, according to his revolutionary thoughts, he was given the title of Shair-e-Inqbilab. In this article, his revolutionary poetry is thoroughly discussed. Moreover, some critical views of famous critics are also includedin this regard
چھانگیا رُکھ : دلت سماج کی سوانحی دلیل
No full textIn sub-continent the concept of classes is part of its social life from pre-historic times. When we search its basis we cannot ignore the Hindu religion, which is main cause to increase it. In Hinduism the concept of sect and cast is under cover of religion. Hinduism divided it's followers under four divisions as Barhamin, Vaish, Kashtri and Achoot. The lowest cast in Hinduism is also called Harajin, Dalit, untouchable cast. Achoots are considered as un-human, uncivilized and dirty people. They have no respect in society. Now the modern times people are rising their voices against this act. This protest is in many forms like drama, film and other forms of literature and education with the impact of literature an awareness is rising among the people. Because of this awareness and protest Dalit people are facing many hurdles in society. But awareness is provoking in Indian society. This rticle is the auto-biography "Changya Rukh" by Balbir Madhoupori. It discussed many aspects like un-human customs against Dalit people. Their role in society, limited sources of education and jobs "Changya Rukh" is well read auto-biography which is translated in many languages as well
عطا شاد: ادبا و شعرا کی نظر میں
No full textPoetic art in Urdu seems to be stunned in Balochistan as the multilingual environment of the province is completely overflowing with the poetic creation of the native languages. Amid such circumstances, Atta Shad proved to be the shining star in Urdu poetry as he introduced new trends in it. His mastery in the field of lexical choice is pretty enough to prove himself as a real morphologist. He lines are the reflection of nature, its beauty and Ata Shad's close association with natural object which can best be observed in Balochistan. A point worth mentioning about Ata Shad's poetic qualities is that his work is a window through which one can peep into Balochistan. The present study presents a true picture of Atta Shad's personality and his poetic works while at a time exploring the effects of poetic power on his personality. The study is likely to pave way for future researchers to explore Ata Shad as a person and a poet in the same shell
مخطوطات کے صوری محاسن کا تجزیاتی مطالعہ
No full textIn the study of 'Manuscripts' it is necessary to know some relevant techniques and sciences rather than the information of its particular part. It should include knowledge about letters, ink, paper, drawing, painting and other pictorial meritsto appreciate the value of a manuscript, so that, the value, antiquity and originality can be assessed. The knowledge of 'Manuscripts' should not only be known to the compiler but also to the catalogers of manuscripts and researchers. Undoubtedly, the internal evidence of a manuscript is a source of important information, but sometimes this information is also a cause of deception. Therefore, there should be information such as the origin of manuscript with respect to regional traditions, paper and volume. It is very beneficial and an important research need to combine the important information of the manuscripts, margins, manuscript corrections, painting ,decoration, quality and seal, etc. All the above discussions are not available in a single form and some of the discussions are not even mentioned in Urdu books. For this, by using the indexes of the manuscripts of different libraries and dictionaries, the details of important discussions are presented separately in this study
کئی چاند تھے سر آسماں میں" کشمیر کے متنوع رنگ"
No full textThis research paper is an attempt to highlight the natural beauty of Kashmir through a novel by Prof. Dr. Shams-ur-Rehman Farooqi "Kai Chand theSarAsmaan". This novel also brings to the fore the lost roots of our history. Prof. Dr. Shams-ur-Rehman Farooqi has skillfully mapped the areas of Kashmir, its customs and occupations, especially the professions. While reading this novel, the reader feels that he is not reading the novel but is present on the spot. Kashmir in "Kai Chand the SarAsmaan" and especially the description of its customs, traditions and beauty with great care certainly adds value to the novel. The people of state have called Kashmir as the paradise on earth. This region is the best example of nature's bounty due to its aesthetic and spiritual beauty. It makes the viewer fall in love. It is natural and natural for the landscape to be the subject of literature in a land whose power has been endowed with such abundant beauty and whose landscape is unique and exemplary in the whole world
Making Ideologies through Media Discourse: A Multimodal Critical Analysis of Comedy Talk Shows' Logos
Full text linkThe present study makes a multimodal discourse analysis of comedy talk shows' logos of Pakistani TV channels from the perspective of their ideology and meaning of image. To analyze multimodal discourses using social semiotics as a way gives a direction to analyze the multi-layered meaning in a discourse. For this purpose, 4 famous TV programmes' logos were selected. Faiclough' (1995) 3D model has been applied to make multimodal critical analysis of comedy talk shows' logosThe study highlights the ways through which ideologies and power relations are expressed. Results of the study indicate that these logos construct multimodal discourse through particular language and image, and ideally exercise their power and the mainstream ideology of TV channels in Pakistan