Journal of Research (Urdu)
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رشید امجد کی تنقید نگاری:تحقیقی و تنقیدی جائزہ
No full textDr. Rasheed Amjad is a well known short story wirter of the times but he did his PhD on famous modern Urdu poet Meera Jee and wrote meaningful criticism about Pakistani modern poetry and fiction. This article narrates his contributions in the field of criticism
قصبہ کہانی میں ہم عصر سماج
No full textIn this article with the method of close reading and historicity, it is argued that the novel of renowned Urdu literary historian Tabassum Kashmiri, Qasbah Kahani is a fine example of contemporary history. This novel, instead of describing directly the contemporary history, used symbolic and indirect stylistic methods to present and interpret it
اردو اور دیگر پاکستانی زبانوں کی لوک اصناف(اختلافات و اشتراکات)
No full textEvery living language is full of folk literature and poetry, which reflects the feelings and emotions of ordinary peoples. Urdu and other Pakistani languages like Punjabi, Sindhi, Pashto and Saraiki impact the folk characteristic and features of each other. Urdu and other Pakistani languages are include famous folk characteristic like Lori, Children Songs, Marriage songs, said songs (nohey), Tapa, Mahiya, Dhola, Chala and flok stories
شرق و غرب کا افسانوی ادب:اردو میں ترجموں کی ایک منفرد مثال
No full textBeing a profound reader of English Literature and an English writer as well, Mumtaz Shirin has shown commendable command over translation from western languages especially English. Her other distinctions in the field of translations is that she has successfully rendered many masterpieces of some eastern languages include Bengali, Marathi and Kannar. This makes Mumtaz shirin stand as a unique translator and this research article critically evaluated her contribution
فیلن کی اُردو بہ انگریزی لغت اور اس کے چند دلچسپ اندراجات و اسناد
No full textS. W. Fallon (1817-1880) is known for the dictionaries of the Urdu language (which was also known as 'Hindustani' at that time) that he compiled. There are several Urdu-English and English -Urdu dictionaries to his credit. But his dictionary that has attracted much appreciation, and some criticism as well, is titled "A new Hindustani-English Dictionary" and subtitled "with illustrations from Hindustani literature and folk-lore". Published from Banaras in 1879, it has a rich and invaluable collection of Urdu words, phrases, proverbs and quotations from Urdu and Hindi literature. A specialty of the dictionary is the inclusion of words and expressions from Urdu's regional dialects and rustic vernaculars, a feature that most of Urdu lexicographers did not deem fit for inclusion. This paper evaluates some of the critical opinions about this dictionary of Fallon's in the light of the modern lexicographic principles. It also studies some off the interesting and rare words/phrases/ expressions that have made it to the dictionary and are rarely found in other Urdu dictionaries considered authentic
رشید اختر ندوی کی تاریخ نگاری
No full textRasheed Akhtar Nadvi is well known historian and novelist. He has written many historical novel alongwith the books of history about difficult historical period and countries. This article is about the history written by him. The article reflects his vision about history. He knows the difficulties of an historian belonging to one particular religion or region because history needs objectivity. He writes the history of some Muslim period and countries. According to the article, he has succeeded to write these histories with the illusion of prejudice
اردو تنقید میں تہذیبی مباحث
No full textIn Urdu literature enormous work have been critically evaluated with social, economic and political dimensions of criticism, but in the late 19th century and early 20th century, a group of critics and intellectuals started appraising literature in cultural perspective. In result, history of Islamic culture covering thousands of years, among Dravidian culture, Arian culture, Hindu culture and Christian culture
سیرِ افلاک: اقبال اور معری کی نظر میں(تنقیدی و تقابلی جائزہ)
No full textAn imaginary journey of soul as accentuation to the world of Utopia or the world here after, this is a sort of visionary journey shared by the humanity at large right from ancient ages. It had been the heritage of various nations according to their regions perception and beliefs. The event of Escentuation "معراج" of the Holy Prophet (PBUH) is considered to be the Role Model / Precedent by the Muslim Sufi Scholars. Since this religious experience is of highly significance, thereby the Sufi Scholars holding the theory of pantheism are inclined to interpret this spiritual journey towards the ultimate destination of annihilation and union with Almighty Allah like a drop of water that annihilates itself in the occasion and becomes one with the whole. Iqbal disregard to the popular view of the Sufi Scholars, opines that the accentuation is not total diminishing but rahterely it is a path leading to everlasting life. Iqbal expressed with view in his book "جاوید نامہ" i.e "رسالۃ الخلود" In this regard al-Muarri (1057) is one of the scholars who in his "رسالۃ الغفران" discussed the same topic in length. This article deals with the critical study of the both authors with reference to their books, pointing out the various commonalities and the thoughts resulted therein
ممتاز حسین: مارکسزم سے روحانیت تک
No full textMumtaz Hussain is considered a critic from Marxist Camp. His criticism normally used the tool introduced by a long tradition of Marxism. But in his last days of his life while writing on Bagh-o-Bahar, he diverted himself towards metaphysics. He analyzed the plot and character of this Dastan in the context of metaphysics
متن: تعریف، حدودو امکانات۔ تحقیقی جائزہ
No full textResearch and criticism both are very important to editing literary masterpiece. In order to re-evaluating volumes of poetry or prose, Research is the foremost condition; followed by critical analysis and then the process through different stages of editing. Matter or text is required for all these stages of editing. Text may be in handwritten, composed by a composer/calligrapher/penman or in print form, comprising of the text words of the author without any alternation