Journal of Research (Urdu)
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نشاط کا نفسیاتی مفہوم۔ کلامِ غالب کی روشنی میں
No full textLife is an amalgam of grief and happiness. Poetry is a story of life, that is why it is not only a narration of grief but the echo of joyous song can also be heard. In the world of research and criticism Urdu poetry in general and classical Urdu poetry in specific is analysed by joining it with tragedy. It is true that tragic concepts are found in Urdu poetry. However, we cannot deny the fact that the assets of Nishatia concepts are also found in classical poetry. Khawaja Haider Ali Aatish is called the representative of "Nishatia Aahang" in classical Urdu poetry alongwith Kalam-e-Aatish in Urdu poetry based on Nishatia manner of feeling can also be found with Mirza Ghalib poetry. The word "Nishat" is presented by Ghalib in his verses in a unique and impressive way. What we need to understand the poetic psyche of Ghalib. Through this paper the psychological meaning of "Nishatia Aahang" and "Nishatia Keifiat" can be well understood just by getting the psychological understanding of the word Nishat itself through the poetry of Ghalib
جدید افسانے کے تناظر میں مستنصر حسین تارڑ کی افسانہ نگاری
No full textMustansir Hussain Tarar is a well known Urdu writer and a Multi dimensional personality. He is an Actor, Compare, T.V. Anchor, Tourist, Novelist, Columnist and a short story writer. The article is an analytical study of Mustansir's short story writing with the fact that this part of His fiction writing is mostly neglected. His stories contained mostly the modern techniques of modern Urdu short stories. The researcher has analyzed his short stories in the perspective of modern Urdu short story techniques and its locale. Tarar has made his short stories more impressive through the modern techniques as myths, folklore, absurdity and his vast knowledge of all the world and history. His short stories are a mirror to his age of Marshal laws and internationally power politics. All of his fiction writings style can be seen in his short stories
فکشن میں کردار نگاری کا فن
No full textThe Art of characterization is of great importance in fiction. Different discussions of the development of characters had started with the critical thinking of Aristotle. Which are the features that transform the living beings into the characters of fiction and which aspects are considering in the same discussion
جدید اُردو غزل میں اظہارِ ذات(ساقی فاروقی کےحوالے سے)
No full textModern Urdu Ghazal due to its new sensibility has possessed unique kinds of dimensions. In it, the process of self expression attains a paramount importance in particular, by which a poet reveals his personality and self with superb creative craftsmanship. Saqi Farooqi is a modern poet of Ghazal who has created a new atmosphere of verse by harmonizing self, personality and Ego, and used his Ghazal as a means to the discovery of self
کلامِ فیض اور سرائیکی شاعری میں مماثلت
No full textThis article reveals an interesting dimension of history of Urdu literature. Although there is no evidence that lighter in his life times Faiz real Seraiki poetry or he was impressed by any legendary Seraiki poet but there are some similarities in Faiz poetry and Seraiki poetry. This article tries to find the similarities
شہزاد:علی پور کے ایلی کا ایک کردار۔تانیثیتی تناظر میں
No full textOur society has double standards regarding men and women's goodness, morality and character. Literature and especially in fiction the female characters are usually analyzed from these double standards. Thus even the feministic critics have been unable to free themselves from the grip of these double standards. The main female character of Mumtaz Mufti's famosu novel "Alipur ka Alie", Shahzad, has also been judged from this prospective. This study is an attempt to undrstand "Shahzad" from being a human being instead of simply as a morally currupt, fake and hollow women
ہاجرہ مسرور کے افسانوں کی فکری جہات
No full textThe article argues the contributions of Hajra Masroor's short stories in Urdu fiction. Hajra Masroor is, undoubtedly, one of the top ranking Urdu short story writers. Starting a literary career along with her elder sister, Khadija Mastoor, Hajra's insight into middle and lower middle class life and life in the feudal rural areas has produced some great, touching Urdu short stories. In spite of her passion for detail most of her work is enjoyable reading and thought provoking
کامیاب ادارت کی ایک روشن مثال:مرزا ادیب
No full textMirza Adeeb was a very well known short-story and drama writer. But a few people know that he was a successful editor of a literary Urdu journal named Adab-e-Latif. Adab-e-Latif started its publication in March 1935 from Lahore. Mirza Adeeb joined it in September 1935 and introduced it in literary circles. He did a wonderful job and made the journal an organ of Urdu Progressive Writers. He left it in August 1940 due to some unavoidable circumstances. In 1949 this journal was facing crisis and was in a very bad shape. Again Mirza Adeeb offered his shoulders and took the responsibility of its editorship. He remained there till July 1962. During his two times stay Mirza Adeeb introduced many new short story writers and poets who are now big names of Urdu literature. Adab-e-Latif was a trend setter journal but when he left it, it became an experimental lab for many editors to come and go. Still Adab-e-Latif is waiting for some Mirza Adeeb
خواجہ میر درد کا صوفیانہ مسلک
No full textKhawaja Mir Dard Dehlvi is a great poet of the eighteenth century who put the complex philosophy of Sufism into poetic form. He did not present Sufism merely as a spiritual ideology, but adopted it as a code of conduct. Belonging to the Naqashbandi Sufi tradition the Sufi thought of this poet is based on obeying God and the path driven by Nabi Pak SAW. Dard’s consciousness of Sufism is beyond the discrimination of color, race, religion and linguistic prejudice and favors love of humanity. Hid belief is Wahadat-uil-Shahudi ideology makes him see the reflection of God in everything. Inspite of his faith in mortality of the world, he never promoted lack of action, rather than his thought is based on pragmatism
مجلہ فنون کی تحقیقی جہت: ایک جائزہ
No full textIt is one general perception about the literary journals that they have only poetry, fiction and other creative genres along with some criticism in their contents. This article dismantles the perception and tells us that the literary Journals have some research articles too. There appeared much research debate on the pages of Funoon. In its very first issue there was a marvelous research article about God. Till the latest issue this tradition is alive. In this article, this tradition has been highlighted and analyzed